Twang Nation – The Best In Americana Music
Americana & Roots Music & Culture
![Watch Out! Steve Earle’s “Invisible†[VIDEO] « Twang Nation . png](http://www.twangnation.com/blog/http://example.com/uploads/2013/02/Watch-Out-Steve-Earle’s-“Invisibleâ€-VIDEO-«-Twang-Nation-.-png.png)
Steve Earle explores the landscape of the homeless in his adopted home of New York City in his new video for “Invisible.†Earle deftly displayed his social conscious as we follow a homeless man through his dire circumstances as citizens of one of the wold’s richest city pass him by.
“Invisible†can be found on the upcoming The Low Highway (April 16. Watch the world premiere of Steve Earle’s “Invisible.â€
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Alabama Shakes is definitely hitting a stride. Coming off lead singer Brittany Howard shining performance among other at luminaries at the Grammy’s Levon Helm tribute the band then made their Austin City Limits and Saturday Night Live debut. Both of which airing simultaneously last night.
The band performed their rootsy Motown-like single “Hold On†and a newer song titled “Always Alright†(free for download for a limited time) on SNL.
Their ACL setlist included five songs: “Hold Onâ€, “Always Alrightâ€, “You Ain’t Aloneâ€, “I Ain’t the Sameâ€, and “On Your Wayâ€. The episode of ACL also featured a four-song performance by Texas’ blues man Gary Clark, Jr.
Check Alabama Shakes’ two SNL performances and the full episode of ACL below.
Watch Gary Clark Jr. / Alabama Shakes on PBS. See more from Austin City Limits.
Another Grammy highlight for me was seeing Okemah native John Fullbright perform “Gawd Above” from his Americana Album of the Year nominated “From The Ground Up” at the per-telecast.
http://www.youtube.com/watch?feature=player_embedded&v=D6NbD3U1Yi8
I am honored to have been asked to create this post for the inaugural Blog Rodeo. It’s a great opportunity to join with some of the best bloggers in the game. This is not the first time I’ve been asked to represent my chosen vice of Americana music in a discussion focused on mainstream country music, and I’m humbled to do so again and know the chips are stacked against me..
Regular visitors to this site, my Facebook page and my twitter account, knows mainstream country is not my beat. Unlike the other fine blogs asked to participate in the Blog Rodeo I don’t cover the Music Row variety of contemporary pop-country music. I couldn’t give a damn what Taylor Swift is doing. That is unless she’s collaborating with The Civil Wars or performing a cover on Mumford and Sons. Then she’s fair game. More on that later.
I also don’t typically put Music Row in the crosshairs. I don’t spend my days hating on the Chesneys and Aldeans. Sure I occasionally throw a snide tweet or let loose on the barrel of fish that is the CMAs, but for the most part I stay mum. It’s all music and someone, somewhere get’s joy from it. I prefer to spend my energy on the good stuff. The great music the people that makes it that comes my way.
Music Row performers attain success in their chosen fields in the one measurable way that is important to any commercial industry, money. Though it’s not my shot of hooch I have to give them their due. Sold out arena tours and millions of units sold is a pretty convincing measure of success.
But there’s more to music than mass-commercial appeal. Or there should be.
Unlike mainstream country radio “hits,” chart position and platinum albums are not the currency of Americana music. Filled arena tours funded by Bud Lite is not current model of operations. Americana is a genre of bootstrapping and scrappy souls. It’s where beater vans are the vehicle of choice driven thousands of miles by steadfast musicians playing for half empty bars at the end of the journey. All the while they never imagine doing anything else.
Now to address the thesis for this project. The most exciting thing for Country Music in 2013 will be…what?
I’ll answer that the most exciting thing about country music is it’s new-found focus on Americana as a kind of R&D lab for innovation. A source for material, inspiration and yes revenue. Here’s some examples:
On his fourteenth studio album of the same name Chesney momentarily put aside his Jimmy Buffett obsession and covered Guy Clark’s “Hemingway’s Whiskey.” On that same album he included a couple of nice duets . The first covered Matraca Berg’s “You And Tequila†with Grace Potter and the other with George Jones on Bobby Braddock ‘s “Small Y’all.”
Chesney will also be sharing the stage the Avett Brothers, Gary Clark Jr. and others at the Tortuga Music Festival in Ft. Lauderdale this Spring. Festivals a great source of cross-over exposure.
Taylor Swift nabbed two recent Grammy nominations with her work with T Bone Burnett and The Civil Wars for the song “Safe & Sound” from the Hunger Games soundtrack. She also does a fine cover of Mumford and Son’s White Blank Page Cover for BBC Radio 1 Live Lounge.
Speaking of T Bone Burnett, as the music director for his wife’s night time drama, ABC’s Nashville, he’s done great job of getting small acts big exposure. Burnett has taken artists like Shovels and Rope and used their music, and in the case of Lindi Ortega used her music and provided a cameo. ABC puts these songs for sale on their official Nashville web site.
The heart of the music industry on cable TV, Country Music Television, has Crossroads which has paired Country music and Americana and rock music for years. CMT’s new on-line venture CMT Edge is a great showcase and news source for some of Americana’s best.
Is country music finding it’s soul again or just co-opting another popular music trend to make money? Who cares? The artists that are creating the great music are gaining a wider audience and getting more compensation for their considerable craft. Does increased exposure and success result in Jason Isbell and Chris Knight creating the next Truck Yeah? Doubtful.
The instinct to keep this music our precious little secret is a damaging and selfish one we need to overcome. Commercial country music does reinvent itself occasionally even if it’s for narrow commercial reasons. Before the genre abandoned them Johnny Cash, Waylon Jennings and Willie Nelson were all part of the country mainstream. It’s true that this might be another instance of Music Row just exploiting the next big thing and will abandon it for the next big thing. But I have faith that Americana music will survive this exploitation and few, like Mumford and Sons and The Lumineers, will actually springboard into a wider cultural consciousness.
So to answer the what will be the most exciting thing for Country Music in 2013 I will have to go with the opportunity is affords Americana performers and a few country music fans that will be delighted at discovering these great artists. Perhaps a little of the beauty and grit that we love about Americana will rub off on the occasional song featured on commercial country radio.
Am I naive? Perhaps. But I have a belief that great music, the kind that reflects the human spirit, inspires and speaks to us all.
I don’t know about you but I’m ready to accommodate a bigger party.
“Cowboy†Jack Clement has carved out a storied career as a sinsinger/songwriter having his songs have been recorded by folks such as Johnny Cash, Dolly Parton, Ray Charles, Carl Perkins, Bobby Bare, Elvis Presley and more. A producer for Townes Van Zandt and Waylon Jennings and DJ with a weekly program on Sirius XM Satellite Radio’s Outlaw country)
The Memphis-born, 81-year-old, Clement recently lost his house to a fire in 2011. Now some of his friends are coming together at the War Memorial Auditorium in Nashville January 30 to help out.
According to American Songwriter “one of those musicians was Artist Growth founder Matt Urmy, who Clement recently produced, Artist Growth joined up with Dub Cornett, a long time protege of Clement’s, to put together Honoring A Legend: A Tribute To “Cowboy†Jack Clement, featuring an all-star list of artists influenced by and associated with Clement.”
Emmylou Harris, John Prine, Dan Auerbach from the Black Keys, Kris Kristofferson, Charley Pride and more will gather to pay tribute to “The Pied Piper of Music City.â€
All proceeds for the concert will go toward The Music Health Alliance and launching the “Cowboy†Jack Clement Fund to help the cost of medical bills for musicians not covered by insurance.
Check out the full list of artists below:
Dan Auerbach
Bobby Bare
Marshall Chapman
Rodney Crowell
Jakob Dylan
Emmylou Harris
Charley Pride
John Prine
T-Bone Burnett
Billy Burnette
Shawn Camp
Mary Gauthier
Kris Kristofferson
Nikki Lane
John C. Reilly
Episode #10 (alright double digits!) of Twang Nation Podcast pulls from my first 10 of a list of 21, Cream of the Crop selections from 2012. It’s been a great year for Americana and roots music. T Bone Burnett has done a fine job of sliding roots artists like Lindi Ortega and Shovels and Rope within a Music Row soap opera with ABC’s Nashville. The Americana Music Association continues to burnish the brand and their conference and wards show set attendance and submission records. Even that bastion of Music Row glitz, CMT, saw crossover potential and launched CMT Edge which has featured artists like Jason Isbell and Justin Townes Earle.
2013 shows no signs of slowing down with upcoming releases from Kris Kristofferson, Dale Watson as well as joint releases from Kelly Willis and her hubby Bruce Robison and Emmylou Harris and ex Hot Band member and legendary songwriter Rodney Crowell.
As the Americana music culture and industry grows and becomes more of a mainstream staple, with bands like Mumford and Sons and the Avett Brothers leading the way, I applaud the advantages and the opportunities for musicians and we who cover them. As I’ve said, I want the performers I cover to get more prestigious gigs, better recording facilities, more gear and to leave their touring vans behind and be bale to afford the relative comfort of a touring bus. I don’t believe musicians should suffer for tier craft (much!) Here’s to mutually rising boats.
In the new year I resolve to do my best not to follow the hyped path most traveled and do what I’ve always done, follow my heart and my ear to places more interesting and authentic for the love of music. I hope you come with me in and enjoy what I discover.
Thanks you for reading the site, following on twiiter , Facebook, Google+ and my work over at Grammy.com.
Happy holidays and a safe and happy New year to you all.
Opening Song – “Mr. D.J†– by Dale Watson
1.Chris Knight– song:”Little Victories”- Album: “Little Victories” (Drifter’s Church Productions)
2.Malcolm Holcolmbe – song: “Gone Away at Last”- Album: “Down the River” (GypsyeyesMusic – out now )
3.Darrell Scott – Song: Hopskinville – Album: Long Ride Home (Full Light Records)
4.Corb Lund – song: Gettin’ Down on the Mountain Album: Cabin Fever (New West Records)
5. Buddy Miller and Jim Lauderdale That’s Not Even Why I Love You. – Album: Buddy and Jim (New West Records)
6.Iris DeMent – song:Sing The Delta- Album:Sing The Delta (Flariella Records)
7.Dwight Yoakam – song:A Heart Like Mine- Album:3 Pears (Warner Bros. Records)
8.Turnpike Troubadours Song: Gin, Smoke and Lies- Album:Goodbye Normal Street (Bossier City Records)
9.John Fullbright song:Satan and St. Paul- Album:From The Ground Up (Bossier City Records)
10. Shovels & Rope– song:Fire On The Hill- Album:O’ Be Joyful (Dualtone Records)
11. Gurf Morlix – song:Present Tense- Album: Gurf Morlix Finds the Present Tense – Out March 5, 2013)
12.Robert Earl Keen– song:Merry Christmas from the Family- Album: Gringo Honeymoon
This year’s National Academy of Recording Arts and Sciences (NARAS) 55th Annual Grammy Awards nominees reflect the rich and diverse community of talent that celebrates some of the genres finest old and new. From a CBS prime-time nominations concert LL Cool J and co-host Taylor Swift.
Some history – Nashville hosted the Official Grammy awards in 1973, but this marks only the fist time The Grammys have held the nomination event outside of L.A. This fortuitous event for Music City resulted from a scheduling conflict with the event usual home at the Staples Center but the city rose to the occasion and showed the performers and attendees a great time. Of course I would have preferred to have people from the lists below perform of national televised show but I’m biased by design.
As in recent years social media was a major conduit for the event. Music City was abuzz on mobile phones, computers ad tablets during the hour-long broadcast from Nashville’s Bridgestone Arena (Go Predators!) . Nearly 12,000 posts on Twitter, Facebook and other social media sites mentioned the word “Nashville†in connection with the Grammy nominations
Aside from the usual categories of Americana, Folk and Bluegrass roots music made an impressive showing for the coveted Album Of The Year , which includes a nomination for Mumford & Sons’ sophomore outing Babel, and Best New Artist with Alabama Shakes and the Lumineers.
I got 2 out of 7 of my predictions right for the Best Americana Album category with The Avett Brothers and Mumford and Sons. The pleasant surprise in this category is John Fullbright who I’m willing to say here I’m pulling for. The legendary Bonnie Raitt is nominated in this category and I’ll also go on record as saying Bonnie has secured her legendary status in Blues and Rock. When there are performers from the community like Justin Townes Earle and Corb Lund have new albums out why poach legends from other genres.
Classic country was also celebrated with Nashville Western swing ensemble the Time Jumpers being nominated for two GRAMMYs for Best Country Duo/Group Performance for “On The Outskirts Of Town” and Best Country Album for their latest self-titled release. Best Country Album also has another surprise with Jamey Johnson being nominated for his tribute covers album “Living for a Song: A Tribute to Hank Cochran.” The “Gentle Giant” Don Williams is nominated for his duet with the woman that hold the record for the most Grammys by a female artists (27!), Alison Krauss for Best Country Duo/Group Performance with “I Just Come Here for the Music”
Here’s the full list of Americana and associated categories for the 55th Grammy Awards. The Awards will be presented on Feb. 10, 2013. Most of these will be presented in the pre-telecast ceremony before the televised portion that evening on CBS. To find ot the winners follow me on Twitter and watch live streaming at Grammy.com.
Best Americana Album
The Avett Brothers – The Carpenter
John Fullbright – From the Ground Up
The Lumineers – The Lumineers
Mumford & Sons – Babel
Bonnie Raitt – Slipstream
Best Bluegrass Album
Dailey & Vincent – The Gospel Side Of
The Grascals – Life Finds a Way
Noam Pikelny – Beat the Devil & Carry a Rail
Special Consensus – Scratch Gravel Road
Steep Canyon Rangers – Nobody Knows You
Best Country Album
Zac Brown Band – Uncaged
Hunter Hayes – Self-titled
Jamey Johnson – Living for a Song: A Tribute to Hank Cochran
Miranda Lambert – Four the Record
The Time Jumpers – Self-titled
Best Folk Album
Carolina Chocolate Drops – Leaving Eden
Ry Cooder – Election Special
Luther Dickinson – Hambone’s Meditations
Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile – The Goat Rodeo Sessions
Various – This One’s For Him: A Tribute to Guy Clark
Americana and Roots artists on other categories:
– Mumford & Sons – Album of the Year for Babel, Best Rock Performance and Best Rock Song for “I Will Wait”, Best Long-form Music Video for “Big Easy Express” from the Railroad Revival Tour with Old Crow Medicine Show , Edward Sharpe and the Magnetic Zeros, “Markus Dravs nominated for Producer of the Year for Babel.”
– Alabama Shakes – Best New Artist, Best Rock Performance for “Hold On”, Best Recording Package for Boys and Girls
– The Lumineers – Best New Artist-
– Bruce Springsteen – Best Rock Performance, Best Rock Album for Wrecking Ball & Best Rock Song for “We Take Care of Our Own”
– The Goat Rodeo Sessions featuring Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile – for Best Folk Album, Best Engineered Album, Non-Classical
– Don Williams (feat. Alison Krauss) – Best Country Duo/Group Performance for “I Just Come Here for the Music”
– Taylor Swift/The Civil Wars – Best Country Duo/Group Performance & Best Song Written for Visual Media for “Safe and Sound”
– Woody at 100: The Woody Guthrie Centennial Collection – Best Boxed or Special Limited Edition Package, Best Historical Album
– Old-Time Smoky Mountain Music: 34 Historic Songs, Ballads, And Instrumentals Recorded In The Great Smoky Mountains By “Song Catcher” Joseph S. Hall – Best Historical Album
– Ryan Adams – Ashes and Fire – Best Engineered Album, Non-Classical
Live on CBS this Wednesday the Grammy organization will announce it’s nominees for all categories at The Grammy Nominations Concert Live!! concert from Bridgestone Arena in Nashville.
The Music City event will be the first time the Grammys have hosted an official awards programs since the 1973 Awards was held there. Wednesday’s eclectic offering of Pop, rappers, rockers and country singers will reflect the Nashville Grammys that brought together Johnny Cash, Aretha Franklin, Ringo Starr, Curtis Mayfield at the former Tennessee Theatre on Church Street.
The event will also feature a tribute to the legendary Johnny Cash. So far The Band Perry and Dierks Bentley also have been confirmed to take part in the tribute, though I argue that the manner in which Cash was treated by Music City late in his career a more fitting tribute would be populated by those on the Americana side of the fence. Hank III and Shooter Jennings anyone?
Though not reflected in performers on the stage that day (boo!) the Grammys nominees for the Best Americana Album of the Year will be announced. Personally I have no inside knowledge of who’s names will be called, but am willing to use what I can from over all three years of the the category’s existence. There are two obvious patterns that emerge, the nominees are well-known veterans in the music industry and all have been nominated for or won Grammys in the past.
But then there’s the Linda Chorney wild card from last year that blows away the first two patterns. So what do I know?
Set those DVRs for Dec. 5 at 10 p.m. ET on CBS. Then tune back in on Feb. 10, 8 p.m. ET (CBS) for the 55th annual Grammy awards show.
Let’s address the obvious two choices first. Mumford and Sons are the indisputable kings of contemporary roots-based music. Sure they were beat out by Adele for the coveted Record Of The Year Grammy last year but their prime-time performance with roots cohorts The Avett Brothers and vet Bob Dylan significantly raised their awareness. This higher-profile status has resulted in impressive sales for their sophomore offering, Babel.
The Avett Brothers have enjoyed an expanded fan base for all the reasons detailed above, as well as benefiting from being around longer and having their latest, The Carpenter, being their second to be produced by Rick Rubin.
Gretchen Peters is no stranger to the Grammys. In 1995 Peters received both a Grammy nomination and a Country Music Association Song of the Year award, for Martina McBride’s version of her song “Independence Day.” Her latest “Hello Cruel World’ is arguably some of her best work and has a great chance of catching the Grammy voters attention.
Dwight Yoakam has said that he doesn’t just want to appeal only to the smaller audience from his superstar heyday, I’m certain these days Nashville has little room for his signature Bakersfield sound. though I’m sure he won’t balk at his current perch at #1 on the current Americana charts. Yoakam won the Grammy Award for “Best Male Country Vocal Performance” in 1993 for the song “Ain’t That Lonely Yet”.
Willie Nelson has been nominated in this category before, in 2011 for the T Bone Burnett produced Country Music. Hos latest, Heroes, is a wonderful if uneven body of work that could find no better home than here. Personally, this is my favorite dark horse.
ON EDIT:
After a day of reflection I’m compelled to add a couple of more contenders that had slipped past me while writing this post.
Marty Stuart’s collection of country memorabilia is legendary, but his songs are his greatest contribution to the legacy.Stuart snagged his 5th Grammy at last year’s 54th annual event for Best Country Instrumental Performance for his”Hummingbyrd,” a musical tribute to the Byrds’ guitarist Clarence White, Stuart and his Fabulous Superlatives came out with the excellent release Nashville, Volume 1: Tear the Woodpile Down.
Chris Thile was a national mandolin champion at 12, a Grammy winner at 16 and one of this year’s MacArthur “genius grant” recipients. He can really screw up the bell curve for other musicians. His newest venture, The Punch Brothers, which I consider like Mumford and Sons with more depth and better chops, were nominated at the 54th Grammys for Best Country Instrumental Performance on the tune “New Chance Blues,” a bonus track on their second record Antifogmatic. They were also nominated for Best Country Collaboration with Vocals for the song “Pride” with Dierks Bentley and Del McCoury.
Much of this post is posted verbatim an excellent PR email I got for this anticipated album:
Kris Kristofferson, legendary songwriter, singer, Country Music Hall of Fame member, actor, activist, Golden Gloves boxer, a Rhodes scholar, a college football player, acclaimed actor, military officer, helicopter pilot, a saint, a sinner, a Grammy-winner and a janitor at Columbia Records will release Feeling Mortal, his first collection of new material in four years on January 29, 2013.
The album will be released on his own KK Records will be the third Don Was-produced album in a twilight years trilogy, following 2009’s Closer To The Bone and 2006’s This Old Road.
The 76-year-old Kristofferson “Wide awake and feeling mortal,†writes on the title track. “At this moment in the dream/ That old man there in the mirror/ And my shaky self-esteem.â€
“Going back to the beginning, the songs have been reflections of where I was at that point in my life,†he says. “I always try to be as honest as I can in the songwriting, otherwise there’s no point in doing it: I might as well be doing an advertising job or something. And what I’m finding, to my pleasant surprise at this age, is that I’m more inclined to laughter than tears. I hope I’ll feel this creative and this grateful until they throw dirt over me.â€
That doesn’t mean Feeling Mortal works as anyone’s greeting card of soft-peddled feelings. “Just Suppose†is another look in the mirror, a negotiation with shame’s reflection. “Castaway†is a cry of the heart, and a memory of a long-ago scene Kristofferson witnessed from the air, when he was flying helicopters over the Gulf of Mexico. And “My Heart Was The Last One To Know†is a harrowing old song, written by Kristofferson and genius poet/author/cartoonist/songwriter Shel Silverstein and previously recorded by Connie Smith.
“Shel was the only person I consistently wrote songs with,†Kristofferson says. “He was a fantastic writer. We did about a dozen songs, and usually he’d write down some titles and a description of what he was thinking about, and I’d go off and come back with a song.â€
The album ends with “Ramblin’ Jack,†a song ostensibly about Kristofferson’s folk-singing friend Ramblin’ Jack Elliott. Kristofferson approached the song as something of a self-penned co-write, inspired and begun by his younger self and finished in the present and mortal day. The second verse is the new one: “And if he knew how good he’d done/ Every song he ever sung/ I believe he’d truly be surprised.â€
“Ramblin’ Jack’s one of those people whose whole life was music,†Kristofferson says. “He’s like William Blake and Bob Dylan and other people who just believed and lived for whatever poetry they could come up with. That’s probably the thing I was trying to be.â€
That’s the thing he was, and the thing he is.
In the Nashville beginning, Kristofferson threw away a promising military career in favor of life as what he sometimes calls, “A songwriting bum.†He had excelled at most everything he’d ever tried, save for singing and songwriting, but it was the singing and the writing that called to him. He wound up penning classics including “Me and Bobby McGee,†“Help Me Make It Through the Night,†“Sunday Morning Coming Down†and “For The Good Times,†as well as a slew of other empathetic, incisive gems. Kristofferson—along with contemporaries Tom T. Hall, Mickey Newbury, Willie Nelson and John Prine—enhanced the scope of country music songwriting, focusing on layering, nuance, empathy and emotional truth.
“A major reason for Kris’ enduring popularity is that he’s always been very honest and open about revealing his inner life,†says producer Don Was, who has worked with Kristofferson for the past 17 years. “‘Sunday Morning Coming Down’ is a brutally frank, first-person narrative that just happens to hit a common nerve among millions of people, and that’s why Kris is such a great artist. I suspect a whole lot of folks will be able to relate to Feeling Mortal, now and for years to come. It’s totally in keeping with the body of Kris’ oeuvre.â€
Kristofferson and Was spent three days recording Feeling Mortal, cutting 20 songs and picking 10, then bolstering the basic tracks with stellar instrumental work from guitarist Mark Goldenberg, pedal steel master Greg Leisz, keyboardist Matt Rollins, violinist and vocalist Sara Watkins, bassist Sean Hurley and drummer Aaron Sterling.
They emerged with a piece of work that Was suggests is “One of Kris’ finest albums.â€
Kristofferson isn’t one to arm-wrestle with his own legacy, or to set his truths of today against the truths of his old-and-gone immortal self, but he’s pleased that a life that has been sustained by the product of his own imagination remains fruitful.
Above all, Kristofferson is happy to be happy, grateful to be grateful, and wholly unwilling to take the credit for the wondrous way it’s all worked out. In the end, Feeling Mortal is a melodic note of gratitude, from creator to Creator.
“God Almighty, here I am,†he sings. “Am I where I ought to be? I’ve begun to soon descend, like the sun into the sea/ And I thank my lucky stars, from here to eternity/ For the artist that You are/ And the man you made of me.â€
Hear samples from Kris Kristofferson’s “Feeling Mortal”
The 2010 documentary Ain’t In It For My Health: A Film About Levon Helm, will be released in movie theaters nationwide for the first time next year.
The film follows longtime Band singer and drummer, as he works on 2010’s Electric Dirt, the follow up to 2007’s Dirt Farmer , the winner of the inaugural Grammy for Best Americana Album.
Director Jacob Hatley shot the film over more than two years, spending time with Helm and his family at the Helm’s Woodstock, New York, home, the famed locale of Helm’s Midnight Ramble concert series.
Film distributor Kino Lorber said, “It was a privilege to meet Levon at one of his last Midnight Rambles and verify personally how insightfully this music-packed film captured the generosity of spirit, the humanity and the immense talent of one of America’s greatest musical artists. We see this as a mission now to be able to open the film, and Levon’s life, to legions of fans, followers and new audiences, who will be thrilled to discover the scope and depth of his contribution.
Levon Helm died on April 19th in New York of throat cancer. He was 71.