Twang Nation – The Best In Americana Music
Americana & Roots Music & Culture
Lillie Mae made her solo national television debut last night on the Conan O’Brien show. She and her band, featuring her brother on guitar and sister on backup vocals, tear through a spirited version of “Over The Hill And Through The Woods.”
Mae also took the time to record a separate a stripped down performance of “To Go Wrong.â€
See both below.
Both tracks can be found on Lillie Mae’s solo debut, ‘Forever and Then Some.’ (out today)
Dark Americana chanteuse Lindi Ortega will release ‘Til The Goin’ Gets Gone’ an EP of four songs, three originals and a cover of Townes Van Zandt’s “Waiting ‘Round To Die” on March 17.
In her downtime last year she rediscovered an intimacy she had neglected. As the lyric video for the title cut demonstrates there’s a sparse, atmospheric production with an emphasis on Ortega’s singular soprano that draws you into the musician’s roadworn dark and lonely universe.
About the rest of the release the release says…
“What a Girl’s Gotta Do,” a song that is the silver lining of an otherwise dreadful date, explores the gritty pragmatism of making ends meet. Alongside the title track, this song offers a second metaphor about artistic life that strengthens the EP’s overall sense of resolve. Ortega’s somber rendition of “Waiting ‘Round to Die,” acknowledges a personal debt – her recent discovery of the legendary songwriter’s music is what finally cured her writer’s block. The closer, “Final Bow,” came when Ortega assumed she only had one song left in her. “I thought I had to quit music but I wanted to leave gracefully,” she says. “But then I decided to get up and sing some more.” As a whole, this statement captures the essence of Ortega’s new EP – it’s about dusting off, gutting it out, and getting up for another round.’
Pre-order at lindiortega.com
Check the delicately sparse title cut lyric video below:
“Til The Goin’ Gets Gone” Track List
1. Til The Goin’ Gets Gone
2. What A Girl’s Gotta Do
3. Waiting ‘Round To Die
4. Final Bow
Tour Dates:
CALGARY, AB: Jack Singer Hall, Mar 7 w/ Blackie and the Rodeo Kings
BAYFIELD, ON: Bayfield Town Hall, Mar 17 w/ Basia Bulat
LONDON, ON: Budweiser Gardens, Mar 18 w/ Chris Stapleton
OTTAWA, ON: Canadian Tire Centre, Mar 19 w/ Chris Stapleton
WINNIPEG, MB: MTS Centre, Mar 22 w/ Chris Stapleton
CALGARY, AB: Scotiabank Saddledome, Mar 24 w/ Chris Stapleton
EDMONTON, AB: Northlands Coliseum, Mar 25 w/ Chris Stapleton
VANCOUVER, BC: Pepsi Live @ Rogers Arena, Mar 27 w/ Chris Stapleton
WYOMISSING, PA: Berks Country Fest: An Americana Jamboree, June 17
PAWLING, PA: Daryl’s House, June 18
WICHITA, KS: Wichita Vortex Music Festival, Aug 4
ORO-MEDONTE, ON: Boots & Hearts Music Festival, Aug 12
TUOLUMNE, CA: Strawberry Music Festival, Sept 1
2016 was another great year for Americana and roots music, and 2017 shows signs that the great music will continue to come our way. As our Cream of the Crop favorites from last year makes plain we might be experiencing a new golden age of roots music/ Both as a growing influence on our contemporary culture and also as a viable, business for young and old artists to sustain themselves and thrive.
That last part is crucial as it provides economic and influential seed corn for the future ‘Cream of the Crop’ year-end best of collections.
The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like Ray Wylie Hubbard, Chris Stapleton, Jason Isbell and The Secret Sisters have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year and will send word through my twitter account when I do.
If you know of a release not listed yet please leave it in the comments.
One thing is for sure, it’s going to be a great year folks.
January 13th –
The Band of Heathens – ‘Duende’
Blackie and the Rodeo Kings – ‘Kings and Kings’
Otis Gibbs – ‘Mount Renraw’
January 20th –
Kasey Chambers – ‘Dragonfly’
The Show Ponies – How It All Goes Down’
Rayna Gellert – ‘Workin’s Too Hard’
January 27th –
Delbert McClinton – ‘Prick Of The Litter’
Tift Merritt – ‘Stitch of the World’
Valerie June – ‘The Order of Time’
Bankesters – ‘Nightbird’
Dead Man Winter – ‘Furnace’
February 3rd –
Ags Connolly – ‘Nothin’ Unexpected’
Gurf Morlix – ‘The Soul & The Heal’
Mitch Dean –‘Suburban Speakeasy’
Rose Cousins – ‘Natural Conclusion’
Caroline Spence – ‘Spades & Roses’
February 10th –
Kris Kristofferson – The Austin Sessions (Expanded Edition)
February 17th –
Alison Krauss – ‘Windy City’
Nikki Lane – ‘Highway Queen’
Pegi Young & The Survivors – ‘Raw’
Son Volt – ‘Notes Of Blue’
Son of the Velvet Rat – ‘Dorado’
Blair Crimmins – ‘You Gotta Sell Something’
The Gibson Brothers – “In The Ground”
February 24th –
Curtis McMurtry – ‘The Hornet’s Nest’
Rhiannon Giddens – ‘Freedom Highway’
Old 97s – ‘Graveyard Whistling’
Scott H. Biram – “The Bad Testament”
Shinyribs – “I Got Your Medicine”
Aaron Watson – “Vaquero”
March 3rd –
Grandaddy – ‘Last Place’
Beth Bombara – ‘Map With No Direction ‘
March 10th –
Sunny Sweeney – “Trophy’
Pieta Brown – “Postcards”
March 24th –
Jessi Colter – ‘The Psalms’
Samantha Crain – ‘You Had Me At Goodbye’
March 31st –
Rodney Crowell – ‘Close Ties”
David Olney – “Don’t Try To Fight It”
Dead Soldiers – “The Great Emptiness”
Shoddy Blacktooth — “Don’t Forget To Dieâ€
April 7th
Malcolm Holcombe – ‘Pretty Little Troubles’
Andrew Combs – “Canyons Of My Mind”
April 14th
Evening Darling – “Evening Darling’
April 21st –
Angaleena Presley – ‘Wrangled’
May 5th
Chris Stapleton – ‘From a Room: Volume 1’
May 19th
Builders and the Butchers – ‘The Spark’
Pokey LaFarge – ‘Manic Revelations’
Tom Russell – ‘Play One More: The Songs Of Ian And Sylvia’
May 26th
Justin Townes Earle – ‘Kids in the Street’
June 2nd –
Bobby Osborne – ‘Original’
June 9th –
The Secret Sisters – ‘You Don’t Own Me Anymore’
Shannon McNally – ‘Black Irish’
June 16th –
Sammy Brue – ‘I Am Nice’
June 23rd –
The Deslondes – ‘Hurry Home’
Slaid Cleaves – ‘Ghost on the Car Radio’
July 7th –
Randall Bramblett – ‘Juke Joint At The Edge Of The World’
July 14th –
Cale Tyson – ‘Careless Soul’
July 21st –
Whiskey Shivers – ‘Some Part of Something”
August 4th
Tyler Childers – ‘Purgatory’
August 18th
Loretta Lynn – ‘Wouldn’t It Be Great’ POSTPONED
Ray Wylie Hubbard – ‘Tell the Devil I’m Getting There as Fast as I Can’
September 8th
Caroline Reese – ‘Two Horses’ EP
September 15th
Willie Watson – ‘Folksinger Vol. 2’
The Lone Bellow – ‘Walk Into A Storm’
September 22nd
Steve Martin & Steep Canyon Rangers – “The Long-Awaited Albumâ€
Billy Strings – ‘Turmoil & Tinfoil’
September 29th
Anna Tivel – “Small Believer”
October 6th
Whitney Rose – ‘Rule 62’
JD McPherson – ‘Undivided Heart and Soul’
Becca Mancari – ‘Good Woman’
October 13th
Hellbound Glory – ‘Pinball’
Caleb Cladry – ‘Invincible Things’
October 16th
Gill Landry – ‘Love Rides A Dark Horse’
October 20th
Turnpike Troubadours – ‘A Long Way From Your Heart’
Dori Freeman – ‘Letters Never Read’
October 27th
Lee Ann Womack – ‘The Lonely, The Lonesome & The Gone’
Ronnie Fauss – ‘Last of the True’
The Wailin’ Jennys – ‘Fifteen’
The Deep Dark Woods – ‘Yarrow’
October 31st
Year of October – ‘Trouble Comes’
November 3rd
Samantha Fish – ‘Belle of the West’
Anna St. Louis – “First Songs’
Scott Miller – ‘Ladies Auxiliary’
November 17th
Mavis Staples – ‘If All I Was Was Black’
December
Chris Stapleton – ‘From a Room: Volume 2’
December 8th
Robert Ellis and Courtney Hartman – ‘Dear John’
The year in music for 2016 is best defined by the classic Dickensian line from “A Tale of Two Cities,” “It was the best of times, it was the worst of times.”
Mortality cut a wide swath across some of the greatest and influential musicians of the twentieth century. Roots and country artists like Merle Haggard, Guy Clark, Ralph Stanley, Leon Russell, Jean Shepard, Glenn Frey, Red Simpson, Joey Feek and Steve Young among other greats like Prince, Sharon Jones, David Bowie and Leonard Cohen seemed harshly unrelenting. This level of loss will be felt in our cultural fabric in ways we’ve yet to understand.
To quote the late, great George Jones “Who’s gonna fill their shoes?”
Let’s hope that those passed legends shine as a beacon to the next generations to create great work that ties us together in song, music and common humanity. From what I know about 2017 I do see greatness coming.
But there was a silver lining. The influence of roots music in mainstream and, in a cultural equivalent of time folding in on itself, mainstream country music. This trend of influence occurs without Americana surrendering its identity of innovation and authenticity. To some artists, the genre was found too constricting and they lit out for another terrain better suited to their art.
And here’s to a more equitable arrangement between tech companies and the musicians that provide the bedrock to build their empires. Much to be done here…
As others sacrifice to create, let’s us, the audience, push ourselves to discover, share, attend live shows and financially reward the creators. Most which are hauling thier own gear and traveling to shows in cars or vans not tour buses.
Without them, this life is much less joyful.
Criteria – Calendar year 2016. No EPs, live, covers or re-release albums no matter how awesome.
Don’t see your favorite represented? Leave it in the comments, and here’s to a new year of Twang.
Matt Woods – ‘How to Survive’ – (iTunes | Amazon) – Tennessee troubadour Matt Wood’s third studio album ‘How to Survive’ offers taut songwriting that cuts to the emotional quick. Not an overtly political album but something more effective in sowing understanding – a topical album.
Paul Cauthen – ‘My Gospel’ – (iTunes | Amazon)
Paul Cauthen’s ‘My Gospel’ takes a page from the book of Paycheck and Waylon, a mix of juke box secular and pulpit gospel songs both personal and ethereal confessionals. These testimonials through Cauthen’s big baritone that suits these sonic vignettes of contemporary southern soul.
Brent Cobb – ‘Shine On Rainy Day’ – (iTunes | Amazon) Like Chris Stapleton and Kacey Musgraves Brent Cobb worked the Music Row ear worm mines for years before moving front and center with his own wares. Those dues paid off. His debut is both breezy and heavy like the great music of the country crossovers from the 70s but fresh with life and rich with authenticity and tradition.
Darling West – ‘Vinyl and Heartache’ – (iTunes | Amazon) The Norwegian trio Darling West takes their smooth pop chamber folk aesthetic to a new high on their sophomore release ‘Vinyl and Heartache.’ Mari Sandvær Kreken’s voice transcends each original cut, and a superb cover of Fleetwod Mac’s ‘The Chain,” to take the extraordinary musicianship even higher.
Karen Jonas – ‘Country Songs’ – (iTunes | Amazon) All you need to know about Fredericksburg, Virginia-based Karen Jonas’ is right there in the title. ‘Country Songs’ picks up where Jonas’ 2014 debut ‘Oklahoma Lottery’ left us – somewhere between heartache and hangover. Her voice lies between sass and sultry as Jonas’ accounts a woman longing for more and being fed up. All the while fitting perfectly with classic barroom weepers without resorting to threadbare nostalgia.
The Buffalo Ruckus – ‘Peace & Cornbread’ – (iTunes | Amazon) The Buffalo Ruckus’ sophomore album ‘Peace & Cornbread’ still embodies the soul of all those barrooms the band has torched with their fiery live shows but brings the more feral elements to heel that pays off with cohesion and great songwriting. Here divinity mixes with road tar to create a great Southern soul album
Dori Freeman – ‘Dori Freeman’ – (iTunes | Amazon) One of the surprises of 2016, Freeman’s debut exudes the confidence of a veteran performer and songwriter influenced equally by her native Appalachia as she is classic pop, bar room country and uptown jazz and moves deftly across it all to deliver an astounding cohesive treasure.
Kelsey Waldon – ‘I’ve Got a Way’ – (iTunes | Amazon) Kelsey Waldon’s sophomore release has vulnerable resolve and classic country running through it like the coal veins in her home state of Kentucky. And just as bracing and satisfying as it’s bourbon. Her plaintive voice and keen eye for human nature makes for these sterling tales of hard roads and tender hearts.
Austin Lucas – ‘Between the Moon & the Midwest’ – (iTunes | Amazon) Austin Lucas’ latest release is a moody, pedal steel laden arc traveling among broken hearts and bitter tears. His signature croon sits between jubilant and forlorn and bears the marks of a man that’s been through trouble but comes out the other side stronger and with better stories.
Whiskey Myers – ‘Mud’ – (iTunes | Amazon)
Few musical genres are as maligned as Southern Rock. But then a band comes all with an album that makes you believe again. Whiskey Myers’ ‘Mud’ is that album. The band worked with Americana Auber-producer Dave Cobb to create an album that pushes lyrical and music boundaries established by their 2014 breakout release ‘Early Morning Shakes.’ The pride of Palestine, Texas mixes country, rock and blue-eyed soul to achieve one of their strongest efforts yet.
Robert Ellis – ‘Robert Ellis’ – (iTunes | Amazon) On Robert Ellis’ fourth solo album, the Texas songwriter further moves from the school of George Jones country crooning even further into the adult pop of James Taylor and Paul Simon, and tackles adult themes of despair, restlessness and loss of love. A disciple of music styleS and texture, as well as songcraft and extraordinary fret work, Ellis delves into Chet Atkin’s jazz-flavored country (Drivin), bossa nova (Amanda Jane) and even a neo-classical dirge (The High Road) and ties. It shouldn’t work but damned if Ellis doesn’t pull it off.
Hayes Carll – ‘Lovers and Leavers’ – (iTunes | Amazon) Carll’s latest suggests his 5-year recording hiatus has been a rough if introspective stretch. ‘Lovers and Leavers’ is Carll’s solemn of his career without tipping into being a dour bumfest. These days there’s more on Carll’s mind than drinking, hootin’ and ahollerin’. This is an authentically more personal, emotional and confessional work that moves Carll into the realm of Guy Clarkian genius.
Margo Price – ‘Midwest Farmer’s Daughter’ – (iTunes | Amazon) An overnight success 13 years in the making, Jack White saw something in Margo Price that Music Row didn’t when he signed her as the first country artist on his Third Man Records label. Life’s harsh beauty pours from each song and common resolve is there with grace. Stuff too real for Music Row confections. Price sits well within a current musical groundswell proving that soulful roots music has an audience hungry for something real and is here to stay.
Lori McKenna – ‘The Bird & The Rifle’ – (iTunes | Amazon)
‘The Bird & The Rifle’ – When she’s not penning mega hits for the likes of Tim McGraw and Little Big Town, Lori McKenna puts her considerable songwriting skills to weightier faire like her latest, ‘The Bird & The Rifle.’ Intimate stories of small town hopes hitting the hard choices and their unforeseen consequences. We see ourselves in gems like “Halfway Home” and “We Were Cool” and brings more dimension to McKenna’s own “Humble and Kind” which was a hit for McGraw. These songs create a web that ties our experiences together in common humanity.
Sarah Jarosz -“Undercurrent” – (iTunes | Amazon) Jarosz’s 4th full-length studio album surprised many fans who’ve been listening since 2009’s debut ‘Song Up in Her Head.’ The then teen wunderkind has built on her time in the bluegrass genre and arrived an accomplished arranger, songwriter, singer and musician. Traditional forms are reworked as contemporary personal reflections of maturity and sophistication. experimental pop fuse with classic songwriters like Paul Simon, Joni Mitchell and Carol King.
B.J. Barham – ‘Rockingham’ – (iTunes | Amazon) Inverting the country contemporary music trope of quaint small town nostalgia American Aquarium vocalist B.J. Barham focuses his deft songwriting eye on the gutting of the small town American dream. The album title, Rockingham, is the North Carolina, a town of a few thousand where Barham was raised, is the starkly real and metaphor for many forgotten towns. Steely-eyed truth sketches each hardscrabble scenario where desperation lingers thick in the air like the funk from the local tobacco company.
Robbie Fulks – ‘Upland Stories’ – iTunes | Amazon) Fulks is the unheralded hardcore alt-country troubadour. Though not as well known as Steve Earle or Chis Knight for decades Fulks is the guy the Earle and Knight would listen to closely for economy of songcraft and rich imagery. his newest offering is grammy nominated and might rightly put him at the top of Americana legends lists. Appalachian break downs and honky-tonk weepers driven by his voice that echos the ages makes this a glorious addition to the roots music canon.
Miranda Lambert – “The Weight of These Wings” – (iTunes | Amazon) Break-up albums are a mixed bag. When done well, as with Beck’s ‘Sea Change’ and Willie Nelson’s ‘Phases and Stages,’ the work can become an iconic confessional moment in a profession that trades on personal reflection. Miranda Lambert’s double album ‘The Weight Of These Wings,’ split into two sides — The Nerve and The Heart, written in the wake of her tabloid fodder divorce from Blake Shelton shows Lambert taking a step back and licking her wounds with songcraft instead of chasing chart toppers. This is a 24-song thesis on survival, healing and returning back to Texas roots.
John Paul White – ‘Beulah’ – Out of the ashes of one of the most celebrated pop-folk duets of modern times rises a forlorn beautifully crafted from folk, classic country and adult pop. An album that is both rich lyrically and melodically. John Paul’s post Civil Wars is a moody beauty with keen songwriting sharper and more cohesive than his CW days. Sparse arrangements- B3 organ, cello, drums, bass and the ever present acoustic guitar – build a fitting texture to frame the songs. Harmony is not forgotten with the Secret Sisters lending a subdued vocal hand on songs like the country weeper “I’ve Been Over This Before.” This gets better with each spin
(L-R) Ethan Jodziewicz, Sierra Hull, Kenneth Pattengale, Lucinda Williams, Joey Ryan, Margo Price, Jed Hilly.
Photo by Sarah Como
The nominees for the 15th annual Americana Music Awards and Honors was announced yesterday from the historic Mansion on O Street in Washington, D.C. Aside from the odd elitism that an event from a ballroom of the luxury hotel symbolizes (the Mansion? I wonder if it’s on a hill?) it was an entertaining and fun event.
The event was streamed via Facebook’s new ‘Live’ feature exclusively through NPR Music’s Facebook page. The Milk Carton Kids — Kenneth Pattengale and Joey Ryan – were their usual droll elves. Ryan once making he connection between the event’s DC location and his vow to “Make Americana great again.” While donning a bright red cap emblazoned with that motto. It was huuuuuge.
Stellar performances by Lucinda Williams, Margo Price and Sierra Hull (who should be a nominee next year) with Ethan Jodziewicz put the spotlight on the purpose of the event – exceptional music by extraordinary musicians.
Alabama troubadour Jason Isbell continues his much-deserved success by leading the nominees with 3 nods for Album of the Year, Artist of the Year and Song of the Year. Lucinda Williams, Chris Stapleton and newcomer Margo Price each nominated for two apiece. Mainstream country crossover is reflected not only by Stapleton but also by Texan Kacey Musgraves
The 2016 Americana Music Association Festival and Conference is scheduled for September 20-25, with the awards ceremony being held at the historic Ryman Auditorium on Wednesday, September 21. Americana Music Association honors additional distinguished members of the music community with Lifetime Achievement Awards, which will be announced leading up to the event.
Jim Lauderdale is a natural as the proceedings host and Buddy Miller fronts the always exemplary house band.
Can’t make to to the event? Understandable, as it has sold out in recent years. But do not despair, the Americana Honors and Awards show will shown live on AXS TV and an edited version will show up on PBS at a later date. It will also be broadcast via SiriusXM Radio, BBC2, WSM and Voice of America.
South Carolina newcomers Shovels and Rope will lead the field with four nominations, followed by legendary Emmylou Harris and Buddy Miller each with three nods. I’m happy to report that a few of my choices made it on the list this year(Kelly Willis & Bruce Robison, YES!) and John Fullbright is up for Emerging Artist of the Year. Well if being nominated for the Americana Album of the year Grammy, as Fullbright was before losing to Bonnie Raitt, isn’t emerging the I don’t know what is. Dwight Yoakam’s dominance of the Americana charts earlier this year with his new release Three Pears (my review) also garnered him an Artist of the Year nod.
Here is the full list of the 2013 Americana Music Award nominees. Are your choices here?
ALBUM OF THE YEAR
Something More Than Free – Jason Isbell
The Ghosts of Highway 20 – Lucinda Williams
The Very Last Day – Parker Millsap
Traveller – Chris Stapleton
ARTIST OF THE YEAR
Jason Isbell
Bonnie Raitt
Chris Stapleton
Lucinda Williams
EMERGING ARTIST OF THE YEAR
Leon Bridges
John Moreland
Margo Price
Nathaniel Rateliff & the Night Sweats
SONG OF THE YEAR
“24 Frames†Jason Isbell
“Dime Store Cowgirl†Kacey Musgraves
“Hands Of Time†Margo Price
“S.O.B.†Nathaniel Rateliff & The Nightsweats
DUO/GROUP OF THE YEAR
Alabama Shakes
Emmylou Harris & Rodney Crowell
Lake Street Dive
The Milk Carton Kids
Tedeschi Trucks Band
INSTRUMENTALIST OF THE YEAR
Cindy Cashdollar
Stuart Duncan
Jedd Hughes
Sara Watkins
Margo Price performs a beautiful rendition of her hard luck lament “Hands Of Time.” Check the wonderful performance below with Ms. Price and her cracker-jack band completee with string section. The vintage mic is also a fine touch.
“Hands Of Time” is from Margo Price’s new album ‘Midwest Farmers Daughter.’
Record Store Day, the annual celebration of limited runs of the antiquated data storage device known as vinyl and once the scene of hipsters when it started in 2007, has helped fuel a surprising resurgence in sales and pushing the remaining pressing plant capacity to the hilt. As is tradition the event will be taking place on the third Saturday in April. For 2016 that means Saturday, April 16th.
At a time when music sales continue a decaded long dizzying slide vinyl sales not only rivaled CD sales, revenues have surpassed streaming services like Spotify and Pandora.
As vinyl grows in popularity there’s is pressure on the remaining vinyl manufacturers, who like us all were caught off-guard by the resurgence. The demand for vinyl is partially due to its described ‘warmer’ sound (plus cooler gatefold covers!) But the real drive behind Record Store Day is uniqueness and scarcity of offerings. Many releases come on colored vinyl or as picture discs and many of the releases are produced in very limited runs, some totaling no more than a few hundred total.
This stands in direct contrast to digital music’s hemogeny of sound and structure. an MP3 might be convenient, but it’s never scarce or unique.
Check out the Americana and roots selections below and take a look at the full list. Get to your favorite indy record early on April 16th (I’ll be at Good Records in Dallas) and share those great finds with me on Instagram and Twitter.
Blitzen Trapper – Field Rexx
Format: LP
More Info: A classic DIY release, Field Rexx was made in the sweltering summer of 2004 with no budget amidst the hiss of flies and tape. “Recorded,†according to the liner notes, “at the carny shack, fer shook n timsel on Duke’s shoot-o-matic for tisks & soda & that ol’ broke 4-track that 3-fingred mike poured Old English on and lit on fire,†Rexx’s warped eclectic pop Americana proves that great songs and performances can transcend squalor and bad album art. Features archival material of the original Trapper, James Earley, performing snippets of traditional hillbilly tunes. Field Rexx is Blitzen Trapper’s self-released sophomore album originally released in 2005. It was remastered at the tail end of 2015 and is available on Record Store Day for the first time on vinyl. A free download code including 3 previously unreleased bonus tracks is included.
Brandi Carlile – ‘Live At KCRW ‘Morning Becomes Eclectic’
Format: 12″ Colored Vinyl
More Info: Brandi Carlile – Live At KCRW ‘Morning Becomes Eclectic’: Brandi Carlile is a long time favorite of record store owners and she is one of the most celebrated names in modern alternative country/folk rock.This very special Record Store Day Exclusive release features six session tracks recorded live at KCRW as part of their “Morning Becomes Eclectic†sessions and includes the smash radio hits “The Eye†and “Wherever Is Your Heart†on White Colored 12 inch vinyl. Limited to 2500 copies.
Johnny Cash – ‘All Aboard the Blue Train with Johnny Cash’
Format: 12″ Colored Vinyl
More Info: All Aboard the Blue Train with Johnny Cash was originally released on Sun Records in 1962. The album features prime selections of the Man In Black’s recordings between 1955 and 1958, including classic songs “Hey Porter” and “Folsom Prison Blues”. Previously out of press, it’s coming back on appropriate blue vinyl for Record Store Day 2016.
Brandy Clark – “”Girl Next Door”/”Homecoming Queen”
Format: 7″ Colored Vinyl
More Info: Side A features Clark’s new hit single “Girl Next Door.” Side B features the track “Homecoming Queen,” plus the same song covered by Sheryl Crow. Pressed on random mixed blue, yellow and red vinyl.
Bob Dylan – “Melancholy Mood”
Format: 7″ Colored Vinyl
More Info: This limited edition 7†vinyl EP was originally created for Bob Dylan’s recent Japanese tour. We were able to secure a limited quantity for Record Store Day. The EP includes 4 songs from Bob Dylan’s upcoming album, Fallen Angels, pressed on 7†red vinyl.
Alejandro Escovedo – ‘Gravity’ and ‘Thirteen Years’
Format: 2 x LP
More Info: Austin TX’s Watermelon Records was founded in 1989 and released nearly 100 records in its short life. Its catalog lay dormant until 2010 when New West Records picked it up and chose Record Store Day 2016 to relaunch Watermelon Records with two beautiful remastered classic from Alejandro Escovedo. Gravity is a 2LP set pressed on 180g vinyl and packaed in a one of a kind die-cut linen jacket along with a foldable insert and download card.
Jay Farrar – Sebastopol/thirdshiftgrottoslack
Format: 2 x LP
More Info: For Record Store Day 2016, Jay Farrar’s (Son Volt, Uncle Tupelo) Sebastopol is available for the first time on vinyl. This very limited, hand-numbered release comes on white vinyl featuring Gillian Welch and members of the Flaming Lips and Superchunk. The double LP also features the 5-track EP never before released on vinyl, thirdshiftgrottoslack.
Emmylou Harris – ‘Wrecking Ball’
Format: 3 x 12″ Vinyl
More Info: The long awaited audiophile-quality vinyl reissue of Emmylou Harris’ 1995 Grammy winning masterpiece Wrecking Ball, produced by Daniel Lanois (U2, Bob Dylan, Neil Young, Willie Nelson) and featuring appearances by Brian Blade, Neil Young, Lucinda Williams, Kate and Anna McGarrigle, among others. Includes original album sequence as well as outtakes and alternate versions from the original recording sessions. This Record Store Day release features three 180 gram LPs remastered with bonus tracks, and 4 page lyric insert. Limited to 5,000 copies.
Johnny Cash – ‘The Best of The Johnny Cash Show’
Format: 12″ LP
More Info: From the summer of 1969 to the final show in march of 1971 (58 episodes in all), The Johnny Cash TV Show not only exposed an American audience to an eclectic array of musical talent, but also helped establish Johnny Cash as a true artist, humanitarian, and a larger-than-life legend. The 16 performances contained on this new Best-Of LP, made especially for Record Store Day, and for the first time on vinyl, showcase the spectrum of incredible performers that Johnny hand-picked to be on his show, many for their first network appearance. So, “come along and ride this train” – the train that Cash envisioned for us all – every week on The Johnny Cash TV Show, and now, for generations to come. Limited to 5,000 copies.
Madisen Ward and the Mama Bear – ‘Live At Grimey’s‘
Format: 12″ Vinyl
More Info: This Record Store Day six track EP was recorded live at Grimey’s in Nashville, Tennessee by one of our favorite new artists on the music scene, in June 2015 as part of the celebration of Americana Music Month. Limited to 1500 copies.
Jason Molina – ‘The Townes Van Zandt Covers‘
Format: 7″ Vinyl
More Info: At a Songs:Ohia show in the early ’00s, Jason Molina said to the artist William Schaff that he would love to see himself depicted as one of Schaff’s signature, skull-headed creatures. The two struck up a pen-pal friendship and Schaff sent Jason his picture. In return, he asked for a recording of the Townes Van Zandt covers Jason had performed that night. The pair of Van Zandt covers included here, recorded at Molina’s home on the north side of Chicago, symbolize not only the creative turn Molina’s songwriting had taken (seen in his forthcoming Magnolia Electric Co. release) from sparse and jagged indie rock to rootsy folk rock, but also a sonic bond between two friends who loved each other’s work very deeply. After learning of Molina’s death in 2013, Schaff spent days pouring over his lengthy correspondence with his friend, with Molina’s oeuvre on repeat. He created the painting that graces the cover of this release in the process: Apropos of everything, a skull-headed creature in flight. This special 7″ release is limited to 3500 copies worldwide.
Mumford & Sons + Baaba Maal – “There Will Be Time”
Format: 7″ Colored Vinyl
More Info: Mumford & Sons’ RSC exclusive 7″ single features a brand new song called “There Will Be Time” (previously only available in South Africa). The track features Baaba Maal, and was produced alongside Johan Hugo from The Very Best. Limited to 6000 copies.
Graham Nash – ‘This Path Tonight’
Format: 12″ Vinyl
More Info: A special version of the new album from legendary musician Graham Nash. Includes a bonus 7″ with the classic tracks “Our House” and “Teach Your Children”
Elvis Presley – ‘I’m Leaving’: Elvis Folk- Country’
Format: 12″ Vinyl
More Info: The very best of Elvis Folk-Country 1966-1973. This special Record Store Day release includes masters from Elvis’ sessions at RCA Victor’s Studio B in Nashville in May 1971, a period in which several folk writers’ material surfaced spontaneously amid gospel and holiday recordings, plus others with similar provenance: from Dylan¹s “Tomorrow Is A Long Time†in 1966, to then-contemporary pop-folk such as “Good Time Charlie’s Got The Blues†in 1973, this is Elvis in an introspective mood, masterfully creating definitive versions of iconic compositions that resonated with him for his friends in the studio – and for us. Limited to 5,000 copies.
John Renbourn – ‘The Attic Tapes’
Format: 2 x LP
More Info: Lovingly mastered from old tapes found in a friend’s attic, this is a vintage collection of previously unreleased rarities and early works by one of the guitar’s truly great innovators. The Record Store Day edition features five vinyl-only tracks and sleeve notes written by John shortly before his death in March 2015.
The Rough Guide To Unsung Heroes of Country Blues
Format: 12″ Vinyl
More Info: This album brings to the fore classic early blues masterpieces that deserve to be heard and allows the limelight to fall on some of the lesser-known country blues masters. Essential listening for any blues connoisseur, this is an adventure into some of the more hidden recesses of country blues. The Rough Guide To Unsung Heroes of Country Blues is released on vinyl exclusively for Record Store Day 2016. Includes a download card.
Billy Joe Shaver- “Wacko From Waco”/”When Fallen Angels Fly”
Format: 7″ Vinyl
More Info: This Record Store Day 7″ features two songs – “When Fallen Angels Fly,” an unreleased version of his classic hymn, a tune from the Robert Duvall film, “Wild Horses.” “Wacko From Waco” is Shaver’s account of a 2007 shooting in a bar outside his hometown of Waco. Both tracks are pressed on vinyl for the first time. Limited to 1700 copies.
Shawn Colvin & Steve Earle – “Wake Up Little Susie” / “Baby’s In Black”
Format: 7″ Vinyl
More Info: The world-class singer- songwriters Shawn Colvin and Steve Earle make their duet debut with a delightful Record Store Day 7″ splash: spirited re-castings of the Everly Brothers’ “Wake Up Little Susie” and “Baby’s in Black” by the Beatles. They’ll be singing together again on their first duet project, a full length of co-written originals later this summer.
Son Volt – ‘Live At The Bottom Line’
Format: 2 x colored LP
More Info: This Record Store Day two LP set features the live content from the Trace deluxe CD. Pressed on 180 gram vinyl, limited to 3500 copies.
Allen Toussaint – ‘Live in Philadelphia 1975’
Format: 12″ Vinyl
More Info: Record Store Day honors the passing of one of America’s greatest musicians, performers and artists with an offering of Rhino’s 2003 Handmade title. This live album features bonus material and liner notes by Billy Vera. Pressed on 180 gram vinyl, it is limited to 5000 copies.
Lucinda Williams – ‘Just A Little More Faith And Grace’
Format: 12″ Vinyl
More Info: Lucinda celebrates Record Store Day by offering exclusive remixes from her new THE GHOSTS OF HIGHWAY 20 album, including Faith and Grace in it’s truest form, and as it was intended, a full 18 minutes long! Limited to 3000 copies.
Blaze Foley – Duct Tape Messiah (Original Soundtrack)
Format: 12″ Vinyl
More Info: This Record Store Day release is limited to 1000 copies pressed on 180g heavyweight vinyl, and includes full documentary film on DVD. This Record Store Day Elite Eecords releases Duct Tape Messiah by exceptional Texan Folk artist Blaze Foley for the first time ever on vinyl. The soundtrack to the 2011 documentary film about the turbulent life of Townes Van Zandt’s companion and close friend literally spans Blaze’s whole musical life. It includes rare archival tracks never released on vinyl before as well as tracks from posthumously released Blaze albums. The limited RSD edition comes with a DVD including the full documentary film. The film beautifully draws the picture of Blaze’s life and times and his extraordinary character. Born in Arkansas, Foley was shot to death way before his time, under circumstances still to be fully clarified. As a homeless, he traveled the streets of the Texan cities to share his music with people in nightclubs and bars. Foley always stood up for the weak, which eventually cost his life. Finally, after a life of rejections and blown opportunities, his work is now gaining recognition. In 2008 his biography Living In The Woods In A Tree was published, followed by the acclaimed documentary about Foley!s underdog life: Duct Tape Messiah. The film’s soundtrack comprises of 14 carefully selected songs from all stations in Blaze’s life and gives an insight into his straight and genuine songwriting. Blaze!s musical heritage was close to being forgotten and much material used on the record are chance discoveries from record shops and old master tapes.
Left Lane Cruiser- ‘Beck In Black’
Format: 12″ Vinyl
More Info: Retrospective of early Left Lane Cruiser material with drummer Brenn Beck, re-mastered and with three previously unreleased tracks (“Chicken”, “Bloodhound” and “Maybe”). Limited edition of 1000 on metalic gold vinyl for Record Store Day.
Charlie Parr – ‘I Ain’t Dead Yet’
Format: 10″ Colored Vinyl
More Info: A brand new 5 song 10†EP pressed on Green Vinyl. Minnesotan Country Blues guitarist Charlie Parr has been building an audience among roots music aficionados for over a decade. I Ain’t Dead Yet features four new original tunes and Charlie’s take on the traditional tune, Old Dog Blues. All songs previously unreleased!
Heartworn Highways – 40th Anniversary Edition Box Set
Format: Vinyl Box Set
More Info: This Record Store Day Exclusive release is limited to 1,000 copies worldwide and consists of a two LP set pressed on whiskey colored wax and much more in a hand crafted custom wood box by Boles Studio, Bronx, NY including an LP-sized 80-page book with exhaustive 20,000 word essay by Sam Sweet interviewing artists, documentary creators and crew, over 100 unseen photos taken during the making of the film, a cast of characters drawn by legendary Austin illustrator Kerry Awn, a reproduction of the original film poster (24â€x36â€), a region free DVD of the original 1976 film with restored image and sound plus 45 mins of bonus features, including performances by Townes Van Zandt, Guy Clark and others, and download card for full soundtrack.
The Weepies – ‘Say I Am You’
Format: 12″ Vinyl
More Info: To celebrate the 10th anniversary of this release, a Record Store Day exclusive edition has been put together with orange vinyl, new liner notes, exclusive new photos and a poster of album cover, autographed by the band.
Billy Don Burns- A Night in Room 8
Format: 12″ Vinyl
More Info: Billy Don Burns is considered a friend to the greats of country music and has collaborated with artists such as Harlan Howard, Willie Nelson, Wanda Jackson, Connie Smith and others. A Night in Room 8 was recorded at the Joshua Tree Inn hotel room where Gram Parsons was found dead in 1973. Recorded on a Tascam Portastudio (the same model on which Bruce Springsteen recorded Nebraska). This is an eerie yet extremely vulnerable album of new, brilliant material from such a relic of country music
picture- Kristin Horton
2016 is still a young year but The album that sets the mark is already released.
Dori Freeman’s splendid debut is a deft study on the hill and holler template crafted by the Carter family. Her sonic road winds through honky-tonks, coffee houses , and even classic pop, to deliver a surprisingly cohesive and enjoyable journey of style and influence.
In part the influences come Freeman’s upbringing in a musical family. Raised in the small, rural Appalachian independent city of Galax, Va. (population 7,042 as of the 2010 census) soaking in the sounds and cutting her teeth in her grandfather’s shop on the historic Crooked Road.
This self-titled debut, produced by Teddy Thompson (son of English folk/rock legend Richard) brings a contemporary spark to seemingly familiar territory. The sparse acoustic opener ‘You Say’ balances a women’s pining for affection, that ultimately will leave her “blue,” with her need for independence. Like Gillian Welch Freeman is not a belter, but uses her range in a beautifully nuanced that dips and sways as the song needs.
“Go On Lovin'” is a barroom lament of love lost that showcases Freeman’s aforementioned vocal style with a sublimely subtle yodel break in the chorus. Sanag with yearning over beautiful pedal steel, fiddle and piano accompaniment this will result in many tears in beers.
“Tell Me” and “Fine Fine Fine” are revamps of classic 60s lovesick pop confections that Lesley Gore would have killed to record. “Ain’t Nobody” has Freeman, accompanied by only finger snaps, has a very Peggy Lee “Fever” feel to it, though in this case it’s detailing the worker blues and not a steamy come-hither.
Dori Freeman is a sterling example of a new generation if roots influenced musicians . She has blessed us with an ambitious debut that defies, satisfies and proves that when an artist’s vision is unencumbered by chart placement or other arbitrary distractions a thing of beauty can be realized.
Aubrie Sellers makes her television debut in fine fashion. She and her band look like old pros at the Late Night game with a rendition of her album debut’s title song ‘Light of Day’ . The performance gathers like thunderheads in the distance. As Sellers honey-twang warns about caution the music ebbs and builds a feeling of foreboding, then the band breaks hell and, just at the edge, careens back in the groove.
See this fantastic performance below.
“Light Of Day” is available digitally and on vinyl today. Het it here.
https://www.youtube.com/watch?v=x5-mMs2TyTA
I was lucky enough to sit in on a couple of these intimate Cayamo sessions. The onboard Bliss Lounge was set up like a cozy living room that just happens to have top-notch headlining and supporting musicians from the cruise’s extraordinary roster doing their favorite classic covers like Lucinda Williams covering Gram Parson’s “Hickory Wind” and Kacey Musgrave covering fellow Texan Buck Owens’ ‘Love’s Gonna Live Here.’
Buddy loosely conducts the sessions in his genial way, as the event takes on more of a open jam than a staid studio session. You’re left with the impression that the live and loose sound will make it’s way to the finished mix. As it did in Nikki Lane and Buddy’s cover of Porter Wagoner and Dolly Parton’s classic “Just Someone I Used to Know.”
The album will be released on on New West Records a couple of days before the fan and artist friendly 9th Cayamo, A Journey Through Song sets sail January 31, 2016 from Miami to St. Maarten and Tortola. As you might imagine it’s already sold out.
from the release: “For one week each year, some of the best songwriters in country, Americana, folk and roots music set sail on a musical adventure called Cayamo. Over the last few years, award-winning guitarist, singer, songwriter and producer Buddy Miller set up a recording studio on the ship and recorded and played with everyone from veteran songwriters to emerging artists. Buddy Miller & Friends’ Cayamo Sessions At Sea, due January 29, 2016 on New West Records, collects 11 of the best of these once-in-a-lifetime musical moments recorded on the 2014 and 2015 voyages with Kris Kristofferson, Lucinda Williams, Kacey Musgraves, Richard Thompson, Lee Ann Womack, Shawn Colvin, Nikki Lane, Brandi Carlile, The Lone Bellow, Doug Seegers and more.”
“From bow to stern, port to starboard, on top deck and down below, artists – some old friends, some just acquainted Â- come together in fits of spontaneity and create unique musical collaborations all around the ship. It’s for this reason that Cayamo has become one of the most sought after cruises for artists and music lovers alike, selling out year after year. In 2012, Miller decided to try to capture a few of these special maritime moments and brought along some recording gear and set up a studio in the ship’s library where he and co-host and lifelong friend Jim Lauderdale recorded episodes for their SiriusXM Outlaw Country Buddy & Jim Radio Show. They ended up recording their debut episode with Lucinda Williams. Miller thought the radio show recordings sounded great so, in 2014, he brought more gear, an engineer and some stellar musicians and set up a temporary recording studio between the lanes of a bowling alley. For two days and nights, a who’s who of artists came to record while lucky fans watched on. He had so much fun that he did it all again on the 2015 cruise.”
Of the collaboration Nikki Lane tells rolling Stone Country: “I’m in it for the long game. This is great, and the past year has been wonderful. But what am I going to do when I am 50? You don’t want to be the person sitting in the corner of the coffee shop who wrote that song. You want to be someone like Buddy Miller, who has found a way to position himself in a really creative industry. Because long game is the only way you can really call yourself an artist.”
Track list for Buddy Miller & Friends’ ‘Cayamo Sessions at Sea’:
1. After the Fire Is Gone – with Lee Ann Womack
2. Love’s Gonna Live Here – with Kacey Musgraves
3. Sunday Morning Coming Down – Kris Kristofferson
4. Just Someone I Used to Know – with Nikki Lane
5. Hickory Wind – with Lucinda Williams
6. Wedding Bells – with Richard Thompson
7. If Teardrops Were Pennies – with Elizabeth Cook
8. Wild Horses – with Shawn Colvin
9. Come Early Mornin’ – with Jill Andrews
10. Take the Hand of Jesus – with Doug Seegers
11. Angel from Montgomery – with Brandi Carlile and the Lone Bellow