“Cowboy†Jack Clement has carved out a storied career as a sinsinger/songwriter having his songs have been recorded by folks such as Johnny Cash, Dolly Parton, Ray Charles, Carl Perkins, Bobby Bare, Elvis Presley and more. A producer for Townes Van Zandt and Waylon Jennings and DJ with a weekly program on Sirius XM Satellite Radio’s Outlaw country)
The Memphis-born, 81-year-old, Clement recently lost his house to a fire in 2011. Now some of his friends are coming together at the War Memorial Auditorium in Nashville January 30 to help out.
According to American Songwriter “one of those musicians was Artist Growth founder Matt Urmy, who Clement recently produced, Artist Growth joined up with Dub Cornett, a long time protege of Clement’s, to put together Honoring A Legend: A Tribute To “Cowboy†Jack Clement, featuring an all-star list of artists influenced by and associated with Clement.”
Emmylou Harris, John Prine, Dan Auerbach from the Black Keys, Kris Kristofferson, Charley Pride and more will gather to pay tribute to “The Pied Piper of Music City.â€
All proceeds for the concert will go toward The Music Health Alliance and launching the “Cowboy†Jack Clement Fund to help the cost of medical bills for musicians not covered by insurance.
Dan Auerbach
Bobby Bare
Marshall Chapman
Rodney Crowell
Jakob Dylan
Emmylou Harris
Charley Pride
John Prine
T-Bone Burnett
Billy Burnette
Shawn Camp
Mary Gauthier
Kris Kristofferson
Nikki Lane
John C. Reilly
Fresh on the heels of their best-selling sophomore album, Babel, Mumford and Sons have announced the release of a new concert film, The Road to Red Rocks.
The film documents an August 2012 at the legendary Red Rocks Amphitheater in Morrison, Colo., supporting that same album. The DVD will on Blu-ray and in a special package including vinyl and a 96-page booklet. The Road to Red Rocks is set for release on 11/26 in the U.K. and 11/30 in New Zealand and Australia, but won’t be released until 1/22 in the U.S.
Check out the film’s trailer and the performance set list below.
The Road to Red Rocks Set list
1. Lovers Eyes
2. Little Lion Man
3. Below My Feet
4. Roll Away Your Stone
5. Lover of the Light
6. Thistle & Weeds
7. Ghost That We Knew
8. Awake My Soul
9. Whispers
10. Dustbowl Dance
11. I Will Wait
12. The Cave
San Francisco’s Cafe Du Nord was built at the beginning of the last century (1907) and it’s Victorian elegance provided the perfect setting for The Trishas angelic harmony. It’s history as a speakeasy during Prohibition gave the place a sense edge that reflected the groups’ menace hat often appears in the Austin Texas quartet.
Once the ridiculous techno house music was cut The Trishas stood at the edge of the tiny stage, perched looking to be ready for take off. “Welcome to our sound check.” Kelley Mickwee announced while tuning her mandolin. “Glade to be here” someone from the crowd called back. And you could tell they were.
The band’s first show in San Francisco (but not their last, they’ll be back in a month perform the Hardly Strictly Bluegrass Festival) has them touring behind their newly released “High, Wide and Handsome, ” which comprised most the entire too-brief set, reflected and solidness of that release. Not a filler cut to be found. Savannah Welch, Liz Foster, Kelley Mickwee and a viability pregnant Jamie Wilson (which caused me no small level of consternation when I saw her carrying her own equipment to and from the stage) backed by honorary Trisha multi-instrumentalist and singer/songwriter in her own right Brandy Zdan had the crowd right where they wanted them with the jubilant opening number Mother of Invention.
Along with their own solely-penned compositions the fertile creative environment their home turf was reflected in songs co-written on with some of Austin’s finest. The pick-your-poison love song Liars & Fools was co-writteen by Jason Eady and the melancholy Cheaters Game co-written by Bruce Robison.
Little Sweet Cigars, co-written with Oklahoma;’s Turnpike Troubadours’ Evan Felker, with it’s galloping spaghetti western with the warding refrain (When you’re kissed by a fool, you’re fooled by a kiss) was a particular highlight causing my friend that had accompanied me to spontaneously to yell out “That’s my favorite song!”
The happenstance formation of the Trishas is well documented , and this night proved that there are such things as perfect accidents.
If you live in, or are visiting, Nashville early next month you might want to set aside some time to see Secret Sisters play the beautiful War Memorial Auditorium on Sept. 6th. if you want a chance to win two tickets to that event just leave a comment below on what you like about the Secret Sisters. A post will be chosen at random on Friday 8/17 12PM PST. Be sure to leave an email address so I can contact the lucky winner.
I’m assuming the Sisters will be performing songs from their upcoming Brandi Carlile produced second release, which is scheduled for a fall 2012 release.
The duo recently released a 7 inch with Jack White at Third Man Records and also played White and and Karen Elson’s divorce party. (apparently this was only a rumor) The Sisters also had their song “Tomorrow Will Be Kinder”, inspired by the Alabama tornado outbreak, featured on the T Bone produced soundtrack for The Hunger Games.
Here’s “Black And Blue,” a new song from the The Secret Sister’s upcoming album live from the stage at Wakarusa
No current performer has straddled the music Row and Americana divide as deftly as Jamey Johnson.
His throwback sound, Alabama growl and biker looks appeals to those (like myself) that pine for the days of Waylon and Willie and the boys while his ear for a melody was able to grab the attention of the mainstream country radio and fans with his top 10 hit “In Color.”
Johnson is an unapologetic neo-traditional disciple of country music’s greats. He’s opened for Willie and done George Jones songs in the presence of the man himself. His next effort is to a man that influnced those giants.
On October 16th Johnson will be joined by Willie and many others on his new album, Buddy Cannon-produced Livin’ For a Song: A Tribute to Hank Cochran. (vinyl beginning Sept. 25.)
Cochran, who died at age 74 in 2010, is considered one of the greatest songwriters in the history of country music. He helped evolve the perfect country template established by Hank Williams a generation earlier.Â
Â
“If I had to dream up somebody like Hank to influence songwriters, I couldn’t have done a better job,” Johnson says. “That’s what he was– not just for me, but for Willie and for a lot of people–just a helpful friend. If he knew you needed help with something, he could help you. He was there. And that’s what I want to be for the people in my life, same as Hank. He influenced me, not only as an artist and songwriter, but also as a person.”
Cochran’s songs transcended the country genre to become American standards (a practice closely studied by Willie) his catalog includes “I Fall to Pieces,” “She’s Got You,” “Make the World Go Away,” “The Chair,’ “Set ‘Em Up Joe” which Johnson covered on 1010’s The Guitar Song. His songs have been recorded by artists including Eddy Arnold, Patsy Cline, George Jones, George Strait, Elvis Presley, Elvis Costello, Ray Price, Ronnie Milsap, Jim Reeves and many others.Â
Recording a collection of Hank Cochran tunes in a pop-country saturated industry takes guts, and truly reflects the original Outlaw spirit the hat acts on the radio brag having. When it came time to take the next step in his recording career, he listened to his heart and decided to embark on a labor of love. In a daring career move that is consistent with Johnson’s penchant for bucking conventional industry wisdom to create a unique path, he decided to devote his time and creative efforts to honoring his late friend and celebrate traditional country music.
Besides having a professional affinity to Cochran he also has a personal one. “Shortly after he first met Jamey, Hank was diagnosed with pancreatic cancer,” says his widow, Suzi Cochran. “So for the two years he lived after that, Jamey would get off the road and pull his bus right up to the hospital, run up and see Hank and raise Hank’s spirits. The last time Jamey saw Hank was the night before Hank died.” Johnson joined Buddy Cannon and Billy Ray Cyrus at Cochran’s bedside as they handed the guitar back and forth while singing Cochran’s songs. Cochran died about six hours later.
“Hank adored Jamey,” Suzi Cochran says. “Hank loved Jamey. Jamey was a constant in the last chapter of Hank’s life.
Â
“This is incredible,” she says of the tribute album. “I wish Hank had been here to see it. He wouldn’t believe it. He would have cried. He’d be happy. It’s exactly like Hank would have done it.”
I am really looking forward to hearing this release and look forward to hearing classic from it live when Johnson joins Willie Nelson and The Band of Horses on the Railroad Revival Tour 2012.
Track listing:
Â
1. “Make the World Go Away” – Jamey Johnson and Alison Krauss
2. “I Fall to Pieces” – Jamey Johnson and Merle Haggard
3. “A Way to Survive” – Jamey Johnson, Vince Gill and Leon Russell
4. “Don’t Touch Me” – Jamey Johnson and Emmylou Harris
5. “You Wouldn’t Know Love” – Jamey Johnson and Ray Price
6. “I Don’t Do Windows” – Jamey Johnson and Asleep at the Wheel
7. “She’ll Be Back” – Jamey Johnson and Elvis Costello
8. “Would These Arms Be in Your Way” – Jamey Johnson
9. “The Eagle” – Jamey Johnson and George Strait
10. “A-11” – Jamey Johnson and Ronnie Dunn
11. “I’d Fight the World” – Jamey Johnson and Bobby Bare
12. “Don’t You Ever Get Tired of Hurting Me” – Jamey Johnson and Willie Nelson
13. “This Ain’t My First Rodeo” – Jamey Johnson and Lee Ann Womack
14. “Love Makes a Fool of Us All” – Jamey Johnson and Kris Kristofferson
15. “Everything But You” – Jamey Johnson, Vince Gill, Willie Nelson and Leon Russell
16. “Livin’ for a Song” – Jamey Johnson, Hank Cochran, Merle Haggard, Kris Kristofferson and Willie Nelson
On what would have been Hardly Strictly Bluegrass founder Warren Hellman’s 78th birthday the good people that worked side by side with him carry on in his honor. The upcoming 12th anniversary of the festival, and first after Hellman’s death last December, looks to continue the celebration of great, and free, music doesn’t look as though it’s slowed a bit. On this day of remembrance the festival’s organizers have released audio hints, like last year, of the first 10 conformed acts.
Check out the file below and in the comments give us your best guesses who’d playing HSB this Oct. 5-7!
I loved this idea when I heard of it last year in it’s inaugural voyage featuring Mumford & Sons, Edward Sharpe and the Magnetic Zeros and Old Crow Medicine Show -documented on the documentary “Big Easy Express.” Alas I missed it when it rolled into Oakland.
Not this year my friends! The Railroad Revival Tour is the coolest thing this side of The Cayamo Cruise. The train will route through the south to west through Texas of the United States on Oct. 20-Oct. 28, is reminiscent of the old-style medicine shows. This year’s bill is a beaut, Willie Nelson, Jamey Johnson, Band of Horses and MCd by actor and actor-musician John C. Reilly.
Tickets go on sale Friday, July 27th at 10am CST.
Here is the full list of tour stops:
Oct. 20: Duluth, Ga.
Oct. 21: TBA
Oct. 22: Memphis, Tenn.
Oct. 23: Oklahoma City
Oct. 24: Old Town Spring, Texas
Oct. 26: Tempe, Ariz.
Oct. 27: San Pedro, Calif.
Oct. 28: Oakland, Calif.
Some great videos from user prestoff2000 from the Los Lobos’ first Cinco de Mayo Festival at the Greek Theatre, Los Angeles. The festival featured Los Lobos, X, Dave Alvin, Mariachi El Bronx, Neko Case and the legendary Flaco Jimenez. Check the greatness:
The Great American Music Hall is a post-earthquake 105 year-old 5,000-square-foot, guilded French motif performance hall that has
been a restaurant, a bordello and a host to fan dancers and a stage for golden Jazz era greats like Duke Ellington, Sarah Vaughan and Count Basie and relative newcomers Van Morrison and the Grateful Dead.
But on this night the back stage of the great American is more like a living room at a friends or relatives’ house. I came to meet Jake Smith, who performs solo and with a band under the moniker The White Buffalo. There in the dimly lit room Smith along with Matt Lynott (drums) and Tommy Andrews (bass) offer smiles, handshakes and beverages. After the hellos and intros the talk moves to influences. I tell Smith about a video I saw on You Tube of him covering the Highwaymen’s theme of world adventure  “Highwayman.” “Oh yeah.” Smith cracks a smile “Waylon, Willie, Kristofferson and Cash. You can’t do any better than those guys.” He then tells me about the music of his Southern California childhood. “We listened to a lot of things. Country, like Loretta, classic rock I guess they call it now. Blues. Gospel.”
The influences show on Smith’s songs if you look for them. Like the best craftsman of songs he makes them sound easy. Effortless. Like they couldn’t be any other way then the way he’s spinning them out. Then I bait him with the question most musicians hate to answer, “How would you label your music.” “I don’t” he says straight. “I spend my time writing them and that’s hard enough. If I spend time on “Is this country” or “if the Americana” I think the song will suffer.”
Smith and the band then starts to list up the night’s songs. Three musicians, three clean, white sheets of paper. One sharpie. then the discussion begins. “What about the Pilot?” “How about Darkside of Town?” “Might be too slow and bring things down.” “How about Love Song #2.” “Okay but you’ll need to sing backup in my mic.” The process is reminiscent of charting an emotional course of stage logistics,crowd physiology and sonic dynamics. What will take them where we want them to go?
The moniker came about through need and happenstance. Smith once wore a sweat shirt that had the title emblazoned on it and some his friends recalled it when he emailed them ideas for a name. White buffalo are extremely rare. The National Bison Association (yes, there is such a thing) has estimated that a White buffalo only occur in approximately one out of every 10 million births. Smith is a living testament to his moniker standing around 6′ 2″ , solid as a wall and stylistically embodying a rare mix of grit and nuance that you couldn’t squeeze out of a dozen neo-folk acts.
Born in Oregon and raised in Southern California, he moved to the Bay area from Huntington Beach to pursue college on an athletic scholarship. He then made his way to L.A. where he now calls home. Because of his local Smith has had his songs crop up in movies and T.V. A bootleg tape of his music made it into the hands of pro surfer Chris Malloy, and his song, “Wrong,†was featured in his surf movie, Shelter. That led to further film scoring and composing work, with three of his songs featured in FX’s Sons of Anarchy and HBO’s Californication.
With 3 EPs and one fill-length out and one more , Once Upon a Time in the West , set to release February 28th Smith has seen thousands of miles over the last few years opening for acts like Ziggy Marley, and Grace Potter and the Nocturnals, and tonight the Texas blues man Gary Clark Jr. His brooding songs of America’s topological and emotional landscape, “mini-movies” he calls them, transforms on the stage. The darkness, whiskey and gunpowder is still there in narrative but the sound shifts to urgency and electricity. Lynott and Andrews expand the dynamics and work off Smith like a fright train veering off the tracks. They are one of the best rhythm sections I’ve seen live.
Over a beer after the show I ask Smith about his fans and whether online piracy worries a working man with a wife and two kids. “People are buying ticket and I’m selling merch. I can’t do anything about the new world I am working in. I have to trust people.”
In true DIY fashion they set their own gear on stage, sell their own merchandise and pack it all up in a van at the end of the night. Off to the nest show miles away across the dark night of America.
I didn’t take, nor did I find, clips from this show. But I couldn’t post without a taste of what I saw. Here The White Buffalo at Bonaroo.
It’s good to see that Ryan Adams is still a great singer/songwriter and not always a petulant , self-indulgentdouche.
His appearance on CBS’s live music project, Live on Letterman, showed just how talented and charming Adams can be. After a basset hound costume fake-out he performed a nearly hour-long set featuring several songs from his latest release Ashes & Fire, a piono version of New York, New York. the Whiskeytown classic Jacksonville Skyline and a cover of Bob Mould’s Black Sheets of Rain.
“Cowboy†Jack Clement has carved out a storied career as a sinsinger/songwriter having his songs have been recorded by folks such as Johnny Cash, Dolly Parton, Ray Charles, Carl Perkins, Bobby Bare, Elvis Presley and more. A producer for Townes Van Zandt and Waylon Jennings and DJ with a weekly program on Sirius XM Satellite Radio’s Outlaw country) 
