John Prine Will Release New album ‘For Better, Or Worse’ This Fall

John Prine - For Better, Or Worse

The other day John Prine teased some upcoming music by posting a picture on his Facebook page of he and long-time collaborator Iris DeMent laying down some tracks in his home studio.

Now the great news is out. On September 30, Oh Boy Records will release John Prine’s latest, ‘For Better, Or Worse,’ a thematic bookend to his classic, Grammy nominated ‘In Spite of Ourselves. Produced by Jim Rooney, John performs duets with country and roots luminaries like the aforementioned Iris DeMent, as well as Alison Krauss, Miranda Lambert, Kathy Mattea, Kacey Musgraves, Fiona Prine, Amanda Shires, Morgane Stapleton, Susan Tedeschi, Holly Williams, and Lee Ann Womack.

Wow, indeed.

The classic songs on ‘For Better, Or Worse,’ originally recorded by artists such as Hank Williams, George Jones, Ernest Tubb, Buck Owens and others, are in John’s blood. “I cut my teeth on Hank Williams songs,” he says. “When I sing these songs there is a small pipeline straight from my heart to my lips.” The tracks take listeners through the universal cycle of love’s pull, love’s bend, love’s life, and love’s end.

The toe-tapping first single, “Who’s Gonna Take The Garbage Out,” originally done by Loretta Lynn with Ernest Tubb, features Iris Dement, is available now when you pre-order the new record. Hear it below.

This fall, John will celebrate both the new album and his approaching 70th birthday with two shows at Nashville’s Ryman Auditorium, Sept. 30th & Oct. 1st, where he will be joined by some of the duet partners from ‘For Better, Or Worse.’

John Prine took time to talk to NPR’s Jewly Hight about the album.

Tracklist:
John Prine/Iris DeMent – Who’s Gonna Take The Garbage Out
John Prine/Lee Ann Womack – Storms Never Last
John Prine/Alison Krauss – Falling in Love Again
John Prine/Susan Tedeschi – Color of the Blues
John Prine/Holly Williams – I’m Telling You
John Prine/Kathy Mattea – Remember Me (When Candlelights Are Gleaming)
John Prine/Morgane Stapleton – Look At Us
John Prine/Amanda Shires – Dim Lights, Thich Smoke and Loud, Loud Music
John Prine/Lee Ann Womack – Fifteen Years Ago
John Prine/Miranda Lambert – Cold, Cold Heart
John Prine/Kathy Mattea – Dreaming My Dreams With You
John Prine/Kacey Musgraves – Mental Cruelty
John Prine/Iris DeMent – Mr. & Mrs. Used to Be
John Prine/Fiona Prine – My Happiness
John Prine – Just Waitin’

Americana Music Association and Record Store Day Announce AMERICANA MUSIC MONTH

AMERICANA MUSIC MONTH

Record Store Day always offers great limited edition Americana/folk/country/Bluegrass as well as other genres, but now it seems that June is all about the twang.

The good folks at Nashville-based Americana Music Association and Record Store Day have joined forces to make June AMERICANA MUSIC MONTH. More than 100 independent record stores are participating throughout the month providing free music samplers, special deals on new and classic Americana albums, and special in-store performances all month long.

Check the RSD site for participating indy record stores and chaeck back for more information.

Watch Out! Robert Ellis – “How I Love You” [VIDEO]

Robert Ellis - "How I Love You"

Texas folk/country singer travels the big lonely in his new video “How I Love You.”

The track is from Ellis’ forthcoming self-titled LP, drums shuffle over a swelling piano with condensed electric guitar squeezing out sadness that fills the abandoned city Ellis traverses with dread and glimpses of hope embodied by a woman from the past? The future?

Ellis tells Consequence Of Sound – “Cullen (Kelly – the video’s diector) came to me with the concept of shooting a video in a major metropolitan area and making it feel completely empty,” Ellis explains to Consequence of Sound. “I think the city is the third character in this video. The idea is that falling in love has the power to bring a whole world into existence that wasn’t there before.”

“How I Love You” was penned by Delta Spirit frontman, Matthew Logan Vasquez anad can be found on Robert Ellis’ eponymous new release, out June 3rd via New West Records. Pre-order here.

https://www.youtube.com/watch?v=VGtUMfI_1N0

Jaason Isbell Leads Americana Music Award Nominees

Americana Music Award Nominees
(L-R) Ethan Jodziewicz, Sierra Hull, Kenneth Pattengale, Lucinda Williams, Joey Ryan, Margo Price, Jed Hilly.
Photo by Sarah Como

The nominees for the 15th annual Americana Music Awards and Honors was announced yesterday from the historic Mansion on O Street in Washington, D.C. Aside from the odd elitism that an event from a ballroom of the luxury hotel symbolizes (the Mansion? I wonder if it’s on a hill?) it was an entertaining and fun event.

The event was streamed via Facebook’s new ‘Live’ feature exclusively through NPR Music’s Facebook page. The Milk Carton Kids — Kenneth Pattengale and Joey Ryan – were their usual droll elves. Ryan once making he connection between the event’s DC location and his vow to “Make Americana great again.” While donning a bright red cap emblazoned with that motto. It was huuuuuge.

Stellar performances by Lucinda Williams, Margo Price and Sierra Hull (who should be a nominee next year) with Ethan Jodziewicz put the spotlight on the purpose of the event – exceptional music by extraordinary musicians.

Alabama troubadour Jason Isbell continues his much-deserved success by leading the nominees with 3 nods for Album of the Year, Artist of the Year and Song of the Year. Lucinda Williams, Chris Stapleton and newcomer Margo Price each nominated for two apiece. Mainstream country crossover is reflected not only by Stapleton but also by Texan Kacey Musgraves

The 2016 Americana Music Association Festival and Conference is scheduled for September 20-25, with the awards ceremony being held at the historic Ryman Auditorium on Wednesday, September 21. Americana Music Association honors additional distinguished members of the music community with Lifetime Achievement Awards, which will be announced leading up to the event.

Jim Lauderdale is a natural as the proceedings host and Buddy Miller fronts the always exemplary house band.

Can’t make to to the event? Understandable, as it has sold out in recent years. But do not despair, the Americana Honors and Awards show will shown live on AXS TV and an edited version will show up on PBS at a later date. It will also be broadcast via SiriusXM Radio, BBC2, WSM and Voice of America.

South Carolina newcomers Shovels and Rope will lead the field with four nominations, followed by legendary Emmylou Harris and Buddy Miller each with three nods. I’m happy to report that a few of my choices made it on the list this year(Kelly Willis & Bruce Robison, YES!) and John Fullbright is up for Emerging Artist of the Year. Well if being nominated for the Americana Album of the year Grammy, as Fullbright was before losing to Bonnie Raitt, isn’t emerging the I don’t know what is. Dwight Yoakam’s dominance of the Americana charts earlier this year with his new release Three Pears (my review) also garnered him an Artist of the Year nod.

Here is the full list of the 2013 Americana Music Award nominees. Are your choices here?

ALBUM OF THE YEAR
Something More Than Free – Jason Isbell
The Ghosts of Highway 20 – Lucinda Williams
The Very Last Day – Parker Millsap
Traveller – Chris Stapleton

ARTIST OF THE YEAR
Jason Isbell
Bonnie Raitt
Chris Stapleton
Lucinda Williams

EMERGING ARTIST OF THE YEAR
Leon Bridges
John Moreland
Margo Price
Nathaniel Rateliff & the Night Sweats

SONG OF THE YEAR
“24 Frames” Jason Isbell
“Dime Store Cowgirl” Kacey Musgraves
“Hands Of Time” Margo Price
“S.O.B.” Nathaniel Rateliff & The Nightsweats

DUO/GROUP OF THE YEAR
Alabama Shakes
Emmylou Harris & Rodney Crowell
Lake Street Dive
The Milk Carton Kids
Tedeschi Trucks Band

INSTRUMENTALIST OF THE YEAR
Cindy Cashdollar
Stuart Duncan
Jedd Hughes
Sara Watkins

Watch Out! Dixie Chicks Cover Beyoncé “Daddy Lessons” – Manchester, UK 2016

Dixie Chicks - Beyoncé cover "Daddy Lessons" - U.K.  2016

Much fuss has been made about Beyoncé new release; Lemonade. My social feeds and phone texts have called my attention to one particular cut off the album, “Daddy’s Lessons,” a rootsy number detailing learnings of self-defense and pride any Texan will recognize.

The Dixie Chicks on their current DCX MMXVI tour showed their love for the fellow Texan by wonderfully covering the song live in Manchester, England on April 39th.

The Chicks stayed true to the original adding their beautiful harmonies and making it even more rootsy.

“It painted a country picture in our minds,” Kevin Cossum, the song’s co-writer told Billboard. “It sounded tough. ‘So my daddy said shoot.’ You see the whiskey on the table. You see the rifle. It just had that feel to it. It didn’t take the hip-hop element to make it tough, which I think is very cool especially for Beyonce. And it goes with her being from Texas. Her vibe to it just makes sense for how it all came together.”

The song is motivated by Beyonce’s childhood roots in Texas and the lessons she learned from her father, Matthew Knowles, who has been a driving force not just in Beyonce’s life but in her career—he managed her from the Girls Tyme days through Destiny’s Child and through her early solo career. However, Beyonce fired her father as her manager in March 2011.

Watch the performance below:

Americana Honors Prince

Dixie Chicks - 'Nothing Compares 2 U'

“A strong spirit transcends rules.” Prince

Prince not only appeared to transcended mortality he transcended genre. So it’s not surprising that songwriters and musicians across styles took his sudden death as a call to perform reverent Prince covers to fill the void.

Roots music is no different. Though his music superficially differed from Americana and country music they saw in Prince a prolific songwriters and accomplished musician who’s entire being was defined by his art. Prince created music just as readily as the music created him. They were indistinguishable from each other.

Below I’ve collected a few live tributes in the aftermath as well as Cory Branan and Lydia Loveless superb Record Store Day 2015 purple vinyl split 7″. All are wonderful and you can feel the bittersweet joy in remembrance.

Also a video of Prince doing a Stones classic, because it’s awesome.

Bruce Springsteen – ‘Purple Rain’ – Multicam mix – Brooklyn – New York – http://youtu.be/ifNyqjHHCGw

Chris Stapleton – ‘Nothing Compares 2 U’ – Greek Theater, Berkeley, CA – http://youtu.be/dV_Wp4vVlB8

The Dixie Chicks – ‘Nothing Compares 2 U’ – Horsens Denmark – http://youtu.be/sHBFMjH9NFA

Avett Brothers “Pretty Girl From Annapolis w/ When Doves Cry Interlude” Chicago Theatre – http://youtu.be/DjgHfAtwMsg

Mumford & Sons – ‘Nothing Compares 2 U’ – St. Paul, MN – http://youtu.be/ay0edC0lOh4

Old Crow Medicine Show w/ Margo Price – Purple Rain – Huntsville, AL – http://youtu.be/B1JCj5EWvP4

Cory Branan – “Under the Cherry Moon” – http://youtu.be/zVtSiXiQRE4

Lydia Loveless – “I Would Die 4 U” – https://www.youtube.com/watch?v=BvYjXEiXujo

Prince – “Honky Tonk Woman” – http://youtu.be/MpHtwa8YGBU

Remembering Merle Haggard 1937 – 2016

Merle Haggard 1937 - 2016

I’ve heard countless discussions around what constitutes “real country music.” These arguments contain few details of what makes up this elusive cultural archetype and people often reach for specific performers to create context.

Merle Haggard was one of those archetypes, greater than himself. He transcended from a mere country music performer to become a touchstone of what is great about the genre.

A product of a troubled childhood partially due to loss his father, James Haggard, at the age of 9. By the age of 11 he was riding the rails near his home, an abandoned refrigerated train car built by his dad. Then came a string of encounters that led to jail time, most notably when his mother turned him over to juvenile authorities for a weekend lock-up in an attempt to change his “incorrigible” attitude.

As he famously sang “Mama tried.”

A bungled burglary to rob a restaurant while they were still serving customers resulted in a two and a half year stretch at San Quentin State Prison. There he dabbled in music until Johnny Cash held one of his many prison shows for the inmates. He found his saving grace delivered by a Man In Black.

The first time I saw Haggard he was in 2009. He was co-headlining with Kris Kristofferson in Santa Rosa California. Cher wsaa in the audience that night. I’m not sure why she was there (maybe an acquaintance of Kristofferson in his hunky ‘A Star Is Born’ days) but I knew that had to mean something special.

The Hag was a lot more laid back than the ornery cuss that wrote ‘Okie From Muskogee’ and ‘ The Fightin’ Side of Me.’ No doubt due in large part to the lemon-sized tumor removed in the previous year. Perhaps is was the marijuana he used regularly after that surgery. When I last saw him in Ft. Worth’s Bass Hall in 2014 he asked the crows “How many are against pot?” To the smattering applauding in the affirmative he smiled and shot back ‘Why?”

Like his fellow Bakersfield sound” brethren Buck Owens Merle Haggard was a crafter of populist storytelling. He transcended country music to create great American standards by holding up songs like a mirror where we all saw ourselves. The good, bad and – like most of us – those in between.

The warden led a prisoner down the hallway to his doom
And I stood up to say good-bye like all the rest
And I heard him tell the warden just before he reached my cell
“Let my guitar-playing friend do my request”

That he died 79 years to the day of his birth will certainly just add to his mythology. Why not? Numerology and statistics aside it just seems like something supernatural.

But he was all too human. Fragile humanity ran through his songs and demeanor. He had passion for the genre he helped create and humility always in the way he approached it. He defined everything great about and, in turn, defined the best in us bound together by it.

Americana Scenes At SXSW 2016

Lydia Loveless  SXSW 2016

It’s been a few years since I’ve braved the tipsey throngs of Austin’s South-By-Southwest, and mostly I don’t miss it. But with the growing roots music showcases like Jenni Finlay Promotions & Conqueroo’s
Rebels & Renegades showcase, Bloodshot Records and Billy Reid and Newport Folk Festival’s Shindig I might have to make an exeption next year.

For now I will enjoy not standing in lines and being jostled by texters and watch these excellent clips from some of Americana’s best at SXSW 2016.

A great little sampler of Aoife O’Donovan, Robert Ellis and Sarah Jarosz at St. David’s Church

Aaron Lee Tasjan, 12 Bar Blues, Mercado South, SXSW, 3/19/16

Lydia Loveless 360 Acoustic Performance of ‘Clumps’ Closing #SXSW on 6th Street

Ray Wylie Hubbard plays his grit-folk ‘Snake Farm’ at the Guitartown/Conqueroo Party at The Dogwood

Americana literary laureate James McMurtry plays ‘Copper Canteen’ at El Mercado

Ryan Adams playfully busts some SXSW chops before launching into a heartfelt “Dirty Rain”

The Avett Brothers Announce New Album In June

The Avett Brothers

The Avett Brothers are following their music from the banjos and acoustic guitars toward some of their influences; Pink Floyd, Nine Inch Nails, Tom Petty and others on their upcoming Rick Rubin-produced release “True Sadness”

The North Carolina roots band’s announcement arrived with a letter from frontmen, Seth Avett, which goes into detail about the making of ‘True Sadness.’

TheAvettBrothers_Letter

Over the weekend, The Avetts debuted the first single off ‘True Sadness,’ the funky clap=along “Ain’t No Man” at the McDowell Mountain Music Festival in Phoenix, Arizona. Watch the band’s debut of “Ain’t No Man” below. Shot by DCRANGERFAN:

The-Avett-Brothers-True-Sadness

“True Sadness” is set to be released on June 24.

The Avett Brothers Tour Dates

April 7 – Wilmington, NC @ Azalea Festival
April 8 – New York, NY @ Madison Square Garden
April 9 – Port Chester, NY @ The Capitol Theatre
April 10 – Worcester, MA @ DCU Arena
April 19 – Fort Wayne, IN @ Embassy Theatre
April 21-23 – Chicago, IL @ Chicago Theater
April 29 – Los Angeles, CA @ Greek Theatre
April 30 – Berkeley, CA @ Greek Theatre
May 5 – Tuscaloosa, AL @ Tuscaloosa Amphitheater
May 6 – Nashville, TN @ Bridgestone Arena
May 7 – Alpharetta, GA @ Verizon Wireless Amphitheatre
May 12 – Pittsburgh, PA @ Stage AE Outdoors
May 14 – Philadelphia, PA @ Mann Center
May 15 – Fairfax, VA @ Eagle Bank Arena
June 2-5 – Hunter, NY @ Mountain Jam Festival
June 3 & 4 – Baltimore, MD @ Pier Six Concert Pavilion
June 9 – St. Louis, MO @ Chaifetz Arena
June 10 – Milwaukee, WI @ BMO Harris Arena
June 11 – Minneapolis, MN @ Target Center
June 14 – Deadwood, SD @ Deadwood Mountain Grand Event Center
June 16 – Muskogee, OK @ G Fest
June 18 – Dallas, TX @ Gexa Energy Pavilion
June 19 – Austin, TX @ Austin City Limits Live at The Moody Theater
July 4 – Portland, ME @ Thompson’s Point
July 7 – Syracuse, NY @ Landmark Theatre
July 8 – Chautauqua, NY @ Chautauqua Amphitheater
July 9 – Toledo, OH @ Toledo Zoo Amphitheater
July 15-17 – Louisville, KY @ Forecastle Festival
July 21-22 – Troutdale, OR @ Edgefield
July 23 – Kent, WA @ ShoWare Arena
July 25 – Nampa, ID @ Ford Idaho Center Amphitheater
July 28-30 – Morrison, CO @ Red Rocks Amphitheatre
September 16 – Lincoln, CA @ Thunder Valley Casino Resort
September 16-18 – Del Mar, CA @ Kaaboo Del Mar