Tag Archives: Carl Perkins

Listen Up! Bob Dylan and Johnny Cash ‘Wanted Man’ Demo

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It’s always a treat when new music is released featuring the late Johnny Cash. in this case, we get the added pleasure of the song being a Bob Dylan penned piece performed in a fly-on-the-wall manner by the two men.

Bob Dylan wrote “Wanted Man” in 1969 for Johnny Cash who included it as part of the setlist for his live album “At San Quentin.” The album was the second in Cash’s live prison-performed albums including ‘At Folsom Prison’ (1968), ‘PÃ¥ ÖsterÃ¥ker’ (ÖsterÃ¥ker Prison in Sweden, 1973), and ‘A Concert Behind Prison Walls’ (Tennessee State Prison in 1974), and later released a studio version.

In anticipation of Dylan’s upcoming release ‘Travelin’ Thru, 1967-1969: The Bootleg Series Vol. 15’ we now have this rollicking demo of Dylan, Cash (who’s still working out the lyrics) featuring Carl Perkins on guitar. Hear it below.

On the recording June Carter Cash can be heard asking Johnny to “..make sure Bob puts a melody to that song.” Possibly in a futile attempt to reign in Dylan’s unorthodox singing style.

“Travelin’ Thru, 1967-1969: The Bootleg Series Vol. 15” will be released November 1st. Preorder it here.

Music review: Dale Watson & The Texas Two – The Sun Sessions [Red House Records]

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On his new release Texas country music traditionalist Dale Watson goes back to the roots of by recording in the historic Sun Studios of Memphis, TN. It was here that owner and chief producer Sam Phillips changed the face of 20th century music by manning the board for the likes Johnny Cash, Elvis Presley, Carl Perkins, Roy Orbison, Charlie Feathers, Ray Harris, B.B. King, Joe Hill Louis, Rufus Thomas, and Howlin’ Wolf, Charlie Rich, and Jerry Lee Lewis among many others.

Dale scales down his band for the sessions to drummer Mike Bernal and Chris Crepps on upright bass, or as they have been christened the “Texas Two.” This band title is not the only     testimonial to Johnny Cash’s 1954 to1958 sessions with his Tennessee Two.”   The spirit of Cash is also evoked on nearly every song with the use of his trademark boom-chicka-boom sound  as well as the class atmospheric “slap-back” production that helped make the Sun Studios famous.

This is not the first time Dale has gone to hallowed ground to summon the spirit of Cash. His 2007 album, from the Cradle to the Grave was recorded in a cabin near Nashville formally owned by Cash and  graciously loaned to him by his friend and current owner Johnny Knoxville of Jackass fame.

Wason and his Texas Two peer from the cover with the iconic beaming sun set above them. These days Watson is looking less like Paulie Walnuts from the Sopranos and more like an older Unknown Hinson.

Also in line with Cash’s Sun Studio sessions is each songs brief duration. The 14 songs here clock in at less than a half-hour overall with the longest song, an ode to love and Southern cooking My Baby Makes Me Gravy, at 2:45. A way to a man’s heart is through his stomach but apparently it doesn’t take long to get there.

The songs are mostly all new with the exception of Johnny at the Door from Watson’s album People I’ve Known, Places I’ve Been (1999) and Elbow Grease, Spackle And Pine- Sol, which is a renamed version of Holes in the Wall from the Watson’s first album Cheatin’ Heart Attack (1995)

The genesis of the album began on Watson’s 16-ton Eagle tour bus bus after learning that the gig they were headed to in Memphis had fallen through. He then called up Sun Studios to see if they had an opening and they said “Come on in.” Watson then used his iPhone to record his voice as he worked out some songs while sitting behind the wheel.

Down, Down, Down, Down sets the pace with a boom-chicka-boom fright-train-like opening as Watson’s baritone breaks down a song of a life misspent on woe, sorrow and hell-raising ultimately asking for redemption. The Cash vibe is strong on Johnny at the Door, a tribute to a “good ol boy” Austin-area bar doorman and Drive, Drive, Drive that often echos Cash’s own Cry, Cry, Cry. Elbow Grease, Spackle And Pine- Sol is a guide to man’s reaction to being served divorce papers by his wife through aggression, he apologizes but sound like he does it with a smirk and doesn’t sound like he’s sorry at all for the “holes in the wall.”  Her Love has Watson conjuring one of the other ghosts of Sun Studio. The sentimental , heartfelt ballad has the mark of Elvis Presley running all through it.

Watson continues to be the cure for the contagion of  Music City pop-country.

Be sure to check out the Facebook campaign to get Dale Watson on the legendary Austin City limits show.

Official Site | Buy

Dale Watson & The Texas Two- My Baby Makes Me Gravy

[youtube]http://www.youtube.com/watch?v=EnyYwdFQJgk[/youtube]

Twang Nation Christmas List

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Postings have been slow going here at Ranch Twang. The holidays have me running like a headless chicken and my trips to Washington DC on my solid-gold private plane to ask for a bail out. Since I’m the only employee of Ranch Twang I’m none too happy about my audacious behavior while my job hangs in the balance. That check better be in the mail or Christmas presents are going to be as rare as hen’s teeth. But of the bail-out..er..rescue comes in time here, dear Twangers, is my shopping list:

At Folsom Prison Legacy Edition – Johnny Cash’s 1968 watershed concert is given the Legacy treatment with the inclusion of both of the days performances, One show at 9:40 in the morning and another at 12:40 in the afternoon – the first show was exclusively used for the official record. The performance was like an old-style showcase and all the performers are present – Carl Perkins, the Statler Brothers, Radio DJ Hugh Cherry and the Carter family. Also included is a documentary DVD featuring interviews with Roseanne Cash, Merle Haggard, Marty Stuart, and several former inmates who attended the famed concert.

Merle Haggard: Legendary Performances – A Shout! Factory and the Country Music Hall Of Fame produced DVD of many of the Hag’s vintage live performances such as “Branded Man” (Country Music Holiday,1968), “Mama Tried” (Billy Walker’s Country Carnival, 1968) and “Okie From Muskogee” (The Porter Wagoner Show, 1970).

Country Music: The Masters by Marty Stuart – A breathtaking scrapbook by singer/songwriter/musician and country music historian Marty Stuart has created the closest thing  to pressing the wild and beautiful soul of country music between two covers – Merle Haggard, Johnny Cash, Bill Monroe and more are candidly featured in Stuart’s own photos that span his 40 year career. The book somes with a CD including the song “Dark Bird,” an unreleased cut dedicated to Johnny Cash and written by Stuart after Cash’s death. There’s also a nice introduction from Boxmaster’s front man and actor Billy Bob Thornton.

Classic Christmas by George Strait – Who better to deliver your yule tides then the man with the pipes that could wrench away Bing Crosby’s hold as the voice of Christmas? “We Three Kings,” a playful “Up on the Housetop,” classics like “Hark, The Herald Angels Sing,” “Deck the Halls,” “O Come, All Ye Faithful,” and “We Wish You A Merry Christmas.” Aa great album to listen to by the fire while putting a little whiskey in your egg nog.

And last, but certainly not least, premier roots and alt.country record labels Bloodshot Records (Justin Townes Earle, Ryan Adams, tge Old 97s) and Hyena Records (Dale Watson, Grayson Capps) and legendary alt.country/roots magazine (now web site) No Depression are all having a blowout holiday sale. Go clean ’em out!

For all of you on the naughty list, look for the full Rascall Flatts catalogue in your stocking.