Ladies and Gentlemen…Ms. Rachel Brooke

You can keep your Carrie Underwoods, your Taylor Swifts, your Jewels and your Jessica Simpsons…I’ll take a beer and another song by Michigan’s Rachel Brooke.

Rachelle Brooke Covering Hank William’s Old Log Train

[youtube]http://www.youtube.com/watch?v=a3YNlIVxwWk[/youtube]

Hank III Video Premier – “Long Hauls and Close Calls”

Presenting the Hank III Exclusive World Premier Video of “Long Hauls and Close Calls” from the forthcoming new release “DAMN RIGHT, REBEL PROUD” in stores on 10/21 in CD and Double Vinyl format.
I’m posting this as a mirror to the Record Store Day web site which broke the video first.

Hank III – “Long Hauls and Close Calls”

[youtube]http://www.youtube.com/watch?v=sKCD5ivFFzQ[/youtube]

Blue Mountin Releases “Midnight in Mississippi”

  • One of the original alt.country bands (they appeared on the cover of No Depression’s second issue), Blue Mountain, are back together after trials and tribulations and have just released their sixth studio album “Midnight in Mississippi” (Produced by Grammy winner Stuart Sikes) along with a re-recorded greatest hits album, “Omnibus.” I saw these guys for the first time about two years ago in Nashville and they are great live.
  • It seems that Toby Keith is an Barack Obama fan and John Rich can hear Johnny Cash’s vioce from the grave (if that were rues I’m sure The Man In Black would have adviced Rich not to release his dreadful love song to John McCain. Not because it supports a Republican, but because it, well, sucks.
  • The good folks over at the 9513 think the new George Jone’s release of duets “George Jones – Burn Your Playhouse Down: The Unreleased Duets” doesn’t live up the the Possum’s legacy.
  • Pitchfork.com has a Q&A with David Berman of the band the Silver Jews.

Chrissie Hynde Goes Country

Popmatters.com has a review of the DVD “Bill Monroe: Father of Bluegrass Music” which they discribe as “Informative and educational, intriguing and entertaining, part American history lesson, part biography and part concert film…”

The good folks over at The 9513 brought to my attention that current Twang Nation favorite Jamey Johnson will be joining Willie Nelson, Neil Young, John Mellencamp, Dave Matthews, and Kenny Chesney (?!) for the 2008 Farm Aid music festival in New England on Sept. 20. Nashville Scene (High Lonesome Sound) and CMT.com(Don’t Tell Jamey Johnson That He’s “Too Country”) both offer features on Johnson.

The guardian.co.uk Music Blog has a brief run down of the current state of American alt.country/Americana scene (Are you ready for (more of) the country?)

Chrissie Hynde of the bad the Pretenders states that the bands first new album in six years (“Break up the Concrete”) will be “moving in a country direction.” Of all the country music carpet bagging that has been happening recently I have to say that a musician with Hynde’s credibility makes me think she’ll do it right, but she is a vegitarian, so does this mean that Jessica Simpson has to get another t-shirt?

No Depression Is Dead, Long Live No Depression

No Depression magazine, the bible of alt/roots/country/Americana music and lifestyle for thirteen years is making a comeback of sorts. Nodpression.com will be relaunched in late September and will be edited by the magazine’s founding co-editor Peter Blackstock and will include regular blogs by many of the magazine’s most frequent contributors, including Blackstock and fellow founding co-editor Grant Alden.

The new site will also include record reviews and live reviews, features on emerging artists, news updates, the current web site’s popular upcoming-releases list, reader-participant discussion forums — and, perhaps most significantly, a vast and cross-referenced archive featuring almost all the content from No Depression magazine’s 75 issues published from 1995 to 2008.

In preparation for the September relaunch, the website is promoting the No Depression Founders Circle, a way for fans and supporters of the magazine to take a financial stake in the new web site’s continued existence. I think this is a good move that I wish had been taken back before the magazine folded. I for one would have paid for the coverage ND provided that I could not find gathered between a set of magazine covers.

In my opinion ND lost their way when the publishers started to think about their audience as a demographic instead of a congregation of sorts. They went from having John Prine and Johnny Cash on thre cover to featuring the then alt.rock flavor of the month The Shins. Like a politician, they attempted to move to the mainstream, toward popularity with the mainstream and their pocketbooks, at the riisk of alietnating thier hard-core and reverent followers. Someone should have told them that a vast majority of Americans distrust politicians and lawyers for just this very reason, they appear to stand for nothing but whatever will help them win at the moment. That is almost exactly the definition of shiftless. The congirigation lost faith after that and hard times became even harder.

As an added incentive for getting eyeballs, folks who sign up for the website’s mailing list at NoDepression.com will be eligible to win an Epiphone DR-100 Vintage Sunburst acoustic guitar which has been provided by Epiphone. Great email bait! I singed up this morning!

Also a new No Depression “bookazine” (to be designated No Depression #76) also will be available in print-form on the shelves of bookstores nationwide in October. The publication, a joint venture between ND and the University of Texas Press, will be issued twice annually (every fall and spring). Blackstock and Alden will serve as co-editors, with Alden also reprising his magazine role as art director. A handful of book-release events at bookstores and record stores nationwide are also in the works. I appuad this effort and look forward to it, at the same time I wonder why something like this couldn’t have been applied to the magazine in it’s former incarnation.

All of this is no surprise for anyone that read the publishers online adios to the magazine: “Plans to expand the publication’s website (www.nodepression.net) with additional content will move forward, though it will in no way replace the print edition.” Why Grant and Peter weren’t doing this in conjunction with the print version of ND all along is a mystery to me, but I say better late than never. Get over there, sign up for their emails and send them cash. The world that I cover and we all love is a better place with them in it.


Review – The Weight – The Weight Are Men (The Colonel Records)

The Weight are a Brooklyn, NY based country rock band that, in spite of it’s North-Eastern local, delivers the Southern-fried goods. The band was beget by singer/songwriter and veteran of the Atlanta, GA, punk rock scene Joseph Plunket who began dabbled in country music and recorded several EPs and one long-player with a revolving cast of musicians as he tapped his inner hillbilly.

Now blessed with a stable and top-notch line up Plunket, along with Fletcher “Poor Boy” Johnson on guitar, piano, and harmonica, Will Noland on bass, Jay Ellis on drums and Johnny Carpenter on pedal steel, has recorded an album of shear authentic and audacious country-rock, stripped clean of post-whatever and 100% free of ironic smugness. Imagine as the 60’s came to a close that back off in the woods of Saugerties, NY the Band had hung out with Gram Parsons instead of Dylan cutting tracks in the basement of Big Pink, that alternate history it might have sounded something like this.

The Weight’s newest release “The Weight Are Men” kicks off with a gentle strumming of “Like Me Better,” a bittersweet barroom testament to love gone wrong delivered by Plunket in his earnestly gruff vocal style. The highway rave-up “Had It Made” follows with its Southern boogie roots planted firmly in Chuck Berry’s territory.

“Johnny’s Song” is a lulling tune on life and love that builds to a big singalong finale and “Talkin” is a tune taken right from the Neil Young book of groove-roots compositions (complete with yawning harmonica) and offers one of my favorite lines from the album – “Give me a lady and rent control, it might take one, it might take both, to satisfy my soul.”

“Sunday Driver”  is reminiscent of the best of The Band’s bittersweet compositions. It’s a slow-moving, pedal-steel laced gem that really showcases Plunket’s voice. “Hillbilly Highway” is a traveling man’s fiddle-laced yearn to come back to his love that should be on mainstream country radio (it won’t be, mainstream country is too rigid and short-sighted.) “A Day In The Sun” is a harmonica fueled Southern boogie gives a the release a woozy “Sticky Fingers” send off.

Bottom line, “The Weight Are Men” is one of the best roots-rock releases of 2008.

The Weight – Had It Made (mp3)

Jackson Cage – Belfast, Northern Ireland

I’m always fascinated when country music is honored and performed by folks overseas. I’m also interested in how new bands are able to use the web to do much of the heavy lifting traditionally done in the past by big labels with big money and a large staff. I get both of these plus great music with Belfast Ireland’s country rock band Jackson Cage. The Jackson Cage I’m most familiar with is a dour song about suburban futility by Bruce Springsteen on his release “The River.”  Jackson Cage the band do exhibit some of New Jersey’s most famous hillbilly’s knack for narrative, but only inasmuch as he was willing to channel Dylan, Woody Guthrie and The Band to tell a compellingly stark tale.

Jackson Cage’s self-funded, self-released, self-promoted and self-titled debut album managed to hit #1 on the most popular Alt Country Albums on Amazon MP3 (it currently sits at #5 just after Ryan Bingham’s Mescalito.) What makes all this more impressive is that Amazon only sells MP3s to US customers.

Jackson Cage is one of those rare cases where a band exhibits a skillful grasp of great music roots while working contemporrary technology just as adeptly. Keep your eye on Jackson Cage.

Jackson Cage – Taste the Moon(mp3)

Jackson Cage – White Line(mp3)

Jackson Cage  – I ain’t gonna waste my time(mp3)

Hayes Carll Simulcast: Today

Just in from the fine folks at Lost Highway Records: Bored at work?  Hayes Carll is performing live at 3:00 PM PST (6:00 PM EST) and it’s for all of us junkies!   Mike Nesmith’s (yes, THAT Mike Nesmith) VideoRanch.com and KPIG in Freedom, CA will simulcast Carll’s performance for your listening enjoyment.  You’ve got two ways to satisfy your Carll craving:

Visit www.videoranch.com and download the 3D Browser. It takes only a second and will be a trippy way to
watch Hayes perform.

Not into downloading files? Then visit www.kpig.com this afternoon (June 18) and listen to the performance.

And as always… make sure to swing by www.hayescarll.com for new tour dates, streaming music from Trouble In
Mind and loads of reviews.

Gibson Guitars Top 10 Alt-Country Guitarists

Gibson Guitars blog continue their survey of random alt.country categorization (see Top 5 Essential Alt-Country Albums , 3 Great Alt-Country Obscurities and a nice write up on the Byrds, Flying Burrito Brothers and Uncle Tupelo pedal steel player Sneaky Pete Kleinow) with the excellent addition of the Top 10 Alt-Country Guitarists. Just one question, where the heck is Kenny Vaughn (Lucinda Williams, Marty Stuart) on this list?

[youtube]http://www.youtube.com/watch?v=sOUL7Vi02ew[/youtube]