Willie Nelson, Kris Kristofferson and Merle Haggard Working on New Album

willie kris merle

The live (and lively) performance by country legends Willie Nelson, Kris Kristofferson, and Merle Haggard on the 56th Annual Grammy Awards stage to perform the classics “Highwayman,” “Okie From Muskogee” and “Mamma’s Don’t Let Your Babies Grow Up to Be Cowboys” was a magnificent, albeit creaky, moment of music history. It is also a testament to how far off the reservation Music City has veered.

Leaving aside whether Blake Shelton merited a spot alongside such luminaries (cough…Jamey Johnson, Sturgill Simpson…cough) it was a highlight of the event.

Wille mentioned to Billboard.com that a formal collaboration among the three is in the works.

“We’re working on one now, yeah,” Nelson said, adding that they’ll release it “as soon as we get it together.”

Tentatively called “The Musketeers” (SavingCountryMusic.com) this will be the first time the trio has collaborated on the same project. Nelson is the common bond as he recorded the Townes Van Zandt’s classic, “Pancho & Lefty,” with Haggard and worked with Kristofferson in The Highwaymen alongside Johnny Cash and Waylon Jennings.

Given Kristofferson and Haggard’s recent health concerns a collaboration album released this year might be the last we hear from these gentleman. I certainly hope not.

But going out among friends would be a fine adios.

http://www.youtube.com/watch?v=SspAWnLvUFc

Winners at the 56th Grammy Awards

grammy-56-li

In he four years that I’ve participated in the GRAMMYs (yes, that a brand thing) community of bloggers program I always have someone ask me. “Why do it?”

I have a simple answer, exposure. Not just for me. – even if, as T Bone might suggest, I eschewed the spotlight, the blogger community program shines a brighter light on me and I in turn point that light toward great music and evets that most people aren’t aware of outside of the televised GRAMMY awards program showed for several hours in late Fall every year.

Events like the the Grammy Foundation’s “A Song is Born” program that took place at the classically elagant Wilshire Ebell Theater celebrating the alchemy of sound, emotion and words that is songwriting. Seventeen artists, most of them writers rather than the original interpreters, provided the audience with a live glimpse behind the creative curtain.

Singer/songwriter and actor and country-rock pioneer JD Souther, brought Dan Wilson (Grammy winner for his songs for Dixie Chicks and Adele), Joy Williams (Grammy winner for Civil Wars) for a wonderfully sweet rendition of his co-written hit with the Eagles, “New Kid in Town.”

Kris Kristofferson, who alluded to his recent disclosure of memory loss when he mentioned that “77 is a tough age.” He the enraptured the crowd with a rousing version of “Me and Bobby McGee” and a gut-wrenching rendition of “For the Good Times.”

Legendary songwriter Jimmy Webb took to piano to tell stories of his career. Like when the record company shows wariness of his song by the Fifth Dimension “Up, Up, and Away,” partly because they “they thought it was about drugs. It was just an ironic moment because of all the songs that year , 1967, were on radio that week, “Up Up and Away” was the only song that was not about drugs.”

perform a passionate “Wichita Lineman” in honor of “my friend” Glenn Campbell.

The GRAMMY pre-telecast is where the majority of the awards are given. The MC for the event was 80’s singing star, and current Broadway composer, Cyndi Lauper was charmingly bumbling iin her Queens kind of way.

Winners for the night (and if you followed my Twitter account you already know this) were:
Emmylou Harris & Rodney Crowell for “Old Yellow Moon,” Crowell accepted the award as he mentioned that Harris was “being a good sister” and tending to her ill brother.

Edie Brickell & Steve Martin were awards the GRAMMY for Best American Roots Song for their collaboration “Love Has Come For You.” “ Edie if the finest lyricist I’ve ever worked with.” Martin quipped.

Guy Clark was awarded a long overdue first GRAMMY for “My Favorite Picture Of You,” which took home Best Folk Album. Best Bluegrass Album went to that genre’s stalwart Del McCoury and his band.

The two biggest Americana and roots surprises came in the mainstream country categories.

The 25-year-old pop-folk upstart Kacey Musgraves took the gold, along with co-writers Shane McNally And Josh Osborne, for Country Song of the Year for “Merry Go ‘Round.” The surprise came when Musgraves won the big prize, Country Album of the Year for “Same Trailer Different Park.” against the old guard of Taylor Swift, Lee Brice, Miranda Lambert, and Blake Shelton.

When The Civil Wars were announced for their fourth Grammy for best country duo/group performance for “From This Valley” all eyes were searching to see if they currently at odds duo would appear. John Paul White ambled to the stage in typical formal attire alone and proceeded to jokingly apologize to fellow nominee Dolly Parton. “I’d like to apologize to Dolly Parton for depriving her of anything at all,” White joked. “She’s one of my biggest heroes.
He then went on to thank his wife, his four children and plumber who was currently fixing the water system.

There was no mention of producer Charlie Peacock or band’s other half, Joy Williams, who had been in attendance during of other events during Grammy Week.

The Civil Wars Facebook page was flooded with long-suffering fan’s outrage and disappointment and White later broke his more than year-long Twitter silence to apologize and thank Peacock and Williams.

On the main telecast I was delighted to see original Highwaymen, Willie Nelson and recipient of the 2014 Recording Academy Lifetime Achievement Award Kris Kristofferson shared the stage with Bakersfield legend Merle Haggard and newcomer (and contrite trad-country basher) Blake Shelton do a medley of classic country hits like “The Highwayman,” “Mammas, Don’t Let Your Babies Grow Up To Be Cowboys” and “Okie From Muskogee.”

A great year of surprises, long-deserved recognition and lifted boats.

http://www.youtube.com/watch?v=2UEq-xJeRiI

Kris Kristofferson Receives the Grammy for Lifetime Achievement [VIDEO]

Kris Kristofferson Receives the Grammy for Lifetime Achievement

I was fortunate to attend this emotional honoring of an American music legend.

After a lovely video introduction , National Academy of Recording Arts and Sciences (NARAS) president presented Kris Kristofferson with the GRAMMY award for a Lifetime of Achievement.

My only question is, what took so long?

Kristofferson’s acceptance speech is brief, but heartfelt. In it he alludes to the his memory loss from years of head injuries from boxing and football when he was younger.

EDIT: A piece Rodney Crowell wrote for Kris’s lifetime achievement award for the Grammy awards magazine.

Americana Music Association Presents Everly Brothers Tribute

 Everly Brothers Tribute J

One event I’m most looking forward to while covering the GRAMMYs this year is one that is not an official GRAMMY event.

The Franklin TN -based Americana Music Association is presenting “a tribute to the Everly Brothers during a celebration of American Roots Music.”

Now who will be performing and how a Everly Brothers tribute will be worked into a larger salute to roots music at the sold-out event is not detailed, but I’m excited to find out!

The event will take place at the legendary Los Angeles venue, the Troubadour, Saturday, January 25.

Phil Everly was a friend of the AMA. In 20019 he wrote down the lyrics of “When Will I Be Loved” on parchment paper and donated the work for auction which raised money for the non-profit organization.

T Bone Burnett Unveils New Label

T Bone Burnett

T Bone Burnett is launching a new label, but if recent views still stand he won’t be promoting it.

Variety reports that roots-music auteur T Bone Burnett will launch a new music label , Electromagnetic Recordings, with Capitol Music Group. The label’s roster includes Gregg Allman and Jerry Lee Lewis.

It’s not surprising, given Burnett’s adversity aversion to technology, that the label appears to have no web presence and that the promotion appears to be handled by other rather than Burnett himself, except for being available for interviews. Is that promotion? (I say yes!)

“T Bone is quite simply one of culture’s most creative forces,” says Steve Barnett, CEO of Capitol Music Group. “He is an influential curator and tastemaker, and his projects are consistently of stellar quality and integrity.”

Burnett shares the admiration “Steve Barnett is a very interesting, energized, smart executive,” Burnett says. “(He) actually listens to, and believes in music as a force for good in the world. He has given me a base for which I can invest in some very good young artists. We’ll be doing films, television, records and tours. It is about music. The marketing focus is simple: it is music for people who like music. It’s all going to be good and it’s all going to be done analog. This is one of our things.”

Burnett has been in constant demand (in spite of a profession of no self-promotion) He recently lent his executive music producer and composer duties for his fourth film collaboration with Joel and Ethan Coen, “Inside Llewyn Davis,” and last year, did the same for “The Hunger Games” and ABC’s “Nashville.”

Burnett has also taken on another music exec producer role for HBO’s forthcoming “True Detective” series starring Matthew McConaughey, and has begun working on “The Basement Tapes … Continued,” an album and film documentary that will revisit 16 previously lost Bob Dylan lyric sheets from 1967. Dylan will be involved and as well as some of today’s most acclaimed artists.

5 Iconic Americana / Roots Music GRAMMY Moments

Johnny Cash

The 55th Annual GRAMMY Awards draws nigh. That famous night that the National Academy of Recording Arts and Sciences put on the most glitzy industry trade show. Though Americana and roots music comes to mind when you think of the GRAMMYs but there have been some great moments if you were paying attention.

Here are a few of my favorite GRAMMY moments over the years. Leave your in the comments, I’d love to hear about them.

Boston-based folk-pop performer Linda Chorney does the seemingly impossible and snags a 2011 nomination for the GRAMMY for Americana Album of the Year by employing elbow grease, sleepless nights and the Internet. This sets social media tongues wagging and puts PR pros and other music industry gatekeepers on their heels.

Extraordinary newcomer John Fullbright was nominated for a 2012 Americana Album of the Year GRAMMY for his debut studio full-length “From The Ground Up.” After his passionate performance of “Gawd Above” he lost out to the legendary Bonnie Raitt. Afterwords he said with a smile “If I’m going to lose Bonnie Raitt is the one I want to lose to.”


HD John Fullbright performance 2013 Grammys by dm_51188e7423dd3

It appeared to be just a jam between two great roots acts, Mumford & Sons and The Avett Brothers. The ands joined together and the true intension was revealed as they backed Bob Dylan on “Maggie’s Farm” at the 2011 GRAMMYS.

https://vimeo.com/20567315

In a heartfelt 2012 GRAMMY tribute in honor of Levon Helm and the victims of Sandy Hook shooting Elton John, Mumford & Sons, Mavis Staples, Zac Brown , Alabama Shakes singer Brittany Howard and T Bone Burnett came together for a passionate rendition of The Band’s ” classic ” The Weight.”

http://www.youtube.com/watch?v=yunfRRZXRuc

After years of lingering in a career slump Johnny Cash scores the GRAMMY for Best Contemporary Folk Album in 1995 giving the latter part of Cash’s career much deserved attention and a spirit of vitality.

http://www.youtube.com/watch?v=tuRYmUBUwCo

This bonus moment goes out to Arlene – “O Brother Where Art Thou” Grammy Performance (2002)

http://www.youtube.com/watch?v=R-C_HVoiJpY

2013 The Year in Americana and Roots Music

Jason Isbell

2013 will go in the books as the year that Americana and roots settled comfortably into the mainstream. Kids are wearing dust-bowl duds and there is a brisk trade in acoustic guitars and banjos. Bands are taking a page from the Mumford, Avetts and Lumineers book of hand-crafted songs with rousing melodies just begging to be sung at live shows. It’s no longer a rustic throwback fad.

The genre grows more diverse, from folk-pop, Laurel Canyon rock, psych folk, hard-sore honky-tonk and everything that doesn’t neatly fit in other buckets. As genre defying as the music can be it all comes down to the only tis that matters, Great songwriting, evocative, absorbing narratives and memorable melodies that endures the ages.

But first you must find an audience.

ABC music row drama Nashville has done a fine job in highlighting great roots music, under the guidance T Bone Burnett , and now Buddy Miller, as well as classic country references and Americana and roots performer cameos. The show’s cutest stars (and real-life sisters,) Lennon and Maisy Stella, performed the Lumineers omnipresent top-40 hit hit “Hey Ho.” This gave the song an already bigger audience then it originally had. Is that possible?

This July Americana stalwarts Old Crow Medicine Show backed ex-Hootie & the Blowfish front man, and current country music star, Darius Rucker on Old Crow’s version of Bob Dylan’s “Wagon Wheel” at the Grand Ole Opry. The song was recorded with the band and included on his latest album resulting in one of his most popular singles as a solo artist and reaching number one on Billboard Hot Country Songs in its 12th week.

Old Crow Medicine Show then had the honor to be inducted into the Grand Ole Opry this fall by Opry members Dierks Bentley and Marty Stuart.

That’s not the only example of music row looking to Americana for material and a shot of inspiration. GRAMMY-winning singer Leann Rimes reached into the Americana well, and beyond her music row comfort zone, on her latest “ Spitfire.” She lends her extraordinary pipes to a searing version of Buddy Miler’s “Gasoline and Matches” in a duet with Rob Thomas. Country music chanteuse and Pistol Annie Ashley Monroe tapped legendary Texas singer-songwriter Guy Clark to collaborate on the title song on her latest “Like a Rose.”

If your looking for evidence of Americana’s mainstream presence you need go no further than SPIN’s list of 20 Best Country Albums of 2013 had Blake Shelton and Brad Paisley mixed with The Civil Wars (12), Jason Isbell (11) and Emmylou Harris and Rodney Crowell (9) Holly Williams (8) Sturgill Simpson (6) Cailtlin Rose (2).

Entertainment Weekly, the beacon of popular taste, counted a majority of Americana artists on their list of top country releases of 2013 with Jason Isbell and Lindi Ortega taking the number 1 and 2 spot respectively.

As in recent years I even had a hard time limiting myself to a top 10,15, 20+ on my Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2013.

T Bone Burnett again joins forces with the Coen Brothers to contribute soundtrack stewardship to thier new 60’s neo-folk focused film. The soundtrack features old folk songs performed by Marcus Mumford , The Punch Brothers along with the film’s actors Oscar Isaac, Carey Mulligan , Adam Driver and Justin Timberlake, who might use his his work here to jump dart his desired foray into country music.

As the music advances it’s important that a music that celebrate the past honors those that came before. George Jones, the greatest voice in country music and the innovator, Ray Price were both lost to use this year.

We also lost “Cowboy” Jack Clement, As a record and movie producer, songwriter, performing and recording performer and studio engineer, Clement was responsible for for shaping American music in the 20th century.

Premier rock and country journalist Flippo, who documented much of the major changes in country music including the Outlaw movement and one of the original Outlaws Tompall Glaser, both left us in 2013.

Though gone they will boot be forgotten for their contribution to the rich and progressive music we love.

Here’s to the music we love and the performers that endure much to offer their craft to make this world just a little bit better, kinder and more interesting. Here’s to a community that still buys albums, t-shirts and packs local shows and helps these talented folks make music a career.

Here’s to the New Year.

Country Music Pioneer Ray Price Dead at 87

RIP Ray Price

After some initial confusion the day before regarding the health of country music legend Ray Price, his death was confirmed today by veteran country disc jockey Bill Mack, a spokesman for Mr. Price’s family. Price passed away Monday at his home in Mount Pleasant, Texas, from complications stemming from the pancreatic cancer he was diagnosed with in 2011. He was 87.

Price honed his craft at the heels of his friend and once roommate Hank Williams, who’s band he inherited, and rechristened the Cherokee Cowboys, in the wake of William’s death.

Price was an early practitioner of the 4/4 beat, later called the “Ray Price beat,” that then went on to become a standard of the genre.

with songs like “Crazy Arms” and Kris Kristofferson’s “For the Good Times” Price was also a pioneer in bringing country music to a wider audience. With 109 songs charting between 1952-89, His history on Billboard’s Hot Country Songs chart spans more than 37 years with 46 top 10 entries, eight of those reaching No. 1.

Price last charting album was the collaboration with Merle Haggard and Willie Nelson “Last of the Breed.”

“I have fought prejudice since I got in country music and I will continue to fight it,” he told The Associated Press in 1981. “A lot of people want to keep country music in the minority of people. But it belongs to the world. It’s art.”

The Country Music Hall of Fame and Grammy Hall of Fame member was a staunch advocate for the dignity of classic country music. Last year price responded on Facebook to Blake Shelton’s classic-country “Old Farts” & “Jackasses” slam.
The ruckus played out on the Internet and introduced Price to a new generation of country fans.

“You should be so lucky as us old-timers,” Price said in a happily cantankerous post in all capital letters. “Check back in 63 years (the year 2075) and let us know how your name and your music will be remembered.”

Price follows George Jones as country music legends that have passed this year.

Twang Nation Podcast Episode 17 – Amy Black, Jimbo Mathus , Jason Eady and Lucinda Williams

Twang Nation Podcast

Step right up ladies and gents. What you have before you is the latest Twang Nation podcast with the latest and best of Americana and roots cuts.

It’s also the last podcast of 2013 and the last to be done exclusively in San Francisco. Number 18 will be a cross-country effort.

This episode has some gems from the ending year by an unlikely and excellent collaboration of Norah Jones and Billy Joe Armstrong doing Everly Brothers covers. There is also new cuts from Doug Balmain and Ocean Carolina.

There are also some choice cuts from upcoming releases by Jason Eady, Jimbo Mathus and a new live cut from the upcoming reissue of Lucinda Williams’ self-titled 1988 album.

I hope you like this episode of the Twang Nation Podcast. if you do tell a friend and let me know here at my site, Google+, Twitter or my Facebook.

Happy holidays and thanks to all of you for supporting great music! Remember band shirts and show tickets to shows make great gifts.

Dale Watson – A Real Country Song

1. Norah Jones and Billie Joe Armstrong – Song: “Long Time Gone ” – album: “Foreverly” Out now on Reprise Records
2. Doug Balmain – Song: “I’ll Lay Down in the Rain ” – album: “Troubled Mind” Out now Released Independently
3. Amy Black – Song: “Layin It Down ” – album: “This Is Home” Out now Released Independently
4. Grace & Tony – Song: “Layin It Down ” – album: “November ” Out now via Rock Ridge Music
5. Jason Eady – Song: “OK Whiskey” – album: ‘Daylight And Dark’ Out Jan 21
6. Lori McKenna – Song: “Take Me With You When You Go” – album: Massachusetts on 1-2-3-4-go records – out now
7. Ocean Carolina – Song: “Women and Wine” – album: “All The Way Home” Old Hand Records 1/14/14
8. Star Anna – Song: “Mean Kind of Love ” – album: “Go To Hell” Spark & Shine out now
9. Jimbo Mathus – Song: “Hawkeye Jordan” – album: “Dark Night of the Soul” Fat Possum Records out February 15.
10. Lucinda Williams – Song: “Something About What Happens When We Talk (Live at KCRW) ” – album: “Lucinda Williams,” to be released on January 14

Lost 1980s Johnny Cash Album to be released Next March

Johnny Cash album 'Out Among the Stars'

Johnny Cash vast discography is not quite complete.

This march the Cash estate will release “Out Among the Stars,” a 12-track album that Cash recorded between 1981 and 1984 with producer fellow he Country Music Hall of Fame member Billy Sherill. Sherill, was also president of CBS Records Nashville at the time of the recordings.

This, of course is great news. but it gives me pause that Sherill was one of the architects of the “countrypolitan”

The upside is that the restoration of the album was handled by John Carter Cash with co-producer/archivist Steve Berkowitz along with Carlene Carter, Cash collaborator Marty Stuart, Jerry Douglas and Buddy Miller.

Speaking to the Associated Press, John Carter Cash said, “It was the ‘Urban Cowboy’ phase. It was pop country, and dad was not that.” Cash and archivists at Legacy Recordings first came upon the Out Among the Stars tapes last year. The recordings are just the latest gem from a massive personal archive that Johnny Cash and wife June Carter Cash recorded together throughout their careers.

Among the highlights of Out Among the Stars: a duet with Waylon Jennings and two featuring June Carter Cash.

“We were so excited when we discovered this,” said the younger Cash. “We were like, my goodness this is a beautiful record that nobody has ever heard. Johnny Cash is in the very prime of his voice for his lifetime. He’s pitch perfect. It’s seldom where there’s more than one vocal take. They’re a live take and they’re perfect.”

In spite of the records greatness, Columbia Records choose to indefinitely shelve the release and Cash was dropped from the label in 1986. Cash career withstood this indignity and he is now regarded as one of the most influential musicians of the 20th century.

Out Among the Stars will be released on March 25th, and pre-orders are already available.

“Out Among the Stars” Track Listing
01 Out Among the Stars
02 Baby Ride Easy [ft. June Carter Cash]
03 She Used to Love Me a Lot
04 After All
05 I’m Movin’ On [ft. Waylon Jennings]
06 If I Told You Who It Was
07 Call Your Mother *
08 I Drove Her Out of My Mind
09 Tennessee
10 Rock and Roll Shoes
11 Don’t You Think It’s Come Our Time [ft. June Carter Cash]
12 I Came to Believe *
* Written by Johnny Cash