Watch Out: Jason Isbell and the 400 Unit Performs ‘If It Takes A Lifetime’ on The Late Show

Jason Isbell - "The Late Show"

Stephen Colbert continues the Letterman legacy of supporting great roots music by inviting Grammy winner (so badass saying that) Jason Isbell and the 400 Unit took to the storied Tonight Show stage to perform a rowsing ‘If It Takes A Lifetime’ from our #1 choice of 2015 “Something More Than Free.”

https://www.youtube.com/watch?v=KlBDlPPZBE8

In the technology is stupid department; An attentive viewing fan tweeted a screen cap (below) some discrepancies with the closed caption system and Isbell’s lyrics. I think I founf where they copied and pasted those alternate lyrics.

Screen Shot 2016-02-26 at 5.29.13 AM

Listen Up! Ashley Monroe – ” Like A Rose” Live At Third Man Records

Ashley Monroe - " Like A Rose"  Live At Third Man Records
Photo by Angelina Castillo

Last spring Ashley Monroe took to the intimate stage of the Blue Room at musician-producer Jack White’s Third Man Records to play songs , some from from her upcoming album, The Blade, to a room of mostly industry folks in Nashville for the annual Music Biz (Music Business Association) conference.

Monroe is the name, and she’s no stranger to the stage of our Blue room. The first time Ashley Monroe sang at Third Man Records, it was with Wanda Jackson for her “Live at Third Man Records,” LP released as part of Third Man Records’ Vault Package #9.

The next time she sang at Third Man Records, it was with Willie Nelson for his special 80th Birthday CMT Crossroads Live at Third Man Records performance, released as Vault Package #17. The last time Ashley Monroe sang at Third Man Records, it was May 2015 to record her very own Live at Third Man Records 12″ LP, recorded direct-to-acetate in the Blue Room.

Monroe first worked with White when she sang, alongside Ricky Skaggs. on The Raconteurs song ‘Old Enough.’

‘Like a Rose’ is from Monroe’s second studio album. This version can found on ‘Ashley Monroe – Live At Third Man Records” is available for pre-order now. The record will be released and available next Friday, February 26th.

Read the Rolling Stone coverage of this special event.

TRACKLIST
Side A:
1. Like A Rose
2. Dixie
3. The Blade
4. Weed Instead of Roses
5. Bomshell

Side B:
7. On To Something Good
8. Satisfied
9. Has Anybody Ever Told You
10. I’m Good At Leaving
11. Hickory Wing (Gram Parsons)

T Bone Burnett, Gillian Welch & David Rawlings will receive Berklee American Master Awards at Music City Roots

Gillian Welch

Berklee College of Music will present American Master Awards to legendary record producer, songwriter and recording artist T Bone Burnett, as well as the acclaimed roots duo of Gillian Welch and David Rawlings on a special Tuesday night edition of Music City Roots, the variety weekly music broadcast from the Factory in Franklin, TN. The show, set for March 15, 2016, will feature performances by outstanding all-star Berklee alums Sierra Hull (’11), Liz Longley (’10) and Maureen Murphy (’99). Berklee alumni Welch and Rawlings will perform as well, closing the show following presentation of the awards.

Berklee at Music City Roots, Live at the Factory is open to the public and tickets will be available at musiccityroots.com. The show will air on participating public radio affiliates around the country on a future date.

The American Master Award is presented by Berklee to industry leaders whose openness, generosity and deep commitment to music education have made a positive impact on the lives of young musicians, providing them opportunities to grow as artists and leaders. Past recipients of the award include Grand Ole Opry Manager Pete Fisher, drummer Eddie Bayers and recording executive Jim Ed Norman.

“We’ve enjoyed the music of quite a few Berklee graduates and students on Music City Roots over the years, and we know what an important role the college has played in supporting roots and Americana artists to develop fresh and original takes on tradition, so this special show means a lot to us,” says the show’s journalist and artist interviewing co-host Craig Havighurst.

Gillian Welch, along with her singing, guitar playing partner David Rawlings, both Berklee class of 1992, made an immediate impact on American music with the release of their 1996 album Revival. Since then, they’ve released a string of acclaimed albums that update the atmosphere of Appalachian folk music and participated in key milestones of Americana, including the O Brother, Where Art Thou soundtrack of 2001. T Bone Burnett produced Welch and Rawlings’ first album and the O Brother soundtrack, plus dozens of other recordings by artists as varied as Los Lobos, Ralph Stanley, Elton John and Diana Krall. He has been a member of Bob Dylan’s Rolling Thunder Revue, a Grammy-nominated recording artist and an enabler of numerous careers.

The March 15 show and award ceremony coincides with and celebrates Berklee’s Nashville trip, now an honored annual tradition. For 31 years, a group of Berklee students has spent its spring break in Nashville, getting deep music industry insight through clinics and workshops with accomplished alumni artists, songwriters, producers and engineers. The trip, which began with five students, has grown to more than 100 students per year and is led by Pat Pattison, professor of songwriting, and Stephen Webber, program director for the Music Production, Technology and Innovation Program at Berklee’s campus in Valencia, Spain. More than 3,000 students have attended the program since its inception. Longley and Hull participated in the Nashville trip as Berklee students. Welch and Rawlings first connected and started playing together as a result of the trip.

“This feels like a homecoming and a new beginning at the same time,” said Berklee President Roger Brown. “We’re thrilled to recognize T Bone, Gillian and David for their immeasurable contributions to music here in Nashville where so many Berklee alumni have become integral to the music community, and to forge a partnership with Music City Roots, a show that is so important to the tradition of live radio.”

The show will be webcast free via Livestream at 7:00 p.m. central at www.musiccityroots.com.

Listen Up! Caleb Caudle – “The Reddest Rose”

Caleb Caudle

“The Reddest Rose” is a dobro-dusted cut that has Caudle’s country heroes’ influences branded all over it. A little Gram Parsons melancholy, a shade Merle Haggard roughness with an ear for melody reminiscent of Lyle Lovett.

There’s a river I see that runs beside me, and I long to feel it’s water start to cool. Seems like what I run to the quickest, only leaves me blue.” Caudle sings in his road weary baritone in a away you know there’s truth in it.

“The Reddest Rose” is from the album ‘Carolina Ghost’, out Feb. 26 on This Is American Music label. Pre-order here.

Caudle says of ‘Carolina Ghost’:
”This record is all about making life changes and coming home,” says Caudle, who co-produced Carolina Ghost with longtime collaborator Jon Ashley (Avett Brothers, Dawes, Band of Horses). “I kicked booze about a year and a half ago and moved back to North Carolina and fell in love. So it all feels like a new start, really.”

Upcoming Caleb Caudle Tour Dates

Feb 24 The Cave Chapel Hill, NC
Feb 25 The Garage – Winston-Salem, NC (*Carolina Ghost Release Party*)
Feb 26 Slim’s – Raleigh, NC
Feb 27 The Evening Muse – Charlotte, NC
Mar 02 House Show – Richmond, VA
Mar 03 Club 603 – Baltimore, MD
Mar 04 Rockwood Music Hall – New York, NY
Mar 05 Maybelle’s – Washington, D.C.
Mar 10 Venkman’s – Atlanta, GA
Mar 12 Standard Deluxe – Waverly, AL
Mar 13 Callaghan’s – Mobile, AL
Mar 14 House Show – Baton Rouge, LA
Mar 15 The Mucky Duck – Houston, TX
Mar 20 The Basement – Nashville, TN
Apr 1 Jammin’ Java – Washington, DC
Apr 9 The V club – Huntington, WV (*W.B. Walker’s Old Soul Radio Show: 3 Year Anniversary*)

See Jason Isbell Pick Up His Grammy For Americana Song of the Year

Jason and Amanda Isbell

In an effort to bring viewers closer to the experiment the trophies for the 58th Grammys comes with a installed with a tiny, wireless (removable?) camera installed on the stand. Here we see statue cam POV, Jason Isbell taking the algae for his well-deserved Americana Roots Song of the Year win for “24 Frames.”

YiIt’s natural that you can hear a but of nerves as he’s listing his thanks to those that helped get him there, but he gets it done.

The pic above is from singer, songwriter, and Jasons’ wife Amanda Shires Isbell”a Facebook account.

It really says it all doesn’t it?

Isbell picked up a second statue for Best American Album for ‘Something More Than Free.”

https://www.youtube.com/watch?v=02JPhLXUrgg

Listen Up! Sturgill Simpson, “Sugar Daddy,” from HBO’s Vinyl

Sturgill Simpson - 'Turtles All the Way Down'

Listen to a psychedelic fuzzed out new song by Sturgill Simpson, “Sugar Daddy,” from HBO’s Vinyl. No twang to be found here.

This is sure to divide critics and fans alike that have come to connect Simpson with an outlaw country aesthetic. But there’s a bunch of garage rock fans that will dig it. Jack White, are you listening? One things for sure, Simpson continues to follow his own path.

“Sugar Daddy” will appear as a main theme to the show and on the first volume of songs on the soundtrack. The song will not be on his major label debut, expected sometime this year.

Willie Nelson and Asleep at the Wheel Surprise Fans at Austin’s Broken Spoke 2-4-2016

Willie Nelson and Asleep at the Wheel

If you were lucky enough to be in the crowd at the legendary honky-tonk broken spoke in Austin last night to see Ray Benson and Asleep at the Wheel you were treated to a special guest appearance.

Willie Nelson made a surprise appearance and he entertained the crowd with many of the classics they recorded together on 2009’s ‘Willie and the Wheel.’ In all Willie and the Wheeel covered 25 songs to the attentively stunned, very lucky, crowd.

Watch Out! Willie Nelson – “Someone to Watch Over Me” [VIDEO]

Willie Nelson - Someone to Watch Over Me

On this beautifully filmed black-and-white video Willie Nelson revisits the classic “Someone to Watch Over Me,” the Gershwin standard he first recorded on the 1978 blockbuster album of pop standards ‘Stardust.’ the album that evolved Willie from country singer to American balladeer.

This version is from Willie Nelson’s upcoming ‘Summertime: Willie Nelson Sings Gershwin.’ Produced by Willie’s friend and musical collaborator Buddy Cannon along with co-producer Matt Rollings, featuring Matt Rollings (piano, B-3 organ, Wurlitzer), Jay Bellerose (drums), David Piltch (bass), Dean Parks (electric guitar, acoustic guitar), Paul Franklin (steel guitar), Kevin Smith (bass), Bobbie Nelson (B-3 organ, piano), Mickey Raphael (harmonica) and Willie Nelson (Trigger).

Pre-order ‘Summertime: Willie Nelson Sings Gershwin’ here.

Miss Piggy and Kermit Cover John Prine’s “In Spite of Ourselves”

Miss Piggy and Kermit Cover John Prine's "In Spite of Ourselves"

The ‘The Muppets’ show too a wonderful rootsy turn the other night when Miss Piggy and Kermit Cover “In Spite of Ourselves” by John Prine. The song is the title cut from Prine’s 13th studio album released in 1999, and is a standout duet with Iris DeMent.

Kermet and his diva are having fun with the song, and to keep it clean for the kiddies some of the lyrics were changed.

Kermit swaps “She gets it on like the Easter Bunny” with “She makes a face when my jokes are funny” and Piggy combines the 4th and 5th verse and sings “He can’t dance but he still gets funky” instead of “He’s got more balls than a big brass monkey.”

In spite of all the cleaning up the song is still fun. And there’s a whole new generation introduced to Prine’s music. There’s nothing dirty about that.

Check out the Muppets and Prine and DeMent’s versions below.

https://www.youtube.com/watch?v=F5axlwCBXC8

Hayes Carll To Release New Album “Lovers and Leavers” on April 8

Hayes Carll To Release New Album “Lovers and Leavers”

Hayes Carll fans have been waiting 5 long years for a new album. Well, the wait is over!

Over four albums Carll has carried in a Tecas songwriting tradition of heart-on-sleeve and sung with a wry smile also reflected in the works of Guy Clark , Townes Van Zandt, Lyle Lovett and Kelly Willis. His newest release ‘Lovers and Leavers,’ (April 8th through Thirty Tigers) was recorded late last year in Los Angeles with producer Joe Henry, appears to have a darker edge.

From the press release “I’m a singer-songwriter, [and] I think Lovers and Leavers comes closer to reflecting that than any other record I’ve made.”

“I didn’t have one song that I knew would be a sing along or would make people dance,” Carll reflects. “I felt vulnerable in a way that I hadn’t in a long time. But I got what I wanted — a record with space, nuance, and room to breathe. It felt right for my art. It felt right for my life.

“Lovers and Leavers isn’t funny or raucous,” he continues. “There are very few hoots and almost no hollers. But it’s joyous, and it makes me smile. No, it’s not my Blood on the Tracks, nor is it any kind of opus. It’s my fifth record — a reflection of a specific time and place. It is quiet, like I wanted it to be.”

Hear the song, “The Love That We Need” below. The song is co-written by Carll, Jack Ingram, and Allison Moorer.

Hayes Carll’s song “Chances Are” is nominated for the “Best Country Song” Grammy. The song is an outstanding cut from Lee Ann Womack’s latest ‘The Way I’m Livin’.

Lovers and Leavers track list:

“Drive”
“Sake of the Song”
“Good While It Lasted”
“You Leave Alone”
“My Friends”
“The Love That We Need”
“Love Don’t Let Me Down”
“The Magic Kid”
“Love Is So Easy”
“Jealous”