2021 Grammy Awards – Country, Americana, Bluegrass and Folk Nominees

2021 GRAMMY Awards

Nominees for the 2021 Grammy Awards were announced with Miranda Lambert dominating the Country Music Categories (3). The Queen of Americana Lucinda Williams has 2 and ties with The Secret Sisters (Laura Rogers & Lydia Rogers) and John Prine’s last composition , “I Remember Everything, which has been nominated in two categories Best American Roots Performance and Best American Roots Song.

The Grammy Awards for roots music takes place before the televised preceding the 2021 GRAMMY Awards show, the 63rd GRAMMY Awards Premiere Ceremony will take place Sunday, March 14, at noon PT, and will be streamed live internationally via GRAMMY.com.

The 2021 GRAMMY Awards show performer lineup will include performances from Texas’ own neo-soul newcomers Black Pumas, Brandi Carlile, Mickey Guyton, Brittany Howard, Miranda Lambert and more.

Here are the country and roots music nominees:

Best Country Solo Performance:
“Stick That in Your Country Song,” Eric Church
“Who You Thought I Was,” Brandy Clark
“When My Amy Prays,” Vince Gill
“Black Like Me,” Mickey Guyton
“Bluebird,” Miranda Lambert

Best Country Duo/Group Performance:
“All Night,” Brothers Osborne
“10,000 Hours,” Dan + Shay & Justin Bieber
“Ocean,” Lady A
“Sugar Coat,” Little Big Town
“Some People Do,” Old Dominion

Best Country Song:
“Bluebird,” Miranda Lambert (Luke Dick, Natalie Hemby & Miranda Lambert, songwriters
“The Bones,” Maren Morris (Maren Morris, Jimmy Robbins & Laura Veltz, songwriters
“Crowded Table,” The Highwomen (Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters)
“More Hearts Than Mine,” Ingrid Andress, (Ingrid Andress, Sam Ellis & Derrick Southerland, songwriters)
“Some People Do,” Old Dominion (Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters

Best Country Album:
Lady Like, Ingrid Andress
Your Life Is a Record, Brandy Clark
Wildcard, Miranda Lambert
Nightfall, Little Big Town
Never Will, Ashley McBryde

Best American Roots Performance:
“Colors,” Black Pumas
“Deep in Love,” Bonny Light Horseman
“Short and Sweet,” Brittany Howard
“I’ll Be Gone,” Norah Jones & Mavis Staples
“I Remember Everything,” John Prine

Best American Roots Song:
“Cabin,” The Secret Sisters (Laura Rogers & Lydia Rogers, songwriters)
“Ceiling to the Floor,” Sierra Hull (Sierra Hull & Kai Welch, songwriters)
“Hometown,” Sarah Jarosz (Sarah Jarosz, songwriter)
“I Remember Everything,” John Prine (Pat McLaughlin & John Prine, songwriters)
“Man Without a Soul,” Lucinda Williams (Lucinda Williams, songwriter)

Best Americana Album:
Old Flowers, Courtney Marie Andrews
Terms of Surrender, Hiss Golden Messenger
World on the Ground, Sarah Jarosz
El Dorado, Marcus King
Good Souls Better Angels, Lucinda Williams

Best Bluegrass Album:
Man on Fire, Danny Barnes
To Live in Two Worlds, Vol. 1, Thomm Jutz
North Carolina Songbook, Steep Canyon Rangers
Home, Billy Strings
The John Hartford Fiddle Tune Project, Vol. 1, Various Artists

Best Folk Album:
Bonny Light Horseman, Bonny Light Horseman
Thanks for the Dance, Leonard Cohen
Song for Our Daughters, Laura Marling
Saturn Return, The Secret Sisters
All the Good Times, Gillian Welch & David Rawlings

Americana Music Association Announces First Round of 2017 Americanafest Showcases

First Round of 2017 Americanafest Showcases

(L-R) Top: Brandy Clark, Hiss Golden Messenger, Turnpike Troubadours
(L-R) Bottom: Charley Crockett, Deer Tick, Bettye LaVette

Continuing the stellar tradition of being the preeminent roots music event of the year, the Nashville-based Americana Music Association has released its first round of artists slated to perform at this year’s 18th annual Americana Music Festival & Conference, presented by Nissan, September 12 – 17, 2017.

The first 103 of more than 230 artists are made up of pioneers, icons, and upstarts like Brandy Clark, Hiss Golden Messenger, Turnpike Troubadours, Lillie Mae, Alice Wallace, Mike and The Moonpies, Rodney Crowell, Paul Cauthen, John Paul White, The White Buffalo, Jason Eady, Bruce Robison, and much more.

With more acts still to be announced, the event promises to live up to its reputation as a must attend for roots music fans and industry alike.

Resister for the full conference here, or get festival showcase wristbands here.

AJ Hobbs
Allison Pierce
Aaron Lee Tasjan
Alice Wallace
All Our Exes Live in Texas
Ana Egge
Andrew Combs
Andy Golledge
Austin Plaine
Balkun Brothers
The Band of Heathens
The Barefoot Movement
Beaver Nelson
Becca Mancari
Bettye LaVette
Birds of Chicago
Blank Range
The Blind Boys of Alabama
Boomswagglers
Brandy Clark
Brent Cobb
Brent Cowles
Brian Wright
The Brother Brothers
Brothers Comatose
Bruce Robison
CALICO the band
Caamp
Caitlin Canty
Carl Anderson
Caroline Spence
Carsie Blanton
Casey James
Charley Crockett
Charlie Parr
Chastity Brown
Ciaran Lavery
Cordovas
Courtney Marie Andrews
Darlingside
David Childers
David Luning
David Starr
Deep Dark Woods
The Deer
Deer Tick
The Deslondes
Dirty River Boys
Don Bryant
Dori Freeman
Elise Davis
Eric Ambel
Erin Rae
Forlorn Strangers
Futurebirds
Haas Kowert Tice
Hiss Golden Messenger
The Honey Ants
Horseshoes and Hand Grenades
The Howlin Brothers
Hugh Masterson
Jason Eady
Jaime Wyatt
Jesse Terry
Jim Lauderdale
John Paul White
Julian Lage & Chris Eldridge
Kacy & Clayton
Kasey Chambers
Leeroy Stagger
Leslie Stevens
Lillie Mae
The Lil Smokies
Lindi Ortega
Little Bandit
Low Cut Connie
Luke Bulla
The McCrary Sisters
Micky and the Motorcars
Mike and The Moonpies
Mipso
Molly Tuttle
My Bubba
Patrick Sweany
Paul Cauthen
Paul Thorn
Pony Bradshaw
Quiet Life
Renn
Rev Sekou
Rodney Crowell
SUSTO
Shane Smith & The Saints
Them Rubies
Turnpike Troubadours
Tyler Childers
Wade Bowen
Walter Salas-Humara
We Banjo 3
The White Buffalo
Wildwood Kin
William Wild
Willie Watson

Record Store Day 2017 – Americana and Roots Music Picks

It’s that time of year again. Well, yes Spring but more specifically for a music blog it’s the annual season of blossoming limit selections of rare and obscure vinyl known as Record Store Day. The event has helped fuel the resurgence in sales and pushing the few remaining pressing plant’s production capacity to the hilt. As is tradition the event will be taking place on the fourth Saturday in April. For 2017 that means Saturday, April 22nd.

Record Store Day offerings are scarce, unique releases, some only available in specific regions. Some are produced in very limited runs, some totaling no more than a few hundred total.
Check out the Americana and roots selections below and take a look at the full list. Get to your favorite indy record early on April 22nd  (I’ll be at Good Records in Dallas) and share those great finds with me on Instagram and Twitter.

Blaze Foley – Sittin’ By The Road [LP] (180 Gram Gold Colored Vinyl, detailed liner notes by film maker Kevin Triplett, limited, indie-retail exclusive)

Brandy Clark – Live From Los Angeles [LP] (previously unreleased songs, limited to 2500, indie-retail exclusive)

Bruce Springsteen & The E Street Band – Hammersmith Odeon London ’75 [4LP] (150 Gram, first time on vinyl, numbered/limited to 3000, indie-retail exclusive)

The Cadillac Three – Live At Abbey Road [10 ” EP] (limited to 1500, indie-retail exclusive)

Dave Alvin and Phil Alvin, Hard Travelin’ EP (Yep Roc Records) Packaging: 12” Vinyl / Transparent Red

Dolly Parton – Puppy Love [7”] (limited to 2500, indie-retail exclusive

Drive By Truckers – Live In Studio, New York, NY 12/07/16 [LP] (Clear Vinyl, limited to 3530, indie-retail exclusive)

Emmylou Harris – Queen Of The Silver Dollar [5LP + 7 ” Box Set] (Emmylou’s first five studio albums plus a bonus 7 ” single, limited to 1100, indie-retail exclusive)

Gram Parsons & The Fallen Angels – Live 1973 featuring Emmylou Harris [LP] (180 Gram, gold foil jacket and holographic numbered/limited to 2000, indie-retail exclusive)

Hayseed Dixie – Free Your Mind And Your Grass Will Follow [LP] (Clear Vinyl, limited to 1000, indie-retail exclusive)

Head And The Heart, The – Stinson Beach Sessions [LP] (unreleased songs and demos, limited to 3000, indie-retail exclusive)

Iron And Wine – Archives Series Volume No. 3 [LP] (Translucent Blue Vinyl, limited to 700, indie-retail exclusive

Jason Isbell and the 400 Unit – Welcome to 1979 – Live recordings direct cut to acetate at Nashville studio Welcome To 1979. 12″, tip-on style, simple sleeve jacket, white dust sleeve. Side A: 1. Can’t You Hear Me Knocking (Jagger/Richards) 2. Storm Windows (Prine) 3. Heart on a String (Jackson/Buckins) Side B: 1. Atlantic City (Springsteen) 2. Sway (Jagger/Richards) 3. Never Gonna Change (Isbell)

John Paul White & Donnie Fritts – John Paul White Sings Donnie Fritts, Donnie Fritts Sings John Paul White [7”] (limited to 1000, indie-retail exclusive)

Leon Russell – Guitar Blues [CD] (limited to 1000, indie-retail exclusive)

The Lumineers – Song Seeds [10”] (limited to 1500, indie-retail exclusive)

Neil Young – Decade [3LP] (1977 compilation of solo and group hits, remastered, 2 photo reproductions by Henry Diltz, limited to 5000, indie-retail exclusive)

Nels Cline (Wilco) – In The Wee Small Hours [7 ”] (Frank Sinatra cover, limited to 1000, indie-retail exclusive)

Old 97’s – Terlingua b / w Off My Mynd [12 ”] (Opaque White Vinyl, Unreleased exclusive B-sides, etched B-side, limited to 2530, indie-retail exclusive

Pokey LaFarge – Riot In The Streets / Better Man Than Me [10 ”] (B-side etching of original hand-drawn image by Pokey, limited to 1500, indie-retail exclusive)

Robert Johnson – The Complete Recordings: The Centennial Collection [3LP] (150 Gram, gatefold, download, 12×24 poster, numbered/limited to 2500, indie-retail exclusive)

Sharon Jones with the E.L. Fields Gospel Wonders – Heaven Bound b/w Key To The Kingdom [7”] (‘picture frame’ custom jacket with easel-back, limited to 2500, indie-retail exclusive)

Sharon Jones, Corey Harris & Peter McGennis – Bubble Girl (Soundtrack) [12”] (limited, indie-retail exclusive)
Shooter Jennings & Waymore’s Outlaws – Live [12”] (Coke Clear Vinyl, single jacket with white inner sleeve, limited to 500, indie-retail exclusive)

Steve Earle & The Dukes – Live [7 ”] (picture sleeve, limited to 3000, indie-retail exclusive)

Stevie Ray Vaughan & Double Trouble – Live At Carnegie Hall [2LP] (150 Gram Marbled Brown Vinyl, download, limited to 3000, indie-retail exclusive)

Townes Van Zandt – Live At Austin City Limits [LP] (limited to 2500, indie-retail exclusive)

Waylon Jennings & The 357’s – Waylon Forever [12”] (Clear Orange Vinyl, single jacket with white inner sleeve, limited to 250, indie-retail exclusive)

2016 Grammy Awards Nominees : Sturgill Simpson , Bob Dylan, Loretta Lynn – Margo Price Snubbed

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Nominations for the 2016 Grammy Awards have wee announced with the usual fanfare and one big surprise. let’s get the big one out of the way first, Reluctant outlaw country revisionist Sturgill Simpson might very well be on his way to achieving ‘the biggest country star on this planet‘ status by joining the glitterati ranks shared with Beyoncé, Drake, Justin Bieber, and Adele as nominees for the Album of the Year. there hasn’t been this much attention on the Grammy nominee announcements since Chorney-gate. This would seem improbable except that so many extraordinary things have happened since Simpson’s psychedelic-roots-soul epic ‘A Sailor’s Guide to Earth’ that it’s hard not to believe that it’s not all part of some master plan.

If Sturgill wins I dare Kanye to climb the stage to contest the decision.

Then there was the nomination of Simpson’s least country album for Best Country Album. But I’ve given on trying to read the recording academy mind a long time ago.

Other surprising nominations include Bob Dylan’s ‘Fallen Angels’ for Best Traditional Pop Vocal Album, Robbie Fulks’s ‘Upland Stories’ and Sierra Hull’s ‘Weighted Mind’ for Best Folk Album, and Loretta Lynn’s ‘Full Circle’ for Best County Album.

Lori McKenna is up for 4 Grammys including Tim McGraw’s ‘Humble And Kind’ for Best Country Song and Best American Roots Performance, Best American Roots Song and Best Americana Album and for her latest solo Dave Cobb – produced effort ‘The Bird & The Rifle.’

The biggest snub was against the only other person to garner almost as much ink as Sturgill Simpson. Margo Price was criminally overlooked by the recording academy for her splendid debut ‘ Midwest Farmer’s Daughter.’
And no love was shown for multiple Grammy-winning ex-Civil War John Paul White for his excellent solo offering ‘Beulah.’

And no Wheeler Walker Jr for best comedy Album? C’mon now!

What are your thoughts on the Grammy noms this year? What did they miss? Let me in know the comments.

The 59th Annual Grammy Awards air Sunday, Feb. 12, 2017, on CBS.

See the full list of nominees at Grammy.com

Best Country Solo Performance:
Brandy Clark — “Love Can Go to Hell”
Miranda Lambert — “Vice”
Maren Morris — “My Church”
Carrie Underwood — “Church Bells”
Keith Urban — “Blue Ain’t Your Color”

Best Traditional Pop Vocal Album:
Andrea Bocelli — ‘Cinema’
Bob Dylan — ‘Fallen Angels’
Josh Groban — ‘Stages Live’
Willie Nelson — ‘Summertime: Willie Nelson Sings Gershwin’
Barbra Streisand — ‘Encore: Movie Partners Sing Broadway’

Best Roots Gospel Album:
Gaither Vocal Band — ‘Better Together’
The Isaacs — ‘Nature’s Symphony In 432’
Joey+Rory — ‘Hymns’
Gordon Mote — ‘Hymns and Songs of Inspiration’
Various Artists — ‘God Don’t Never Change: The Songs of Blind Willie Johnson’

Best Country Duo/Group Performance:
Dierks Bentley Featuring Elle King — “Different for Girls”
Brothers Osborne — “21 Summer”
Kenny Chesney & P!nk – “Setting The World On Fire”
Pentatonix Featuring Dolly Parton — “Jolene”
Chris Young With Cassadee Pope — “Think Of You”

Best Country Song: (awarded to songwriters)
Clint Lagerberg, Hillary Lindsey & Steven Lee Olsen, songwriters (Keith Urban) — “Blue Ain’t Your Color”
Sean Douglas, Thomas Rhett & Joe Spargur, songwriters (Thomas Rhett) — “Die A Happy Man”
Lori McKenna, songwriter (Tim McGraw) — “Humble and Kind”
busbee & Maren Morris, songwriters (Maren Morris) — “My Church”
Miranda Lambert, Shane McAnally & Josh Osborne, songwriters (Miranda Lambert) — “Vice”

Best Country Album:
Brandy Clark — ‘Big Day In A Small Town’
Loretta Lynn — ‘Full Circle’
Maren Morris — ‘Hero’
Sturgill Simpson — ‘A Sailor’s Guide To Earth’
Keith Urban — ‘Ripcord’

Best American Roots Performance:
The Avett Brothers — “Ain’t No Man”
Blind Boys Of Alabama — “Mother’s Children Have A Hard Time”
Rhiannon Giddens — “Factory Girl”
Sarah Jarosz — “House Of Mercy”
Lori McKenna — “Wreck You”

Best American Roots Song: (awarded to songwriters)
Robbie Fulks, songwriter (Robbie Fulks) — “Alabama At Night”
Jack White, songwriter (Jack White) — “City Lights”
Eric Adcock & Roddie Romero, songwriters (Roddie Romero And The Hub City All-Stars) — “Gulfstream”
Vince Gill, songwriter (The Time Jumpers) — “Kid Sister”
Lori McKenna & Felix McTeigue, songwriters (Lori McKenna) — “Wreck You”

Best Americana Album:
The Avett Brothers — ‘True Sadness’
William Bell — ‘This Is Where I Live’
Kris Kristofferson — ‘The Cedar Creek Sessions’
Lori McKenna — ‘The Bird & The Rifle’
The Time Jumpers — ‘Kid Sister’

Best Bluegrass Album:
Blue Highway — ‘Original Traditional’
Doyle Lawson & Quicksilver — Burden Bearer
Laurie Lewis & The Right Hands — ‘The Hazel Sessions’
Claire Lynch — ‘North And South’
O’Connor Band With Mark O’Connor — ‘Coming Home’

Best Folk Album:
Judy Collins & Ari Hest — ‘Silver Skies Blue’
Robbie Fulks — ‘Upland Stories’
Rhiannon Giddens — ‘Factory Girl’
Sierra Hull — ‘Weighted Mind’
Sarah Jarosz — ‘Undercurrent’

Best Regional Roots Music Album:
Barry Jean Ancelet & Sam Broussard — ‘Broken Promised Land’
Northern Cree — ‘It’s A Cree Thing’
Kalani Pe’a — ‘E ‘Walea
’
Roddie Romero And The Hub City All-Stars — ‘Gulfstream’
Various Artists — ‘I Wanna Sing Right: Rediscovering Lomax In The Evangeline Country’

Best Album Notes
The Complete Monument & Columbia Albums Collection – Mikal Gilmore, album notes writer (Kris Kristofferson)
Label: Legacy Recordings
The Knoxville Sessions, 1929-1930: Knox County Stomp – Ted Olson & Tony Russell, album notes writers (Various Artists)
Label: Bear Family Productions Ltd.
Ork Records: New York, New York
Rob Sevier & Ken Shipley, album notes writers (Various Artists)
Label: The Numero Group
Sissle And Blake Sing Shuffle Along- Ken Bloom & Richard Carlin, album notes writers (Eubie Blake & Noble Sissle)
Label: Harbinger Records/The Musical Theater Project
Waxing The Gospel: Mass Evangelism & The Phonograph, 1890-1900- Richard Martin, album notes writer (Various Artists)

Best Historical Album:
The Cutting Edge 1965-1966: The Bootleg Series, Vol.12 (Collector’s Edition)
Steve Berkowitz & Jeff Rosen, compilation producers; Mark Wilder, mastering engineer (Bob Dylan)
Label: Columbia/Legacy
Music Of Morocco From The Library Of Congress: Recorded By Paul Bowles, 1959
April G. Ledbetter, Steven Lance Ledbetter, Bill Nowlin & Philip D. Schuyler, compilation producers; Rick Fisher & Michael Graves, mastering engineers (Various Artists)
Label: Dust-To-Digital
Ork Records: New York, New York
Rob Sevier & Ken Shipley, compilation producers; Jeff Lipton & Maria Rice, mastering engineers (Various Artists)
Label: The Numero Group
Vladimir Horowitz: The Unreleased Live Recordings 1966-1983
Bernard Horowitz, Andreas K. Meyer & Robert Russ, compilation producers; Andreas K. Meyer & Jeanne Montalvo, mastering engineers (Vladimir Horowitz)
Label: Sony Classical
Waxing The Gospel: Mass Evangelism & The Phonograph, 1890-1900
Michael Devecka, Meagan Hennessey & Richard Martin, compilation producers; Michael Devecka, David Giovannoni, Michael Khanchalian & Richard Martin, mastering engineers (Various Artists)
Label: Archeophone Records

Best Engineered Album, Non-Classical
Are You Serious
Tchad Blake & David Boucher, engineers; Bob Ludwig, mastering engineer (Andrew Bird)
Label: Loma Vista Recordings
Blackstar
David Bowie, Tom Elmhirst, Kevin Killen & Tony Visconti, engineers; Joe LaPorta, mastering engineer (David Bowie)
Label: ISO/Columbia Records
Dig In Deep
Ryan Freeland, engineer; Kim Rosen, mastering engineer (Bonnie Raitt)
Label: Redwing Records
Hit N Run Phase Two
Booker T., Dylan Dresdow, Chris James, Prince & Justin Stanley, engineers; Dylan Dresdow, mastering engineer (Prince)
Label: NPG Records
Undercurrent
Shani Gandhi & Gary Paczosa, engineers; Paul Blakemore, mastering engineer (Sarah Jarosz)
Label: Sugar Hill Records

Record Store Day 2016 – Americana and Roots Music Picks

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Record Store Day, the annual celebration of limited runs of the antiquated data storage device known as vinyl and once the scene of hipsters when it started in 2007, has helped fuel a surprising resurgence in sales and pushing the remaining pressing plant capacity to the hilt. As is tradition the event will be taking place on the third Saturday in April. For 2016 that means Saturday, April 16th.

At a time when music sales continue a decaded long dizzying slide vinyl sales not only rivaled CD sales, revenues have surpassed streaming services like Spotify and Pandora.

As vinyl grows in popularity there’s is pressure on the remaining vinyl manufacturers, who like us all were caught off-guard by the resurgence. The demand for vinyl is partially due to its described ‘warmer’ sound (plus cooler gatefold covers!) But the real drive behind Record Store Day is uniqueness and scarcity of offerings. Many releases come on colored vinyl or as picture discs and many of the releases are produced in very limited runs, some totaling no more than a few hundred total.

This stands in direct contrast to digital music’s hemogeny of sound and structure. an MP3 might be convenient, but it’s never scarce or unique.

Check out the Americana and roots selections below and take a look at the full list. Get to your favorite indy record early on April 16th (I’ll be at Good Records in Dallas) and share those great finds with me on Instagram and Twitter.

Blitzen Trapper – Field Rexx
Format: LP
More Info: A classic DIY release, Field Rexx was made in the sweltering summer of 2004 with no budget amidst the hiss of flies and tape. “Recorded,” according to the liner notes, “at the carny shack, fer shook n timsel on Duke’s shoot-o-matic for tisks & soda & that ol’ broke 4-track that 3-fingred mike poured Old English on and lit on fire,” Rexx’s warped eclectic pop Americana proves that great songs and performances can transcend squalor and bad album art. Features archival material of the original Trapper, James Earley, performing snippets of traditional hillbilly tunes. Field Rexx is Blitzen Trapper’s self-released sophomore album originally released in 2005. It was remastered at the tail end of 2015 and is available on Record Store Day for the first time on vinyl. A free download code including 3 previously unreleased bonus tracks is included.

Brandi Carlile – ‘Live At KCRW ‘Morning Becomes Eclectic’
Format: 12″ Colored Vinyl
More Info: Brandi Carlile – Live At KCRW ‘Morning Becomes Eclectic’: Brandi Carlile is a long time favorite of record store owners and she is one of the most celebrated names in modern alternative country/folk rock.This very special Record Store Day Exclusive release features six session tracks recorded live at KCRW as part of their “Morning Becomes Eclectic” sessions and includes the smash radio hits “The Eye” and “Wherever Is Your Heart” on White Colored 12 inch vinyl. Limited to 2500 copies.

Johnny Cash – ‘All Aboard the Blue Train with Johnny Cash’
Format: 12″ Colored Vinyl
More Info: All Aboard the Blue Train with Johnny Cash was originally released on Sun Records in 1962. The album features prime selections of the Man In Black’s recordings between 1955 and 1958, including classic songs “Hey Porter” and “Folsom Prison Blues”. Previously out of press, it’s coming back on appropriate blue vinyl for Record Store Day 2016.

Brandy Clark – “”Girl Next Door”/”Homecoming Queen”
Format: 7″ Colored Vinyl
More Info: Side A features Clark’s new hit single “Girl Next Door.” Side B features the track “Homecoming Queen,” plus the same song covered by Sheryl Crow. Pressed on random mixed blue, yellow and red vinyl.

Bob Dylan – “Melancholy Mood”
Format: 7″ Colored Vinyl
More Info: This limited edition 7” vinyl EP was originally created for Bob Dylan’s recent Japanese tour. We were able to secure a limited quantity for Record Store Day. The EP includes 4 songs from Bob Dylan’s upcoming album, Fallen Angels, pressed on 7” red vinyl.

Alejandro Escovedo – ‘Gravity’ and ‘Thirteen Years’
Format: 2 x LP
More Info: Austin TX’s Watermelon Records was founded in 1989 and released nearly 100 records in its short life. Its catalog lay dormant until 2010 when New West Records picked it up and chose Record Store Day 2016 to relaunch Watermelon Records with two beautiful remastered classic from Alejandro Escovedo. Gravity is a 2LP set pressed on 180g vinyl and packaed in a one of a kind die-cut linen jacket along with a foldable insert and download card.

Jay Farrar – Sebastopol/thirdshiftgrottoslack
Format: 2 x LP
More Info: For Record Store Day 2016, Jay Farrar’s (Son Volt, Uncle Tupelo) Sebastopol is available for the first time on vinyl. This very limited, hand-numbered release comes on white vinyl featuring Gillian Welch and members of the Flaming Lips and Superchunk. The double LP also features the 5-track EP never before released on vinyl, thirdshiftgrottoslack.

Emmylou Harris – ‘Wrecking Ball’
Format: 3 x 12″ Vinyl
More Info: The long awaited audiophile-quality vinyl reissue of Emmylou Harris’ 1995 Grammy winning masterpiece Wrecking Ball, produced by Daniel Lanois (U2, Bob Dylan, Neil Young, Willie Nelson) and featuring appearances by Brian Blade, Neil Young, Lucinda Williams, Kate and Anna McGarrigle, among others. Includes original album sequence as well as outtakes and alternate versions from the original recording sessions. This Record Store Day release features three 180 gram LPs remastered with bonus tracks, and 4 page lyric insert. Limited to 5,000 copies.

Johnny Cash – ‘The Best of The Johnny Cash Show’
Format: 12″ LP
More Info: From the summer of 1969 to the final show in march of 1971 (58 episodes in all), The Johnny Cash TV Show not only exposed an American audience to an eclectic array of musical talent, but also helped establish Johnny Cash as a true artist, humanitarian, and a larger-than-life legend. The 16 performances contained on this new Best-Of LP, made especially for Record Store Day, and for the first time on vinyl, showcase the spectrum of incredible performers that Johnny hand-picked to be on his show, many for their first network appearance. So, “come along and ride this train” – the train that Cash envisioned for us all – every week on The Johnny Cash TV Show, and now, for generations to come. Limited to 5,000 copies.

Madisen Ward and the Mama Bear – ‘Live At Grimey’s
Format: 12″ Vinyl
More Info: This Record Store Day six track EP was recorded live at Grimey’s in Nashville, Tennessee by one of our favorite new artists on the music scene, in June 2015 as part of the celebration of Americana Music Month. Limited to 1500 copies.

Jason Molina – ‘The Townes Van Zandt Covers
Format: 7″ Vinyl
More Info: At a Songs:Ohia show in the early ’00s, Jason Molina said to the artist William Schaff that he would love to see himself depicted as one of Schaff’s signature, skull-headed creatures. The two struck up a pen-pal friendship and Schaff sent Jason his picture. In return, he asked for a recording of the Townes Van Zandt covers Jason had performed that night. The pair of Van Zandt covers included here, recorded at Molina’s home on the north side of Chicago, symbolize not only the creative turn Molina’s songwriting had taken (seen in his forthcoming Magnolia Electric Co. release) from sparse and jagged indie rock to rootsy folk rock, but also a sonic bond between two friends who loved each other’s work very deeply. After learning of Molina’s death in 2013, Schaff spent days pouring over his lengthy correspondence with his friend, with Molina’s oeuvre on repeat. He created the painting that graces the cover of this release in the process: Apropos of everything, a skull-headed creature in flight. This special 7″ release is limited to 3500 copies worldwide.

Mumford & Sons + Baaba Maal – “There Will Be Time”
Format: 7″ Colored Vinyl
More Info: Mumford & Sons’ RSC exclusive 7″ single features a brand new song called “There Will Be Time” (previously only available in South Africa). The track features Baaba Maal, and was produced alongside Johan Hugo from The Very Best. Limited to 6000 copies.

Graham Nash – ‘This Path Tonight’
Format: 12″ Vinyl
More Info: A special version of the new album from legendary musician Graham Nash. Includes a bonus 7″ with the classic tracks “Our House” and “Teach Your Children”

Elvis Presley – ‘I’m Leaving’: Elvis Folk- Country’
Format: 12″ Vinyl
More Info: The very best of Elvis Folk-Country 1966-1973. This special Record Store Day release includes masters from Elvis’ sessions at RCA Victor’s Studio B in Nashville in May 1971, a period in which several folk writers’ material surfaced spontaneously amid gospel and holiday recordings, plus others with similar provenance: from Dylan¹s “Tomorrow Is A Long Time” in 1966, to then-contemporary pop-folk such as “Good Time Charlie’s Got The Blues” in 1973, this is Elvis in an introspective mood, masterfully creating definitive versions of iconic compositions that resonated with him for his friends in the studio – and for us. Limited to 5,000 copies.

John Renbourn – ‘The Attic Tapes’
Format: 2 x LP
More Info: Lovingly mastered from old tapes found in a friend’s attic, this is a vintage collection of previously unreleased rarities and early works by one of the guitar’s truly great innovators. The Record Store Day edition features five vinyl-only tracks and sleeve notes written by John shortly before his death in March 2015.

The Rough Guide To Unsung Heroes of Country Blues
Format: 12″ Vinyl
More Info: This album brings to the fore classic early blues masterpieces that deserve to be heard and allows the limelight to fall on some of the lesser-known country blues masters. Essential listening for any blues connoisseur, this is an adventure into some of the more hidden recesses of country blues. The Rough Guide To Unsung Heroes of Country Blues is released on vinyl exclusively for Record Store Day 2016. Includes a download card.

Billy Joe Shaver- “Wacko From Waco”/”When Fallen Angels Fly”
Format: 7″ Vinyl
More Info: This Record Store Day 7″ features two songs – “When Fallen Angels Fly,” an unreleased version of his classic hymn, a tune from the Robert Duvall film, “Wild Horses.” “Wacko From Waco” is Shaver’s account of a 2007 shooting in a bar outside his hometown of Waco. Both tracks are pressed on vinyl for the first time. Limited to 1700 copies.

Shawn Colvin & Steve Earle – “Wake Up Little Susie” / “Baby’s In Black”
Format: 7″ Vinyl
More Info: The world-class singer- songwriters Shawn Colvin and Steve Earle make their duet debut with a delightful Record Store Day 7″ splash: spirited re-castings of the Everly Brothers’ “Wake Up Little Susie” and “Baby’s in Black” by the Beatles. They’ll be singing together again on their first duet project, a full length of co-written originals later this summer.

Son Volt – ‘Live At The Bottom Line’
Format: 2 x colored LP
More Info: This Record Store Day two LP set features the live content from the Trace deluxe CD. Pressed on 180 gram vinyl, limited to 3500 copies.

Allen Toussaint – ‘Live in Philadelphia 1975’
Format: 12″ Vinyl
More Info: Record Store Day honors the passing of one of America’s greatest musicians, performers and artists with an offering of Rhino’s 2003 Handmade title. This live album features bonus material and liner notes by Billy Vera. Pressed on 180 gram vinyl, it is limited to 5000 copies.

Lucinda Williams – ‘Just A Little More Faith And Grace’
Format: 12″ Vinyl
More Info: Lucinda celebrates Record Store Day by offering exclusive remixes from her new THE GHOSTS OF HIGHWAY 20 album, including Faith and Grace in it’s truest form, and as it was intended, a full 18 minutes long! Limited to 3000 copies.

Blaze Foley – Duct Tape Messiah (Original Soundtrack)
Format: 12″ Vinyl
More Info: This Record Store Day release is limited to 1000 copies pressed on 180g heavyweight vinyl, and includes full documentary film on DVD. This Record Store Day Elite Eecords releases Duct Tape Messiah by exceptional Texan Folk artist Blaze Foley for the first time ever on vinyl. The soundtrack to the 2011 documentary film about the turbulent life of Townes Van Zandt’s companion and close friend literally spans Blaze’s whole musical life. It includes rare archival tracks never released on vinyl before as well as tracks from posthumously released Blaze albums. The limited RSD edition comes with a DVD including the full documentary film. The film beautifully draws the picture of Blaze’s life and times and his extraordinary character. Born in Arkansas, Foley was shot to death way before his time, under circumstances still to be fully clarified. As a homeless, he traveled the streets of the Texan cities to share his music with people in nightclubs and bars. Foley always stood up for the weak, which eventually cost his life. Finally, after a life of rejections and blown opportunities, his work is now gaining recognition. In 2008 his biography Living In The Woods In A Tree was published, followed by the acclaimed documentary about Foley!s underdog life: Duct Tape Messiah. The film’s soundtrack comprises of 14 carefully selected songs from all stations in Blaze’s life and gives an insight into his straight and genuine songwriting. Blaze!s musical heritage was close to being forgotten and much material used on the record are chance discoveries from record shops and old master tapes.

Left Lane Cruiser- ‘Beck In Black’
Format: 12″ Vinyl
More Info: Retrospective of early Left Lane Cruiser material with drummer Brenn Beck, re-mastered and with three previously unreleased tracks (“Chicken”, “Bloodhound” and “Maybe”). Limited edition of 1000 on metalic gold vinyl for Record Store Day.

Charlie Parr – ‘I Ain’t Dead Yet’
Format: 10″ Colored Vinyl
More Info: A brand new 5 song 10” EP pressed on Green Vinyl. Minnesotan Country Blues guitarist Charlie Parr has been building an audience among roots music aficionados for over a decade. I Ain’t Dead Yet features four new original tunes and Charlie’s take on the traditional tune, Old Dog Blues. All songs previously unreleased!

Heartworn Highways – 40th Anniversary Edition Box Set
Format: Vinyl Box Set
More Info: This Record Store Day Exclusive release is limited to 1,000 copies worldwide and consists of a two LP set pressed on whiskey colored wax and much more in a hand crafted custom wood box by Boles Studio, Bronx, NY including an LP-sized 80-page book with exhaustive 20,000 word essay by Sam Sweet interviewing artists, documentary creators and crew, over 100 unseen photos taken during the making of the film, a cast of characters drawn by legendary Austin illustrator Kerry Awn, a reproduction of the original film poster (24”x36”), a region free DVD of the original 1976 film with restored image and sound plus 45 mins of bonus features, including performances by Townes Van Zandt, Guy Clark and others, and download card for full soundtrack.

The Weepies – ‘Say I Am You’
Format: 12″ Vinyl
More Info: To celebrate the 10th anniversary of this release, a Record Store Day exclusive edition has been put together with orange vinyl, new liner notes, exclusive new photos and a poster of album cover, autographed by the band.

Billy Don Burns- A Night in Room 8
Format: 12″ Vinyl
More Info: Billy Don Burns is considered a friend to the greats of country music and has collaborated with artists such as Harlan Howard, Willie Nelson, Wanda Jackson, Connie Smith and others. A Night in Room 8 was recorded at the Joshua Tree Inn hotel room where Gram Parsons was found dead in 1973. Recorded on a Tascam Portastudio (the same model on which Bruce Springsteen recorded Nebraska). This is an eerie yet extremely vulnerable album of new, brilliant material from such a relic of country music

Hear John Paul White’s ‘Simple Song’ From Dave Cobb’s Upcoming ‘Southern Family’

Dave Cobb's 'Southern Family'

Grammy-nominee Dave Cobb mentioned during our interview that working with Shooter Jennings was the conduit to pitting him on the path of getting back in touch with his cultural roots and the music that draws from that rich soil. One body of work in particular was part of that reawakening. The Glyn Johns produced ‘White Mansions,’ a 1978 concept album spearheaded by Shooter’s dad Waylon featuring Jennings, Jessi Colter, John Dillon and Steve Cash ( Ozark Mountain Daredevils) and Eric Clapton played guitar on several tracks showed Cobb another side of country music/ As he put it “that’s the record that really got me. There’s something about the way it felt. It came at country in a very cinematic way, it’s very powerful.”

‘Southern Family’ is Cobb’s homage to that pivital album. ‘Southern Family’ is a compilation produced and conceived by the Producer of the Year Grammy-nominee and features many of his friends and collaborators – Jason Isbell, Zac Brown, Miranda Lambert, Morgane and Chris Stapleton, Jamey Johnson, Anderson East, Holly Williams, Brent Cobb, Brandy Clark, Shooter Jennings, Rich Robinson and John Paul White. Recorded in Nashville throughout the fall of 2015, the album features ten original songs and two covers including Morgane Stapleton with Chris Stapleton’s rendition of “You Are My Sunshine.” Out lining the textures that make up the Americana sound the songs rooted in country, blues, folk and rock.

Of his vision behind the project, Cobb comments, “Somebody said, ‘You should make a concept record,’ and I kind of giggled about it for a second. But, then I thought, man, wouldn’t it be amazing to have all my friends on one record and really find a common thread? Southern Family, about their mothers, grandparents, kids, siblings, these detailed stories about how they grew up and their families and the things that make them who they are.” He adds, “This really encapsulates Nashville right now. There’s something to it. There’s something in the air. There’s a lot of great things about Nashville. There’s something here that doesn’t exist anywhere else in my lifetime. I’m sure this happened in London in the ‘60s and California in the ‘70s and maybe New York in the late ’50s or early ‘60s. But I think, right now, Nashville is the home of music.”

Of his involvement in the project, John Paul White explains, “When Dave approached me about the project, I had a pretty large ‘Keep Out’ sign in my yard. He was in the Shoals working on Anderson East’s record, and came by to say hi. We’d never formally met. I told him I was a fan of his at the Americanas earlier, but that was the extent of our conversations. He eloquently laid out his master plan and sucked me right in. I was immediately intrigued by the framework, but was ultimately sold on it by his passion. I could tell that this album really meant something to him, and that meant something to me. I’m happy to say that it’s been a pleasure creating alongside Dave. I’m incredibly flattered and thankful to be involved with a project this unique, and with the caliber of musicians and artists that Dave has brought to the table.”

Dave Cobb—will be released March 18 on Low Country Sound/Elektra Records and is now available for pre-order (iTunes.)

Southern Family Track List
1. John Paul White “Simple Song”
2. Jason Isbell “God Is A Working Man”
3. Brent Cobb “Down Home”
4. Miranda Lambert “Sweet By and By”
5. Morgane Stapleton with Chris Stapleton “You Are My Sunshine”
6. Zac Brown “Grandma’s Garden”
7. Jamey Johnson “Momma’s Table”
8. Anderson East “Learning”
9. Holly Williams “Settle Down”
10. Brandy Clark “I Cried”
11. Shooter Jennings “Can You Come Over”?
12. Rich Robinson (featuring The Settles Connection) “The Way Home”

Hear John Paul White’s ‘Simple Song’ from ‘Southern Family’ below

Sony Music Nashville CEO Gary Overton is Right (And So What?)

GaryOverton

When Sony Music Nashville CEO Gary Overton told the Tennessean, “If you’re not on country radio, you don’t exist.” it caused a minor kerfuffle between country music bloggers and country artists, like Aaron Watson and Charlie Robison, that felt they , and country msuic’s integrity, were in his contemptuous crosshairs.

I even took it apon myself to decry Overton’s statement on Twitter and retweet links to essays taking him to task.

But after some reflection, I am willing to concede that Overton is correct in his statement.

First context.

Overton made his incendiary remarks while attending the annual Country Radio Seminar in Nashville, where 2,424 attendees, exhibitors, panelists and sponsors came to discuss the future of the industry. That’s the Country Radio industry. Not the roots americana industry. Not the historical preservation of country music.

As with any trade convention quality was not the focus, unless there is a direct line between it and profits.

It’s about return on investment. Period.

No more clear symbol of this was the surprise appearance of Garth Brooks to announced the year’s Country Radio Hall of Fame inductees in both the Radio and On-Air categories.

Whether you like Brooks’ music, or believe he’s the beginning of genre cross-over hell and the end of everything that was good about country music (he wasn’t), with 8 Academy of Country Music awards and a RIAA (Recording Industry Association of America) listing of as the best-selling solo album artist of all-time (surpassing Elvis Presley) with 135 million units sold, he is the the gold standard by which radio play, record sales and concert attendance is measured.

Jimmy Rodgers mights be the father of country music, but Garth is it’s first superstar.

This is the ontological existence of which Overton refers. The world made possible by Garth.

When your music is no longer a nuanced craft and becomes a replicable commodity, you exist. If your personality and looks are a marketers dream, you exist. If your income far exceeds the label’s output, you exist. If you’re willing to run that gilded hamster wheel ad infinitum until the end of your short days, you exist.

If you’re willing to use your talents to grease the music row production machine, to achieve potential fame and admiration of millions, you exist.

Short of that piss off.

It’s not all gloom. When an industry behemoth refuses to adapt to customer tastes and industry trends alternatives spring up.

The Nashville Sound led to Buck, Merle , Willie and Waylon. The Urban Cowboy fab resulted in Dwight Yoakam, Steve Earle, Lyle Lovett and kd Lang.

Though these rebels were never fully integrated into the machine itself they did send waves into record sales and radio execs had take notice.

Now the so-called Bro-Country fad has Kacey Musgraves, Brandy Clark, Sturgill Simpson and Jason Isbell rocking the mainstream country boat.

But like McDonalds facing a healthier eating public, or Budweiser facing a less people willing to swill their sun-par product, Music Row can only partially assimilate. The assimilation will also lead to the application of the Garth standard of success, of existence, so songs will be optioned and the same flavorless production sauce will be slathered over extraordinary songs rendering them worthy of mainstream radio play and consumptions of an always shifting, faceless and fickle demographic.

So Overton is correct. By the Garth standard of rendering cultural artifacts into mass consumption radio fodder, most musicians don’t matter. Thier work or image doesn’t fit into the already prefabbed sonic and stylized containers.

But luckily the Garth standard is not the only one that counts.

There the already mentioned Bakersfield /Outlaw standard of creatively seeing untapped opportunities and bucking (hehe) conventional (and played out) trends.

There’s the model of artists like Buddy Miller, Jim Lauderdale, Gretchen Peters, Vince Gill, Chris Knight, Guy Clark and others that straddle the commercial and artistry territories without compromise.

There’s the vibrant and thriving Americana model that cultivates and champions the best of country music, and country music sourced genres , new and older talents. And has created a thriving , and lucrative, community.

And then there’s the Hank III model of giving the finger to Music Row and bringing in a whole new demographic from the ground up, to build a loyal, enthusiastic and sustainable fan base.

Some say the Garth standard of mega sales, and celebrity status, is dead, or dying, in a music industry in transition.

I certainly have no crystal ball telling me where all this is headed. But I take comfort is knowing that Overton and his ilk are on their heels as their concept of existence crumbles beneath them.

Or as singer/songwriter, and one-time potential Voice contestant, Jason Isbell so eloquently tweeted:

“Of course major-label execs are saying crazy things these days. Have you ever heard the kinds of things people say when they’re dying? ”

57th Annual Grammy Awards – Showing Our Roots

Brandy Clark & Dwight Yoakam 'Hold My Hand'

The cultural trade show known as the 57th Annual Grammy Awards is now history. 83 golden antiquated media playback device replicas were handed out to some of the most talented musicians in the world.

But the event is anything but antiquated. The Grammys have been pushing the boundaries of social and streaming media for some time, improving every year and rivaling events like The Oscars and The Superbowl for social activity. The Grammys know how to create, and amplify, buzz.

Though I did not take part in the excellent Grammy social program as I had the past 4 years, I was graciously asked by Entertainment Tonight to live blog the event for ETOnline.com. and I did cover the pre-telecast (rechristened the GRAMMY Awards Premiere Ceremony) at the Twang Nation twitter feed. That’s nearly 8 hours of tweeting, blogging, posting in all.

But this is not a social marketing site. Its about the music, and there was lot’s of it. Much of it great.

First , the winners.

The big winner in the Americana and roots category was Rosanne Cash. Cash, who had been an awards presenter earlier in the day, took home awards in all the categories she was nominated in. winning who won best American roots performance, American roots song for ‘A Feather’s Not A Bird’ and Americana album for “The River and The Thread.” “Reagan was president last time I won a Grammy,” Cash beamed, referring to her win for
“I just showed up for work for 35 years and this is what happened.” Cash’s last win was in 1985 for Best Female Country Vocal Performance for “I Don’t Know Why You Don’t Want Me.”

Other notable wins were Mike Farris’ first nomination turned into a win for win for Best Roots Gospel Album.

Bluegrass supergroup, The Earls Of Leicester – Jerry Douglas, Tim O’Brien, Shawn Camp, Johnny Warren, Charlie Cushman and Barry Bales – won for Best Bluegrass Album for The band’s self-titled release. “We’re very humbled by this,” Douglas said during his acceptance speech. “These guys worked with me — I’ve wanted to do an album like this since the first time I picked up a musical instrument … This is what it’s all about — Lester Flatt and Earl Scruggs.” “Proud to bring Flatt & Scruggs to a new audience. I think we now have a mandate to do more.”

Nickel Creek and Punch Brother founder Chris Thile and bassist Edgar Meyer won the Grammy Award for Best Contemporary Instrumental Album for their album, ‘Bass & Mandolin.’ The duo have been performing together sporadically for more than a decade. ‘Bass & Mandolin’ was also nominated for Best Instrumental Composition for the album track “Tarnation” and Best Engineered Album, Non-Classical.

After an ripping performance of 8 Dogs 8 Banjos on the Grammy Awards Premiere Ceremony stage, Old Crow Medicine Show encored with a win for Best Folk Album, for ‘Remedy.’

“We started our 18th year of making music together this year, and we want to thank Bob Dylan and Woody Guthrie for lighting the way,” singer/fiddler Ketch Secor said from the podium.

Glen Campbell won his sixth Grammy of his extraordinary career for Best Country Song. The ailing country legend won for “I’m Not Gonna Miss You,” the bittersweet song Campbell penned with Julian Raymond for the 2014 documentary ‘Glen Campbell: I’ll Be Me,’ won against songs by Kenny Chesney, Eric Church, Miranda Lambert and Tim McGraw with Faith Hill.

Best Historical Album went to the excellent Hank Williams The Garden Spot Programs, 1950. Colin Escott & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer.

One of the most talked about surprises of the evening was Beck’s win for Album of the Year for his 12th album ‘Morning Phase.’ Though I could quibble about Beck’s moody-folk/pop masterpiece
winning a Best Rock Album award earlier in the evening (rock?) there’s no arguing that Beck is a musician with an artistic vision, with little apparent care for the charts and industry. A rare vision richly deserving the honor of a high-profile award.

Apparently after the win twitter spiked with ‘Who is Beck?’ Supposedly by people genuinely unaware of the artist. The rest was Kanye West.

The stand out performance was Best New Artist nominee Brandy Clark sharing the stage with her idol and recent tour mate Dwight Yoakam. The two performed a lovely rendition of “Hold My Hand” from the Best Country Album nominated ’12 Stories.’ Perched on a round stage with no extravagant light show, two simple guitars and two warm voices. It was the most low-key performance of the 2015 Grammys and the one that best personified what most matters, and is often lost, in theses events.

https://www.youtube.com/watch?v=Zu9-3yC012g

Watch Out! – Brandy Clark – “Stripes” – David Letterman 1-6-14

Brandy Clark – “Stripes” Letterman

David Letterman, and his music booker at the Late Show Sheryl Zilikson, continued their ongoing support of Americana and roots music by featuring the creator of my #1 pick of last year, Brandy Clark

Clark performed the song “Stripes” from that latest debut “12 Stories.”

https://www.youtube.com/watch?v=lgQ7Y1U2M2A

ON EDIT: Want more Brandy? Here’s ‘Hold My Hand’ from ‘Hold My Hand’ in the Morning

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2013

Twang Nation Best of  2013

As the last days of 2013 drop away the business-as-usual music industry remains bogged in a largely self-inflicted quagmire, but don’t tell musicians this. Industry gatekeepers and financial barriers are being overrun by people with a passion for the craft, and the talent and drive of a refusal to be denied. And we, dear reader, are richer because of it.

If there’s a theme to this year’s choices it’s that women are blazing a trail between Americana and mainstream country music. Lindi Ortega, Brandy Clark, Julie Roberts, Kelly Willis, Aoife O’Donovan and Valerie June might honing their craft from different angles, but a more than cursory listening shows they are making great contemporary music drawing from a common roots music well.

2013 was also a great year for what might be called “real country music.” However you define this vague term (Jimmie Rodgers? Willie? Garth?) you’ll find much of Country Music’s Golden Eras reflected in Brandy Clark, Dale Watson, Sturgill Simpson, Robbie Fulks as well as the mighty Son Volt, who released one of the best albums of their career with “Honky Tonk.”

Also the craft of songwriting and rich, engaging narrative is alive on Jason isbell’s best solo outing yet, Southeastern. Also on the veteran Guy Clark’s “My Favorite Picture of You” and relative newcomers John Moreland and John Murry.

2013 brought us some of the most creative and daring music in the Country, Americana and Roots fields and all indicators point to 2014 being even better with releases upcoming from Roseanne Cash , The Drive-By Truckers, Jason Eady, The Ben Miller Band and many more.

And in spite of T Bone Burnett’s advice to keep their art pure and unscathed by dirty, dirty self-promotion, these folks are out there hustling to breach popular consciousness.

I hope this list helps in some small way.

it was a challenge to keep the list to just 10, so again this year I surrendered to representing excellence over some arbitrary number.

Don’t see your favorite represented? Leave it in the comments and let’s spread the twang.

20. Austin Lucas – Stay Reckless – Nobody does pedal-to-metal roots-rock like Lucas. “Stay Reckless” elevates his song to a new level.

19. Aoife O’Donovan – Fossils [Yep Roc Records] – Alison Krauss covered O’Donovan’s song “Lay My Burden Down,” O’Donovan’s album is so good you might forget that.

18. John Murry – The Graceless Age [Evangeline Recording] Dark and engaging without veraing into bleak and self-pitying. John Murry makes feeling bad sound good.

17. Dale Watson – El Rancho Azul [Red House] Watson finds his hony-tonk sweet spot and does the Lone Star State proud.

16. Julie Roberts – Good Wine & Bad Decisions [Red River Entertaintment] – Music Row’s golden girl confronts set-backs and tragedy by creating the best album of her career.

15. Caitlin Rose – The Stand-In – [ATO Records] Rose deftly proves that “pop” doesn’t have to be bad.

14.5 – Will Hoge – Never Give In – Roots rock with a hook done right. [Cumberland Recordings]

14. Bruce Robison, Kelly Willis – Cheater’s Game [Preminum Records] – Austin’s Americana power couple delivers an engaging charmer.

13. Sarah Jarosz – Build Me Up from Bones [Sugar Hill Records] Jarosz songwriting, playing and vocals hit a new level and shw her to be already beyond her young years.

12.5. Daniel Romano – Come Cry With Me – had to slip in this neo-trad gem in response to the comment reminding me of it’s badassery. Yes, I do read the comments when I agree with them.

12. Robbie Fulks – Gone Away Backward [Bloodshot] Fulks creates an excellent, heartfelt bluegrass album sans his signature wink and smirk.

11. Valerie June – Pushin’ Against A Stone [Concord] Newcomer June fuses roots and soul and shows why she’s an Americana rising star.

10. Holly Williams – The Highway [Georgiana Records] – The songwriting on “The Highway” moves Williams out of anyones shadow.

9. Son Volt – Honky Tonk [Rounder Records] – Jay Farrar takes up the pedal steel and re-discovers Son Volt’s soul.

8. Lindi Ortega – Tin Star [Last Gang Records] Ortega’s exceptional “Tin Star” moves her into the realm of Queen of Americana music.

7. Hiss Golden Messenger – Haw [Paradise of Bachelors] M.C. Taylor continues to explore life and faith and stake new roots music territories.

6. Gurf Morlix – Gurf Morlix Finds the Present Tense [Rootball] A legendary songwriter/musician gets existential and rewards us with a fantastic body of work.

5,5. Shonna Tucker and Eye Candy: A Tell All [Sweet Nector] – I foolishly omitted this pop-roots-soul gem on first pass. I now remedy that grievous oversight.

5. Guy Clark – My Favorite Picture of You [Dualtone] A master still makes it look easy. It ain’t.

4.John Moreland – In The Throes [Last Chance Records] Moreland is an accomplished student of song craft and “In The Throes” moves him into the master class.

3. Sturgill Simpson – High Top Mountain [High Top Mountain] Reluctant savior of outlaw soul creates a masterpiece in spite of expectations.

2. Jason Isbell – Southeastern [Southeastern Records] – With an already accomplished body of work Isbell surpasses himself and creates a classic.

1. Brandy Clark – 12 Stories [Slate Creek Records] – It takes guts to refuse to be a cog in the Music Row machine and create an debut this daringly country.