Tag Archives: Bob-Dylan

To all who have served.

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I want to share one of my favorite songs for this holiday weekend. The Ballad of Ira Hayes, written by the folk singer Peter La Farge,  tells the story of Ira Hayes, a Pima Native American and one of the five Marines and one Navy Corpsman who raised the flag  on Mount Suribachi during the Battle of Iwo Jima during World War II. Hayes came home to a hero’s welcome, but after the grandeur had subsided he went on to live a troubled life of alcoholism and depression. On January 24, 1955, Hayes was found dead, lying face down in the mud. I don’t write to this to depress you, I, and I believe the song, just want to remind America we need to take care of these soldiers when they get home.

The song has been recorded many times; the most popular version is by Johnny Cash.Others that have covered the song are Patrick Sky, Bob Dylan, Townes Van Zandt and Kinky Friedman.

Thanks to all that serve and have served. We are proud of you.

Please share some of your favorites below.

News Round Up: Kris Kristofferson Presented With BMI Icon Award

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  • Rosanne Cash talks to the Wall Street Journal about her new release, The List, and joins George Jones by stating her views on the homogenization of mainstream country radio.
  • The Who’s Roger Daltrey says Nashville’s legendary Ryman Auditorium is the “That’s the best bloody place for a musician to play in the whole —— world.” You get one guess what goes where the lines are but this is a quite as it appears over at Country Standard Time.
  • Kris Kristofferson was presented with the BMI Icon award Tuesday evening and watched while Vince Gill, Patty Griffin and Willie Nelson performed some of his best-loved compositions.  “Why Me,” “Help Me Make It Through The Night,” “Loving Her Was Easier (Than Anything I’ll Ever Do Again)” and “Me and Bobby McGee.”
  • Geoff Muldaur recently sat down with the New York Times’ Ben Sisario to discuss the extraordinary group of musicians who came together to form the Texas Sheiks. The Texas Sheiks includes the late Stephen Bruton (Kris
    Kristofferson, Bonnie Raitt, and T-Bone Burnett) who did not live
    to see the album released, blues singer Johnny Nicholas (Big Walter Horton and Robert Jr. Lockwood, Asleep at the Wheel), Cindy Cashdollar ( Levon Helm, Bob Dylan, Van Morrison and Paul Butterfield), Suzy Thompson ( Dave Alvin and Alice Gerrard).  Bruce Hughes (Jason Mraz, Bob Schneider)

News Round Up:Billy Joe Shaver / Ray Wylie Hubbard’s The last Rites of Ransom Pride

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  • Country Music Prisde has a great interview with this indie sweethearts of country punk Those Darlin’s.

Music Review: The Drive By Truckers – The Fine Print (A Collection Of Oddities and Rarities 2003-2008) [New West]

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I discovered the Drive By Truckers while an ex-pat Texan living in New York City. The environment that I has always known, and taken for granted, was replaced by something foreign and I was looking for cultural footing to make me feel “at home” but also to reflect my learned redneck attitude, a new framework look back over my home and its history. That’s when I came across a review for the Drive By Truckers’ 2004 Southern rock masterpiece The Dirty South. Patterson Hood, Mike Cooley, and Jason Isbell proved to the reincarnation of Lynyrd Skynyrd cut with the  Replacementsthat I needed at the time. Blue collar, backwoods gems like Where the Devil Don’t Stay, Danko/Manuel and Daddy’s Cup revived my faith in the Southern magic of storytelling and the band’s triple guitar attack revived my faith in rock and roll .

The Fine Print (A Collection Of Oddities and Rarities 2003-2008) is an odds & sods largely culled from that fruitful period in the DBTs career. Along with Live from Austin, TX album, The Fine Print fulfills the DBT’s obligation with New West Records and allows them to move on to their own label, Ruth Street Records. The dozen songs on contained here is a bumper crop from a fertile period underscoring the power and focus of that time and that line up. The bitter-sweetness from listening to the album is that as good as the consecutive albums have been, the band has not met this level of intensity or focus since the departure of the youngster Jason Isbell after 2006’s middling A Blessing and a Curse.

The album kicks off with the jaunty George Jones Talkin’ Cell Phone Blues featuring John Neff’s sweet pedal-steel. The song deals the Possum’s 1999 car wreck while he was driving drunk and talking to his daughter on a cell phone. It shows love to Jone’s hopes it’s a while before he joins the legions of legendary country stars cluttering the afterlife.

The Trucker’s have never been shy about their influences and the four covers contained here are tackled with heart and reverence. Tom Petty’s Rebels is elevated to a Springsteen-like anthem and Tom T. Hall’s Mama Bake a Pie (Daddy Kill a Chicken) details the everyday cost of war without mounting a soap box. Warren Zevon’s Play It All Night Long fits right in with the The Dirty South‘s dark swampy groove and the cover of Bob Dylan Like a Rolling Stone is woozy fun and features a Shanna Tucker debut as a front and center vocalist.

The Alternate Versions of Uncle Frank, from 1999’s Pizza Deliverance and Goode’s Field Road from 2008’s Brighter Than Creation’s Dark are great but hardly improve on the originals. The gangstabilly mythos of The Dirty South‘s Where the Devil Don’t Stay and The Boys From Alabama has their dark reflection in The Great Car Dealer War, but to lesser narrative affect and Little Pony And The Great Big Horse highlights Mike Cooley’s subtle greatness in songwriting and storytelling. The creepy Christmas blues cut Mrs. Claus’ Kimono should have been the song behind the closing credits of Billy Bob Thornton’s black comedy Bad Santa.

Like most outtakes and rarities collections, The Fine Print is a bit of a mish-mash and overall doesn’t stand up as consistently as the DBT’s best work, but almost all the cuts are hands down better than most of what passes as rock these days. Besides it’s great that these songs (featuring another excellent cover by their long-time cover/poster/t-shirt illustrator Wes Freed) have seen the light of day at all I hope the release points the way to a revitalized and impassioned future for the mighty Drive-By Truckers.

Official Site | MySpace | Buy

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[youtube]http://www.youtube.com/watch?v=dLP_r7NZY_w[/youtube]

Happy Labor Day – Top 10

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Labor Day originated in Canada from labor unions fighting for a nine-house work day. The first Labor Day in the United States was celebrated on September 5, 1882 in New York City as a result of the deaths of a number of workers at the hands of the US military and US Marshals during the 1894 Pullman Strike. With our current animosity toward all things union, Labor Day has become little more than a reason for a car sale and a three-day last gasp of Summer vacation. Kind of a drag when you realize that we are working harder and getting less now than generations past…

Here are the top 10 songs I believe celebrate the working person as the backbone of America.

1.  Work’in Man Blues –  Merle Haggard – Still a staple in Merle’s set list and a must have in all the best honky-tonks and beer joints across America.

2. Can’t Make it Here – James McMurtry  – In the recent economic downturn it’s become fashionable to pen songs about tough times for a quick buck. None come  even close to the gritty heart of McMurtry’s tale of hard times.

3. 9 to 5 – Dolly Parton -This two Grammy Award winning crossover hit was the theme song to the hit film starring Parton, Jane Fonda, Lily Tomlin and Dabney Coleman. Leave it to  Dolly to make cubicle drudgery sound so fun.

4. Take This Job and Shove It – Johnny Paycheck – Penned by David Allan Coe about the bitterness of a man who worked long and hard with no apparent reward.  The song was also covered by the Dead Kennedys on their album Bedtime for Democracy.

5. Maggie’s Farm -  Bob Dylan – Dyman made it popular but Maggie’s Farm has a much longer history that includes Lester Flat and Earl Scruggs.Though it has been documented that Maggie’s Farm was Dylan’s declaration of independence from the constructions put on him by the folk movement, it stands just as well as an oppressed employee leaving his thankless boss.

6.  Wichita Lineman – Glen Campbell – Written by by Jimmy Webb and famously covered by Glen Campbell While driving on a deserted highway in northern Oklahoma, Webb spotted a solitary lineman working high on a transmission cable and the idea for the lyric was born.  It has been referred to as ‘the first existential country song’.

7. Working Man – Hank Williams III – Shelton’s narration of the hard times and the endless struggle of blue collar work and his role in society and his family.

8. Dark as a Dungeon – Merle Travis -  Travis’ father was a coal miner in Muhlenberg County, Ky. and this classic song details the risks and drudgery of the work.

9.  Millworker – Emmylou Harris – Emmylou covers this James Taylor song in her signature sublime style.

10. John Henry – Woody Guthrie, Merle Travis, Bill Monroe, Johnny Cash, etc – The enduring American folk tale of man and machine.

Country and roots music has a long history of honoring and reflecting the dignity of work and the labor of Americans from all walks of life.  We celebrate this Labor Day, 2009  with a collection of songs as diverse and enduring as the people they celebrate.

News Round Up: Dolly Parton Loves the Great Smoky Mountains

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  • Dolly Parton will be on hand for the 75th Anniversary Rededication of Great Smoky Mountains National Park on September 2nd, joining Tennessee Governor Phil Bredesen, North Carolina Governor Bev Perdue and several other dignitaries. Dolly serves as Ambassador for the Park’s 75th Anniversary,  she is a Sevierville, Tennessee native and donated the first year profits from her album, Sha-Kon-O-Hey (Land of Blue Smoke) to the organization, “Friends of the Smokies”.
  • On her new album, The List,  Roseann Cash will cover 12 classic songs culled from a list given to her by her legendary father, Johnny, gave her in 1973, and interpreted through her own unique style. Produced and arranged by Grammy Award winner John Leventhal (Cash’s husband), the album includes Cash’s covers of songs written and/or recorded by The Carter Family, Hank Williams, Jimmie Rodgers, Hank Cochran/Patsy Cline, Merle Haggard and Bob Dylan. (via Country Standard Time)
  • Norah Jone’s may be less boring on her new release (they don’t call her Snorah for nothing, people!) After bonding with producer Jacquire King (Kings of Leon, Modest Mouse) for engineering one of Jone’s favorite records of all time, Tom Waits’ ‘Mule Variations (!) she hired him on for her new release. She will also feature songwriting contributions from Ryan Adams, Will Sheff of Okkervil River.

Music Review – Deer Tick: Born on Flag Day (Partisan Records)

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The sophomore release from Providence, RI.’s John Joseph McCauley III has him filling out his sound with a full band that he employs to help him mine his inner Joe Ely and Tom Petty this sonic recesses where twangy barroom serenades are mashed up with 50’s and 60’s era pop rave-ups.

Easy starts things off with a tribal drum rocker that hearkens back to early REM. Little White Lies begins as a pedal steel tear in a beer weeper that later spikes into staccato-beat border town rollick. Smith Hill is an orchestra-backed  drinking song about heartbreak that has  McCauley howling like a wounded coyote. Song About A Man shows  McCauley at his Dylan-esqe best and Houston, TX. Is a nice shuffling road song that reflects well on its namesake.

McCauley joins the ranks of young men with old voices (Ryan Bingham, William Elliot Whitemore) and his dark gravel narratives of drunken desperation are offset by an expansive banquet of styles that keep things less bleak and more forceful and sunny. Even a graveyard is beautiful landscaping and flowers on the surface, and beyond the topiary of  arrangements on Born on Flag Day there are plenty of skeletons to be found.

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DeerTick-LittleWhiteLies.mp3

[youtube]http://www.youtube.com/watch?v=ppYcQf9liUQ[/youtube]

Elvis Costello – Secret, Profane & Sugarcane (Hear Music)

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Hardly a day goes by that we hear about another performer leaving their chosen career trajectory and taking a swing at country music.Some of these travelers deeply feel the need to honor the history, the tradition, of the genre. They also bring something new and interesting to the sound. Then there are the carpetbaggers. The ones who’s career have a justly stalled and are looking to find a new audience in a genre they mistakenly see as an easy get. They carry with them the foul stench of mediocrity they cultivated from whence they came.

The latter category is too painful to detail here but a prime example of the former is Elvis Costello. A singer/songwriter so accustomed to straddling, hopping and distorting genres that people are surprised when he returns to his earlier literate pop-punk roots. Costello’s love of American Southern music is well documented. The established Angry Young (British) Man takes a sharp turn from edgy punk-pop to head to Nashville and cut 1981’s Almost Blue which featured songs by Hank Williams, Merle Haggard, George Jones and Gram Parsons. The post-divorce roots-folk of 1986’s T. Bone Burnett produced King of America. 2004’s The Delivery Man featuring duets with  Emmylou Harris and Lucinda Williams – who he also performed with in a CMT Crossroads. There is the Costello T. Bone Burnett penned Scarlet Tide was used in the film Cold Mountain, nominated for a 2004 Academy Award and performed by Costello it at the awards ceremony with Alison Krauss, who also sang the song on the official soundtrack. Point being his newest Americana release Secret, Profane & Sugarcane is not a hard diversion nor a lark for Mr. MacManus.

It doesn’t help that you’re sound is so distinctive that people start to harp on it like it’s a curse. Secret, Profane & Sugarcane like it’s spiritual cousins Bob Dylan’s Nashville Skyline, Neil Young’s Harvest and the Rolling Stones’ Exile on Main Street seems to lose points some detractors because the work reflects the unique characteristics the artists brings with them when they cross the Americana tracks. If you prefer your music by outsiders to be cleansed of all traces of the performers unique earlier style, well, Secret, Profane & Sugarcane is not for you.

The album took three days to create in a Nashville studio (March 31 to April 2, 2008)  thus beating out the usually fleet Bob Dylan’s Nashville Skyline, which took 9 days (February 12, 1969 – February 21, 1969) is with producer T Bone Burnett- whos is becoming the go-to-guy when you want to do Americana – and focuses on Costello’s own work rearranged for a crack band featuring Stuart Duncan on banjo and fiddle, Jerry Douglas on Dobro, , Dennis Crouch on bass, Mike Compton on mandolin and Mr. Americana himself Jim Lauderdale lending honey harmony vocals to counter Costello’s (in)famous keen.

Things get off to a nice starts with Down Among The Wines And Spirits, originally written for Ms. Loretta Lynn, is a lolling down-and-out drinking song featuring the kind of wordplay Costello has become famous for (there’s that uniqueness again!) Complicated Shadows, first recorded for 1996’s All This Useless Beauty and originally written for Johnny Cash, gets the amped-up greasy blues treatment that would make Tony Joe White smile.

The beautifully sad I Felt the Chill Before the Winter Came was penned by Costello and aforementioned Loretta Lynn is lovely but brings to mind the coldness suggested in the title. My All Time Doll is a hillbilly cabaret number featuring the excellent accordion work by Jeff Taylor and a demo from All This Useless Beauty Rhino reissue Hidden Shame gets a great rousing makeover.

How Deep Is the Red?, She Was No Good,”She Handed Me a Mirror, and Red Cotton are  from Costello’s unfinished Hans Christian Andersen chamber opera The Secret Songs (did I mention that man was eclectic?) As prolific as Costello is, he is known to rework his own songs for different occasions, and although these songs do carry trace elements of their classical origins they sound right at home here.

Sulphur to Sugarcane was written by Costello & T Bone Burnett for (but not used)  in the Sean Penn 2006 film All The King’s Men. The song sounds like a bawdy ragtime-jazz response to Johnny Cash’s I’ve Been Everywhere as imagined by Leon Redbone. The Crooked line is rumored to have been an unused song for the Johnny Cash biopic Walk The Line and Costello is reported to have said that it’s “…the only song I’ve ever written about fidelity that is without any irony.” Here the song is a Cajun-flavored duet with Emmylou Harris with Emmylou way too far down in the mix, or just right, depending on your feeling about Ms. Emmylou’s disctinctive style. Changing Partners is a more-or-less faithful rendition of a the ubber-crooner Bing Crosby’ classic  number of lost love.

Is Secret, Profane & Sugarcane a great country or Americana album as you might expect from a seasoned vet? No. Is it a great Elvis Costello record? No, it hits just about in the mid-range of his canon. But with the likes of Jewel, Miley Cyrus and Kid Rock paraded as examples of roots and country music’s future Costello has given us a lovely, lively work to brace us out of that nightmare.

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[youtube]http://www.youtube.com/watch?v=GbAHi3AegMI[/youtube]

Is Bob Dylan is an Honorary Texan?

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I think all those Stetson’s have gone to Bob Dylan’s head (badda boom!) In the current issue of Rolling Stone Bob Dylan, a Minnesotan, says that President George Bush, a Connecticutian…er born in Connecticut, bestowed on him the title of “Honorary Texan.” From the article:

“I think you really have to be a Texan to appreciate the vastness of it and the emptiness of it,” Dylan says. “But I’m an honorary Texan.”

“What do you mean?” I ask.

“Well,” he says, “George Bush, when he was governor, gave me a proclamation that says I’m an honorary Texan [holds hand up in pledge, laughs]. As if anybody needed proof. It’s no small thing. I take it as a high honor. ”

Could it be that in some bizarro singer/songwriter world Steve Earle now lives on the street in Greenwich Village where the cover of The Freewheelin’ Bob Dylan was taken and now Dylan wants to be a Texan?

Country Singer Vern “The Voice” Gosdin Dies

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  • Singer Vern Gosdin, who recorded country music hits like the award-winning “Chiseled in Stone” during a 30-year career, has died. He was 74. Gosdin reportedly had a history of strokes and suffered the latest one a few weeks ago and was under hospice care and died late Tuesday at a Nashville, Tenn. hospital. The 9513.com offers a fine tribute to the man.
  • Birthday Boy Willie Nelson will join relative young’uns Bob Dylan and John Mellencamp on a U.S. summer tour of minor league baseball parks, beginning July 2 at the GCS Ballpark in Sauget, Ill., and wrapping Aug. 15 at the Banner Island Ballpark in Stockton, Calif.
  • The San Francisco Chronicle has posted a review of the John Prine / John Ritter  Apr 25th Warfield performance.
  • And in painful crossover news Def Leppard has been confirmed to perform on the CMT Music Awards on June 16. The Britsh pop-metal has-beens…er…band have recently been involved in the Music Row marketering wet dream collaborations with Tim McGraw earlier this year on the song “Nine Lives” and appearing with Taylor Swift on CMT Crossroads. What’s next? Skid Row’s Sebastian Bach doing coutry music…oh wait…