John Prine Exhibit ‘It Took Me Years to Get These Souvenirs’ Slated for The Country Music Hall of Fame® and Museum on November 15

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On November 15TH The Country Music Hall of Fame® and Museum will shine a spotlight on another legend when they showcase the extraordinarily influential career of John Prine.

The exhibit opens November 15th and will follow “the Grammy-winning singer’s life from his early musical influences to his critically acclaimed career as a folk and country singer-songwriter with a knack for social commentary, free from judgment but full of poignancy, heartbreak and humor.”

More from the CMHOF press release:

The Country Music Hall of Fame® and Museum will unveil a special spotlight exhibit dedicated to revered singer-songwriter John Prine on November 15. John Prine: It Took Me Years to Get These Souvenirs, which will be located within the museum’s permanent exhibit on the second floor, will incorporate instruments, manuscripts and other relics spanning Prine’s four-decade career. The exhibition will run through May 2014.

John Prine: It Took Me Years to Get These Souvenirs traces the singer’s life from his early musical influences to his critically acclaimed career as a folk and country singer-songwriter with a knack for social commentary, free from judgment but full of poignancy, heartbreak and humor.

John Prine was born October 10, 1946, in Maywood, Illinois-a suburb of Chicago. His parents gave him his first guitar for his 14th birthday. Both his family’s love of country music and its roots in Muhlenberg County, Kentucky, would greatly inform Prine’s songwriting style and content.

After high school, Prine served a two-year stint in the U.S. Army before taking a job as a postal worker in Chicago, where he wrote songs while walking his route. He tried out those songs on the Chicago folk circuit. In 1971, Kris Kristofferson heard Prine perform and helped him secure a record deal.

Prine’s self-titled debut album included the songs “Hello in There,” “Paradise” and “Angel from Montgomery,” later recorded by Bette Midler, the Everly Brothers and Bonnie Raitt, respectively. The album also included one of Prine’s most famous songs, “Sam Stone,” a raw look at a drug-addicted Vietnam veteran that critic Roger Ebert called “one of the great songs of the century.”

Prine released a string of other critically acclaimed albums in the 1970s, including Diamonds in the Rough, Sweet Revenge, Common Sense and Bruised Orange. “Souvenirs,” “Christmas in Prison,” “Dear Abby” and “If You Don’t Want My Love” are among his songs from that period.

Prine moved to Nashville in the early 1980s and founded the independent record label Oh Boy Records with his longtime manager, Al Bunetta. In 1991, The Missing Years earned Prine his first Grammy, for Best Contemporary Folk Album. He won another Grammy in 2005 with Fair & Square. In 2007 he released Standard Songs for Average People, an album of duets with Mac Wiseman.

Among the artifacts on display in John Prine: It Took Me Years to Get These Souvenirs are:

– Prine’s first guitar, a 1960 Silvertone Kentucky Blue archtop
– Handwritten manuscript for “Sam Stone,” under its original title, “The Great Society Conflict Veteran Blues”
– Original, handwritten manuscript for “Angel from Montgomery”
– John Prine concert posters from the early 1970s
– Handwritten manuscript for “Dear Abby,” written on stationery from a hotel in Rome, Italy
– Customized guitar with mother-of-pearl and abalone inlays on the body, fretboard, and headstock
– Typed and handwritten three-page manuscript for “Jesus: the Missing Years,” Prine’s tongue-in-cheek, fictitious account of the life of Jesus between the ages of twelve and thirty
– 1991 Grammy for Best Contemporary Folk Album for The Missing Years
– 2005 Grammy for Best Contemporary Folk Album for Fair & Square
– Prine’s doodles of winged dogs and other figures, some of which were incorporated into cartoonist John Callahan’s cover art for Prine’s 1995 album, Lost Dogs and Mixed Blessings
– Street sign for John Prine Avenue, which runs through Drakesboro, Kentucky, five miles from the Muhlenberg County town of Paradise, where his parents were raised
– Country Weekly award for Favorite Line Dance Song, given to John Prine for co-writing (with Roger Cook) “I Just Want to Dance with You,” a #1 hit for George Strait in 1998
– Personalized tour books with travel itineraries for tours in 1996, 2003, 2005 and 2011

https://www.youtube.com/watch?v=eXqFFfVpnhQ

Watch Out! Alan Jackson: “Blacktop” on David Letterman

Alan Jackson - Letterman

Alan Jackson did more than sit around and gripe about the sad state of commercial country music. He went out and made a damn fine bluegrass album and reminded us all how great that music was and can be.

David Letterman and his crew continued their fine tradition of supporting fine country, roots and Americana music as they welcomed jackson and his cracker-jack band (in bluegrass is there any other kind?)

Jackson and Co. performed “Blacktop” from the newly released, and straightforwardly titled, “The Bluegrass Album” (Alan’s Country Records/EMI Nashville)

http://www.youtube.com/watch?v=I4jdefl2JS4

Watch out! Willie Nelson featuring Paula Nelson – “Have You Ever Seen The Rain” [VIDEO]

Willie Nelson and Paula Nelson

Willie Nelson, and his talented daughter Paula, duet beautifully on this languid version of the Creedance Clearwater Revival classic. You can almost imagine sitting on the porch and watching a spring shower.

Like many of his recent music videos this was one was shot at Willie Nelson’s replica western town in Luck, TX, (about a 45 minute ride from downtown Austin) for his own Luck Films. The video is shot in a rich black-and-white and features Paula looking lovely, Willie looking pensive riding a horse and looking pensive playing cards.

There’s also some pretty great family photos. Baby Paula ( I assume,) Willie’s pianist and sister Bobbie Nelson, Waylon and the Appalachian moonshiner legend, Marvin “Popcorn” Sutton

Sit back and let it wash over you.

Watch Out! 10 Murder Ballads for Halloween

Johnny Cash - Delia's Gone

Hello ghouls and goblins! Halloween celebrations in some form has a long and rich tradition in 16th century European and Scandinavia. At roughly the same time the murder ballad evolved right along with it. Both washed up on these US shores with the pilgrims and were shaped, over time, with our own uniques cultural influences and musical styles.

Gallons of blood, and scores of lifeless bodies, have been detailed in many harrowing ditties. The genres of folk, bluegrass and country music count more death and malice
than in metal and gangster rap combined (to be fair, they have had centuries to stack up bodies.)

I bring to you this spooky season some contemporary versions and variations of the murder ballad. From the Wilburn Brothers’ version of “The Knoxville Girl,” an Appalachian murder ballad, derived from the 19th-century Irish ballad The Wexford Girl. There also modern takes like Lindi Ortega’s menacing “Murder Of Crows.”

Enjoy these dark treats and leave your favorites in the comments.

Wilburn Brothers – Knoxville Girl

Rachel Brooke – The Black Bird

Th’ Legendary Shack Shakers – Where’s the Devil?
https://www.youtube.com/watch?v=tgphO4JJIrw

Lera Lynn – Bobby, Baby

O’Death – Lowtide – Video

Stab – The Pine Box Boys

Lindi Ortega – Murder Of Crows

Porter Wagoner – Cold Hard Facts Of Life
http://www.youtube.com/watch?v=pl4yjGzWOvI

Bobbie Gentry – Ode To Billie Joe

Johnny Cash – Delia’s Gone

NASHVILLE 2.0: The Rise of Americana to Air on PBS This November

Nashville 2.0

NASHVILLE 2.0 kicks off the “PBS Americana Music Weekend,” which pairs this documentary with an Americana music concert from PBS’ iconic Austin City Limits (ACL) series. In a special episode, ACL travels to Nashville to capture performance highlights from the 2013 Americana Music Association Honors & Awards. ACL PRESENTS: AMERICANA MUSIC FESTIVAL 2013 airs November 23rd on PBS in select markets (check local listings for broadcast dates and times)

The hour-long film was co-directed by Carol Stein and Susan Wittenberg (the duo behind 2011‘s Women Who Rock) and will feature a lineup of some of the best rising and veteran country, folk, rock and multi-genre artists prominent in building the Americana movement.

The special will incluse includes performances by, and interviews with, Alabama Shakes, The Avett Brothers, Billy Bragg, Laura Cantrell, Carolina Chocolate Drops, Rosanne Cash, The Civil Wars, Elizabeth Cook, Rodney Crowell, Dawes, Jerry Douglas, John Fullbright, Shakey Graves, Emmylou Harris, The James Hunter Six, Jason Isbell , Amanda Shires, Jim Lauderdale, The Lone Bellow, The Mavericks, The Milk Carton Kids, Buddy Miller, Mumford & Sons, Shovels and Rope*, Richard Thompson, and Dwight Yoakam.

This is hardly an exhaustive list, and not all of these artists are from, or reside, in Nashville. Buy Music City has become the de-facto hub of the Americana Music industry.

For now.

Listen Up! Billie Joe Armstrong and Norah Jones – “Long Time Gone” (The Everly Brothers)

Billie Joe Armstrong and Norah Jones

After seeing the live many years ago at Lollapalooza I quickly became a Green Day Fan. not a record buying kind, but the kind that when the subject of punk came up I weighed in on their side. Of course making a jillion $$ and a Bradway shows doesn’t help with punk cred, but none of that mattered to me anyway. I never bought into punk purity. Green Day could put on a show and hold an audience. I was a fan.

When I heard that Green Day frontman Billie Joe Armstrong was collaborating with my Dallas home-girl Norah Jones i was amused. Then I heard it was a track-for-track tribute to the Everly Brothers’ 1958 classic, “Songs Our Daddy Taught Us.” Then I was intrigued.

The album, “Foreverly,” originated when Armstrong, who says he’s a longtime Everly Brothers fan, discovered the pop-Americana/folk 12-song collection a couple years go.

So why Norah Jones? “I thought of Norah because she can sing anything, from rock to jazz to blues,” he says, “and I knew her harmonies would be amazing.” Armstrong tells Rolling Stone.

The duo recorded the album in nine days at the Magic Shop studio in Manhattan with Engineer Chris Dugan at the boards. Armstrong and Jones split vocal duties (along with guitar and piano),  and were accompanied by fiddle player Charlie Burnham, bassist Tim Luntzel, drummer Dan Rieser and pedal-steel guitarist Johnny Lam.

Armstrong and Jones told Stereogum that the process of making the album was similar to a “blind date.”

“We sang together with Stevie Wonder and his band and a whole bunch of people, that’s how Norah and I first met,” Armstrong says. “Then, well, I got into the Everly Brothers’ record a couple years ago, and I thought it was just beautiful. I was listening to it every morning for a while off and on. I thought it would be cool to remake the record because I thought it was sort of an obscure thing and more people should know about it, but I really wanted to do it with a woman singing because I thought it would take on a different meaning – maybe broaden the meaning a little bit – as compared to hearing the songs being sung by the two brothers. And so my wife said, ‘Why don’t you get Norah Jones to do it?’ and I was like, ‘Well, I kinda know her.’ Well, I mean, we had Stevie Wonder in common. And so I called her and she said yes.” Armstrong tells Rolling Stone.
 
“The average listener might be like, ‘Well, that’s not punk rock’ or whatever in regards to this record, but I like doing different things – it’s fun, it makes life more interesting,” he said.

“Foreverly” will be released November 25th on Reprise Records. In the meantime, check the stream of the lovely and softly twangy “Long Time Gone.”

Watch Out! Billy Gibbons joined John Fogerty on stage in Tulsa, Oklahoma for “Born on the Bayou.” [VIDEO]

Billy Gibbons joined John Fogerty on stage

ZZ Top’s Billy Gibbons joined John Fogerty on stage in Tulsa, Oklahoma for a swamp-meets-grease version of classic Credence Clearwater Revival’s “Born on the Bayou.”

John Fogerty is currently on tour across the US.

Taylor Swift to Perform with Alison Krauss, Vince Gill, Sam Bush at Country Music Awards

video-taylor-swift-with-civil-war

Nashville’s Tennessean posts an Associated Press story “Taylor Swift invites special guests to CMA Awards.”

These “Special guests” turn out to be some roots music heavy-hitters. Alison Krauss, Vince Gill, Sam Bush, bassist Edgar Meyer and percussionist Eric Darken. They will join Swift for on the Country Music Awards “special version” of her hit song “Red.”

Swift has worked with Americana musicians in the past, most notably her Grammy-wining collaboration withe The Civil Wars for the song “Safe and Sound” for the Hunger Games soundtrack.

This allows huge exposure for these participating artists, and give Swift some gravitas and Americana cred for a future career move.

How do you feel about this announcement?

Tune in to find out November 6th on ABC. Follow me on twitter as I will live tweet thsi awards

(VIDEO ADDED)

https://www.youtube.com/watch?v=76vj3O8402c

Hardly Strictly Bluegrass: 11 Must-See Acts

Hardly Strictly Bluegrass 13

There’s no denying the amount and quality of talent on the bill every year at the Hardly Strictly Bluegrass festival. Act-for-act no other festival only event can touch it for some of the finest Americana and roots. Then there’s the breathtaking backdrop of Hellman Hollow in San Francisco’sGolden Gate Park. Oh, and it’s free.

This combination is both good and bad. The quality is high and music plentiful, but the free access brings in droves of folks, and they increase every year.

This 13th year of the free festival does it’s benefactor, the late, great Warren Hellman, proud. I imagine him sitting in heaven, his lanky legs hanging off a cloud, strumming with his banjo with the bands playing below.

With 6 stages many folks choose to pay a blanket at a single stage and stay put. Some, like me, travel through the ocean of humanity to catch key acts and serendipitous discoveries.

With 6 stages brimming with greatness you really can’t go wrong setting up a blanket with refreshments at a single stage. Some (like me) prefer wandering stage to stage through the ocean of humanity sampling the ample musical ware and happening upon serendipitous discoveries.. The full bill really is a bounty to satisfy any roots music vet or for greenhorns looking for an crash introductory course.

Here re some well-known and less well-known acts I’ve circled on my must-see list.

Friday:

The Felice Brothers: The grittier, and more literate, alternative to Mumford and The Lumineers. Sometimes woozy, oftentimes chaotic, their performances are always passionate and their songs of common desperation and love is reminiscent of The Boss. 2:10pm – Rooster Stage

First Aid Kit: I’m not typically a fan of winsome singers, I’m more of a belter fan. But this Swedish indie-folk duo has won me over Sisters Johanna and Klara Soderberg, are winning over U.S. fans with their brand of breezy pop-Americana. 4:30pm – Rooster Stage.

Father John Misty: This ex-Fleet Fox first appeared on Bay Areas musical map after his exhilarating performance at last year’s Outside Lands. Roots stamped with psychedelic overtones and general weirdness. No telling where this could lead. 4:15pm – Arrow Stage

Bonnie Raitt: Is blues Americana? i have my opinion, bit there’s no denying the legendary talent of last year’s Grammys for Americana Album of the year. Expect catchy blues-rock with spicy guitar chops sprinkled. 5:45pm – Banjo Stage

Saturday:

Patty Griffin: This Austin, Texas treasure is touring behind her extraordinary “American Kid” and just before the proper release of her lost gem “Silver Bell.” Show up to hear cuts from these, and her extensive catalog. Also Buddy and “Percy” might show up. 4:05pm – Rooster Stage.

Robert Earl Keen: Many HSB faithful arrive just to see this Aggie put on one of the best truckless tailgate parties ever. Prepare to drink and sing at the top of your lungs. 5:30pm – Rooster Stage

Sturgill Simpson: Simpson is a reluctant contemporary agent of the Outlaw Country aesthetic. This is what makes him perfect for the role. Come hear him and his hot-brand band single-handedly put Music Row to shame. 6:05pm – Porch Stage

Sunday:

Shovels & Rope: The Charleston, South Carolina duo Cary Ann Hearst and Michael Trent of Shovels & Rope won the song of the year for “Birmingham” and emerging artist of the year at the recent Americana Awards. Come to see why their brand of gritty soul , ramshackle performance and engaging stage banter make them a fan favorite. 11:00am – Arrow Stage

Mike Farris & the Roseland Rhythm Revue: Like soul? Like Gospel? This is where you need to be. Ferris’
heavely vocals matched with the McCrary Sisters will assure a toe-tapping and booty shaking great time. 11:00am – Banjo Stage

Tim O’Brien & Darrell Scott: A decade after their first collaboration these master craftsmen are back with their latest “Memories & Moments.” Come gather around children and sit at the feet of lends and take note at how it is done. – 3:05pm – Banjo Stage

Della Mae: Sure their a band of hotties. But what’s hotter is their chops. Come for a heavy does of strictly bluegrass hold the hardly.