“It Burns When I Pee” – Episode #0006 – Get Your Hank On!

“It Burns When I Pee” displays their fine upbringing by dedicating their episode #0006 to an 84th year birthday tribute to the legend Hiram “Hank” King Williams (September 17, 1923 – January 1, 1953).

The episode features such great interview with Beth Birtley from the Hank Williams Museum in Montgomery, Alabama. IBWIP also plays some of Hank’s song preformed by the likes of Joey Allcorn, Hank III, Andy Norman, Hank Cash, and Jake
Penrod and by Hank the the man himself. They also feature Jared Morningstar on the show and he will be reading an essay he wrote about the late great Hank Williams.

Head over to the Section 86 store for all your “It Burns When I Pee” merch.

Hank Williams Sr.- Honky Tonk Blues

[youtube]http://www.youtube.com/watch?v=af9bbRTFPUY[/youtube]

Johnny Cash – Four Years On

Today is the 4th anniversary of Johnny Cash’s death at 71 years of age while hospitalized at Baptist Hospital in Nashville, Tennessee. I just had to put on Johnny Cash at San Quentin really loud and post this reminder. There will never be another Man In Black.

Johnny Cash – I Walk the Line (1959)

[youtube]http://www.youtube.com/watch?v=krVACUbciJE[/youtube]

Terry Penney, Sarah Penny, and Edward Andrade of Chad Reilly and the Wild Horse Band Die in Hill Country Collision

Terry Penney, Sarah Penny, and Edward Andrade of Chad Reilly and the Wild Horse Band died in a head on collision
early Saturday morning driving back from a gig at the Lone Star Saloon in Uvalde, Texas when a two-door Chevy sedan drifted into their lane on Texas 173 at 3:35 a.m. Saturday.

Police believe Rogelio Palacios, 18, of Kerrville, who also died at the scene, was intoxicated that night.

Along with Frank Wantland, 45, a bass player from Ingram, and Carlos Escobedo, 51, a drummer from Ingram, the Penneys formed a Christian rock band, Pathway. The band recently completed its first demo, “These Days”

Terry Penney and Andrade also played together in a classic rock and blues band in Kerrville called Sol Patch along with Bryan Maldonado, 34, a guitarist, and Melissa Weatherly, 44, a vocalist.

Terry Penney and Andrade were known best as “hired guns,” musicians who would fill in when bands were missing players.

Funeral arrangements are still pending for the Penneys and Andrade.

Moonshine Willy’s Nancy Tannenbaum Dies

From the Bloodshot Records web site: On Sunday May 13th, Nancy Tannenbaum, aka Nancy Rideout, original guitarist in Moonshine Willy was killed in a motorcycle accident in New York City. She swerved to avoid a pedestrian who mysteriously ran onto the West Side highway, was thrown from her bike and died at the scene.

There will be a Memorial Service this Friday, May 18 at 3:30 at Temple Sholom, 3480 N. Lake Shore Drive., in Chicago

If you’ve got photos/stories/etc you want to send Bloodshot, they will send them along. Please send them to: mdinou@grisko.com

18 Wheels (mp3)

RIP – Kirk Rundstrom, Split Lip Rayfield

I never got a chance to see Split Lip Rayfield live and I’m more the poorer for it today. From a Bloodshot press release:

On February 22nd, Kirk Rundstrom, the singer/songwriter/guitarist for Split Lip Rayfield and Scroat Belly, passed away after a lengthy and heroic battle against cancer.

Kirk was, without debate, one of the most dynamic and passionate performers we have ever seen. To see him on stage was to see a man totally focused on, totally POSSESSED with, the music of the moment. He never ever took his audience for granted and delivered the goods with a ferocious energy that flowed through the room. I had personally seen him play some 75 times and it was never boring, it was never phoned in and it was hard to take my eyes off him. If you left a show of theirs without sweating, without losing yourself in the joyous abandon of music, it wasn¹t from his lack of trying. Standing still at a Split Lip show just wasn’t an option. His gift was the ability to let rock and roll well up from its purest emotional state and give it to the room in all its liberating glory.

When Kirk was diagnosed last spring, he was given just a few months. It is a testimony to his incredible spirit that he was performing into this month.

The fans that came out during this time filled the venues with palpable love. To have played a part in this accumulation of affection, in this tight knit community of Split Lip lovers, over the years is truly a humbling honor. He loved playing and it showed, and the fans loved him back.

Kirk is responsible for a lot of people having a LOT of fun over the years; if everyone could have that on their resumes, the world would be a much better place.

He is missed already.

Bloodshot Records

RIP Dr. Gonzo

It was two years ago today that Hunter S. Thompson took his life. “Football season is over.” his suicide note stated matter of factly. In repect I am posting a note from his son:

It has been two years since my father, Hunter S. Thompson, ended his life. I still miss him very much. I have thought a lot about him over the past two years as I’ve written about him, talked about him, read old letters, and gone through a significant portion of his papers. I’ve been trying to understand him more clearly, as my father, a writer, and a man. Though there are many things about him I miss, there are three qualities especially: his idealism, his sense of fun, and the warmth of his love.

It may seem strange to many people to think of Hunter as an idealist, but that was one of his defining characteristics. He had strong and clear ideas about the promise of our political system, about the need to act rather than be a passive victim of the greedy and power-hungry, and about the need to vigorously defend individual freedom. The disparity between the ideal and reality made him angry, and he was a man of action, a warrior and a leader. In an earlier age perhaps he would have been taken up arms, but in this age he chose the written word as both his weapon and his art. It was part of Hunter’s gift to distort the actual facts of a situation to reveal its essential truth. He had the talent, skill and convictions to draw you into his moral vision, and that vision was stark and uncompromising. There was good and there was evil, and there were no bystanders. To those that agreed with him, he gave the chance to be part of something important, to do something meaningful with their time, money and talents. That kind of clear moral vision has tremendous power and appeal in our time of great moral confusion. When he called on his friends and acquaintances to help him with the Lisl Auman case, he was calling them to battle a great wrong. Lisl was not just an unfortunate legal mishap; what happened to her was Wrong, and we had the chance to make it Right. Nixon was not just one more crooked politician; he was the apotheosis of the arrogant, ruthless tyrant and the flagrant betrayer of the hope of the American political experiment. Our society in the age of so-called global terrorism is not a society somewhat more concerned with security than with civil rights; he called it ‘The Kingdom of Fear.”

And he was right. I miss his vision, and the boldness, humor and conviction with which he described it to us. There are never enough such people, and now there is one less.

I miss his sense of fun. Hunter liked to have fun. Having fun was serious business, because for him life without fun was no life at all. I remember the folder of fake fax forms which included insect extermination notices, international stock transactions, court summonses, lingerie order confirmations, and fake fax error sheets. Late at night he would fill out one of the forms and fax it to the home or office of a friend or acquaintance, and laugh as he imagined how they would explain it to their wives, bosses, or lawyers. I remember the story of a practical joke gone horribly wrong, that of Jack Nicholson and the bleeding Elk Heart, in which Jack cowered in the darkened house with his children, his phone cut off by awful coincidence, listening to the gunshots and the screams of a wounded pig played over and over through a megaphone outside the house. I remember the story of the time his Japanese publishers came to visit and were given a demonstration one night of what Hunter said were nuclear-tipped bullets. A friend secretly ignited a stick of dynamite under the target, a large aluminum beer keg, at the same moment Hunter fired the stainless-steel, scope-mounted, .454 Casull pistol at it. There was a tremendous explosion and the beer keg flew several hundred feet in the air, over the heads of the awestruck visitors who had never seen a gun before, much less nuclear-tipped bullets. He was a fine storyteller, and enjoyed recounting the tale as much as he enjoyed the prank itself. There are stories of fireworks, of bullets fired through the ceiling of the kitchen, of shotguns fired across the room. He loved masks, fireworks, fire, smoke bombs, hammers that screamed or made the sound of breaking glass when struck. Just about everyone who ever met Hunter has a story about his sense of fun, though not all of them laughed at the time.

I think for Hunter fun was also political, and therefore about more than just fun. His sense of humor often exceeded the boundaries of law, convention, and good taste, and his enjoyment came as much from breaking boundaries as from the reaction of his victims. It was fun for the hell of it, but it was also to shake people up, rock the boat, wake people from their routines, and make them uncomfortable or scared for a moment. That kind of fun requires a larger vision. He was a kind of mad trickster whose madness conveys wisdom. I think at bottom fun was a kind of practice for him that kept him in touch with the real and vibrant pulse of life, and to be in proximity to him was to be in proximity to that pulse. I miss that.

Finally and foremost I miss the warmth of his love. I miss sitting in the kitchen at Owl Farm watching a football game or an old Bogart movie, or talking to him on the phone about the latest political insanity, or driving up the Lenado road for a late-night swim. We didn’t talk about our relationship, we simply enjoyed being together. It took a long time to get to that point, a lot of hard and unspoken work on both our parts over many years, but we got there, so that by the time he died we knew where we stood with each other and we were satisfied.

He was a complex man with many, many facets. One of those aspects was his great tenderness. He had the capacity for tremendous generosity, compassion, and personal loyalty when it cost something to be loyal. When he gave his love it was intense and pure, and I felt blessed. God knows he was no saint, but his love was the real thing, not the cheap watered-down imitation most of us are familiar with. I miss the warmth of his love.

But these are just my recollections and opinions. Fortunately, Hunter S. Thompson was first a writer, and that is what how he wanted to be remembered — as a Great American Writer. He left a substantial body of work. Whatever you might think of the preceding paragraphs, I ask you to read what he wrote — start with Hell’s Angels — and decide for yourselves who he was, what was significant about his work, and what is worth emulating and carrying on. In my opinion his achievement and talent were considerable, but you will have to make up your own mind. He certainly did.

-Juan Thompson

June Carter Tribute Planned

Billboard reports that Elvis Costello, Sheryl Crow, Willie Nelson, Loretta Lynn, Emmylou Harris and Brad Paisley are among the stars appearing on the June Carter Cash tribute album “Anchored in Love,” due June 19 via Dualtone. The release will coincide with a biography of the same name penned by Cash’s son John.

With the exception of Ralph Stanley, who recorded “Will the Circle Be Unbroken” at the southwest Virginia home of the Carter Family, “Anchored in Love” was recorded throughout 2006 on the Cash family property in Hendersonville, Tenn.

On it, Costello tackles the iconic “Ring of Fire,” while Nelson and Crow team up for a duet on “If I Were a Carpenter.” Carter Cash’s stepdaughter Rosanne performs the spiritual “Wings of Angels” and Lynn offers a version of “Wildwood Flower.”

Carter Cash died May 15, 2003, after complications from heart surgery.

Here is the unsequenced song list for “Anchored in Love”:

“If I Were a Carpenter,” Sheryl Crow and Willie Nelson
“Jackson,” Carlene Carter and Ronnie Dunn
“Wildwood Flower,” Loretta Lynn
“Far Side Banks of Jordan,” Patty Loveless and Kris Kristofferson
“Keep On the Sunny Side,” Brad Paisley
“Wings of Angels,” Rosanne Cash
“Ring of Fire,” Elvis Costello
“Road to Kaintuck,” Billy Bob Thornton and the Peasall Sisters
“Big Yellow Peaches,” Grey De Lisle
“Kneeling Drunkard Plea,” Billy Joe Shaver
“Will the Circle Be Unbroken,” Ralph Stanley
“Song to John,” Emmylou Harris

Tom Morrell: 1938-2007

From The Dallas Morning News Tom Morrell bent steel with his hands. With his agile fingers and wrists, he could coax a steel guitar to cry out a mournful melody and to laugh out a happy phrase.

Mr. Morrell died Monday of emphysema at home in East Dallas. He was 68.

His contemporaries in Western swing and jazz consider him a musical genius, while many mainstream country music listeners don’t know him. But they probably unwittingly hear his session work on recordings by artists such as Willie Nelson (The Sound in Your Mind), Asleep at the Wheel (Tribute to the Music of Bob Wills and the Texas Playboys ) and many others.

“There’s nobody can even touch him,” said Leon Rausch, of Bob Wills and the Texas Playboys, before Mr. Morrell’s death. “He’s a stone genius.”

The Dallas native, who lived 30 years in Little Elm, left behind his 15-volume Tom Morrell and the Time Warp Top Tophands “How the West Was Swung” series on WR Records.

The collection chronicles his passion for jazz and particularly Western swing. Each CD features a roster of Texas’ best musicians such as guitarists Leon Chambers and Rich O’Brien, fiddlers Randy Elmore and Bobby Boatright, vocalists Leon Rausch, Don Edwards, Chris O’Connell, Buck Reams and Craig Chambers. Mr. Morrell was inducted into the Steel Guitar Hall of Fame in 2001.

Mr. Morrell’s next CD, Relaxin‘, is expected to be available next week at Westernswing.net, Amazon.com and some local record stores. The disc is the 15th in the “How the West Was Swung” series.

Mr. Morrell’s sisters Delores “Dodo” Boyd, 65, of Dallas and Jeanne McKinney, 59, of Garland remember their brother as a lifelong musician. Mr. Morrell first picked up a guitar when he and Ms. Boyd were students at St. James Catholic School in Oak Cliff. Ms. Boyd knew her brother was serious about music back then.

“If you lived at our house and saw every minute he spent playing with a band … music was his life, that was it,” Ms. Boyd said.

Other survivors include a son, Jerry Wayne Morrell of Monroe, La.; daughters Cheryl Denise Walker of Monroe and Laura Renée Wagner of Houston; and four grandchildren. Memorial plans are pending. Details will be posted on the guest book at Westernswing .net.

Mr. Morrell lived in Hobbs, N.M., for about a year in the 1950s. Mr. Rausch remembers seeing Mr. Morrell play in Hobbs.

“We all were amazed at him. We saw this pimple-faced kid playing more steel guitar than anybody we knew,” Mr. Rausch said.

Mr. Morrell had an onscreen band part in the 1990 movie Daddy’s Dyin’… Who’s Got the Will? directed by Jack Fisk. Also, his music is featured on the soundtracks of the movies Savannah Smiles and True Stories.

Mr. Morrell was most recently living with his lifelong friend and partner, Jody Balfour. Ms. Balfour says that the couple talked a lot about music and Mr. Morrell’s artwork. “His biggest fear was being forgotten,” says Ms. Balfour.

Bert Winston, owner of WR Records, thinks Mr. Morrell’s legacy will be affirmed by seasoned and up-and-coming musicians.

“He was one of the greatest steel-guitar players that has ever been, really,” Mr. Winston said. “I actually think he is probably more admired now than ever.”

RIP – “Sneaky” Pete Kleinow

On Saturday, January 6, pedal steel guitarist and Emmy-winning  visual effects artist “Sneaky” Pete Kleinow died at the age of  72 from Alzheimer’s complications, according to a Reuters report. Kleinow  was born in South Bend,  Indiana but a California resident at the time of his death.

Kleinow was a founding member of the Flying Burrito Brothers,  along with country-rock pioneers (and former Byrds) Gram Parsons  and Chris Hillman. The band’s music has been highly influential  since their debut, The Gilded Palace of Sin, was released in 1969.

Kleinow also contributed as a session musician to albums by John  Lennon, Joni Mitchell, and Fleetwood Mac. He founded a new group  called Burrito Deluxe (named after the title of the Burrito Brothers’  second album) in 2000, and his last public performance was in October  2005 at a Parsons tribute festival.

When he was not playing music, Kleinow also  made his mark in the TV and film industries as a multi-faceted visual  effects artist. His credits include The Empire Strikes Back, The Right  Stuff, both Terminator films, Gremlins, “The Outer Limits”, “Land of  the Lost”, “Gumby”, and miniseries “The Winds of War”, for which he shared an Emmy.