Category Archives: Rock and Roll

Listen Up! Sturgill Simpson – “Brace for Impact”

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Sturgill Simpson 'Living The Dream' on Conan

Sturgill Simpson , the reluctant outlaw country music hero appears to be moving further and further way from that designation. Simpson took to Apple Music’s Beats 1 with host Zane Lowe to preview his brutally gritty new single “Brace for Impact,” The singer/songwriter also let it be known his new album’s title, ‘A Sailor’s Guide To Earth.’

Simpson tells Lowe he made A Sailor’s Guide to Earth for his son, and it represents the next steps in his own personal musical evolution.

Never afraid to take a risk Simpson says “If you take a chance and try to progress a little bit, which for me is what it’s all about — I already made Metamodern, so I didn’t want to make another psychedelic country record,” he says. “But as soon as I open my mouth, it’s always going to be a country record. You’re always a little nervous because people might expect more of the same or they might not be as willing to take the journey with you, but I think any of the true fans probably wouldn’t expect anything less.”

On March 2, Simpson shared on social media an intriguing illustration that may well be the cover his upcoming album. Nope, actual cover updated:

Sturgill Simpson - A Sailor’s Guide To Earth

A SAILOR’S GUIDE TO EARTH TRACK-LISTING:
1. Welcome to Earth (Pollywog)
2. Breakers Roar
3. Keep It Between The Lines
4. Sea Stories
5. In Bloom
6. Brace For Impact (Live A Little)
7. All Around You
8. Oh Sarah
9. Call To Arms

“Brace for Impact,” moved more the the garage rock direction of “Sugar Daddy,” Simpson’s theme for HBO’s Vinyl, rather that the Bakersfield sound on peyote of Metamodern. Funked up splashes of Hammond organ, Simpson delivers a carpe diem message of kindness with swelling guitars and synth bass crashing around.

Still no word on a release day. Release date in April 15th.

STURGILL SIMPSON TOUR DATES
May 5—Austin, TX—Austin City Limits Live at the Moody Theater
May 6—Austin, TX—Austin City Limits Live at the Moody Theater
May 7—Dallas, TX—The Bomb Factory
May 10—Houston, TX—White Oak Music Hall
May 11—Oklahoma City, OK—Criterion Theater
May 16—Lexington, KY—Lexington Opera House
May 17—Lexington, KY— Lexington Opera House
May 18—Chattanooga, TN—Tivoli Theater
May 20—Knoxville, TN—Tennessee Theater
May 21—Indianapolis, IN—Egyptian Room – Old National Centre
May 22—Louisville, KY—Louisville Palace
June 2—Royal Oak, MI—Royal Oak Theatre
June 3—Chicago, IL—Riviera Theatre
June 4—Milwaukee, WI—Riverside Theater
June 5—Minneapolis, MN—First Avenue

Listen to the song and Simpson’s interview with Lowe below.

Top 6 Roots Music Moments at the 2016 Grammy Awards

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58th-Grammy-Logo

Grit, heart and soul found it’s way between the sequins and glitter of the 58th Grammy Awards in Los Angeles. Folks that have been bustin Asa’s for years, and sometimes decades, get recognition (and hopefully a bump in music and ticket sales) and a chance to stand toe-to-toe with ther accomplished msusiaans and remind the sometimes jaded industry audience why music will always tie us into a shared human condition.

Here are some highlights:

The Steeldrivers

After four nominations The SteelDrivers proved the fifth time is the charm. The Nashville-based bluegrass badasses won thier first Grammy for Best Bluegrass Album for their fifth realese ‘The Muscle Shoals Recordings.’
The critically-acclaimed album debuted at #1 on the Billboard Bluegrass Chart and achieved the highest first-week sales in the band’s history.

Béla Fleck & Abigail Washburn’s eponymous album picks up the well-deserved Best Folk Album Grammy.

http://youtu.be/WV-Z1cfcVl8

The excellent documentary ‘Glen Campbell: I’ll Be Me” wins Best Compilation Soundtrack For Visual Media.

Chris Stapleton, Gary Clark Jr., and Bonnie Raitt play steal the show with this BB King tribute.

http://youtu.be/soijapAt6no

Aside from being part of the great tribute Chris Stapleton snagged 2 statues
Best Country Album (for Traveller) and Best Country Solo Performance (for the album’s title track). He shared the spotlight with producer Dave Cobb. He even called Taylor Swift out for “glitter bombing” him.

Jason Isbell made up for the snub of his 2013 ‘Southeastern’ by winning 2 Grasmmys during the event’s pre-telecast. Best Americana Album for ‘Somethng More Than Free’ and Best Americana Roots Song for ’24 Frames.”

Isbell thanked his wife, singer, songwriter Amanda Shires, who provides harmonies on the track; his manager Traci Thomas, his long-time band, the 400 Unit; producer Dave Cobb and those who voted mentioning humbly “It’s a real honor” to accept the award. At the end of his speech, Isbell also thanked Muscle Shoals, Ala., for “teaching me how to play music.”

Well done sir, no one deserves it more.

Listen Up! Sturgill Simpson, “Sugar Daddy,” from HBO’s Vinyl

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Sturgill Simpson - 'Turtles All the Way Down'

Listen to a psychedelic fuzzed out new song by Sturgill Simpson, “Sugar Daddy,” from HBO’s Vinyl. No twang to be found here.

This is sure to divide critics and fans alike that have come to connect Simpson with an outlaw country aesthetic. But there’s a bunch of garage rock fans that will dig it. Jack White, are you listening? One things for sure, Simpson continues to follow his own path.

“Sugar Daddy” will appear as a main theme to the show and on the first volume of songs on the soundtrack. The song will not be on his major label debut, expected sometime this year.

Listen Up! Aaron Lee Tasjan – “The Trouble With Drinkin’ ” [EXCLUSIVE]

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Aaron Lee Tasjan
Aaron Lee Tasjan. Photo by Stacie Huckeba.

A highlight of last year’s Americana Music Festival was when my friends and I happened on a set at The High Watt while mulling about in the huge Cannery space in Nashville. The smaller, newer space was packed with onlookers, arm-to-arm, whose collective attention to the stage made us curious and whose collective body heat warmed the outside night chill out of us.

On the stage was a solo performer, spectacles covering most of his boyish face. A nautical-themed cap casting a shadow on the scruffy folk-singer with a side-slant smile. He picked at an old banged-up Guild acoustic, told stories about seeing Ted Nugent live and beautifully performed songs clever as they were reflective.

The crowd was transfixed by Aaron Lee Tasjan.

Tasjan had moved on from his glam rock days shredding guitar with New York City’s Semi Precious Weapons to and was making his way to his current incarnation as one of East Nashville’s most sought-after axemen and solo troubadours. Damn well transition too. On the surface his songs, Roger Miller and Frank Zappa, sprinkled with wry humor might divert you from the beauty of the songs and the care in the music. That would be a lazy mistake.

Case in point is Tasjan’S new song “The Trouble with Drinkin’” A Leon Russell-style folk-funk stroll through a place where heaven’s open bar keeps that amber current flowin’ through his mind. (Apologies to Willie Nelson) The musicianship and tight. the song structure if casual but deft, and those just here for the groove might overlook it. And that’s cool. But try a little harder and reap greater reward of deft song craft that would compel Shel Silverstein and John Prine to take him out for a few rounds.

Of “The Trouble with Drinkin’ ” origin Tasjan recalls:

“I came up with this song on my way out of Rock Island, IL. I was on tour last fall opening for The Legendary Shack Shakers. This was no small feat to accomplish because they are without a doubt one of the most exciting and entertaining bands I’ve ever heard, and I had to get up there with nothing but an acoustic guitar before they’d come on and decimate the place every night. We were playing a gig at a place that was also a brewery, and I had checked into a hotel that was right across the street from the venue, which can be dangerous. Touring all on your own has a great way of keeping your post-show good times in check because you have to be responsible for everything. You don’t have to be as responsible when there’s nothing to do after a show but stumble across the street to your hotel room while on the phone to Domino’s. Playing a gig at a brewery is always gonna be a tough one, too, if you like beer because they’re going to give you a shit ton of it, and you’re probably going to drink it either because you want to or because you were raised to be polite and take what you’re offered.

I woke up the next morning feeling pretty alright, save for the late-night pizza and all those free beers, so I went to a coffee shop to get some breakfast. Afterward, as I went to pay, I realized—or more accurately, thought that I realized—I left almost all the money from the gig in the hotel room I’d just vacated. When I went back to the room, though, the cash wasn’t there so I decided to retrace my steps in my mind to figure out the last place I had it. And that’s when the suddenly vivid memory of my pizza delivery man profusely thanking me multiple times upon receiving payment for the pizza came back to me. At the time, I’d drunkenly thought, “What’s the big deal? Anyone can pay for a pizza. It’s not a particularly impressive thing to do.” But it probably was pretty impressive to the delivery guy that I’d handed him all my gig money, effectively paying him around $200 for a $10 pizza.

At first I was mad he kept it, but then I thought, “Man. Maybe this guy could really use it. Maybe he came up $100 short on his kickstarter and now he can make an album and get out of this pizza gig or something.” Either way, I made peace with it and started driving down the road thinking about how I probably shouldn’t get hotel rooms close enough to the gig that I could George Jones myself out of two C notes. It had all been too easy. That was the trouble with it—there wasn’t any trouble with it. And I do like things that don’t require too much effort.”

Aaron Lee Tasjan’s “The Trouble With Drinkin’” is from his debut solo LP ‘In the Blazes,’ out Oct. 6th

UPCOMING TOUR DATES
8/1: Newport, KY – Southgate House Revival w/Lilly Hiatt
8/20: Charlotte, NC – The Evening Muse w/Lilly Hiatt
8/29: Tulsa, OK – The Colony w/Wink Burcham
9/3: Memphis, TN – 1884 Lounge w/Ray Wylie Hubbard

Watch Out! Rolling Stones – “Dead Flowers” with Brad Paisley Nashville June 17, 2015

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Rolling Stones - "Dead Flowers" with Brad Paisley

The Rolling Stones are about half-way through their American “Zip Code” tour, but they waited until last night at Nashville’s LP Field to break out the classic cowboy junky track “Dead Flowers.”

Mick and the boys had vocal and guitar help from opener, and fanboy, Brad Paisley, who is donning his own classic lips and tongue logo shirt for the occasion.

See the fan-filmed coolness below.

Listen Up! Jason Isbell – “24 Frames”

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Jason Isbell – “24 Frames”

Jason isbell told Rolling Stone that his new song “24 Frames” “…kind of sounds like the way indie rock sounded when I was 15.”

Isbell was 15 in 1994, a year when grunge and post-punk reigned. Though the keen melodic sensibility that echoed through the airwaves then has always been part of Isbell’s toolkit “24 Frames” also owes much to his Southern heritage. The tight-but-loose pop jangle is reminiscent of Tom Petty and The Heartbreakers and the wail of the slide has melancholy shades of Duane Allman.

But the songwriting is pure Isbell. He has a way of making the common moments exquisite.

“This is how you make yourself vanish into nothing; And this is how you make yourself worthy of the love she gave to you back when you didn’t own a beautiful thing.”

But all is not rosy and Isbell shows in the refrain, accompanied by Amanda Shires’ understated harmony, that plans are for fools.

“You thought God was an architect; now you know, He’s something like a pipe bomb ready to blow.”

Harkening it’s cinematic reference “24 Frames” is a sonic diorama of the human condition packed into 3:13.

Beautiful in it’s brevity.

’24 Frames’ can be found on ‘Something More Than Free,’ out 7/17. Pre-order it and get ’24 Frames’ as an immeadiate download.

Jason Isbell Announces New Album ‘Something More Than Free,’ Tour

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Jason Isbell Announces New Album Something More Than Free

Jason Isbell has officially announced the follow-up to 2013’s breakthrough “Southeastern.” “Something More Than Free,” will release July 17 via Southeastern Records. The record was recorded at the Sound Emporium in Nashville, TN and produced by Dave Cobb, who also produced ‘Southeastern.’

‘Something More Than Free’ features 11 tracks of what the press release calls his “most sonically diverse album to date.” The release also details some tracks – “If It Takes A Lifetime” having a “classic country tone.” “24 Frames” (see video below) has an “easy, Laurel Canyon vibe.” “Flagship” is described as “wistful folk balladry” and “Palmetto Rose” has a “bluesy Southern rock timbre .”

Isbell took to twitter on March 14th to declare that “I think these songs are better than the Southeastern batch.”

Sounds pretty great, yes? I for one can’t wait for June to come.

Isbell and his 400 Unit are currently on the road with old and new songs in towa and featuring some fantastic opening acts. The tour ends with a four-night stand at the Mother Church of Country Music, The Ryman Auditorium in Nashville, October 23-26. Isbell visits Texas , but both shows are in Austin – June 20th at a sold-out Texas Union Ballroom show and on July 4 where he plays Willie Nelson’s talent-packed 4th of July Picnic.

http://youtu.be/6sh2yxYnma4

tour dates below.

April16 – Chattanooga, TN – Track 29 ^^
April 17 – Charlotte, NC – Tuckfest at U.S. National Whitewater Center
April 18 – Greenville, SC – Horizon Records (Record Store Day 2015 In-Store)
April 18 – Columbia, SC- Music Farm Columbia ^^
May 2­ – Meridian, MS – Jimmie Rodgers Music Festival
May 8 – Richmond, VA – Friday Cheers at Brown’s Island
May 9 – Maryville, TN – The Shed #
May 12 – Jacksonville, FL – Florida Theatre **
May 13 – Clearwater, FL – Capitol Theatre **
May 15 – Orlando, FL – The Plaza Theatre **
May 16 – Atlanta, GA – Shaky Boots Festival
May 17 – Wilmington, NC – Greenfield Lake Amphitheatre **
May 19 – Westbury, NY – The Space at Westbury **
May 20 – Port Chester, NY – Capitol Theatre **
May 22 – Albany, NY – Hart Theatre @ The Egg **
May 23 – Cumberland, MD – Del Fest
May 24 – Boston, MA – Boston Calling
May 26 – Rochester, NY – Water Street Music Hall **
May 27 – Cleveland, OH – House of Blues **
May 28 – Bristol, TN – Paramount Center for the Arts **
June 4 – Cincinnati, OH – PNC Pavilion %
June 5 – Dayton, OH – Rose Music Center at the Heights %
June 6 – Black Mountain, NC – Pisgah Brewing Co. Outdoor Stage°°
June 20 – Austin, TX – Texas Union Ballroom – SOLD OUT
July 4 – Austin, TX – Willie Nelson’s 4th of July Picnic
July 9-12 – Winnipeg, Canada – Winnipeg Folk Festival
July 26 – Columbia, MD – Merriweather Post Pavilion ✚
July 31 – Fort Smith, AR – Peacemaker Music & Arts Festival
August 14-16 – Lyons, CO – Folks Festival
October 23-26 – Nashville, TN – Ryman Auditorium
** = Craig Finn opening
^^ = Strand of Oaks opening
# = Anderson East opening
°° = Amanda Shires opening
% = With Amanda Shires, opening for Dwight Yoakam
✚ = Opening for My Morning Jacket
Ryman Auditorium Special Guests:
October 23: Amanda Shires
October 24: Parker Millsap
October 25: Hurray for the Riff Raff
October 26: Chris Stapleton

Listen Up! Matthew McNeal – “Alonely”

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Mattew McNeal

Hang on to your Stetsons kids. Fort Worth-based roots-rocker Matthew McNeal has delivered a sizzling track to deliver us into the hot Lone Star spring.

Pure guitar tone sets up McNeal’s soulful, jubilant croon as galloping drums and pedal steel belies this forlorn testament of the self-inflicted isolation of the road.

Of the song McNeal says: “One of the prevalent concepts on the album is the idea of feeling lonesome, even when there’s no reason to feel that way. I always wanted ‘Alonely’ to tell a story- packing up and hitting the road to chase this music-man dream, realizing that love doesn’t always come easy when you’re chasing that dream, then finally seeing that you can’t fulfill those dreams without other folks around. It’s probably one of my favorite studio stories- when we were tracking the tune, we changed the groove of the entire song about ten minutes before actually recording it. I remember looking at my drummer right afterwards and laughing, thinking ‘why didn’t we think of making it this rowdy sooner?!” It’s definitely a fun one to play live, plus I really enjoy telling the story of winning the war against those lonesome feelings.”

“Alonely” is the latest single from McNeal’s upcoming sophomore album, ‘Compadre,; slated for a June release. ‘Compadre’ was recorded at Redwood Studios in Denton, Texas, and produced by Midlake members Joey McClellan (Steve Shelley of Sonic Youth and Israel Nash) and Grammy award winner McKenzie Smith (Regina Spektor, St. Vincent and John Grant).

Record Store Day 2015 – Americana and Roots Music Picks

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130424-record-store-day

Record Store Day, the annual celebration of local record stores for aficionados of the antiquated data storage device known as vinyl will be taking place as always on the Third Saturday in April. For 2015 that means Saturday, April 18.

The crew behind Record Store Day have been the driving force for 8 years on what we’re now seeing as the explosive, and surprising, resurgence of vinyl releases. The most public example of this is last year’s Record Store Day ambassador Jack White’s the recent sales of his latest ‘Lazaretto’ setting a record for first-week sales by moving 40,000 vinyl copies. This eclipsed the previous long-standing record of about 33,000 held by Pearl Jam’s ‘Vitalogy.’

As overall music sales continue to decline , vinyl sales increased to 6.1 million in 2013, up from 4.6 million the year before. By comparison, total vinyl sales failed to reach even one million units in 2007.

As vinyl grows in popularity there’s is pressure on vinyl manufacturers, who like us all were caught off-guard by the resurgence. But shops like United Record Pressing based in Nashville, TN, the shop responsible for manufacturing White’s best-seller are expanding to meet the growing demand.

The demand for vinyl is partially due to it’s described ‘warmer’ sound, BUt the real drive behind Record Store Day is uniqueness and scarcity. Maay of the releases come on colored vinyl or as picture discs and many of the releases are produced in very limited runs, some totaling no more than a few hundred.

This stands in direct contrast to digital music’s hemogeny of sound and structure. an MP3 might be convenient, but it’s never scarce or unique.

Check out the Americana and roots selections below and take a look at the full list. Get to your favorite indy record early on April 18 (I’ll be at Good Records in Dallas) and share those great finds with me on Instagram and Twitter.

Asleep At The Wheel (with Willie Nelson and The Blind Boys of Alabama) – Unreleased single from ‘Still The King: Celebrating The Music of Bob Wills and His Texas Playboys’
Format: 7″ Vinyl
Label: Bismeaux Records
Release type: RSD Limited Run / Regional Focus Release
More Info:
RSD Exclusive single featuring bonus Asleep at The Wheel performances with Willie Nelson and The Blind Boys of Alabama not included on the Still The King album. Signed by Ray Benson, and numbered.
TRACKLIST: “New Spanish Two Step”/”The Devil Ain’t Lazy”

Bob Dylan – ‘The Basement Tapes’
Format: 12″ Vinyl
Label: Other Peoples Music
Release type: RSD Exclusive Release
More Info: The Basement Tapes recorded in 1967 while Bob Dylan recuperated and features many Dylan songs that had appeared on bootleg records prior to the “official” release in 1975. The recording took place in Woodstock and features four members of the Hawks (Rick Danko, Garth Hudson, Richard Manuel and Robbie Robertson – and one American, Levon Helm) better known today as The Band. Individually autographed and numbered by Garth Hudson.

Bob Dylan – ‘The Night We Called It A Day’
Format: 7″ Colored Vinyl
Label: Columbia
Release type: RSD Exclusive Release
More Info:
Limited Edition blue vinyl single featuring two songs from Bob Dylan’s newest release “Shadows In The Night”

Brandi Carlisle – special 7”
single of the new song “Wherever Is Your Heart” + B-side cover of Graham Nash’s “Simple Man”

Johnny Cash – Koncert v Praze (In Prague–Live)
Format: 12″ Colored Vinyl
Label: Legacy
Release type: RSD Exclusive Release
More Info:
Johnny Cash playing his greatest hits behind the Iron Curtain in 1983. Limited edition heavy weight vinyl release pressed on Soviet Red 180 gram vinyl.

Steve Earle & The Dukes – ‘Terraplane’
Format: 10″ Vinyl
Label: NEW WEST RECORDS
Release type: RSD Exclusive Release
More Info:
Steve Earle A-side version of Terraplane (a song not on the record) and a b-side of Robert Johnsons “Terraplane Blues”. Will be mastered at the level of Robert Johnson’s original recording. Most of the versions you hear today are remastered and the db’s are brought up. This one will be as close to the original 78 as possible. Includes download card.
TRACKLIST: A: Steve Earle “Terraplane” B: Robert Johnsons “Terraplane Blues”

Father John Misty – ‘I Love You, Honeybear’
Format: 7″ Colored Vinyl
Label: SUB POP
Release type: RSD Exclusive Release
More Info:
Father John Misty presents a lovely, acoustic version of the title track of his latest album, I Love You, Honeybear, along with a new, exclusive B-side, truthfully-entitled “Never Been a Woman,” on a colored-vinyl, heart-shaped 7”. This release is exclusive to Record Store Day, and it is limited to 5,700 copies worldwide. Includes download card.
TRACKLIST: “I Love You, Honeybear (Acoustic Version)”/”Never Been a Woman”
TRACKLIST: Side A: “The Night We Called It A Day” Side B: “Stay With Me”

Charlie Feathers – ‘Charlie Feathers’
Format: 10″ Vinyl
Label: Sundazed Music
Release type: RSD Exclusive Release
More Info:
Crazy, coveted rockabilly recordings from legendary wildman Charlie Feathers! Includes all eight of his King sides as originally issued in ‘56 & ‘57 – now rare and pricey 45s and 78s – with new notes from Colin Escott.
TRACKLIST: “One Hand Loose” / “Can’t Hardly Stand It” / “Bottle To The Baby” / “Everybody’s Lovin’ My Baby” / “Too Much Alike” / “When You Come Around”

Dom Flemons – ‘What Got Over’
Format: 10″ Vinyl
Label: Music Maker
Release type: RSD Exclusive Release
More Info:
10″ record with nine new tracks. “Included here on What Got Over, there are also a few alternatesto the main tracks I picked for Prospect Hill – versions in which I experimented with the sound and instrumentation but in the end they didn’t make the final cut. I sequenced this EP to be record two of two in conjunction with Prospect Hill. When you reach the end of this album you will have heard the whole Prospect Hill Omnibus! If you take both albums and make them into a playlist it will be a full hour of music.” – Dom Flemons
TRACKLIST: “Big Head Joe’s March”/”Milwaukee Blues”/”Clock On The Wall”/”Keep On Truckin'”/”Hot Chicken”/”Have I Stayed Away Too Long”/”Going Backward Up The Mountain”/”Til’ The Seas Run Dry”/”What Got Over”

Gram Parsons/Lemonheads – ‘Brass Buttons’
Format: 7″ Colored Vinyl
Label: Rhino
Release type: RSD Exclusive Release
More Info:
7″ 45 RPM Vinyl is Circle swatch splatter Bronze on Baby Pink. Part of Rhino’s now celebrated RSD exclusive Side By Side 7″ singles series. Two artists perform the same song. Surprising and unusual performances and repertoire.
TRACKLIST: “Brass Buttons”/”Brass Buttons”

Justin Townes Earle – ‘Live at Grimey’s’
Format: 10″ Vinyl
Label: Vagrant
Release type: RSD Exclusive Release
More Info:
TRACKLIST: Side A: Call Ya Momma, When the One You Love Loses Faith, Worried Bout the Weather, Single Mothers
Side B: Today and a Lonely Night, Burning Pictures, White Gar

Kenny Wayne Shepherd Band – ‘A Little Something From The Road, Vol. 1’
Format: 12″ Vinyl
Label: Concord
Release type: RSD Exclusive Release
More Info:
12″ vinyl featuring live smokin’ versions of classics from the recent Goin’ Home project as well as a couple extra blues nuggets.
TRACKLIST: 1. “Looking Back” 2. “House Is Rockin’” 3. “You Can’t Judge A Book By The Cover” 4. “Woke Up This Morning” 5. “You Done Lost Your Good Thing Now”

Robert Earl Keen – ‘Gringo Honeymoon’
Format: 12″ Vinyl
Label: Sugar Hill
Release type: RSD Exclusive Release
More Info:
Much anticipated vinyl issue of the Texas troubadour’s breakout 1994 release.

Lucero – ‘Jukebox Series #3’
Format: 7″ Vinyl
Label: Liberty & Lament
Release type: RSD Exclusive Release
More Info:
TRACKLIST: “Boom Boom”/”Midnight Special”

Mumford & Sons – ‘Believe’
Format: 7″ Vinyl
Label: Glassnote
Release type: RSD Exclusive Release
More Info:
Bootleg style 7″ hand numbered and hand stamped. First physical release of music from the upcoming album.
TRACKLIST: “Believe”/”The Wolf”

Willie Nelson – ‘Teatro’
Format: 2 x 12″ Colored Vinyl
Label: Modern Classics/Light in the Attic
Release type: RSD Exclusive Release
More Info:
* First time ever issued on vinyl for Record Store Day 2015
* Features duets with and backing vocals by Emmylou Harris
* Produced by Daniel Lanois (U2 Joshua Tree; Bob Dylan Time Out Of Mind; Emmylou Harris Wrecking Ball)
* Record Store Day exclusive featuring deluxe gatefold “tip-on” uncoated jacket and gold vinyl
* Limited to 5,000 copies

Location is everything. When Willie Nelson and album producer Daniel Lanois set out to create a cinematic-sounding album, Teatro, they took over a disused movie theatre in Oxnard, California, and pictured its dusty glory on the LP sleeve. Recorded as-live in situ amid the red velvet seats, Teatro sees Nelson working extensively with his frequent collaborator Emmylou Harris, who joins him for duets and on backing vocals on 11 of the 14 tracks. The other major player is U2 and Paul McCartney collaborator Daniel Lanois (producer of Bob Dylan’s Time Out of Mind, Emmylou Harris’ Wrecking Ball), who produces the album, plays guitar and bass, took the cover photo and wrote one of the album’s songs, “The Maker”, a stunning performance with glacier-thick vibe.

Originally released by Island Record in 1998, Teatro is issued here as a special Record Store Day release. LA and Seattle-based Light In The Attic present the album as it’s never been seen before – on vinyl. Pressed on gold vinyl with a deluxe, gatefold, ‘tip-on’ uncoated jacket, this is a chance to own this unique album in its most beautifully presented form.
TRACKLIST: Side A: “Ou Es-Tu, Mon Amour? (Where Are You, My Love?)”, “I Never Cared for You”, “Everywhere I Go”, “Darkness on the Face of the Earth”
Side B: “My Own Peculiar Way”, “These Lonely Nights”, “Home Motel”, “The Maker”
Side C: “I Just Can’t Let You Say Goodbye”, “I’ve Just Destroyed the World (I’m Living In)”, “Somebody Pick Up My Pieces”
Side D: “Three Days”, “I’ve Loved You All Over the World”, “Annie”

Okkervil River – ‘Sleep and Wake-Up Songs’
Format: 12″ Vinyl
Label: JAGJAGUWAR
Release type: RSD Exclusive Release
More Info:
Sleep and Wake-Up Songs is now being rereleased for Record Store Day, it’s first time pressed ever on vinyl. Including a demo of the EP track “You’re Untied Again” and the never before released song “Knocking Myself Out,” the EP reveals Okkervil River in-between the monumental albums Down The River of Golden Dreams and Black Sheep Boy. Band leader Will Sheff looked back to this EP, remarking, “I can hear in it somebody who is actually getting comfortable with singing, with playing the guitar, with letting music happen naturally.”
TRACKLIST: SIDE A: 1. A Favor 2. You’re Untied Again 3. And I Have Seen the World of Dreams 4. Just Give Me Time
SIDE B: 5. No Hidden Track 6. You’re Untied Again [Solo Sketch] 7. Knocking Myself Out [Home Recording]”

Reverend Horton Heat – ‘It’s A Rave-Up/Beer, Write This Song’
Format: 7″ Colored Vinyl
Label: Victory Records
Release type: RSD Exclusive Release
More Info:
Two brand new, previously unreleased tracks from Reverend Horton Heat on solid red 7″ vinyl with 150 randomly distributed clear pink copies.
TRACKLIST: “It’s A Rave-Up”/”Beer, Write This Song”

Simon & Garfunkel – ‘Homeward Bound/Leaves That Are Green’
Format: 7″ Vinyl
Label: Legacy
Release type: RSD Exclusive Release
More Info:
This collectible 7” 45rpm vinyl releases recreates the origina 1966 “Homeward Bound” single, pairing two essential Simon & Garfunkel cuts from that year: “Homeward Bound” (from Parsley, Sage, Rosemary and Thyme) and “Leaves That Are Green” (from Sounds of Silence). A Top 5 single in the US, “Homeward Bound” became a worldwide phenomenon reaching #4 in the Netherlands and #9 in the UK while going Top 20 in Australia and Sweden (where it hit #12). The cover for this RSD 2015 release is based on the German single artwork.

Dolly Parton – ‘The Grass is Blue’
Format: 12″ Vinyl
Label: Sugar Hill
Release type: RSD Exclusive Release
More Info:
Dolly’s seminal 1999 bluegrass debut, available for the first time on vinyl.
TRACKLIST: “Homeward Bound”/”Leaves That Are Green”

Todd Snider – ‘Impending Doom’
Format: 7″ Vinyl
Label: Aimless
Release type: RSD Exclusive Release
More Info:
The A-side of this RSD exclusive 7″ is a Rolling Stones cover, the B-side is an unreleased Todd Snider original.
TRACKLIST: “Shattered”/”Backlash”

st paul

St. Paul and the Broken Bones – Live From The Alabama Theatre
Format: 12″ Vinyl
Label: Single Lock
Release type: RSD Exclusive Release
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Covers of Sly and the Family Stone’s “Sing a Simple Song” and David Bowie’s “Moonage Daydream” recorded live at the Alabama Theatre on 11/14/14. Released on a 12″ transparent crimson record SHAPED LIKE THE STATE OF ALABAMA.
TRACKLIST: “Sing a Simple Song”/”Moonage Daydream”

Doc and Merle Watson – ‘Ballads from the Gap’
Format: 12″ Vinyl
Label: Vanguard
Release type: RSD Exclusive Release
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Fan-voted vinyl re-issue of the iconic release, re-mastered from the original tapes and presented in ‘exact replica’ packaging.

Bonnie ‘Prince’ Billy & Broeder Dieleman – Split 7″
Format: 7″ Vinyl
Label: Snowstar Records
Release type: RSD Limited Run / Regional Focus Release
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Bonnie ‘prince’ Billy & Broeder Dieleman cover and translate each other, after having toured together in the Netherlands in 2014. Broeder Dieleman is from the south of the Netherlands, and sings in Dutch. He translated Bonnie prince Billy’s ‘Three Questions’, while Will Oldham does his (translated) take of ‘Gloria’
TRACKLIST: 1: Bonnie ‘Prince’ Billy – Gloria 2: Broeder Dieleman – Drie Vragen

Junior Brown – Better Call Saul: Theme 7″
Format: 7″ Vinyl
Label: SPACELAB9
Release type: RSD Limited Run / Regional Focus Release
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TRACKLIST: “Better Call Saul”/”Better Call Saul (Instrumental)”

Giant Sand – ‘Valley of Rain (30th Anniversary Edition)’
Format: 2 x 12″ Vinyl
Label: Fire America
Release type: RSD Limited Run / Regional Focus Release
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Marking the 30th anniversary since Giant Sand’s debut album “Valley of Rain,” Fire America brings you this limited edition 2xLP 30th Anniversary Edition. The first disc is the lovingly re-mastered “Valley of Rain” in its entirety, with the addition of the track “Torture of Love,” which was added by Howe Gelb himself. The second disc features extra material recorded as Giant Sand and the pre-Giant Sand line up “Giant Sandworms,” including a “Valley of Rain” remix, a “repaired” version of “Tumble and Tear” along with five fascinating bonus tracks compiled from live and radio recordings from the time period.
• Limited to 500 copies for North America
• Liner notes from Howe Gelb.
TRACKLIST: Disc One: 1. Valley Of Rain, 2. Tumble & Tear, 3. October Anywhere, 4. Barrio, 5. Death, Dying & Channel 5, 6. Torture Of Love, 7. Down On Town / Love’s No Answer, 8. Black Venetian Blind, 9. Curse Of A Thousand Flames, 10. Artists, 11. Man Of Want
Disc Two: 1. Valley Of Rain – Remixed Instrumental, 2. Tumble And Tear – Repaired, + Five bonus tracks

Lydia Loveless & Cory Brannan - 'Prince Covers Split Single'

Lydia Loveless & Cory Brannan – ‘Prince Covers Split Single’
Format: 7″ Colored Vinyl
Label: Bloodshot
Release type: RSD Limited Run / Regional Focus Release
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Two never before released tracks. Physical Only, Purple Vinyl
TRACKLIST: Lydia: “I Would Die For You” Cory: “Under The Cherry Moon”

Lee Ann Womack – ‘Trouble in Mind’
Format: 12″ Vinyl
Label: Sugar Hill Records
Release type: RSD Limited Run / Regional Focus Release
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a limited edition 3-Song 12” vinyl – blues classic “Trouble in Mind,” Roger Miller’s demi-obscure “Where Have All The Average People Gone?” and Ralph Stanley’s bluegrass gospel “I’ve Just Seen The Rock of Ages.”

Various Artists – ‘Music To Drink Beer To’
Format: 12″ Vinyl
Label: Legacy
Release type: RSD Limited Run / Regional Focus Release
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Music To Drink Beer To is a limited-edition compilation put together by longtime friends Sam Calagione of Dogfish Head and Adam Block of Sony Music’s Legacy Recordings. Sam, who’s in the beer business and a raging music geek, and Adam, who’s in the music business and a raging beer geek, sat down over a few beers and a stash of well worn vinyl and picked some of their favorite tracks.
TRACKLIST: 01. “Please, Mrs. Henry”/Bob Dylan & The Band, 02. “Fishin’ Blues”/Taj Mahal, 03. “I Put A Spell On You”/Screamin’ Jay Hawkins, 04. “Gimmie Danger”/Iggy And The Stooges, 05. “Whiskey Bottle”/Uncle Tupelo, 06. “You Ain’t Goin’ Nowhere”/The Byrds, 07. “What Good Can Drinking Do”/Janis Joplin, 08. “Mannish Boy”/Muddy Waters, 09. “Scuttle Buttin’”/Stevie Ray Vaughan And Double Trouble, 10. “Surrender”/Cheap Trick, 11. “Juicy Fruit”/Mtume, 12. “Electric Relaxation”/A Tribe Called Quest

The Reverend Peyton’s Big Damn Band – ‘You Can’t Judge A Book…’
Format: 7″ Vinyl
Label: Daddy Kool Records
Release type: RSD Limited Run / Regional Focus Release
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The Reverend Peyton’s Big Damn Band has been creating a whirlwind with their riveting and unconventional elixir of muscular and high voltage country blues capped by gritty growling vocals and striking finger picking. Inspired by the likes of Charley Patton, Furry Lewis and John Hurt, Reverend Peyton is steeped in the great blues tradition but is catapulting its roots into a new era.
TRACKLIST: “You Can’t Judge A Book By Looking At The Cover” B/W “Some These Days I’ll Be Gone”

Chris Stapleton – ‘IN STEREO’
Format: 10″ Vinyl
Label: Mercury Nashville
Release type: RSD Limited Run / Regional Focus Release
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TRACKLIST: “When the Stars Come Out” “Fire Away” “Tennessee Whiskey”

The Waterboys – ‘Puck’s Blues’
Format: 10″ Vinyl
Label: Harlequin & Clown
Release type: RSD Limited Run / Regional Focus Release
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Home demos and acoustic tracks recorded in advance of the new album.
TRACKLIST: A1-November Tale, A2-I Can See Elvis
B1-The Girl Who Slept ForScotland, B2- Destinies Entwined

The Mavericks – ‘Mono’
Format: 12″ Vinyl
Label: The Valory Music Company
Release type: ‘RSD First’ Release
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Early vinyl release for Record Store Day, includes digital download

John Prine – ‘September 78’
Format: 12″ Vinyl
Label: Oh Boy Records
Release type: ‘RSD First’ Release
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A live record of John playing with a full band. There are loud guitar solos, funky organ playing and a couple of unreleased covers that will really surprise some folks.

Various Artists – ‘Sawyer Sessions Vol 1’
Format: CD
Label: Yep Roc Records
Release type: ‘RSD First’ Release
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The Sawyer Sessions started simple enough: new town, new building, new vibe. When the Yep Roc Music Group moved to Hillsborough, North Carolina two years ago, they wanted to find a way to integrate themselves into the creative juices flowing just beneath the surface of this historic, southern town. Named after their nearly 100-year-old office building, The Sawyer Sessions are one part video series, one part mobile recording lab, one part way to introduce the music group to their neighbors. But instead of bringing by a pie, they bring a collection of artists with diverse backgrounds and styles – Grammy Award winners, noted international songwriters, all legendary performers. They drop them into to everyday life situations and record them at restaurants, galleries and private homes – the only rule is that it has to be within the roughly 4.3 square miles of their new hometown. This record documents the best of those first year of performances and serves as a “map” of Hillsborough, North Carolina. Limited Edition Record Store Day Exclusive with hand-drawn cover art.

Bruce Springsteen – ‘Nebraska’
Format: 12″ Vinyl
Label: Legacy
Release type: ‘RSD First’ Release
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• Newly remastered on LP!
• Packaged in faithful recreation of original LP sleeves.
• Remastered from the original source tapes
• 180-gram audiophile vinyl
TRACKLIST: “Nebraska”, “Atlantic City”, “Mansion On The Hill”, “Johnny 99”, “Highway Patrolman”, “State Trooper”, “Used Cars”, “Open All Night”, “My Father’s House”,”Reason To Believe”

Live Review – Old 97s – Majestic Theater – Hitchhike to Rhome Anniversary Show – December 13

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Old 97s - Majestic Theater

Remember alt.country? That mongrel cultural mash-up, fueled on a hefty helpings of George Jones and The Clash, that burst into cultural consciousness with Uncle Tupelo’s 1990 debut ‘No Depression?” Though the style is still heard in many performers in the greater Americana genre the movement proper has the boozy haze of days gone by.

Don’t tell the Old 97s this.

For over two decades the indie band that could has crossed the globe many times, hung out with music legends, had loads of positive ink spilled, had their songs featured on television shows and movies, and flirted with mainstream success.

And tonight they looked poised to do it all over again.

Saturday night the Old 97′s played a hometown show with their brand of alt.country, joyously ramshackle performances offsetting sharp songwriting and melodies, is still going strong. On the Majestic Theater stage, blocks from their Deep Ellum origins, the band came to celebrate ‘Hitchhike to Rhome,’ their 20-year-old debut, by performing it in its 16-song entirety for a full house of adoring fans.

The over two hour show included the aforementioned debut rundown as well as a full set from their recent ‘Most Messed Up’ tour. Through it all this band of buds, Rhett Miller, Murry Hammond, Ken Bethea, Philip Peeples has endured by focusing on what works.

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‘Hitchhike to Rhome’ conjured memories of their 20 years younger selves in the studio with Killbilly guitarist and the album’s producer Alan Wooley. “You have to be kind of delusional to start a band.” Miller said beaming at the audience that wall shared in that beautiful delusion. As well as memories the songs channeled spirits. Abbey Hoffman and frenetic Loco Gringos frontman Pepe Lopez appeared in ‘Desperate Times,’ a song a 14 year-old Miller penned after being chosen as an extra for Oliver Stone’s ‘JFK.’ “Miss Molly invoked the spirits of the songwriter Cindy Walker and the father of western swing Bob Wills that made it famous. The spirit of Merle Haggard’s ‘Mama Tried’ with Hammond on vocals. “I grew up with this song and knew it had to be on here.” he beamed before tearing into a rousing rendition.

Less etherial people with ties to the songs also were in attendance. Alan Wooley sat in on three songs playing guitar and mandolin on three songs/ The actual Doreen was situated front and center. It was pretty great that right before tearing into the song Miller looked down and said ‘are you ready Doreen?’ She smiled and mouthed that she was.

Not sure if Mike Schwedler, the former Killbilly drummer who managed the 97′s when they recorded Hitchhike to Rhome now runs the city-owned theater they celebrated in, but it made it more fitting to imagine he was.

In the end we got what we came for, an Old 97s show. Loud, sweaty, vibrant and full of songs with lyrics etched on our brains. They were sang by all at full volume on this night.
The occasion made it all more special, for sure, but in the end they played like their 20 years younger selves. like I remember on the stage of Club DaDa or Clearview. And that was always special.

Here’s to 20 more.