Category Archives: Gospel

Listen Up – Randy Travis – “Where That Came From” (video)

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At this point in country music history Randy Travis has been cast along with some of the greatest voices in the genre. Even now, as this track shows, Travis’ voice can still melt butter on a January morning. In 2013 Travis experienced a stroke in that left him unable to speak or move without assistance. He spent over 2 years in daily therapy to regain the abilities. As this song, first song in a decade, proves the man is back in fine form.

“You’ll hear much more about the special team of folks who came together to help make this magical moment in my career possible in the coming week.In the meantime, just know that when it comes to singing songs for you, there’s always more where that came from.” Travis posted on his Instagram.

The song is a bittersweet recollection of a love that has now gone, delivered in Travis’ signature baritone.

There appears to be some hoopla via AI filling in for much of Travis’ vocal issues. But not from me. As I type this on my laptop, who am I to point a finger and judge a legend. It sounds good and that’s enough for me.

Wanted! – Notable Americana and Roots Music Releases for 2021

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Lucero – When You Found Me (Jan. 29)

Most of 2020 to right now live music is largely put on hold, but plenty of artists are still finding ways to create. Time off the road and spent at home has meant hardship. but it’s also meant creative ways artists delivered performances to you at home and also time to reflect, write and record new music, which in turn means that fans can expect new albums from some of their favorite country, Americana, bluegrass and folk artists in 2021.

Despite 2020 being the worst year in most of our lifetime some great music still released to take a bit of the edge off.

2021 starts off right with releases from Steve Earle honoring the passing of Justin Townes Earle. We can also look forward to new releases from Willie Nelson, Loretta Lynn, Langhorne Slim, Lucero, Aaron Lee Tasjan and many more.

Then there are yet-to-be-announced release dates for James McMurtry and others. Bookmark and check back to this list as we will update those add other releases as they come in.

Also if you know of a release not on the list feel free to add it in the comments below.

Thanks for keeping up with Twang Nation and here’s to a better 2021!

January
Jan. 1: Kandle & Kendel – ‘Birds’ EP (Neil Young Covers)
Jan. 4: Steve Earle & The Dukes – ‘J.T.’ (digital)
Jan. 8: Barry Gibb – ‘Greenfields: The Gibb Brothers Songbook, Vol. 1’
Jan. 8: The Divorcees – ‘Drop of Blood’
Jan. 22: Jeremiah Fraites (Lumineers) – ‘Piano Piano’
Jan. 22: Justin Moses – ‘Fall Like Rain’
Jan. 29: Langhorne Slim – ‘Strawberry Mansion’
Jan. 29: Lucero – ‘When You Found Me’
Jan. 29: Pony Bradshaw – ‘Calico Jim’
Jan. 29: John Hurlbut & Jorma Kaukonen – ‘The River Flows’

February
Feb. 5: Aaron Lee Tasjan – ‘Tasjan! Tasjan! Tasjan!’
Feb. 5: Aaron Watson – ‘American Soul’
Feb. 5: Andrew Marlin (of Mandolin Orange) — ‘Witching Hour’
Feb. 17 Jim Keller – ‘By No Means’
Feb. 19: Austin Meade – ‘Black Sheep’
Feb. 19: Spencer Burton- ‘Coyote’
Feb. 19: Andrew Marlin (of Mandolin Orange) — ‘Fable & Fire’
Feb. 19: Catherine Britt – Home Truths
Feb. 19: Ian Fisher – American Standards
Feb. 19: The Dead South – Served Live
Feb. 19: David Olney and Anana Kay – ‘Whispers And Sighs’
Feb. 19: John Paul Keith – The Rhythm of the City
Feb. 19: Veronica Lewis –You Ain’t Unlucky
Feb. 26: Willie Nelson – ‘That’s Life’ (Willie’s second release of Frank Sinatra covers.)
Feb. 26: Clint Roberts – ‘Rose Songs’
Feb. 26: David Huckfelt -‘Room Enough
Feb. 26: Sara Petite – ‘Rare Bird’

March
March 5: Ottoman Turks – ‘Ottoman Turks II’
March 5: Jason Ringenberg (Jason and the Scorchers) – ‘Rhinestoned’
March 5: Graham Wilkinson – ‘Cuts So Deep’
March 12: Vivian Leva & Riley Calcagno – ‘Vivian Leva & Riley Calcagno’
March 12: Peter Case – ‘The Midnight Broadcast’
March 12:Southern Culture On The Skids – ‘At Home With Southern Culture On The Skids’
March 12 Valerie June – ‘The Moon And Stars: Prescriptions For Dreamers’
March 12 Israel Nash – ‘Topaz’
March 19: Loretta Lynn – ‘Still Woman Enough’
March 19: Austin Meade – ‘ Black Sheep’ (DEBUT)
March 19: Rob Leines – ‘Blood Sweat and Beers’
March 19: Steve Earle & The Dukes – ‘J.T.’ (physical)
March 19: Mike Barnett – ‘+1’
March 19: Melissa Carper – ‘Daddy’s Country Gold’
March 19: Loretta Lynn – ‘Still Woman Enough’
March 19: Mike Barnett – +1
March 19: Sarah King – The Hour
Joe Pug – The Diving Sun (Side A)
March 19: Mandy Rowden – Parachute
March 19: Janet Simpson – Safe Distance
March 21: Allison Russell – ‘Outside Child’
March 25: The Armadillo Paradox – “Out of Gas in Oil Country”
March 26: Sara Watkins – ‘Under the Pepper Tree’
March 26: Esther Rose – ‘How Many Times’

April
April 9: Parker Millsap – ‘Be Here Instead’
April 16: Triston Marez – ‘Triston Marez’
April 20: Coleman Williams – “Son of Sin”
April 23: Todd Snider – ‘First Agnostic Church of Hope And Wonder’
April 30: Ashley Monroe – ‘Rosegold’
April 30: Ronnie Milsap – ‘A Better Word for Love’

May
May 7: Ted Russell Kamp – ‘Solitaire’
May 7: Miranda Lambert, Jack Ingram & Jon Randall – ‘The Marfa Tapes’
May 7: Travis Tritt – ‘Set in Stone’
May 14: Alan Jackso – ‘Where Have You Gone’
May 14: The Steel Woods – ‘All of Your Stones’
May 28: Ashley McBryde – ‘Never Will: Live From a Distance’ EP
May 28: Blackberry Smoke, – ‘You Hear Georgia’
May 28: Rider & Rolling Thunder – ‘On the Banks of the Tennessee’

June
June 4: Turner Cody & The Soldiers of Love – ‘Friends in High Places’
June 18: Amy Helm – ‘What the Flood Leaves Behind’
June 11: Oak Ridge Boys – ‘Front Porch Singin”
June 11: Cory Grinder and the Playboy Scouts – ‘Honky Tonkin’ Beauty Supreme’
June 18: Rory Feek – ‘Gentle Man’
June 25: JP Harris – ‘Dreadful Wind and Rain’

July
July 9: The Flatlanders – ‘Treasure of Love’

August
August 27: Jason Eady – ‘To The Passage of Time’
August 27: Summer Dean – ‘Bad Romantic’

TBA

Record Store Day Black Friday 2020 Releases – Roots & Americana Picks

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Record Store Day's Black Friday

Despite all the damage the pandemic has caused the music industry if you’re a record collector there is a silver lining. Vinyl sales surpassed CD sales for the first time in 34 years!

This is due in no small part to the efforts of the the good folks at Record Store Dy who have brought collectors limited edition new, classic and long out-of-print slabs of wax for the past 12 years.

The newest addition is RSD Black Friday. The event will take place on Black Friday (The day after Thanksgiving, November 27th) and, though a smaller selection than RSD proper (though it is closer to a 2020 version, the RSD drop) there’s still some good selections for the on your nice list to be had by John Prine, Luther Dickinson, The Drive-By Truckers, Sharon Jones & the Dap-Kings ,and, my personal favorite , a live Uncle Tupelo from 1994!

There’s also 3 Jonny Cash selections on the niche 3″ Vinyl format, so if you have a player you can get that.

If you pick up some of these releases ag me on Instagram (@twangnation) and show me what you’ve got.

See the full release list here.

JOHNNY CASH
Folsom Prison Blues

DETAILS
Event: BLACK FRIDAY 2020
Format: 3″ Vinyl
Label: ORG MUSIC
Quantity: 1000
A 3″ single release, made for the RSD3 mini-turntable and other turntables in the series, like the RSD2020 clear mini-turntable. Four Johnny Cash singles are being released in the series, on RSD Black Friday 2020. First recorded and released in 1955, “Folsom Prison Blues” became one of Johnny Cash’s signature songs. A live version, recorded among the inmates at Folsom State Prison in 1968 became a #1 chart hit and in June 2014 Rolling Stone magazine ranked it #51 on its list of the 100 Greatest Country Songs of All Time.

JOHNNY CASH
Guess Things Happen That Way

DETAILS
Event: BLACK FRIDAY 2020
Release Date: 11/27/2020
Format: 3″ Vinyl
Label: ORG Music
Quantity: 1000
Release type: RSD 3″ Vinyl

A 3″ single release, made for the RSD3 mini-turntable and other turntables in the series, like the RSD2020 clear mini-turntable. Four Johnny Cash singles are being released in the series, on RSD Black Friday 2020. Released on May 19, 1958 “I Guess Things Happen That Way” (originally written by Jack Clement) was Johnny’s fourth chart single—hitting #1 on the Country charts and #11 on the Hot 100. The head of religious programming for the BBC banned it from the airwaves when it was first released!

JOHNNY CASH
Get Rhythm
DETAILS
Format: 3″ Vinyl
Label: ORG MUSIC
Quantity: 1000
Release type: RSD 3″ Vinyl
MORE INFO
A 3″ single release, made for the RSD3 mini-turntable and other turntables in the series, like the RSD2020 clear mini-turntable. Four Johnny Cash singles are being released in the series, on RSD Black Friday 2020. Originally released in May 1956 as the B-side of “I Walk The Line” this tale of optimism from the point of view of a shoeshine boy was re-recorded with dubbed “live effects” and released as an A-side of its own in 1969.

JOHNNY CASH
I Walk The Line
DETAILS
Format: 3″ Vinyl
Label: ORG MUSIC
Quantity: 1000
Release type: RSD 3″ Vinyl
MORE INFO
A 3″ single release, made for the RSD3 mini-turntable and other turntables in the series, like the RSD2020 clear mini-turntable. Four Johnny Cash singles are being released in the series, on RSD Black Friday 2020. Recorded on April 2 and released on May 1, 1956 “I Walk The Line” was Johnny Cash’s first #1 Billboard country chart single, crossed over to #17 on the Pop chart, and stayed on the Billboard charts for 42 weeks. It was originally intended as a slow ballad, but producer Sam Phillips encouraged a faster tempo, and magic was made!

LUTHER DICKINSON
Rock, Live Concert
DETAILS
Event: BLACK FRIDAY 2020
Format: LP
Label: New West Records
Quantity: 900
Release type: RSD Limited Run / Regional Focus Release
MORE INFO
In the winter of 2016, Luther Dickinson began touring behind the release of his latest record, Blues & Ballads: A Folksingers Songbook Vols 1 & 2. Normaltown Hall, a now extinct listening room that sat above the New West Records office in Athens, GA, was known for hosting community events and intimate concerts intended for the listener and performer to connect. The venue capacity was permitted for 115 listeners, but on the night of March 9, 2016 there might have been over 200 people stuffed into the venue. Luther Dickinson (guitar, vocals), Sharde Thomas (drums, fife, vocals), Will Sexton (guitar), Amy LaVere (upright bass) and Brandon Chornes (drums) got on stage and brought down the house that night with a very intimate and eclectic set of American music.

New West Records is proud to release this once in a lifetime performance on super limited blue sky vinyl.

SIDE A: “Death Comes On Wings of Crepe / Blind Lemon and the Hook Man”, “Hurry Up Sunrise”, “Karmic Debt”, “Highwater (Soldier)”, “Station Blues”

SIDE B: “Mean Ol’ Wind Died Down”, “Bang Bang Lulu”, “Chevrolet”, “Shady Grove”, “Little Sally Walker”

DRIVE-BY TRUCKERS
Plan 9 Records July 13, 2006

DETAILS
Event: BLACK FRIDAY 2020
Format: 3 x LP
Label: New West Records
Quantity: 3800
Release type: RSD Exclusive Release
MORE INFO
On July 13, 2006 the Drive-By Truckers set up shop at Plan 9 Records in Richmond, VA. It was the 25th Anniversary of the store. The band performed to a packed house and played a blistering set of fan-favorites featuring the songs, “18 Wheels of Love”, “Let There Be Rock”, “Goddamn Lonely Love” and “Daddy’s Cup.” The performance was also set up to benefit the Bryan and Kathryn Harvey Family Memorial Endowment. The foundation provides, among other things, music scholarships in the Richmond area. Lead vocalist and songwriter, Patterson Hood ended up writing the song “Two Daughters and A Beautiful Wife” about Bryan Harvey and his family.

This RSD Black Friday 3 LP set will be pressed on black 140g vinyl and it will be packaged in a “bootleg” style wide-spine jacket featuring a a reprint of the ticket and show poster made for the event. The jackets will be numbered according to the worldwide pressing run of 6000.

SIDE A: “Tales Facing Up”, “One Of These Days”, “Easy on Yourself”, “Feb. 14 (3:35)”, “Aftermath USA”

SIDE B: “Gravity’s Gone”, “Sink Hole”, “Outfit”, “My Sweet Annette”, “Marry Me”

SIDE C: “A World of Hurt”, “Why Henry Drinks”, “The Day John Henry Died”, “Wednesday”

SIDE D: “Shut Up And Get On The Plane”, “Ronnie And Neil”, “Moonlight Mile”, “Let There Be Rock”

SIDE E: “Zip City”, “Goddamn Lonely Love”, “18 Wheels of Love”

SIDE F: “Nine Bullets”, “Daddy’s Cup”, “Decoration Day”, “Lookout Mountain”

SHARON JONES & THE DAP-KINGS
Just Dropped In (To See What Condition My Rendition Was In)

DETAILS
Event: BLACK FRIDAY 2020
Format: LP
Label: Daptone Records
Quantity: 4000
Release type: ‘RSD First’ Release
MORE INFO
Throughout their career, Sharon Jones & the Dap-Kings remained in high demand both publicly and privately to recreate and often re-imagine songs by other artists. More often than not, these covers were recorded by request, commissioned for placement in movies, television programs, tribute albums, or for samples. This album compiles some of their most popular and some never-before-heard renditions Though the band mostly built their career on a prolific catalog of originals, these forays into other artists’ compositions lay bare their gift for arrangement and the unmatched studio prowess that earned them their reputation as The Baddest Band in the Land.

SIDE A: “Signed, Sealed, Delivered I’m Yours”, “Little By Little”, “Just Dropped In”, “Here I Am Baby”, “What Have You Done For Me Lately?”, “Take Me With U”

SIDE B: “Inspiration Information”, “Giving Up”, “Rescue Me”, “In The Bush”, “It Hurts To Be Alone”, “Trespasser”

BETTYE LAVETTE, BILLIE HOLIDAY, NINA SIMONE
Original Grooves: Billie Holiday, Nina Simone, Bettye LaVette

DETAILS
Event: BLACK FRIDAY 2020
Format: 12″ Vinyl
Label: Verve
Quantity: 2500
Release type: RSD Exclusive Release
MORE INFO
Verve Label Group is proud to launch a new vinyl series, Original Grooves, available exclusively on Record Store Day and RSD Black Friday. Original Grooves showcases the vinyl cutting technique known as “parallel grooves”, where grooves are cut side-by-side instead of one after another, allowing for a different aural experience depending on where the needle is dropped. The first of this series comes from five-time Grammy nominee Bettye LaVette, with hidden gems from Verve legends Billie Holiday and Nina Simone. The Blues Hall of Fame legend deftly reinterprets the classics “Strange Fruit” and “I Hold No Grudge” on this 12” EP, with the original timeless versions “hidden” on the neighboring grooves.

SIDE A:
01) Strange Fruit (Billie Holiday) (3:12)
02) Strange Fruit (Bettye LaVette) (4:30)

SIDE B:
01) I Hold No Grudge (Nina Simone) (2:18)
02) I Hold No Grudge (Bettye LaVette) (6:12)

JAMES MCMURTRY
Childish Things

DETAILS
Event: BLACK FRIDAY 2020
Format: 2 x LP
Label: Lightning Rod Records
Quantity: 3000
MORE INFO
Author Stephen King described Ft. Worth native James McMurtry as “the truest, fiercest songwriter of his generation” in Entertainment Weekly. The son of acclaimed author Larry McMurtry (Lonesome Dove, Terms of Endearment), James grew up on a steady diet of Johnny Cash and Roy Acuff records. 2005’s Childish Things garnered some of the highest critical praise of McMurtry’s career and spent six weeks at number one on R&R’s Americana Music Radio Chart in 2005 and 2006. In September 2006, Childish Things and “We Can’t Make It Here” won the Americana Music Awards for album and song of the year, respectively. This is the first time Childish Things will be available on vinyl.

1 See The Elephant 2 Childish Things 3 We Can’t Make It Here 4 Slew Foot 5 Bad Enough 6 Restless 7 Memorial Day 8 Six Year Drought 9 Old Part of Town 10 Charlemagne’s Hometown 11 Pocatello 12 Holiday

WILLIE NELSON
Live at Austin City Limits 1976
DETAILS
Event: BLACK FRIDAY 2020
Release Date: 11/27/2020
Format: LP
Label: Legacy
Quantity: 4000
Release type: RSD Exclusive Release
MORE INFO
Willie Nelson has appeared on Austin City Limits more than any other artist, performing on the pilot and seventeen subsequent episodes of the Texas Public Television institution that debuted in 1976 and is still going strong as the longest running music series in American television history. This performance was captured in 1976 and aired as the premiere episode of the second season the following year. It found Willie and The Family performing his classic album Red Headed Stranger front to back in an amazing performance and this RSD Black Friday edition marks its first audio release.

Side A: “Time Of The Preacher”, “I Couldn’t Believe It Was True”, “Time Of The Preacher Theme”, “Medley: Blue Rock Montana/Red Headed Stranger”, “Blue Eyes Crying In The Rain”, “Red Headed Stranger”, “Time Of The Preacher Theme”, “Just As I Am”

Side B: “Denver”, “O’er The Waves”, “Down Yonder”, “Can I Sleep In Your Arms”, “Remember Me”, “Hands On The Wheel”, “Bandera”

JOHN PRINE
The Asylum Albums
DETAILS
Event: BLACK FRIDAY 2020
Format: 3 x LP
Label: Rhino/Elektra
Quantity: 2000
Release type: ‘RSD First’ Release
MORE INFO
John Prine’s three Asylum-era LPs, pressed on audiophile 180gram black vinyl, faithfully replicating the original packaging.

Album 1: Bruised Orange
1. Fish And Whistle 2. There She Goes 3. If You Don’t Want My Love 4. That’s The Way That The World Goes Round 5. Bruised Orange (Chain Of Sorrow) 6. Sabu Visits The Twin Cities Alone 7. Aw Heck 8. Crooked Piece Of Time 9. Iron Ore Betty 10. The Hobo Song

Album 2: Pink Cadillac
1. Chinatown 2. Automobile 3. Killing The Blues 4. No Name Girl 5. Saigon 6. Cold War (This Cold War With You) 7. Baby Let’s Play House 8. Down By The Side Of The Road 9. How Lucky 10. Ubangi Stomp

Album 3: Storm Windows
1. Shop Talk 2. Living In The Future 3. It’s Happening To You 4. Sleepy Eyed Boy 5. All Night Blue 6. Just Wanna Be With You 7. Storm Windows 8. Baby Ruth 9. One Red Rose 10. I Had A Dream

UNCLE TUPELO
Live at Lounge Ax – March 24, 1994

DETAILS
Event: BLACK FRIDAY 2020
Format: 2 x LP
Label: dBpm Records Inc.
Quantity: 2500
Release type: ‘RSD First’ Release
MORE INFO
Recording of the full concert from Chicago’s Lounge Ax club, originally broadcast live on WXRT. Pressed on two 33 RPM, 150g vinyl discs for RSD Black Friday.

Side 1 1. Chickamauga 2. Watch Me Fall 3. Satan, Your Kingdom Must Come Down 4. Fifteen Keys 5. The Long Cut

Side 2 1. Anodyne 2. New Madrid 3. Sandusky 4. Looking For A Way Out 5. Slate

Side 3 1. Great Atomic Power 2. Acuff-Rose 3. We’ve Been Had 4. Give Back The Key To My Heart 5. Postcard

Side 4 1. Gun 2. Whiskey Bottle 3. Effigy

HANK WILLIAMS
1952 Radio Audition

DETAILS
Event: BLACK FRIDAY 2020
Release Date: 11/27/2020
Format: 7″ Vinyl
Label: BMG
Quantity: 2000
Release type: RSD Exclusive Release
MORE INFO
Rare recordings from Hank Williams’ 1952 radio show auditions for the first time ever on vinyl.

Side A 1) Why Don’t You Love Me – Hank Williams 2) San Antonio Rose – Owen Bradley & His Orchestra

Side B 1) Honey, Be My Honey Bee – The Beasley Sisters 2) Cold, Cold Heart – Hank Williams 3) Why Don’t You Love Me

Watch Out! Amy Black With The Blind Boys of Alabama – “I Have A Choice”

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Amy Black With The Blind Boys of Alabama
The title of the new song by Singer-songwriter Amy Black is “I Have A Choice.”

A choice to do what? “To turn your back on hate and pride and clothe yourself with love and joy.”

Black explains, “I wrote this song because I wanted to remind myself that I always have a choice of who I’m going to be, how I’m going to act, and how I’m going to respond to whatever life throws my way. I was inspired when I thought of my mom and dad and many others who came before me. It’s encouraging to look at the choices they made, and are still making, to live in kindness and love. I can’t control what others do, I can’t even control my own mind, but I do get to control how I live.”

When Black wrote the song, she imagined one of her greatest influences, Mavis Staples, singing it (and she would still love to see that happen). But upon deciding to record it herself, she immediately knew who would be perfect to join the project — Blind Boys of Alabama. Black had opened a few shows for the fabled gospel act and had the chance to sing with them on stage. After a Washington D.C. show, she sang her song to Blind Boy Jimmy Carter in the green room and he exclaimed, “That sounds like a Blind Boys’ song!” It was all she needed to start the wheels in motion.

Once she secured fan funding for the project, Black enlisted Nashville producer and guitar maverick Joe McMahan to co-produce, engineer, mix and play guitar. She lined up a stellar group of Nashville musicians: Jimmy Matt Rolland on organ and piano (Todd Snider, Bobby Bare Junior), Robbie Crowell on bass (Midland, Jim Lauderdale, Deer Tick), and Josh Hunt on drums (Alison Krauss and Union Station). They weren’t in Memphis, but gospel was in the air.

Once the music was complete, Black met up with Blind Boys of Alabama while they were on tour with Marc Cohn in New England. They rendezvoused at the Wellspring Studio in Acton, Massachusetts, on an off day and recorded the song. The studio was just a few miles from where Black lived as a teen when her family relocated from Alabama to Massachusetts.

No stranger to studios, Black has released four albums in six years. After touring extensively in 2017, she returned to her current home of East Nashville and shifted focus (she now teaches mindfulness and yoga, in addition to playing music).

“After pushing so hard for years, I’m not in any rush to put out a new album. I’m allowing some space to see what’s next. With this song, I really feel like I have a message to share that’s helpful. I put it out there as a project and it got some great support so I moved ahead. It’s powerful to connect with how much choice we have at any given moment. I hope this song can help a few folks to find that – and continue to remind me!”

Hear the powerful song below.

Listen Up! Willie Watson – “Samson and Delilah”

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Willie Watson

“Samson and Delilah” is a traditional song based on the Biblical parable of the seductress Delilah whom Samson loved, and who led to his downfall. The song has been covered by Blind Willie Johnson, Bruce Springsteen, Bob Dylan and many others the version of the song best known is by The Grateful Dead from their 1977 album ‘Terrapin Station.’

Neo folk interpreter Willie Watson infuses the work with fresh blood of reverence and stirring giving those others versions a worthy running. The song is given a Sunday morning gospel feel by the special guest vocals by The Fairfield Four.

Produced by David Rawlings and recorded on analog tape at Woodland Sound Studios in Nashville, TN, Watson’s anticipated new solo album, ‘Folksinger Vol. 2’ features eleven songs unearthed from the canon of American folk music including songs popularised by Leadbelly, Reverend Gary Davis, Furry Lewis and Bascom Lamar Lunsford. In addition to The Fairfield Four on three tracks, the album features Gillian Welch, Old Crow Medicine Show’s Morgan Jahnig and Punch Brothers’ Paul Kowert.

“I’m not trying to prove any point here,” Watson comments, “and I’m not trying to be a purist. There’s so much beauty in this old music, and it affects me on a deep level. It moves me and inspires me. I heard Leadbelly singing with the Golden Gate Quartet and it sounded fantastic, and I thought, ‘I want to do that.’ I heard the Grateful Dead doing their version of ‘On the Road Again,’ and it sounded like a dance party in 1926, and I wanted to do that, too. That’s the whole reason I ever played music in the first place—because it looked and sounded like it was going to be a lot of fun.”

The new album arrives three years after ‘Folk Singer Vol. 1,’ Watson’s first release since parting ways with Old Crow Medicine Show in 2011.

Based in Los Angeles, Watson is a member of the Dave Rawlings Machine and will soon make his acting debut in the Coen Brother’s latest project, “The Ballad of Buster Scruggs.”

FOLKSINGER VOL. 2 TRACK LIST
1. Samson And Delilah (feat. The Fairfield Four)
2. Gallows Pole
3. When My Baby Left Me
4. Dry Bones
5. Walking Boss
6. On The Road Again (feat. The Fairfield Four)
7. The Cuckoo Bird
8. Always Lift Him Up And Never Knock Him Down
9. John Henry
10. Leavin’ Blues
11. Take This Hammer (feat. The Fairfield Four)

Willie Watson’s ‘Folksinger Vol. 2 will be released September 15
via Acony Records

Pre-order here.

Willie Nelson To Release New Album, ‘God’s Problem Child’

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Willie Nelson Announces New Album 'God's Problem Child'

Willie Nelson, who appears to never rest, will release his new album, ‘God’s Problem Child.’ The collection of all-new studio material, his first in nearly three years, will be released April 28th, the day before the Texas music legend turns 84. That last album, ‘Django and Jimmie,’ was a collaboration with his longtime friend and country music pioneer Merle Haggard, who passed away in on April 6, 2016, Haggard’s 79th birthday.

On ‘God’s Problem Child’ Willie pays tribute to his friend, who Nelson first met at a poker game at Willie’s Nashville home in 1964, on the Gary Nicholson penned cut “He Won’t Ever Be Gone.”

The title cut, co-written by Jamey Johnson and Tony Joe White, includes vocals by both writers as well featuring the late roots-music legend Leon Russell, one of his final recordings before his death last November.

I can’t wait to hear the entire album from this master singer/songwriter.

‘God’s Problem Child, which will be available on CD, vinyl, and digitally. As is now the norm to help spur sales bundles
are offered including the various music formats, some signed, as well as t-shirts and other premiums.

Order at Pledge Music.

‘God’s Problem Child’ track list:
1. “Little House on the Hill” (Lyndel Rhodes)
2. “Old Timer” (Donnie Fritz/Lenny LeBlanc)
3. “True Love” (Willie Nelson/Buddy Cannon)
4. “Delete and Fast Forward” (Willie Nelson/Buddy Cannon)
5. “A Woman’s Love (Mike Reid/Sam Hunter)
6. “Your Memory Has a Mind Of Its Own” (Willie Nelson/Buddy Cannon)
7. “Butterfly” (Sonny Throckmorton/Mark Sherrill)
8. “Still Not Dead” (Willie Nelson/Buddy Cannon)
9. “God’s Problem Child” (Jamey Johnson/Tony Joe White)
10. “It Gets Easier” (Willie Nelson/Buddy Cannon)
11. “Lady Luck” (Willie Nelson/Buddy Cannon)
12. “I Made a Mistake” (Willie Nelson/Buddy Cannon)
13. “He Won’t Ever Be Gone” (Gary Nicholson)

 Wanted! – Notable Americana and Roots Music Releases for 2017

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Wanted! - Notable Americana and Roots Music Releases for 2017

2016 was another great year for Americana and roots music, and 2017 shows signs that the great music will continue to come our way. As our Cream of the Crop favorites from last year makes plain we might be experiencing a new golden age of roots music/ Both as a growing influence on our contemporary culture and also as a viable, business for young and old artists to sustain themselves and thrive.

That last part is crucial as it provides economic and influential seed corn for the future ‘Cream of the Crop’ year-end best of collections.

The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like Ray Wylie Hubbard, Chris Stapleton, Jason Isbell and The Secret Sisters have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year and will send word through my twitter account when I do.

If you know of a release not listed yet please leave it in the comments.

One thing is for sure, it’s going to be a great year folks.

January 13th –
The Band of Heathens – ‘Duende’
Blackie and the Rodeo Kings – ‘Kings and Kings’
Otis Gibbs – ‘Mount Renraw’

January 20th –
Kasey Chambers – ‘Dragonfly’
The Show Ponies – How It All Goes Down’
Rayna Gellert – ‘Workin’s Too Hard’

January 27th –
Delbert McClinton – ‘Prick Of The Litter’
Tift Merritt – ‘Stitch of the World’
Valerie June – ‘The Order of Time’
Bankesters – ‘Nightbird’
Dead Man Winter – ‘Furnace’

February 3rd –
Ags Connolly – ‘Nothin’ Unexpected’
Gurf Morlix – ‘The Soul & The Heal’
Mitch Dean –‘Suburban Speakeasy’
Rose Cousins – ‘Natural Conclusion’
Caroline Spence – ‘Spades & Roses’

February 10th –
Kris Kristofferson – The Austin Sessions (Expanded Edition)

February 17th –
Alison Krauss – ‘Windy City’
Nikki Lane – ‘Highway Queen’
Pegi Young & The Survivors – ‘Raw’
Son Volt – ‘Notes Of Blue’
Son of the Velvet Rat – ‘Dorado’
Blair Crimmins – ‘You Gotta Sell Something’
The Gibson Brothers – “In The Ground”

February 24th –
Curtis McMurtry – ‘The Hornet’s Nest’
Rhiannon Giddens – ‘Freedom Highway’
Old 97s – ‘Graveyard Whistling’
Scott H. Biram – “The Bad Testament”
Shinyribs – “I Got Your Medicine”
Aaron Watson – “Vaquero”

March 3rd –
Grandaddy – ‘Last Place’
Beth Bombara – ‘Map With No Direction ‘

March 10th –
Sunny Sweeney – “Trophy’
Pieta Brown – “Postcards”

March 24th –
Jessi Colter – ‘The Psalms’
Samantha Crain – ‘You Had Me At Goodbye’

March 31st –
Rodney Crowell – ‘Close Ties”
David Olney – “Don’t Try To Fight It”
Dead Soldiers – “The Great Emptiness”
Shoddy Blacktooth — “Don’t Forget To Die”

April 7th
Malcolm Holcombe – ‘Pretty Little Troubles’
Andrew Combs – “Canyons Of My Mind”

April 14th
Evening Darling – “Evening Darling’

April 21st –
Angaleena Presley – ‘Wrangled’

May 5th
Chris Stapleton – ‘From a Room: Volume 1’

May 19th
Builders and the Butchers – ‘The Spark’
Pokey LaFarge – ‘Manic Revelations’
Tom Russell – ‘Play One More: The Songs Of Ian And Sylvia’

May 26th
Justin Townes Earle – ‘Kids in the Street’

June 2nd –
Bobby Osborne – ‘Original’

June 9th –
The Secret Sisters – ‘You Don’t Own Me Anymore’
Shannon McNally – ‘Black Irish’

June 16th –
Sammy Brue – ‘I Am Nice’

June 23rd –
The Deslondes – ‘Hurry Home’
Slaid Cleaves – ‘Ghost on the Car Radio’

July 7th –
Randall Bramblett – ‘Juke Joint At The Edge Of The World’

July 14th –
Cale Tyson – ‘Careless Soul’

July 21st –
Whiskey Shivers – ‘Some Part of Something”

August 4th
Tyler Childers – ‘Purgatory’

August 18th
Loretta Lynn – ‘Wouldn’t It Be Great’ POSTPONED
Ray Wylie Hubbard – ‘Tell the Devil I’m Getting There as Fast as I Can’

September 8th
Caroline Reese – ‘Two Horses’ EP

September 15th
Willie Watson – ‘Folksinger Vol. 2’
The Lone Bellow – ‘Walk Into A Storm’

September 22nd
Steve Martin & Steep Canyon Rangers – “The Long-Awaited Album”
Billy Strings – ‘Turmoil & Tinfoil’

September 29th
Anna Tivel – “Small Believer”

October 6th
Whitney Rose – ‘Rule 62’
JD McPherson – ‘Undivided Heart and Soul’
Becca Mancari – ‘Good Woman’

October 13th
Hellbound Glory – ‘Pinball’
Caleb Cladry – ‘Invincible Things’

October 16th
Gill Landry – ‘Love Rides A Dark Horse’

October 20th
Turnpike Troubadours – ‘A Long Way From Your Heart’
Dori Freeman – ‘Letters Never Read’

October 27th
Lee Ann Womack – ‘The Lonely, The Lonesome & The Gone’
Ronnie Fauss – ‘Last of the True’
The Wailin’ Jennys – ‘Fifteen’
The Deep Dark Woods – ‘Yarrow’

October 31st
Year of October – ‘Trouble Comes’

November 3rd
Samantha Fish – ‘Belle of the West’
Anna St. Louis – “First Songs’
Scott Miller – ‘Ladies Auxiliary’

November 17th
Mavis Staples – ‘If All I Was Was Black’

December
Chris Stapleton – ‘From a Room: Volume 2’

December 8th
Robert Ellis and Courtney Hartman – ‘Dear John’

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2016

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Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2015

The year in music for 2016 is best defined by the classic Dickensian line from “A Tale of Two Cities,” “It was the best of times, it was the worst of times.”

Mortality cut a wide swath across some of the greatest and influential musicians of the twentieth century. Roots and country artists like Merle Haggard, Guy Clark, Ralph Stanley, Leon Russell, Jean Shepard, Glenn Frey, Red Simpson, Joey Feek and Steve Young among other greats like Prince, Sharon Jones, David Bowie and Leonard Cohen seemed harshly unrelenting. This level of loss will be felt in our cultural fabric in ways we’ve yet to understand.

To quote the late, great George Jones “Who’s gonna fill their shoes?”

Let’s hope that those passed legends shine as a beacon to the next generations to create great work that ties us together in song, music and common humanity. From what I know about 2017 I do see greatness coming.

But there was a silver lining. The influence of roots music in mainstream and, in a cultural equivalent of time folding in on itself, mainstream country music. This trend of influence occurs without Americana surrendering its identity of innovation and authenticity. To some artists, the genre was found too constricting and they lit out for another terrain better suited to their art.

And here’s to a more equitable arrangement between tech companies and the musicians that provide the bedrock to build their empires. Much to be done here…

As others sacrifice to create, let’s us, the audience, push ourselves to discover, share, attend live shows and financially reward the creators. Most which are hauling thier own gear and traveling to shows in cars or vans not tour buses.

Without them, this life is much less joyful.

Criteria – Calendar year 2016. No EPs, live, covers or re-release albums no matter how awesome.
Don’t see your favorite represented? Leave it in the comments, and here’s to a new year of Twang.

Matt Woods – ‘How to Survive’ – (iTunes | Amazon) – Tennessee troubadour Matt Wood’s third studio album ‘How to Survive’ offers taut songwriting that cuts to the emotional quick. Not an overtly political album but something more effective in sowing understanding – a topical album.

Paul Cauthen – ‘My Gospel’ – (iTunes | Amazon)
Paul Cauthen’s ‘My Gospel’ takes a page from the book of Paycheck and Waylon, a mix of juke box secular and pulpit gospel songs both personal and ethereal confessionals. These testimonials through Cauthen’s big baritone that suits these sonic vignettes of contemporary southern soul.

Brent Cobb – ‘Shine On Rainy Day’ – (iTunes | Amazon) Like Chris Stapleton and Kacey Musgraves Brent Cobb worked the Music Row ear worm mines for years before moving front and center with his own wares. Those dues paid off. His debut is both breezy and heavy like the great music of the country crossovers from the 70s but fresh with life and rich with authenticity and tradition.

Darling West – ‘Vinyl and Heartache’ – (iTunes | Amazon) The Norwegian trio Darling West takes their smooth pop chamber folk aesthetic to a new high on their sophomore release ‘Vinyl and Heartache.’ Mari Sandvær Kreken’s voice transcends each original cut, and a superb cover of Fleetwod Mac’s ‘The Chain,” to take the extraordinary musicianship even higher.

Karen Jonas – ‘Country Songs’ – (iTunes | Amazon) All you need to know about Fredericksburg, Virginia-based Karen Jonas’ is right there in the title. ‘Country Songs’ picks up where Jonas’ 2014 debut ‘Oklahoma Lottery’ left us – somewhere between heartache and hangover. Her voice lies between sass and sultry as Jonas’ accounts a woman longing for more and being fed up. All the while fitting perfectly with classic barroom weepers without resorting to threadbare nostalgia.

The Buffalo Ruckus – ‘Peace & Cornbread’ – (iTunes | Amazon) The Buffalo Ruckus’ sophomore album ‘Peace & Cornbread’ still embodies the soul of all those barrooms the band has torched with their fiery live shows but brings the more feral elements to heel that pays off with cohesion and great songwriting. Here divinity mixes with road tar to create a great Southern soul album

Dori Freeman – ‘Dori Freeman’ – (iTunes | Amazon) One of the surprises of 2016, Freeman’s debut exudes the confidence of a veteran performer and songwriter influenced equally by her native Appalachia as she is classic pop, bar room country and uptown jazz and moves deftly across it all to deliver an astounding cohesive treasure.

Kelsey Waldon – ‘I’ve Got a Way’ – (iTunes | Amazon) Kelsey Waldon’s sophomore release has vulnerable resolve and classic country running through it like the coal veins in her home state of Kentucky. And just as bracing and satisfying as it’s bourbon. Her plaintive voice and keen eye for human nature makes for these sterling tales of hard roads and tender hearts.

Austin Lucas – ‘Between the Moon & the Midwest’ – (iTunes | Amazon) Austin Lucas’ latest release is a moody, pedal steel laden arc traveling among broken hearts and bitter tears. His signature croon sits between jubilant and forlorn and bears the marks of a man that’s been through trouble but comes out the other side stronger and with better stories.

Whiskey Myers – ‘Mud’ – (iTunes | Amazon)
Few musical genres are as maligned as Southern Rock. But then a band comes all with an album that makes you believe again. Whiskey Myers’ ‘Mud’ is that album. The band worked with Americana Auber-producer Dave Cobb to create an album that pushes lyrical and music boundaries established by their 2014 breakout release ‘Early Morning Shakes.’ The pride of Palestine, Texas mixes country, rock and blue-eyed soul to achieve one of their strongest efforts yet.

Robert Ellis – ‘Robert Ellis’ – (iTunes | Amazon) On Robert Ellis’ fourth solo album, the Texas songwriter further moves from the school of George Jones country crooning even further into the adult pop of James Taylor and Paul Simon, and tackles adult themes of despair, restlessness and loss of love. A disciple of music styleS and texture, as well as songcraft and extraordinary fret work, Ellis delves into Chet Atkin’s jazz-flavored country (Drivin), bossa nova (Amanda Jane) and even a neo-classical dirge (The High Road) and ties. It shouldn’t work but damned if Ellis doesn’t pull it off.

Hayes Carll – ‘Lovers and Leavers’ – (iTunes | Amazon) Carll’s latest suggests his 5-year recording hiatus has been a rough if introspective stretch. ‘Lovers and Leavers’ is Carll’s solemn of his career without tipping into being a dour bumfest. These days there’s more on Carll’s mind than drinking, hootin’ and ahollerin’. This is an authentically more personal, emotional and confessional work that moves Carll into the realm of Guy Clarkian genius.

Margo Price – ‘Midwest Farmer’s Daughter’ – (iTunes | Amazon) An overnight success 13 years in the making, Jack White saw something in Margo Price that Music Row didn’t when he signed her as the first country artist on his Third Man Records label. Life’s harsh beauty pours from each song and common resolve is there with grace. Stuff too real for Music Row confections. Price sits well within a current musical groundswell proving that soulful roots music has an audience hungry for something real and is here to stay.

Lori McKenna – ‘The Bird & The Rifle’ – (iTunes | Amazon)
‘The Bird & The Rifle’ – When she’s not penning mega hits for the likes of Tim McGraw and Little Big Town, Lori McKenna puts her considerable songwriting skills to weightier faire like her latest, ‘The Bird & The Rifle.’ Intimate stories of small town hopes hitting the hard choices and their unforeseen consequences. We see ourselves in gems like “Halfway Home” and “We Were Cool” and brings more dimension to McKenna’s own “Humble and Kind” which was a hit for McGraw. These songs create a web that ties our experiences together in common humanity.

Sarah Jarosz -“Undercurrent” – (iTunes | Amazon) Jarosz’s 4th full-length studio album surprised many fans who’ve been listening since 2009’s debut ‘Song Up in Her Head.’ The then teen wunderkind has built on her time in the bluegrass genre and arrived an accomplished arranger, songwriter, singer and musician. Traditional forms are reworked as contemporary personal reflections of maturity and sophistication. experimental pop fuse with classic songwriters like Paul Simon, Joni Mitchell and Carol King.

B.J. Barham – ‘Rockingham’ – (iTunes | Amazon) Inverting the country contemporary music trope of quaint small town nostalgia American Aquarium vocalist B.J. Barham focuses his deft songwriting eye on the gutting of the small town American dream. The album title, Rockingham, is the North Carolina, a town of a few thousand where Barham was raised, is the starkly real and metaphor for many forgotten towns. Steely-eyed truth sketches each hardscrabble scenario where desperation lingers thick in the air like the funk from the local tobacco company.

Robbie Fulks – ‘Upland Stories’ – iTunes | Amazon) Fulks is the unheralded hardcore alt-country troubadour. Though not as well known as Steve Earle or Chis Knight for decades Fulks is the guy the Earle and Knight would listen to closely for economy of songcraft and rich imagery. his newest offering is grammy nominated and might rightly put him at the top of Americana legends lists. Appalachian break downs and honky-tonk weepers driven by his voice that echos the ages makes this a glorious addition to the roots music canon.

Miranda Lambert – “The Weight of These Wings” – (iTunes | Amazon) Break-up albums are a mixed bag. When done well, as with Beck’s ‘Sea Change’ and Willie Nelson’s ‘Phases and Stages,’ the work can become an iconic confessional moment in a profession that trades on personal reflection. Miranda Lambert’s double album ‘The Weight Of These Wings,’ split into two sides — The Nerve and The Heart, written in the wake of her tabloid fodder divorce from Blake Shelton shows Lambert taking a step back and licking her wounds with songcraft instead of chasing chart toppers. This is a 24-song thesis on survival, healing and returning back to Texas roots.

John Paul White – ‘Beulah’ – Out of the ashes of one of the most celebrated pop-folk duets of modern times rises a forlorn beautifully crafted from folk, classic country and adult pop. An album that is both rich lyrically and melodically. John Paul’s post Civil Wars is a moody beauty with keen songwriting sharper and more cohesive than his CW days. Sparse arrangements- B3 organ, cello, drums, bass and the ever present acoustic guitar – build a fitting texture to frame the songs. Harmony is not forgotten with the Secret Sisters lending a subdued vocal hand on songs like the country weeper “I’ve Been Over This Before.” This gets better with each spin

Dr Ralph Stanley Funeral – Vince Gill, Patty Loveless, and Ricky Skaggs [VIDEO]

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Dr Ralph Stanley funeral - Vince Gill, Patty Lovelace, and Ricky Skaggs

YouTube member tdcat26 uploaded this video from Ralph Stanley funeral. It gives us an intimate glance of what it was like to be in attendance with all those paying tribute.

Vince Gill, Patty Loveless, and Ricky Skaggs were on hand to do the same.

After a beautiful eulogy Vince Gill performs ‘Go Rest High On That Mountain,’ a song Gill began writing in the tragic aftermath of Keith Whitley’s death in 1989, but did not finish the song until a few years later following the death of his older brother Bob, in 1993, of a heart attack.

As in the original recording Patty Loveless and Ricky Skaggs lend their backing vocals in moving tribute.

In memory Gill said ‘The first time I heard Ralph’s voice it was life-changing. ,,, It was the most mournful, it was the most soulful, and it reached deep inside me more than any other voice I had heard in Bluegrass.”

Patty Loveless remembering her performance of ‘Pretty Polly’ live with Stanley “It means so much to me,,,I had a career but this raised even further.”

Music Review: Dori Freeman – ‘Dori Freeman’ [Free Dirt Records]

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dori freeman

picture- Kristin Horton

2016 is still a young year but The album that sets the mark is already released.

Dori Freeman’s splendid debut is a deft study on the hill and holler template crafted by the Carter family. Her sonic road winds through honky-tonks, coffee houses , and even classic pop, to deliver a surprisingly cohesive and enjoyable journey of style and influence.

In part the influences come Freeman’s upbringing in a musical family. Raised in the small, rural Appalachian independent city of Galax, Va. (population 7,042 as of the 2010 census) soaking in the sounds and cutting her teeth in her grandfather’s shop on the historic Crooked Road.

This self-titled debut, produced by Teddy Thompson (son of English folk/rock legend Richard) brings a contemporary spark to seemingly familiar territory. The sparse acoustic opener ‘You Say’ balances a women’s pining for affection, that ultimately will leave her “blue,” with her need for independence. Like Gillian Welch Freeman is not a belter, but uses her range in a beautifully nuanced that dips and sways as the song needs.

“Go On Lovin'” is a barroom lament of love lost that showcases Freeman’s aforementioned vocal style with a sublimely subtle yodel break in the chorus. Sanag with yearning over beautiful pedal steel, fiddle and piano accompaniment this will result in many tears in beers.

“Tell Me” and “Fine Fine Fine” are revamps of classic 60s lovesick pop confections that Lesley Gore would have killed to record. “Ain’t Nobody” has Freeman, accompanied by only finger snaps, has a very Peggy Lee “Fever” feel to it, though in this case it’s detailing the worker blues and not a steamy come-hither.

Dori Freeman is a sterling example of a new generation if roots influenced musicians . She has blessed us with an ambitious debut that defies, satisfies and proves that when an artist’s vision is unencumbered by chart placement or other arbitrary distractions a thing of beauty can be realized.

four-half-rate

Buy | Official Site