Music Review: “Divided & United: The Songs of The Civil War” – Various Artists [ATO Records]

Divided & United: Songs of the Civil War

One of he bloodiest periods in American history, the Civil War (or the War of Northern Aggression as it’s often referred to south of the Mason/Dixon,) left deep and lingering cultural wounds in the nation’s psyche. These scare are often picked at by the ignorant, the malicious and those depraved enough to exploit them for power.

It’s said that music as a healing and uniting force. I believe it can be. Like Nitty Gritty Dirt Band’s 1972 watershed release, “Will the Circle be Unbroken, Movie soundtrack producer Randall Poster’s “Divided and United – Songs of the American Civil War” beings together generations of country and roots musicians to interpret’s songs from both sides of the conflict.

Legends abound on “Divided and United.” Loretta Lynn’s take on “Take Your Gun and Go, John” is a stark with Lynn’s accompanied by banjo and fiddle. Her Southern lilt put an odd twist on this popular Union call to arms.

Del McCoury and Ricky Skaggs conjure bluegrass magic on the lost love lament “Lorena” and the bloody tale of brothers-in-arms “Two Soldiers,” respectively.

New blood represents the past equal aplomb. Sam Amidon’s gives a spirited performance on Joseph Philbrick Webster’s 1860 composition “Wildwood Flower” and new Opry inductees Old Crow Medicine Show give passionate performance on the globally popular “Marching Through Georgia,” though their double-time conclusion would have troops marching right past their destination.

Dirk Powell and Steve Earle trade off dutifully on the “Just Before the Battle, Mother Farewell, Mother” and makes me wish that Earle would tackle more music in this vein. Vince Gill’s expressive voice brings out the innate melancholy of a drummer boy fatally wounded at the Battle of Gettysburg on “For The Dear Old Flag, I Die.”

Charleston duo Shovels & Rope give a woozy ramshackle rendition of, naturally, “The Fall of Charleston.” John Doe’s cajun flair to “Tenting on the Old Camp Ground” and it’s ground-level account of loss and battle.

A collection like this wouldn’t be complete without the presence off T Bone Burnett, But instead of his usual shepherding of the effort he lends his halting voice to recounting the single bloodiest event in American history on “The Battle of Antietam.”

In many ways “Divided and United” tills the same ground as Nitty Gritty Dirt Band’s 1972 watershed release, “Will the Circle be Unbroken.” Ages-old, deeply rooted, American music draws together generations in common reverence and celebration. This wonderful collection has the added dimension of addressing past scars and bringing just a little humility, understanding and empathy.

Buy

Watch Out! Alan Jackson: “Blacktop” on David Letterman

Alan Jackson - Letterman

Alan Jackson did more than sit around and gripe about the sad state of commercial country music. He went out and made a damn fine bluegrass album and reminded us all how great that music was and can be.

David Letterman and his crew continued their fine tradition of supporting fine country, roots and Americana music as they welcomed jackson and his cracker-jack band (in bluegrass is there any other kind?)

Jackson and Co. performed “Blacktop” from the newly released, and straightforwardly titled, “The Bluegrass Album” (Alan’s Country Records/EMI Nashville)

http://www.youtube.com/watch?v=I4jdefl2JS4

Watch Out! 10 Murder Ballads for Halloween

Johnny Cash - Delia's Gone

Hello ghouls and goblins! Halloween celebrations in some form has a long and rich tradition in 16th century European and Scandinavia. At roughly the same time the murder ballad evolved right along with it. Both washed up on these US shores with the pilgrims and were shaped, over time, with our own uniques cultural influences and musical styles.

Gallons of blood, and scores of lifeless bodies, have been detailed in many harrowing ditties. The genres of folk, bluegrass and country music count more death and malice
than in metal and gangster rap combined (to be fair, they have had centuries to stack up bodies.)

I bring to you this spooky season some contemporary versions and variations of the murder ballad. From the Wilburn Brothers’ version of “The Knoxville Girl,” an Appalachian murder ballad, derived from the 19th-century Irish ballad The Wexford Girl. There also modern takes like Lindi Ortega’s menacing “Murder Of Crows.”

Enjoy these dark treats and leave your favorites in the comments.

Wilburn Brothers – Knoxville Girl

Rachel Brooke – The Black Bird

Th’ Legendary Shack Shakers – Where’s the Devil?
https://www.youtube.com/watch?v=tgphO4JJIrw

Lera Lynn – Bobby, Baby

O’Death – Lowtide – Video

Stab – The Pine Box Boys

Lindi Ortega – Murder Of Crows

Porter Wagoner – Cold Hard Facts Of Life
http://www.youtube.com/watch?v=pl4yjGzWOvI

Bobbie Gentry – Ode To Billie Joe

Johnny Cash – Delia’s Gone

NASHVILLE 2.0: The Rise of Americana to Air on PBS This November

Nashville 2.0

NASHVILLE 2.0 kicks off the “PBS Americana Music Weekend,” which pairs this documentary with an Americana music concert from PBS’ iconic Austin City Limits (ACL) series. In a special episode, ACL travels to Nashville to capture performance highlights from the 2013 Americana Music Association Honors & Awards. ACL PRESENTS: AMERICANA MUSIC FESTIVAL 2013 airs November 23rd on PBS in select markets (check local listings for broadcast dates and times)

The hour-long film was co-directed by Carol Stein and Susan Wittenberg (the duo behind 2011‘s Women Who Rock) and will feature a lineup of some of the best rising and veteran country, folk, rock and multi-genre artists prominent in building the Americana movement.

The special will incluse includes performances by, and interviews with, Alabama Shakes, The Avett Brothers, Billy Bragg, Laura Cantrell, Carolina Chocolate Drops, Rosanne Cash, The Civil Wars, Elizabeth Cook, Rodney Crowell, Dawes, Jerry Douglas, John Fullbright, Shakey Graves, Emmylou Harris, The James Hunter Six, Jason Isbell , Amanda Shires, Jim Lauderdale, The Lone Bellow, The Mavericks, The Milk Carton Kids, Buddy Miller, Mumford & Sons, Shovels and Rope*, Richard Thompson, and Dwight Yoakam.

This is hardly an exhaustive list, and not all of these artists are from, or reside, in Nashville. Buy Music City has become the de-facto hub of the Americana Music industry.

For now.

Hardly Strictly Bluegrass: 11 Must-See Acts

Hardly Strictly Bluegrass 13

There’s no denying the amount and quality of talent on the bill every year at the Hardly Strictly Bluegrass festival. Act-for-act no other festival only event can touch it for some of the finest Americana and roots. Then there’s the breathtaking backdrop of Hellman Hollow in San Francisco’sGolden Gate Park. Oh, and it’s free.

This combination is both good and bad. The quality is high and music plentiful, but the free access brings in droves of folks, and they increase every year.

This 13th year of the free festival does it’s benefactor, the late, great Warren Hellman, proud. I imagine him sitting in heaven, his lanky legs hanging off a cloud, strumming with his banjo with the bands playing below.

With 6 stages many folks choose to pay a blanket at a single stage and stay put. Some, like me, travel through the ocean of humanity to catch key acts and serendipitous discoveries.

With 6 stages brimming with greatness you really can’t go wrong setting up a blanket with refreshments at a single stage. Some (like me) prefer wandering stage to stage through the ocean of humanity sampling the ample musical ware and happening upon serendipitous discoveries.. The full bill really is a bounty to satisfy any roots music vet or for greenhorns looking for an crash introductory course.

Here re some well-known and less well-known acts I’ve circled on my must-see list.

Friday:

The Felice Brothers: The grittier, and more literate, alternative to Mumford and The Lumineers. Sometimes woozy, oftentimes chaotic, their performances are always passionate and their songs of common desperation and love is reminiscent of The Boss. 2:10pm – Rooster Stage

First Aid Kit: I’m not typically a fan of winsome singers, I’m more of a belter fan. But this Swedish indie-folk duo has won me over Sisters Johanna and Klara Soderberg, are winning over U.S. fans with their brand of breezy pop-Americana. 4:30pm – Rooster Stage.

Father John Misty: This ex-Fleet Fox first appeared on Bay Areas musical map after his exhilarating performance at last year’s Outside Lands. Roots stamped with psychedelic overtones and general weirdness. No telling where this could lead. 4:15pm – Arrow Stage

Bonnie Raitt: Is blues Americana? i have my opinion, bit there’s no denying the legendary talent of last year’s Grammys for Americana Album of the year. Expect catchy blues-rock with spicy guitar chops sprinkled. 5:45pm – Banjo Stage

Saturday:

Patty Griffin: This Austin, Texas treasure is touring behind her extraordinary “American Kid” and just before the proper release of her lost gem “Silver Bell.” Show up to hear cuts from these, and her extensive catalog. Also Buddy and “Percy” might show up. 4:05pm – Rooster Stage.

Robert Earl Keen: Many HSB faithful arrive just to see this Aggie put on one of the best truckless tailgate parties ever. Prepare to drink and sing at the top of your lungs. 5:30pm – Rooster Stage

Sturgill Simpson: Simpson is a reluctant contemporary agent of the Outlaw Country aesthetic. This is what makes him perfect for the role. Come hear him and his hot-brand band single-handedly put Music Row to shame. 6:05pm – Porch Stage

Sunday:

Shovels & Rope: The Charleston, South Carolina duo Cary Ann Hearst and Michael Trent of Shovels & Rope won the song of the year for “Birmingham” and emerging artist of the year at the recent Americana Awards. Come to see why their brand of gritty soul , ramshackle performance and engaging stage banter make them a fan favorite. 11:00am – Arrow Stage

Mike Farris & the Roseland Rhythm Revue: Like soul? Like Gospel? This is where you need to be. Ferris’
heavely vocals matched with the McCrary Sisters will assure a toe-tapping and booty shaking great time. 11:00am – Banjo Stage

Tim O’Brien & Darrell Scott: A decade after their first collaboration these master craftsmen are back with their latest “Memories & Moments.” Come gather around children and sit at the feet of lends and take note at how it is done. – 3:05pm – Banjo Stage

Della Mae: Sure their a band of hotties. But what’s hotter is their chops. Come for a heavy does of strictly bluegrass hold the hardly.

Americana Music Awards Winners 2013

Shovels and Rope Americana Awards

The Ryman Auditorium, the Mother Church of Country Music, was again a fit setting for the Americana Music Awards, kicking off a week-long Americana Music Conference. A ceremony that the evening’s MC, the incomparable Jim Lauderdale, set the tone by saying “The past matters, traditions matter, even when we explore ways to have those traditions extended and expanded.”

The night’s nominees and performers were on hand to offer proof and testimony of that reflective sentiment.

Charleston SC husband and wife duo Shovels & Rope took home two awards, Emerging Artist of the Year and Song of the Year. At the podium a notably choked-up Cary Ann Hearst said, “All we ever wanted to do was make music the rest of our lives and.…propel ourselves into a normal existence.’

Hearst could have been speaking for all the nominees, presenters and many in attendance this night.

An unannounced Delbert McClinton lead things off with Hank Williams’ classic “Hey, Good Lookin.’” His granddaughter Holly Williams , and daughter Jet Williams, accepted President’s Award for Hank Williams on the day after what would have been Hank’s 90th birthday. Holly said in acceptance , “Hank would be Americana if he was alive today.” She then performed a lovely rendition of “I’m So Lonesome I Could Cry” on the same stage her grandfather stood brining Opry crowds to their feet many years ago.

Emmylou Harris and Rodney Crowell won 2 awards for duo of the year and album of the year for their collaboration on Old Yellow Moon. The veteran performers used their time onstage to congratulate the other nominees, Harris’ ex-husband and longtime producer Brian Ahern, and reminisce about their 40-year friendship.

John Fullbright and Shovels & Rope reminded that there s new generation that is carryon on tradition and shaping it in unexpected and electrifying ways by bring the house down around the capacity.

Jim Lauderdale choked back emotion as he presented the Lifetime Achievement Award in Songwriting to his mentor, collaborator and Grateful Dead lyricist Robert Hunter. Hunter then played his first public performance in almost a decade by doing the Dead’s classic “Ripple.”

Austin was represented in great form by nominees Kelly Willis and Bruce Robison performing “Border Radio.” Richard Thompson folioed by performing “Good Things Happen To Bad People” from his Buddy Miller produced “Electric.”

The Black Keys’ Dan Auerbach presented the Lifetime Achievement Award for Performance to Louisiana’s JuJu master Dr. John. Auerbach recounted Dr. John’s extraordinary, and sometimes dangerous, career trajectory. “Songwriter, bandleader, hustler – the guy who found work for his friends when they needed it – A&R executive, keyboard player, a phenomenal guitarist”. Auerbach added that the John was: “A man whose music transcended race and cultural divides… A man who’s been in the right place at the wrong time and lived to write the songs.”

Auerbach then strapped on a guitar to accompany Dr John for ‘I Walk On Guilded Splinters’ from his 1968 debut album, ‘Gris-Gris’, accompanied by the house band of legendary session musicians, led by Buddy Miller and including Don Was, Larry Campbell, Marco Giovino, John Deaderick, Jim Hoke and the McCrary Sisters.

Emerging artists nominee John. JD McPherson followed this up with a spirited performance of his rockabilly hit “Northside Gal.”

The ABC Nashville television drama overlapped this night as Lennon and Maisy Stella covered The Lumineers “Ho, Hey!” much like they did on an episode the show itself.

Guitar interpretive master Ry Cooder presented Jack Emerson with the Lifetime Achievement Award for Executive by recounting his many ventures south of the border to chase unique music. Following was Old Crow Medicine Show, who the devious night had been inducted in to the Grand Ole Opry fold. Naturally they played “Wagon Wheel.” Actor Ed Helms presenting Old Crow with the Trailblazer Award in the form of a WW2 era Harmony guitar with the lyrics of “Wagon Wheel” written on it.

Nicki Bluhm and Sam Bush pleasantly surprised the crowd by announcing the 2013 Artist of the Year award for the Dwight Yoakam. In response to an audible disappointment from the audience that Yoakam was on tour and not in attendance.
Sam Bush accepted the award on Dwight’s behalf and that he wore the “tightest pants I have.”

This was followed by a performance from the golk-duo Milk Carton Kids then BBC Radio’s Bob Harris presented the Lifetime Achievement Award for Instrumentalist to Duane Eddy who then played his most famous instrumental, “Rebel Rouser.”

The Spirit of Americana Freedom of Speech award went to Stephen Stills, who played the Buffalo Springfield classic 60s anthem “For What It’s Worth” alongside fellow Buffalo Springfield member Richie Furay and guilt-slinger Kenny Wayne Shepherd.

Dr. John led the final song, with many of the performers – Emmylou Harris, Rodney Crowell, Buddy, Jim, Old Crow’s Ketch Secor, Rosanne Cash, The Civil Wars’ Joy Williams, Shovels & Rope, Billy Bragg and Aiofe O’Donovan united to sing Rodney’s “Leaving Louisiana in the Broad Daylight.”

Then it was out into the sultry Nashville night to attends various venue showcases where the future Americana Music Award winners would be perfecting their considerable craft for us fortunate enough to be here.

Listen the the Americana Music Awards Winners from the NPR archives.

Americana Music Honors & Awards 2013 Winners:

Album of the Year: “Old Yellow Moon,” Emmylou Harris & Rodney Crowell
Artist of the Year: Dwight Yoakam
Duo Group of the Year: Emmylou Harris & Rodney Crowell
Song of the Year: “Birmingham,” Shovels & Rope
Emerging Artist of the Year: Shovels & Rope
Instrumentalist of the year: Larry Campbell
Trailblazer Award: Old Crow Medicine Show
Spirit of Americana / Free Speech in Music Award co-presented by the Americana Music Association and the First Amendment Center: Stephen Stills
Lifetime Achievement for Instrumentalist: Duane Eddy
Lifetime Achievement Award for Executive: Chris Strachwitz
Lifetime Achievement for Performance: Dr. John
Lifetime Achievement Award for Songwriter: Robert Hunter
President’s Award: Hank Williams

10 Upcoming Bands To Catch At AmericanaFest 2013

ama banner

Every time I head across this great nation to Music City to attend the always enjoyable Americana Music Association Festival, Conference and Awards Ceremony (whew!) i always come home with great memories.

Most of those memories concern showcase bands and performers I hadn’t I hadn’t planned on seeing, Some where bands that were not part of the official showcase but were caught off the official badge accessible path.

Though there is no knowing the unknowable, but here are some ands that might not be at the top of AmericanaFest goers list. But they should be.

1. The Lone Bellow – The next wave of Pop-Americana raises that car on harmony and musicianship.

2. JD McPherson – The buzz is heavy around this Oklahoma native (seriously Oklahoma? Wasn’t John Fullbright enough excellence) digs into rocks past and delivers it fresh and hot.

3. St. Paul and The Broken Bones – Birmingham-based band St. Paul and the Broken Bones performs a review of neo-soul sure to please.

4. Dugas – Speaking of soul, Winnipeg, Canadaian siblings Sarah & Christian Dugas brings it with a Southern flair.

5. Matrimony – ‬Lovely melodies and ‪Ashlee Hardee Brown‬’s impassioned vocals makes Charlotte, North Carolina-based Matrimony a must-see.

6. Hurray for the Riff Raff – Maybe less under the radar, but never-the-less a well-known favorite at Casa Twang. New Orleans-based singer/somgwriter Alynda Lee Segarra and her revolving collective, known as Hurray for the Riff Raff, packs houses wherever they play.

7. NQ Arbuckle – Since 2002 Toronto-based NQ Arbuckle has been making their brand of whip smart and hart felt alt.country.

8. Nicki Bluhm and The Gramblers -Bay Area-based singer/songwriter Nicki Bluhm has pipes that got her invited to perform with the Chris Robinson, Bob Weir, Phil Lesh, Warren Haynes, Grace Potter, The Avett Brothers. Her crackerjack band since 2003 8, The Gramblers, lay down just the right amount of heat.

9. Willie Sugarcapps – Of the handfull of Americana Music supergroups taht have come about Willie Sugarcapps is one of the most super. The star-studded band features Will Kimbrough, Sugarcane Jane, Grayson Capps and Corky Hughes melding together thier considerable talents.

10. Parker Millsap – Purcell, OK (Oklahoma!) native Parker Millsap is what you might call a troubadour. His excellent song-craft, expressive and gritty vocals front one hell of aa great band.

Hardly Strictly Bluegrass 13 Line-Up Announced

Hardly Strictly Bluegrass 13

The good people at Hardly Strictly Bluegrass have released the roster for this years event and it’s another winner.

For those uninitiated, HSB is one of the premier Americana and roots music festivals in the world.
The annual event is held on the first Friday, Saturday and Sunday in October on 5 stages stretching across a location in Golden Gate Park formerly named Speedway Meadows but renamed Hellman Hollow in 2012, to pay homage to the late HSB benefactor, private equity investor and banjo enthusiast, Warren Hellman.

The 13th version of the festival does not disappoint as there is few Americana and roots festivals with this number of quality acts. it also has the benefit of being free. Well, it’s benefit in one sense, but the swelling os not always pleasant crowds in recent years does take a toll.

The 41 confirmed acts offers exciting newcomers like Sturgill Simpson, Trampled By Turtles, Della Mae, First Aid Kit, Sallie Ford & The Sound Outside and local favorites Nicki Bluhm & The Gramblers and The Devil Makes. Americana and roots stalwarts like Buddy Miller, Joe Ely, Jimmie Dale Gilmore & Butch Hancock (aka The Flatlanders), Jon Langford, Patty Griffin, Tim O’Brien & Darrell Scott.

The folk-rock pioneers The Waterboys will be appearing as well as the legendary Ralph Stanley & The Clinch Mountain Boys. The whole thing wraps up in traditional fashion with the woman that has closed the event since it’s beginning and embodies the spirit of the event, the extraordinary Emmylou Harris.

Find below the full line-up. The per-day stage schedules will be announced soon and I will update his post with the information.

When: Fri Oct 4th, Sat Oct 5th (11am – 7pm), and Sun Oct 6th, 2013 (11am – 7pm).
Where: Hellman Hollow (formerly Speedway Meadows), Lindley & Marx meadows in Golden Gate Park, San Francisco, CA.

Mark Lanegan, Bonnie Raitt, Patty Griffin, Conor Brings Friends For Friday Featuring: Whispertown, The Cave Singers, The Felice Brothers, The Evens, First Aid Kit, Conor Oberst, Pieta Brown, Joy Kills Sorrow, LP, The Handsome Family, Jesse Dee, Alison Brown, Gogol Bordello, Boz Scaggs, Paul Kelly, The Deep Dark Woods, Justin Townes Earle, Emmylou Harris, The Devil Makes Three, Calexico, Ralph Stanley & The Clinch Mountain Boys, Martha Wainwright, The Brothers Comatose, Elvin Bishop, Jon Langford & Skull Orchard acoustic / FREAKONS, Low, Tumbleweed Wanderers, Richard Thompson, Tim O’Brien with Bryan Sutton & Mike Bub, Moonalice, Chris Isaak, Buddy Miller, The Time Jumpers featuring Brad Albin, Larry Franklin, Paul Franklin, Vince Gill, “Ranger Doug” Green, Andy Reiss, Dawn Sears, Kenny Sears, Joe Spivey, Jeff Taylor & Billy Thomas, Kieran Kane, Kevin Welch & Fats Kaplin, The Flatlanders featuring Joe Ely, Jimmie Dale Gilmore & Butch Hancock, The String Cheese Incident, Nick Lowe, Mike Scott & Steve Wickham of The Waterboys, Steve Martin and Steep Canyon Rangers featuring Edie Brickell, Freakwater, The Go To Hell Man Clan, Tim O’Brien & Darrell Scott, Billy Bragg, Loudon Wainwright III, Dry Branch Fire Squad, Mike Farris & The Roseland Rhythm Revue, Steve Earle & The Dukes, Kate McGarrigle Tribute with Martha & Sloan Wainwright & Special Guests, Holler Down the Hollow: A Hardly Strictly Salute to the Masters, Sturgill Simpson, Peter Rowan Bluegrass Band featuring Yungchen Lhamo, Sallie Ford & The Sound Outside, Shovels & Rope, Seldom Scene, Natalie Maines, Dave Alvin with Greg Leisz, Evolfo Doofeht, Allah-Las, Buddy Miller & Jim Lauderdale, G. Love & Special Sauce, Robert Ellis, Spirit Family Reunion, Bettye LaVette, Supermule, MC Hammer (Friday morning middle school program), Trampled By Turtles, The Warren Hood Band, Della Mae, Los Lobos Disconnected, Father John Misty, Jesse DeNatale, The Wood Brothers, Ryan Bingham, Jerry Douglas, Sonny & The Sunsets, Nicki Bluhm & The Gramblers, Tift Merritt, Kat Edmonson, Laurie Lewis & The Right Hands, The Forest Rangers with Katey Sagal,
Manchester Orchestra, Poor Man’s Whiskey (Friday morning middle school program), Robert Earl Keen

Americana For All

carolina chocolate drops

I’ve been kicking around the ideas to address Giovanni Russonello’s “Why Is a Music Genre Called ‘Americana’ So Overwhelmingly White and Male?” i heard my mom’s advice in m mind,
“just walk away from the stupid.” Part of it was my dad’s voice “Teach ’em a lesson.” i’ve decided to go with dad on this one.

Russonello’s piece frames the recent six-week “Americanarama” tour to argue that the tour’s roster, which included Bob Dylan, Wilco, My Morning Jacket and Ryan Bingham – represents a larger cultural exclusion rampant in the genre.

Setting aside the argument that the “Americanarama” bill does not really represent the contemporary Americana genres, let’s address the premise of “Overwhelmingly White and Male”

Early country, folk and bluegrass have generally appealed to a predominantly anglo audience. Partly because many of the songs are from European source material performed by mostly white people. The trend in these genres have mapped closely to the trends in American society in general and, as opportunities have arisen, woman and people of color have stepped up to represent their unique take on the music.

The difference is that Americana proper (and it’s cousin alt.country) have never been exclusionary.

It’s introduction into popular culture came in the 80’s as MTV gave us the L.A. cow punk band Lone Justice , featuring the gritty soul of Maria McKee, and their “Ways to be Wicked” and “Sheltered videos in rotation with Jason and the Scorchers and The Georgia Satellites on the 24- hour feed.

At the same time kd Lang and Roseanne Cash joined Steve Earle, Dwight Yoakam and Lyle Lovett in shaking up Nashville.

Soon after bands like The Meat Purveyoyers, Freakwater , Neko Case, Gillian Welch, the Cowboy Junkies, Hem, Tarnation – all bands prominently featuring female artists – laid the groundwork for Americana.

An allum of the watershed “O Brother where art thou” roster, Alison Krauss, has the enviable honor of having won the most Grammys by a female artist with twenty-seven (!)

Hardly the good-old boys club that article paints for the genre.

Then there’s this:

“… if an art form is going to name itself after this country, it should probably stop weatherproofing itself against America’s present-day developments. And it hardly seems like enough to say you’re carrying on the legacies of black gospel and blues if the performers and listeners venerating them are almost all white.”

The claim that Americana is “carrying on the legacies of black gospel and blues” is specious. True, some artist incorporate gospel and blues within their style, to say that Americana is carrying on the legacy of those sage musical genres is insulting to these thriving genres and their decades of practitioners.

And the argument that since the genre appeals to a particular segments of the population signifies that genre exclusion of others is ridiculous. Much of music is self-identity. If a segment of society don’t see themselves in the performers and their stories it follows that they wouldn’t be compelled to buy the music or attend the shows. Early hip-hop was a primarily African -American cultural phenomenon which has now transcended. As for as I know on one was accusing hip-hop of excluding anglos.

Just as people of color have taken different roads to Americana, and have contributed to it’s evolution. Los Lobos and Alejandro Escovedo bring a uniquely chicano take to the music. The Carolina Chocolate Drops and newcomer Valarie June have infused the genre with African-American string-band and folk-soul influences receptively.

Russonello places Dylan as the “the father of Americana” (I would argue Gram Parsons or Townes Van Zandt) and then points to the current shining light, Jason Isbell, as not heading the lessons of Dylan and providing anything “new.” The argument could be made that Dylan at the beginning of his career, as Isabell still is, brought nothing that hadn’t already been done by Guthrie and Seeger. Russonello then makes the case that “Music gets its power from a keen, contemporary perspective” and then “it feels facile to let this one strain of yellow-page nostalgia represent it.”

This is just lazy. Though the form, the music and singing styles harken back to a yesteryear , topics are either contemporary, like Isbell, Todd Snider and Steve Earle or dealing with the great human truths – love, hate, death – that transcend any time period.

Though the article does a serviceable job of tracing roots music’s trajectory thorough time, the conclusion shows a bias of the writer. Anything this white and male met be a conspiracy..

Americana does reflect an idealized notion of the the past (as Americans are prone to do,) but to confuse the predilections of subjective taste enjoyed by some as a kind of organized Jim Crow-style musical segregation insults a music and musicians that I celebrate daily. It also, ironically, displays a type of bigotry that all cultural forms must undergo some forced, artificial desegregation toward some imagined moral purity.

Let freedom twang!