Category Archives: Legends

Willie Nelson To Be Honored at Grammy Week Americana Music Association Benefit Concert

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shotgun willie

In keeping with its honoring music legends in the runup to the Grammy Awards (who in many ways prefers to forget them), the Americana Music Association will be producing a solute to none other than the red-headed stranger himself, Willie Nelson.

Willie will be saluted by peers and admirers that include John Prine, Tanya Tucker, Shooter Jennings, Rhiannon Giddens & Francesco Turrisi, Calexico, Andrew Bird, I’m With Her (Sara Watkins, Sarah Jarosz, and Aoife O’Donovan) and Yola. The War and Treaty, Iron & Wine, Madison Cunningham, Gregory Alan Isakov, Ida Mae, Sierra Ferrell and others still to be announced also are slated to take part in the tribute.

The evening celebrates the Recording Academy’s recognition of Americana musicians and typically uses the work of an Americana luminary as a focal point. Prine was the honoree last year and will be making his second appearance at the event to pay homage to the 86-year-old Texas singer and songwriter, who is not expected to attend.

Previous honorees include Everly Brothers singer and songwriter Phil Everly (which I was fortunate enough to attend), Eagles founding member Glenn Frey and country queen Loretta Lynn.

The benefit will take place at the storied West Hollywood venue Troubadour. Tickets are $75 and proceeds benefit the AMA. General sales begin at 10 a.m. Friday.

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2019

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2019 continued to be a stellar year for Americana and roots music, but with the genre’s growing popularity it’s getting harder to find off the beaten path talent. Since starting this blog finding great music has moved from rutting through a forest of the mundane to dig up occasional tasty sonic truffles to having mounds of music arrive in my inbox.

This is a good problem to have but it’s a growing concern that I’ve probably missed something great out on the fringes. I hope to continue to look for those artists in the upcoming new year.

Below are the albums that have stuck with me for a variety of reasons. Winnowing down to only 10 is getting harder each year for reasons outlined above and I’m sure my list will not reflect the subjective preferences of all.

Criteria – Calendar year 2019. No EPs, live, covers or re-release albums no matter how awesome.

Don’t see your favorite represented? Leave it in the comments and here’s to a new year of twang.

Mike and the Moonpies – Cheap Silver & Solid Country Gold [artist site | buy]
Kendell Marvel – Solid Gold Sounds [artist site | buy]
John Paul White – The Hurting Kind [artist site | buy]
Kelsey Waldon – White Noise/White Lines [artist site | buy]
Vandoliers – Forever [artist site | buy]
Molly Tuttle – When You’re Ready [artist site | buy]
Hayes Carll – What It Is [artist site | buy]
Cody Jinx – After the Fire and The Wanting [artist site | buy]
Boo Ray – Tennessee Alabama Fireworks [artist site | buy]
Chris Knight – Almost Daylight [artist site | buy]

Drive-By Truckers Announce New Album, Shares New Song ‘Armageddon’s Back in Town’ [VIDEO]

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Drive-By Truckers announce new album

It’s been over three years since the Drive-By Truckers’ released ‘American Band (the longest stretch between albums in the band’s career) but now the wait is over. The band’s 12th studio album ‘The Unraveling” will be released on January 31st on ATO Records.

‘The Unraveling” was recorded at the legendary Sam Phillips Recording Service in Memphis, TN by Grammy Award-winning engineer Matt Ross-Spang (Jason Isbell, Margo Price) and longtime DBT producer David Barbe.

Part of the longer than usual wait was a result of co-founding singer/songwriter/guitarists Mike Cooley and Patterson Hood’s struggles with writer’s block.

“How do you put these day to day things we’re all living through into the form of a song that we (much less anybody else) would ever want to listen to?” says Hood. “How do you write about the daily absurdities when you can’t even wrap your head around them in the first place? I think our response was to focus at the core emotional level. More heart and less cerebral perhaps.”

“The past three-and-a-half years were among the most tumultuous our country has ever seen,” says Hood, “and the duality between the generally positive state of affairs within our band while watching so many things we care about being decimated and destroyed all around us informed the writing of this album to the core.

“While a quick glance might imply that we’re picking up where 2016’s ‘American Band’ album left off, the differences are as telling as the similarities. If the last one was a warning shot hinting at a coming storm, this one was written in the wreckage and aftermath. I’ve always said that all of our records are political but I’ve also said that ‘politics is personal’. With that in mind, this album is especially personal.”

The current Drive-By Truckers line-up is Hood and Cooley, bassist Matt Patton, keyboardist/multi-instrumentalist Jay Gonzalez, and drummer Brad Morgan – together, the longest-lasting iteration in the band’s almost 25-year history. The LP also features a number of special guests, including The Shins’ Patti King, violinist/string arranger Kyleen King (Brandi Carlile), and North Mississippi All-Stars’ Cody Dickinson, who contributes electric washboard to the strikingly direct “Babies In Cages.”

Hear the scorching ‘Armageddon’s Back in Town’ below.

Pre-order “The Unraveling” here.

Grammy Awards Nominees : Tanya Tucker Leads The Pack

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62nd Grammy Awards

Nominations for the 62nd Grammy Awards were announced Wednesday, and Taya Tucker led the country/roots music pack with four nominations in the Song Of The Year, Best Country Solo Performance, Best Country Song and Best Country Album categories. Tucker was first nominated for a Grammy for the song “Delta Dawn” in 1973.

Tucker shares her Best Country Solo Performance nomination spot with Tyler Childers, Ashley McBryde, and Willie Nelson. Best American Roots Performance nominees are Sara Bareilles, Calexico and Iron & Wine, Rhiannon Giddens With Francesco Turrisi and Yola.

Calexico And Iron & Wine, Madison Cunningham, Madison Cunningham, Keb’ Mo’, J.S. Ondara and Yola are up for Best Americana Album.

See the full list of country/Americana roots nominees below and see the complete list of nominees here.

The Grammy Awards will take place on January 26th at the Staples Center in Los Angeles. The broadcast will air live on CBS at 7 p.m. ET/PT.

Song Of The Year
“Always Remember Us This Way” — Natalie Hemby, Lady Gaga, Hillary Lindsey & Lori McKenna, songwriters (Lady Gaga)
“Bad Guy” — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
“Bring My Flowers Now” — Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
“Hard Place” — Ruby Amanfu, Sam Ashworth, D. Arcelious Harris. H.E.R. & Rodney Jerkins, songwriters (H.E.R.)
“Lover” — Taylor Swift, songwriter (Taylor Swift)
“Norman F—ing Rockwell” — Jack Antonoff & Lana Del Rey, songwriters (Lana Del Rey)
“Someone You Loved” — Tom Barnes, Lewis Capaldi, Pere Kelleher, Benjamin Kohn & Sam Roman, songwriters (Lewis Capaldi)
“Truth Hurts” — Steven Cheung, Eric Frederic, Melissa Jefferson & Jesse Saint John, songwriters (Lizzo)

Best Country Solo Performance:
“All Your’n” — Tyler Childers
“Girl Goin’ Nowhere” — Ashley McBryde
“Ride Me Back Home” — Willie Nelson
“God’s Country” — Blake Shelton
“Bring My Flowers Now” — Tanya Tucker

Best Country Duo/Group Performance:
“Brand New Man” — Brooks & Dunn with Luke Combs
“I Don’t Remember Me (Before You)” — Brothers Osborne
“Speechless” — Dan & Shay
“The Daughters” — Little Big Town
“Common” — Maren Morris ft. Brandi Carlile

Best Country Song:
“Bring My Flowers Now” — Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, Songwriters (Tanya Tucker)
“Girl Goin’ Nowhere” — Jeremy Bussey & Ashley Mcbryde, Songwriters (Ashley Mcbryde)
“It All Comes Out In The Wash” — Miranda Lambert, Hillary Lindsey, Lori Mckenna & Liz Rose, Songwriters (Miranda Lambert)
“Some Of It” — Eric Church, Clint Daniels, Jeff Hyde & Bobby Pinson, Songwriters (Eric Church)
“Speechless” — Shay Mooney, Jordan Reynolds, Dan Smyers & Laura Veltz, Songwriters (Dan + Shay)

Best Country Album:
Desperate Man — Eric Church
Stronger Than The Truth — Reba McEntire
Interstate Gospel — Pistol Annies
Center Point Road — Thomas Rhett
While I’m Livin’ — Tanya Tucker

Best American Roots Performance:
“Saint Honesty” — Sara Bareilles
“Father Mountain” — Calexico With Iron & Wine
“I’m On My Way” — Rhiannon Giddens With Francesco Turrisi
“Call My Name” — I’m With Her
“Faraway Look” — Yola

Best American Roots Song:
“Black Myself” — Amythyst Kiah, songwriter (Our Native Daughters)
“Call My Name” — Sarah Jarosz, Aoife O’donovan & Sara Watkins, songwriters (I’m With Her)
“Crossing To Jerusalem” — Rosanne Cash & John Leventhal, songwriters (Rosanne Cash)
“Faraway Look” — Dan Auerbach, Yola Carter & Pat Mclaughlin, songwriters (Yola)
“I Don’t Wanna Ride The Rails No More” — Vince Gill, songwriter (Vince Gill)

Best Americana Album:
Years To Burn — Calexico And Iron & Wine
Who Are You Now — Madison Cunningham
Oklahoma — Keb’ Mo’
Tales Of America — J.S. Ondara
Walk Through Fire — Yola

Best Bluegrass Album:
Tall Fiddler — Michael Cleveland
Live In Prague, Czech Republic — Doyle Lawson & Quicksilver
Toil, Tears & Trouble — The Po’ Ramblin’ Boys
Royal Traveller — Missy Raines
If You Can’t Stand The Heat — Frank Solivan & Dirty Kitchen

Best Folk Album:
My Finest Work Yet — Andrew Bird
Rearrange My Heart — Che Apalache
Patty Griffin — Patty Griffin
Evening Machines — Gregory Alan Isakov
Front Porch — Joy Williams

Best Song Written For Visual Media:
“The Ballad Of The Lonesome Cowboy” — Randy Newman, songwriter (Chris Stapleton); Track from: “Toy Story 4”
“Girl In The Movies” — Dolly Parton & Linda Perry, songwriters (Dolly Parton); Track from: “Dumplin’”
“I’ll Never Love Again (Film Version)” — Natalie Hemby, Lady Gaga, Hillary Lindsey & Aaron Raitiere, songwriters (Lady Gaga & Bradley Cooper); Track from: A Star Is Born
“Spirit” — Beyoncé Knowles-Carter, Timothy McKenzie & Ilya Salmanzadeh, songwriters (Beyoncé); Track from: “The Lion King”
“Suspirium” — Thom Yorke, songwriter (Thom Yorke); Track from: “Suspiria”

Best Album Notes:
The Complete Cuban Jam Sessions — Judy Cantor-Navas, album notes writer (Various Artists)
The Gospel According To Malaco — Robert Marovich, album notes writer (Various Artists)
Pedal Steel + Four Corners — Brendan Greaves, album notes writer (Terry Allen And The Panhandle Mystery Band)
Pete Seeger: The Smithsonian Folkways Collection — Jeff Place, album notes writer (Pete Seeger)
Stax ’68: A Memphis Story — Steve Greenberg, album notes writer (Various Artists)

Best Historical Album:
The Girl From Chickasaw County – The Complete Capitol Masters — Andrew Batt & Kris Maher, compilation producers; Simon Gibson, mastering engineer (Bobbie Gentry)
The Great Comeback: Horowitz At Carnegie Hall — Robert Russ, compilation producer; Andreas K. Meyer & Jennifer Nulsen, mastering engineers (Vladimir Horowitz)
Kankyo Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990 — Spencer Doran, Yosuke Kitazawa, Douglas Macgowan & Matt Sullivan, compilation producers; John Baldwin, mastering engineer (Various Artists)
Pete Seeger: The Smithsonian Folkways Collection — Jeff Place & Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Pete Seeger)
Woodstock: Back To The Garden – The Definitive 50th Anniversary Archive — Brian Kehew, Steve Woolard & Andy Zax, compilation producers; Dave Schultz, mastering engineer, Brian Kehew, restoration engineer (Various Artists)

Producer Of The Year, Non-Classical:
Jack Antonoff
Dan Auerbach
John Hill
Finneas
Ricky Reed

Choice Moments From The CMA Awards

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CMA Awards

I can’t remember the last time I sat through an entire broadcast and the 53rd CMA Awards was no exception. Besides the unnecessary exclusion of long-time host Brad Paisley (to, ironically, virtue signal inclusivity) there’s the typical celebration of mundane Music City product. I admit fully that I take a protective view of country music that this glitter-choked spectacle is fully willing to eject in pursuit of mass appeal and the riches that come with it.

But somebody running this circus must remember that it’s about the music because interspersed between the spectacle there are moments that are truly sublime.

Willie Nelson and Kacey Musgraves – “Rainbow Connection” – Willie sounded a bit worse for wear but given the Texas Yoda’s age (87) and grueling tour schedule, it’s a miracle that he can perform at all. This Muppets classic never fails to draw the waterworks.

https://www.youtube.com/watch?v=4juzFaW12j0

Reba McEntire – “Fancy.” Reba is pure fire and I’ll fight anyone that says otherwise!

https://www.youtube.com/watch?v=jsjw2g80gj8

Where’s Kris? The Country Music Association honored iconic songwriter Kris Kristofferson with the Willie Nelson Lifetime Achievement Award. Kristofferson honored the CMAs by skipping their brazen attempt to grift credibility by throwing a shiny bone to the living legends by playing a previously booked gig at the Adler Theatre in Davenport, Iowa.

Terry Allen Announces New Album “Just Like Moby Dick.” Hear Two New Songs

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Terry Allen "Just Like Moby Dick"

Few songwriters have attained singular independent status as Terry Allen (John Prine and Warren Zevon comes to mind.) Since the wild-and-wooly 70’s the Texas legend has been creating his own quirky variety of country music pulling from many of the same West Texas inspirations as his fellow Lubbockites Jimmie Dale Gilmore, Joe Ely, and Butch Hancock, though to less popular acclaim. Though Allen is well=known to roots music fans willing to dig past the surface and can count as fans Bobby Bare, Sturgill Simpson, Robert Earl Keen, Guy Clark, Little Feat, David Byrne, Doug Sahm, Ricky Nelson, and Lucinda Williams, all of whom have covered his songs.

To bring in the new year, January 24, 2020, to be exact, Terry Allen will release “Just Like Moby Dick” the reported “spiritual successor to his 1979 masterstroke Lubbock (on everything.)”
“Just Like Moby Dick” will be Allen’s first release of new songs since 2013’s “Bottom of the World,” and will feature the full Panhandle Mystery Band, including co-producer Charlie Sexton (Dylan, Bowie, Lucinda) and stunning vocal turns from Shannon McNally, as well as co-writes with Joe Ely, Dave Alvin, and writer, actress, and artist Jo Harvey Allen, and Terry’s wife.

Terry also shares keyboard duties with his son Bukka Allen, who also plays accordion and piano. Pedal steel master and de facto Panhandle bandleader Lloyd Maines contributes slide guitar and dobro, while Richard Bowden brings his characteristically kinetic and lyrical fiddle; both musicians have appeared on every Allen album since “Lubbock (on everything).” The brilliant Charlie Sexton, plays guitar, sings and co-produced the record with Terry at Austin’s Arlyn Studios. Drummer Davis McLarty, a Mystery Band mainstay since Human Remains (1996) is joined by more recent rhythm section additions Glenn Fukunaga (bass) and Brian Standefer (cello). Terry’s other son Bale Allen sits in on djembe on “Abandonitis.”

Pre-order “Just Like Moby Dick” in a variety of bundles here.

See the album trailer and hear “City of Vampires” and “Death of the Last Stripper” below.

“Just Like Moby Dick” tracklist:

1. Houdini Didn’t Like the Spiritualists (feat. Shannon McNally)
2. Abandonitis
3. Death of the Last Stripper
4. All That’s Left Is Fare-Thee-Well (feat. Charlie Sexton)
5. Pirate Jenny
6. American Childhood I: Civil Defense
7. American Childhood II: Bad Kiss
8. American Childhood III: Little Puppet Thing
9. All These Blues Go Walkin’ By (feat. Shannon McNally)
10. City of the Vampires (feat. Kru Allen and Shannon McNally)
11. Harmony Two (feat. Shannon McNally)
12. Sailin’ On Through

Listen Up! Bob Dylan and Johnny Cash ‘Wanted Man’ Demo

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It’s always a treat when new music is released featuring the late Johnny Cash. in this case, we get the added pleasure of the song being a Bob Dylan penned piece performed in a fly-on-the-wall manner by the two men.

Bob Dylan wrote “Wanted Man” in 1969 for Johnny Cash who included it as part of the setlist for his live album “At San Quentin.” The album was the second in Cash’s live prison-performed albums including ‘At Folsom Prison’ (1968), ‘PÃ¥ ÖsterÃ¥ker’ (ÖsterÃ¥ker Prison in Sweden, 1973), and ‘A Concert Behind Prison Walls’ (Tennessee State Prison in 1974), and later released a studio version.

In anticipation of Dylan’s upcoming release ‘Travelin’ Thru, 1967-1969: The Bootleg Series Vol. 15’ we now have this rollicking demo of Dylan, Cash (who’s still working out the lyrics) featuring Carl Perkins on guitar. Hear it below.

On the recording June Carter Cash can be heard asking Johnny to “..make sure Bob puts a melody to that song.” Possibly in a futile attempt to reign in Dylan’s unorthodox singing style.

“Travelin’ Thru, 1967-1969: The Bootleg Series Vol. 15” will be released November 1st. Preorder it here.

The Band’s Eponymous Release Celebrated With Expanded 50th Anniversary Edition

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The Band fans rejoice!

On November 15, Capitol/UMe will celebrate The Band’s eponymous second album (as some have come to coin it “The Brown Album”) with a selection of newly remixed and expanded 50th Anniversary Edition packages, including a Super Deluxe 2CD/Blu-ray/2LP/7-inch vinyl boxed set with a hardbound book; 2CD, digital, 180-gram 2LP black vinyl, and limited edition 180-gram 2LP “tiger’s eye” color vinyl packages.

The expanded set features a new stereo mix by Bob Clearmountain from the original multi-track masters, similar to the acclaimed 50th anniversary collections of last year’s Music From Big Pink releases. The 50th Anniversary Edition’s CD, digital, and box set configurations also include 13 outtakes, featuring six previously unreleased outtakes and alternate recordings from The Band sessions, as well as The Band’s legendary Woodstock performance, which has never been officially released.

Exclusively for the box set, Clearmountain has also created a new 5.1 surround mix for the album and bonus tracks, presented on Blu-ray with the new stereo, both in high resolution audio (96kHz/24bit). All the new audio mixes have been mastered by Bob Ludwig at Gateway Mastering. The box set also includes an exclusive reproduction of The Band’s 1969 7-inch vinyl single for “Rag Mama Rag” / “The Unfaithful Servant” in their new stereo mixes and a hardbound book with an extensive, illuminating new essay by author and music critic Anthony DeCurtis and classic photos by Elliott Landy which have had an inimitable influence on rock and roll. For the album’s new vinyl editions, Chris Bellman cut the vinyl lacquers for the album’s new stereo mix at 45 rpm at Bernie Grundman Mastering, expanding the album’s vinyl footprint from one LP to two.

Ironically for an album that captures the rustic essence of Americana the recording sessions took place in a Hollywood Hills mansion once owns by Judy Garland, Wally Cox and, at the time the group worked there, Sammy Davis, Jr.

According to Robbie Robertson, the location was chosen to give the songs a Basement Tapes–like feel in what was termed “a clubhouse concept.”[https://www.mixonline.com/recording/classic-tracks-bands-night-they-drove-old-dixie-down-364938] Three songs to finish the album (from “Up on Cripple Creek” through “Jemima Surrender”) and they spent a month setting up a recording studio in a backyard pool house.

Their label Capitol Records needed some convincing around the “clubhouse concept” as his was an unusual request in 1969 recording processes. Robbie Robertson had a powerful ally in co-producer John Simon. “John was really good at supporting this thing,” Robertson says, “because engineers and the people from the record company would always say, ‘Are you sure about this?’ They had their doubts. And we didn’t want to waste the money if it wasn’t going to work, although we were pretty confident that it was going to work. But John was good at giving them a sense of confidence about it, that there was no question that it was going to work and that it was going to be good.”

The Band was released on September 22, 1969 and it immediately caused a sensation Propelled by the surprise hit “Up on Cripple Creek,” and strong FM airplay for “The Night They Drove Old Dixie Down,” “Rag Mama Rag” and “Across the
Great Divide,” the album rocketed into the Top 10 and established The Band as
Bona fide rock stars landing them on the cover of January 1970’s Time magazine heralding them as “The New Sound of Country Rock.”

Preorder The Band (50th Anniversary Edition)

CD1; Digital
1. Across The Great Divide
2. Rag Mama Rag
3. The Night They Drove Old Dixie Down
4. When You Awake
5. Up On Cripple Creek
6. Whispering Pines
7. Jemima Surrender
8. Rockin’ Chair
9. Look Out Cleveland
10. Jawbone
11. The Unfaithful Servant
12. King Harvest (Has Surely Come)
Bonus Tracks:
1. Up On Cripple Creek (Earlier Take) *
2. Rag Mama Rag (Alternate Version) *
3. The Unfaithful Servant (Alternate Version) *
4. Look Out Cleveland (Instrumental Mix) *
5. Rockin’ Chair (A Cappella / Stripped Down) *
6. Up On Cripple Creek (Instrumental Mix) *
* Previous unreleased

CD2; Digital
Live At Woodstock, 1969 (Original Rough Mixes)
1. Chest Fever
2. Tears Of Rage
3. We Can Talk
4. Don’t Ya Tell Henry
5. Baby Don’t You Do It
6. Ain’t No More Cane On The Brazos
7. Long Black Veil
8. This Wheel’s On Fire
9. I Shall Be Released
10. The Weight
11. Loving You Is Sweeter Than Ever
Additional Studio Bonus Tracks:
12. Get Up Jake (Outtake – Stereo Mix)
13. Rag Mama Rag (Alternate Vocal Take – Rough Mix)
14. The Night They Drove Old Dixie Down (Alternate Mix)
15. Up On Cripple Creek (Alternate Take)
16. Whispering Pines (Alternate Take)
17. Jemima Surrender (Alternate Take)
18. King Harvest (Has Surely Come) (Alternate Performance)

Blu-ray (Stereo and 5.1 Surround – High Resolution Audio: 96 kHz/24 bit)
1. Across The Great Divide
2. Rag Mama Rag
3. The Night They Drove Old Dixie Down
4. When You Awake
5. Up On Cripple Creek
6. Whispering Pines
7. Jemima Surrender
8. Rockin’ Chair
9. Look Out Cleveland
10. Jawbone
11. The Unfaithful Servant
12. King Harvest (Has Surely Come)
Bonus Tracks:
13. Up On Cripple Creek (Earlier Version)
14. Rag Mama Rag (Alternate Version)
15. The Unfaithful Servant Alternate Version)
16. Look Out Cleveland (Instrumental Mix)
17. Rockin’ Chair (A Cappella / Stripped Down)
18. Up On Cripple Creek (Instrumental Mix)

“Classic Albums – The Band” (Documentary)

2LP (45 RPM)
180g black vinyl (included in the box set and available individually); ltd. edition 180g pink vinyl (available individually)
Side One
1. Across The Great Divide
2. Rag Mama Rag
3. The Night They Drove Old Dixie Down

Side Two
1. When You Awake
2. Up On Cripple Creek
3. Whispering Pines

Side Three
1. Jemima Surrender
2. Rockin’ Chair
3. Look Out Cleveland

Side Four
1. Jawbone
2. The Unfaithful Servant
3. King Harvest (Has Surely Come)

“Rag Mama Rag” (Original 1969 7” Capitol Single)
A. Rag Mama Rag
B. The Unfaithful Servant

Third Man Records To Release Patsy Cline’s “Sweet Dreams: The Complete Decca Studio Masters “

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Patsy Cline – Sweet Dreams: The Complete Decca Studio Masters 1960-1963

Jack White’s Third Man Records continues to mine treasures from country music history, meticulously package/re-package them and offer them up to us lucky fans.

This time around especiallt for Record Store Day’s Black Friday the work getting this sweet, sweet vinyl love is Patsy Cline’s Sweet Dreams: The Complete Decca Studio Masters 1960-1963. This is the first time the compilation has been released to vinyl (it was originally released on CD on the Hip-O label, April 20, 2010.) The set will be limited to 1000 units of 3xLPs with full-color photos printed on the interior of the gatefold jacket available in yellow, purple and red vinyl variants.

The 51 tracks Cline were recorded with Owen Bradley, who helped shape her signature big-band pop sound.

The three years reflected in this collection include many of her top hits like the classic “I Fall To Pieces,” Cline’s first Country #1 chart hit.

Record Store Day's Black Friday

Record Store Day’s Black Friday celebration on November 29th. Record Store Day’s Black Friday is an offshoot of Record Store Day, an annual event to “celebrate the culture of the independently owned record store”.

TN will publish a list of Record Store Day’s Black Friday Americana and roots music list one the full list is released.

Track Listing:

1. I Fall to Pieces
2. Shoes
3. Lovin’in Vain
4. True Love
5. San Antonio Rose
6. The Wayward Wind
7. A Poor Man’s Roses (Or a Rich Man’s Gold)
8. Crazy
9. Who Can I Count on
10. Seven Lonely Days
11. Love You So Much It Hurts
12. Foolin’around
13. Have You Ever Been Lonely (Have You Ever Been Blue)
14. South of the Border (Down Mexico Way)
15. Walkin’ After Midnight
16. Strange
17. You’re Stronger Than Me
18. She’s Got You
19. You Made Me Love You(I Didn’t Want to Do It)
20. You Belong to Me
21. Heartaches
22. Your Cheatin’heart
23. That’s My Desire
24. Half As Much
25. Lonely Street
26. Anytime
27. You Were Only Fooling (While I Was Falling in Love)
28. I Can’t Help It (If I’m Falling in Love with You)
29. You’re Stronger Than Me
30. When I Get Thru with You (You’ll Love Me Too)
31. Imagine That
32. So Wrong
33. Why Can’t He Be You
34. Your Kinda Love
35. When You Need a Laugh
36. Leavin’ on Your Mind
37. Back in Baby’s Arms
38. Tra Le la Le la Triangle
39. That’s How Heartache Begins
40. Faded Love
41. Someday (You’ll Want Me to Want You)
42. Love Letters in the Sand
43. Blue Moon of Kentucky
44. Sweet Dreams (Of You)
45. Always
46. Does Your Heart Beat for Me
47. Bill Bailey Won’t You Please Come Home
48. He Called Me Baby
49. Crazy Arms
50. You Took Him Off My Hands
51. I’ll Sail My Ship Alone

Watch Out – Aoife O’Donovan Covers Bruce Springsteen’s “Nebraska”

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Aoife O’Donovan - Nebraska

Springsteen’s “Nebraska” is a far cry from the more commercially engaging follow-up “Born in the U.S.A.” It’s a 4-track DIY stark study of rust-belt existential ennui some consider (I count myself as one) as his most personal work.

The title cut is a particularly dark tale of adolescent alienation as Springsteen employs acoustic guitar and harmonica to plumb for some glimmer of humanity surviving within the infamous Charles Starkweather, who at 19 went on a murder spree with his 14-year-old girlfriend Caril Fugate. In all the couple killed 11 people across Nebraska. This captured the attention of the nation and reflected it’s unease of the new rebellious rock music sweeping youth culture in 1958.

Though it breaks no new sonic ground Aoife O’Donovan’s rendition carries that very same somber beauty with her forlorn soprano and gently picked acoustic guitar.

The track will be featured on “In The Magic Hour Solo Sessions,” a six-song acoustic EP out November 1 which will include four songs O’Donovan latest “from In The Magic Hour” and a cover of Joni Mitchell’s “Turn Me On

Of the work O’Donovan’ said “In 2011, I did a residency at Rockwood Music Hall in NYC, says Aoife. “Each week was a different set, and while planning for the month, I decided to learn the album “Nebraska” from start to finish. Originally released in 1982, the year I was born, the songs are timeless. The sadness and depravity in the title track urge us to look a little bit deeper into ourselves. “I guess there’s just a meanness in this world.”

This Friday, October 4, Aoife will perform at Hardly Strictly Bluegrass, singing on MPR’s Live From Here and performing with Kronos Quartet.

Aoife will embark on the Songs and Strings Tour in spring 2020, performing with a string quartet featuring Jeremy Kittlel on violin – a full list of dates is below. As the first Artist-in-Residence at this year’s FreshGrass Festival, Aoife performed with two different string quartets.

AOIFE O’DONOVAN SONG AND STRINGS TOUR
March 11 – Old Saybrook, CT – Katharine Hepburn Cultural Arts Center
March 12 – Cambridge, MA – Sanders Theatre
March 13 – Vienna, VA – The Barns at Wolf Trap
March 14 – Richmond, VA – Modlin Center For the Arts
March 20 – Stoughton, WI – Stoughton Opera House
March 21 – Skokie, IL – North Shore Center For the Performing Arts
April 16 – Carrboro, NC – The Arts Center
April 17 – Paducah, KY – Clemens Fine Arts Center