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 Wanted! – Notable Americana and Roots Music Releases for 2017

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Wanted! - Notable Americana and Roots Music Releases for 2017

2016 was another great year for Americana and roots music, and 2017 shows signs that the great music will continue to come our way. As our Cream of the Crop favorites from last year makes plain we might be experiencing a new golden age of roots music/ Both as a growing influence on our contemporary culture and also as a viable, business for young and old artists to sustain themselves and thrive.

That last part is crucial as it provides economic and influential seed corn for the future ‘Cream of the Crop’ year-end best of collections.

The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like Ray Wylie Hubbard, Chris Stapleton, Jason Isbell and The Secret Sisters have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year and will send word through my twitter account when I do.

If you know of a release not listed yet please leave it in the comments.

One thing is for sure, it’s going to be a great year folks.

January 13th –
The Band of Heathens – ‘Duende’
Blackie and the Rodeo Kings – ‘Kings and Kings’
Otis Gibbs – ‘Mount Renraw’

January 20th –
Kasey Chambers – ‘Dragonfly’
The Show Ponies – How It All Goes Down’
Rayna Gellert – ‘Workin’s Too Hard’

January 27th –
Delbert McClinton – ‘Prick Of The Litter’
Tift Merritt – ‘Stitch of the World’
Valerie June – ‘The Order of Time’
Bankesters – ‘Nightbird’
Dead Man Winter – ‘Furnace’

February 3rd –
Ags Connolly – ‘Nothin’ Unexpected’
Gurf Morlix – ‘The Soul & The Heal’
Mitch Dean –‘Suburban Speakeasy’
Rose Cousins – ‘Natural Conclusion’
Caroline Spence – ‘Spades & Roses’

February 10th –
Kris Kristofferson – The Austin Sessions (Expanded Edition)

February 17th –
Alison Krauss – ‘Windy City’
Nikki Lane – ‘Highway Queen’
Pegi Young & The Survivors – ‘Raw’
Son Volt – ‘Notes Of Blue’
Son of the Velvet Rat – ‘Dorado’
Blair Crimmins – ‘You Gotta Sell Something’
The Gibson Brothers – “In The Ground”

February 24th –
Curtis McMurtry – ‘The Hornet’s Nest’
Rhiannon Giddens – ‘Freedom Highway’
Old 97s – ‘Graveyard Whistling’
Scott H. Biram – “The Bad Testament”
Shinyribs – “I Got Your Medicine”
Aaron Watson – “Vaquero”

March 3rd –
Grandaddy – ‘Last Place’
Beth Bombara – ‘Map With No Direction ‘

March 10th –
Sunny Sweeney – “Trophy’
Pieta Brown – “Postcards”

March 24th –
Jessi Colter – ‘The Psalms’
Samantha Crain – ‘You Had Me At Goodbye’

March 31st –
Rodney Crowell – ‘Close Ties”
David Olney – “Don’t Try To Fight It”
Dead Soldiers – “The Great Emptiness”
Shoddy Blacktooth — “Don’t Forget To Die”

April 7th
Malcolm Holcombe – ‘Pretty Little Troubles’
Andrew Combs – “Canyons Of My Mind”

April 14th
Evening Darling – “Evening Darling’

April 21st –
Angaleena Presley – ‘Wrangled’

May 5th
Chris Stapleton – ‘From a Room: Volume 1’

May 19th
Builders and the Butchers – ‘The Spark’
Pokey LaFarge – ‘Manic Revelations’
Tom Russell – ‘Play One More: The Songs Of Ian And Sylvia’

May 26th
Justin Townes Earle – ‘Kids in the Street’

June 2nd –
Bobby Osborne – ‘Original’

June 9th –
The Secret Sisters – ‘You Don’t Own Me Anymore’
Shannon McNally – ‘Black Irish’

June 16th –
Sammy Brue – ‘I Am Nice’

June 23rd –
The Deslondes – ‘Hurry Home’
Slaid Cleaves – ‘Ghost on the Car Radio’

July 7th –
Randall Bramblett – ‘Juke Joint At The Edge Of The World’

July 14th –
Cale Tyson – ‘Careless Soul’

July 21st –
Whiskey Shivers – ‘Some Part of Something”

August 4th
Tyler Childers – ‘Purgatory’

August 18th
Loretta Lynn – ‘Wouldn’t It Be Great’ POSTPONED
Ray Wylie Hubbard – ‘Tell the Devil I’m Getting There as Fast as I Can’

September 8th
Caroline Reese – ‘Two Horses’ EP

September 15th
Willie Watson – ‘Folksinger Vol. 2’
The Lone Bellow – ‘Walk Into A Storm’

September 22nd
Steve Martin & Steep Canyon Rangers – “The Long-Awaited Album”
Billy Strings – ‘Turmoil & Tinfoil’

September 29th
Anna Tivel – “Small Believer”

October 6th
Whitney Rose – ‘Rule 62’
JD McPherson – ‘Undivided Heart and Soul’
Becca Mancari – ‘Good Woman’

October 13th
Hellbound Glory – ‘Pinball’
Caleb Cladry – ‘Invincible Things’

October 16th
Gill Landry – ‘Love Rides A Dark Horse’

October 20th
Turnpike Troubadours – ‘A Long Way From Your Heart’
Dori Freeman – ‘Letters Never Read’

October 27th
Lee Ann Womack – ‘The Lonely, The Lonesome & The Gone’
Ronnie Fauss – ‘Last of the True’
The Wailin’ Jennys – ‘Fifteen’
The Deep Dark Woods – ‘Yarrow’

October 31st
Year of October – ‘Trouble Comes’

November 3rd
Samantha Fish – ‘Belle of the West’
Anna St. Louis – “First Songs’
Scott Miller – ‘Ladies Auxiliary’

November 17th
Mavis Staples – ‘If All I Was Was Black’

December
Chris Stapleton – ‘From a Room: Volume 2’

December 8th
Robert Ellis and Courtney Hartman – ‘Dear John’

Anticipated Americana Albums That Will Help 2017 Not Suck

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Dead Man Winter – ‘Furnace’ (Gndwire Records) – January 27
Minnesota singer/songwriter Dave Simonett takes from fronting the prog-grass Trampled By Turtles to release a set of deeply personal folk-pop songs traveling The emotional terrain scarred by divorce and the subsequent fracturing of his family.

Valerie June – ‘The Order of Time’ (Concord Records) – January 27
Following her 2013 breakout release, ‘Pushin’ Against a Stone’ that showered her with accolades from the New York Times and NPR, ‘The Order of Time’ has the Tennessee-bred singer/songwriter weaving folk, blues, Afro-rhythms and trip-hop atmosphere into a reflection on family, love and the nature of time. Produced by Matt Marinelli (Beck, Bad Brains), The Order of Time includes twelve original songs and features piano accompaniment from Norah Jones on three tracks and vocals from June’s late father and brothers on “Shake Down.”

Kasey Chambers – ‘Dragonfly’ – (Sugar Hill) – January ?
The 11th studio album by iconic Australian country/roots singer-songwriter Kasey Chambers will be released as a two disc set. The first, The ‘Sing Sing Sessions’ is produced by Paul Kelly. The second, ‘The Foggy Bottom Sessions’ is produced by Nash Chambers, Kasey’s brother. The release will feature ‘If We Had A Child,’ a duet with fellow Aussie and longtime friend Keith Urban and the previously released smoky liberation ballad ‘ Ain’t No Little Girl.”

Rose Cousins – ‘Natural Conclusion – (Old Farm Pony) – February 3
This collaboration with local Halifax artists and producer Joe Henry has Cousins crafting songs similar to early Patty Griffin and fellow Canadian Kathleen Edwards. The sparse economy of her folk songs belie their turbulent core.

Gurf Morlix – ‘The Soul & The Heal (Rootball Records) – February 3
Austin-based roots music legend Gurf Morlix has made a name for himself by working with roots artists like Blaze Foley, Robert Earle Keen, Ray Wylie Hubbard and Lucinda Williams. He’s also renowned for his extraordinary solo work and live performances. Morlix will release his self-produced 10th studio album, ‘The Soul & The Heal on his own Rootball Records in February and, given his attention to detail and feel for a great song, it’s sure to be a must-have.

Son Volt – ‘Notes of Blue’ (Transmit Sound) – February 17
Veteran Jay Farrar has built a legacy working within the alt.country territory he helped found with Jeff Tweedy, and Mike Heidorn when Uncle Tupelo formed in St. Luis. Now he steers his roots vehicle, Son Volt, toward the blues, the cousin genre following in the footsteps of other roots royalty like Steve Earle and Lucinda Williams.

Nikki Lane – ‘Highway Queen’ – (New West) – February 17
One of the few women that fit the stylistically daring and business savvy mode established by Willie and Waylon, Nikki Lane takes the co-production helm (along with Texas’ Jonathan Tyler) on her upcoming 10-track ‘Highway Queen’ that’s sure to brim with her personal stock of twangy grit and slinky 70’s inspired pop.

Old 97s – ‘Graveyard Whistling’ – (ATO Records) – February 24
Few bands have carried the alt.country flag so skillfully (and with such fun!) as Dallas’ own Old 97s. For decades the original band of hombres, guitar-slinger Ken Bethea, bassist Murry Hammond, and drummer Philip Peeples and front man extraordinaire Rhett Miller, will showcase their brand of rowdy style of melody wrangling When they release their anticipated 11th album.

Sunny Sweeney – “Trophy’ – (Thirty Tigers) – March 10
Texas’ own Sunny Sweeney looks to producer Dave Brainard, the man at the helm behind Brandy Clark’s breakout debut ’12 Stories,’ for her fourth release. Many of the songs are co-written by Sweeney along other pros like Lori McKenna. Look for a mix of personal introspection and barroom serenades.

Chris Stapleton – TBA ( Mercury Nashville) TBA
Two years is the time that labels like to pass before releasing another album and given the success of Stapleton’s debut ‘Traveler ‘ this is probably the year we’ll see a new erase from his label Murcury Nashville. One of the cuts possibly to be featured on this yet-to-be announced release is ‘Broken Halos,’ an unreleased song Stapleton debuted last month on Dolly Parton’s telethon to benefit victims of Tennessee wildfires.

https://youtu.be/y_Dhgro8ri8

The Secret Sisters – TBA ( Mercury Nashville) TBA
The third full-length by roots singer-songwriting siblings Laura and Lydia Rogers will be produced by Brandi Carlile and the Hanseroth twins. Look for this splendid release in the Spring.

Jason Isbell- TBA- TBA

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2013

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Twang Nation Best of 2013

As the last days of 2013 drop away the business-as-usual music industry remains bogged in a largely self-inflicted quagmire, but don’t tell musicians this. Industry gatekeepers and financial barriers are being overrun by people with a passion for the craft, and the talent and drive of a refusal to be denied. And we, dear reader, are richer because of it.

If there’s a theme to this year’s choices it’s that women are blazing a trail between Americana and mainstream country music. Lindi Ortega, Brandy Clark, Julie Roberts, Kelly Willis, Aoife O’Donovan and Valerie June might honing their craft from different angles, but a more than cursory listening shows they are making great contemporary music drawing from a common roots music well.

2013 was also a great year for what might be called “real country music.” However you define this vague term (Jimmie Rodgers? Willie? Garth?) you’ll find much of Country Music’s Golden Eras reflected in Brandy Clark, Dale Watson, Sturgill Simpson, Robbie Fulks as well as the mighty Son Volt, who released one of the best albums of their career with “Honky Tonk.”

Also the craft of songwriting and rich, engaging narrative is alive on Jason isbell’s best solo outing yet, Southeastern. Also on the veteran Guy Clark’s “My Favorite Picture of You” and relative newcomers John Moreland and John Murry.

2013 brought us some of the most creative and daring music in the Country, Americana and Roots fields and all indicators point to 2014 being even better with releases upcoming from Roseanne Cash , The Drive-By Truckers, Jason Eady, The Ben Miller Band and many more.

And in spite of T Bone Burnett’s advice to keep their art pure and unscathed by dirty, dirty self-promotion, these folks are out there hustling to breach popular consciousness.

I hope this list helps in some small way.

it was a challenge to keep the list to just 10, so again this year I surrendered to representing excellence over some arbitrary number.

Don’t see your favorite represented? Leave it in the comments and let’s spread the twang.

20. Austin Lucas – Stay Reckless – Nobody does pedal-to-metal roots-rock like Lucas. “Stay Reckless” elevates his song to a new level.

19. Aoife O’Donovan – Fossils [Yep Roc Records] – Alison Krauss covered O’Donovan’s song “Lay My Burden Down,” O’Donovan’s album is so good you might forget that.

18. John Murry – The Graceless Age [Evangeline Recording] Dark and engaging without veraing into bleak and self-pitying. John Murry makes feeling bad sound good.

17. Dale Watson – El Rancho Azul [Red House] Watson finds his hony-tonk sweet spot and does the Lone Star State proud.

16. Julie Roberts – Good Wine & Bad Decisions [Red River Entertaintment] – Music Row’s golden girl confronts set-backs and tragedy by creating the best album of her career.

15. Caitlin Rose – The Stand-In – [ATO Records] Rose deftly proves that “pop” doesn’t have to be bad.

14.5 – Will Hoge – Never Give In – Roots rock with a hook done right. [Cumberland Recordings]

14. Bruce Robison, Kelly Willis – Cheater’s Game [Preminum Records] – Austin’s Americana power couple delivers an engaging charmer.

13. Sarah Jarosz – Build Me Up from Bones [Sugar Hill Records] Jarosz songwriting, playing and vocals hit a new level and shw her to be already beyond her young years.

12.5. Daniel Romano – Come Cry With Me – had to slip in this neo-trad gem in response to the comment reminding me of it’s badassery. Yes, I do read the comments when I agree with them.

12. Robbie Fulks – Gone Away Backward [Bloodshot] Fulks creates an excellent, heartfelt bluegrass album sans his signature wink and smirk.

11. Valerie June – Pushin’ Against A Stone [Concord] Newcomer June fuses roots and soul and shows why she’s an Americana rising star.

10. Holly Williams – The Highway [Georgiana Records] – The songwriting on “The Highway” moves Williams out of anyones shadow.

9. Son Volt – Honky Tonk [Rounder Records] – Jay Farrar takes up the pedal steel and re-discovers Son Volt’s soul.

8. Lindi Ortega – Tin Star [Last Gang Records] Ortega’s exceptional “Tin Star” moves her into the realm of Queen of Americana music.

7. Hiss Golden Messenger – Haw [Paradise of Bachelors] M.C. Taylor continues to explore life and faith and stake new roots music territories.

6. Gurf Morlix – Gurf Morlix Finds the Present Tense [Rootball] A legendary songwriter/musician gets existential and rewards us with a fantastic body of work.

5,5. Shonna Tucker and Eye Candy: A Tell All [Sweet Nector] – I foolishly omitted this pop-roots-soul gem on first pass. I now remedy that grievous oversight.

5. Guy Clark – My Favorite Picture of You [Dualtone] A master still makes it look easy. It ain’t.

4.John Moreland – In The Throes [Last Chance Records] Moreland is an accomplished student of song craft and “In The Throes” moves him into the master class.

3. Sturgill Simpson – High Top Mountain [High Top Mountain] Reluctant savior of outlaw soul creates a masterpiece in spite of expectations.

2. Jason Isbell – Southeastern [Southeastern Records] – With an already accomplished body of work Isbell surpasses himself and creates a classic.

1. Brandy Clark – 12 Stories [Slate Creek Records] – It takes guts to refuse to be a cog in the Music Row machine and create an debut this daringly country.

Twang Nation Podcast Episode 10 – Chris Knight, Buddy Miller,Jim Lauderdale, John Fullbright, Gurf Morlix

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podcastEpisode #10 (alright double digits!) of Twang Nation Podcast pulls from my first 10 of a list of 21, Cream of the Crop selections from 2012. It’s been a great year for Americana and roots music. T Bone Burnett has done a fine job of sliding roots artists like Lindi Ortega and Shovels and Rope within a Music Row soap opera with ABC’s Nashville. The Americana Music Association continues to burnish the brand and their conference and wards show set attendance and submission records. Even that bastion of Music Row glitz, CMT, saw crossover potential and launched CMT Edge which has featured artists like Jason Isbell and Justin Townes Earle.

2013 shows no signs of slowing down with upcoming releases from Kris Kristofferson, Dale Watson as well as joint releases from Kelly Willis and her hubby Bruce Robison and Emmylou Harris and ex Hot Band member and legendary songwriter Rodney Crowell.

As the Americana music culture and industry grows and becomes more of a mainstream staple, with bands like Mumford and Sons and the Avett Brothers leading the way, I applaud the advantages and the opportunities for musicians and we who cover them. As I’ve said, I want the performers I cover to get more prestigious gigs, better recording facilities, more gear and to leave their touring vans behind and be bale to afford the relative comfort of a touring bus. I don’t believe musicians should suffer for tier craft (much!) Here’s to mutually rising boats.

In the new year I resolve to do my best not to follow the hyped path most traveled and do what I’ve always done, follow my heart and my ear to places more interesting and authentic for the love of music. I hope you come with me in and enjoy what I discover.

Thanks you for reading the site, following on twiiter , Facebook, Google+ and my work over at Grammy.com.

Happy holidays and a safe and happy New year to you all.

Opening Song – “Mr. D.J” – by Dale Watson
1.Chris Knight– song:”Little Victories”- Album: “Little Victories” (Drifter’s Church Productions)
2.Malcolm Holcolmbe – song: “Gone Away at Last”- Album: “Down the River” (GypsyeyesMusic – out now )
3.Darrell Scott – Song: Hopskinville – Album: Long Ride Home (Full Light Records)
4.Corb Lund – song: Gettin’ Down on the Mountain Album: Cabin Fever (New West Records)
5. Buddy Miller and Jim Lauderdale That’s Not Even Why I Love You. – Album: Buddy and Jim (New West Records)
6.Iris DeMent – song:Sing The Delta- Album:Sing The Delta (Flariella Records)
7.Dwight Yoakam – song:A Heart Like Mine- Album:3 Pears (Warner Bros. Records)
8.Turnpike Troubadours Song: Gin, Smoke and Lies- Album:Goodbye Normal Street (Bossier City Records)
9.John Fullbright song:Satan and St. Paul- Album:From The Ground Up (Bossier City Records)
10. Shovels & Rope– song:Fire On The Hill- Album:O’ Be Joyful (Dualtone Records)
11. Gurf Morlix – song:Present Tense- Album: Gurf Morlix Finds the Present Tense – Out March 5, 2013)
12.Robert Earl Keen– song:Merry Christmas from the Family- Album: Gringo Honeymoon

Americana Music Association Conference & Festival 2011 Wrap Up

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On the night of the 10th annual Americana Music Association Awards, the director of the organization, Jed Hilly, recounted from the stage of the historic Ryman Auditorium a few of the key accomplishment te genre had enjoyed over the last few years. The National Academy of Recording Arts and Sciences included a separate Americana Grammy category and Miriam-Webster added the word Americana to their dictionary: “a genre of American music having roots in early folk and country music.” I was fortunate to be chosen to cover the Grammys as the official Americana blogger this year and so was personally appreciative of that part formal industry recognition and I think the Miriam-Webster definition is imprecise but Hilly’s assessment is correct, movement now feels like progress.

The nearly 50 panels ranged from topics better suited for barroom debates  (Is  Blues Americana?) to tips and insights in booking shows, using Cloud-based, digital distribution,  steaming music services and tips on using social media to expand your fan base.

As great as the America Music Awards program and panels were the real action was around Nashville. A neat definition of Americana was made even more futile by the contemporary variations on display by the 100 bands showcased at five of the city’s best live music clubs throughout the dates of the conference.

Wednesday night started with Austinite power-couple Kelly Willis & Bruce Robison at the Station Inn. I had see their show several months ago at my home in San Francisco and they had honed the songs and patter over the miles. The married pair emanated a presence and rapport that can only be delivered from two people that have been in the thick and thin together. Jokes about marriage counseling followed by numbers laced with classic country was reminiscent of John and June or George and Tammy. Then across town to catch Blind Boys of Alabama and another Austin resident Hayes Carll at the Mercy Lounge. The BBoA are simply one of the most amazing live acts I’ve ever seen. Their version of Amazing Grace performed over the familiar lonesome strains of House of the Rising Sun will give you hope while making you weep. Hayes Carll delivered his learned honky-tonk with spirit and a Texas crooked smile to charged crowd that hung on every word, even when that song was as wordy as KMAG YOYO.

Thursday was all about the 10th annual awards Americana Music Association Honors and Awards held at the Mother Church of Country Music, the Ryman Auditorium. Once again Jim Lauderdale performed MC duties and Buddy Miller led the house band once again and also triumphed by winning two awards, Artist of the Year and Instrumentalist of the Year. Miller showed the utmost humility by stating after the second hand-made folk-art trophy was handed to him  “Well this is just embarrassing. I feel like I get away with murder,” he said. “I’m really, really not that good. … But I get to play with some wonderfully incredibly talented people.” Emmylou Harris quipped that they should just name the hand-made trophies “The Buddy.” I think she’s on to something.

Robert Plant and his Band of Joy took home the trophy for Album of the Year took acceptation to Miller’s assessment. Saying of his Raising Sand and Band of Joy collaborator “I stole a great deal with my old companions, and I was very fortunate, the last few years, to be welcomed by some spectacular people, especially in this town,” Plant said. “”I’m never going anywhere without Buddy Miller. “ Regarding the Band of Joy win, I would argue that a covers album should not be in the running for album of the year, but if one is Gurf Morlix’s album of Blaze Foley covers “Blaze Foley’s 113th Wet Dream” should have been that album.

Musical highlights included the Civil Wars’ Barton Hollow, the Avett Brothers’ The Once and Future Carpenter and soul singer Candi Staton’s tribute to Rick Hall, founder of Fame Recording Studio in Muscle Shoals, Ala. with Heart on a String.

Song of the Year winner Justin Townes Earle delivered on an up-tempo Harlem River Blues, the Secret Sisters represented country tradition with Hank Williams’ Why Don’t You Love Me and Scott and Seth Avett of the Avett Brothers provided background vocals during Jessica Lea Mayfield’s For Today.  Other performers included Lucinda Williams (Blessed), Amos Lee (Cup of Sorrow), Elizabeth Cook (El Camino), Buddy Miller (Gasoline and Matches), and Jim Lauderdale (Life by Numbers).

The show closed out with Greg Allman on Hammond B-3 organ leading Plant, Griffin, Miller, Lee, Cook,  and others on an extended version of the gospel standard, “Glory, Glory Hallelujah.”

Post awards activities too place primarily in the Basement under Grimey’s Record Store. I walked in on the winsome Amanda Shires mid-set, decked in a lovely dress and monogrammed boots her fluttering vibrato held the packed house in silence. Malcolm Holcombe followed with a two-piece accompaniment that in no way fenced in his frenetic guitar picking as he strolled the stage and growled songs of love and hope. On advice of a friend I stuck around for Pokey LaFarge & the South City Three. Their country-swing-blues sound was a perfect to close a late night.

Friday I was fortunate enough to catch the great Henry Wagons at the Second Fiddle Australian/Americana lunch showcase. Wagons is one of these guys that was born to perform, and it works to his favor that he’s cool to be around. Later that night I headed over to the Mercy Lounge to catch Robert Ellis playing the opening bill at the Mercy Lounge, “I thought I had gotten the shitty slot.” Ellis said grinning at the nearly packed room. He and his band then proved why they are the one to watch in the coming. years. It reminded me of when I first saw Ryan Bingham in New York City in 2007, great things to come. Amy LaVere followed playing her jazzy folk renditions  with winsome charm and playing, and seeming waltzing, with her stand-up bass. I then spent time catching Elizabeth Cook doing her always excellent set and heading downstairs to the Cannery Ballroom to see Jim Lauderdale & Buddy Miller show how it’s done. Did I mention this is the best Americana conference/festival in the world? Then across to catch the Bottle Rockets do an acoustic show at the Rutledge, where the band proved that even unplugged they are one of the best live acts in America.

Saturday I decided to hit the the Americanarama in the parking lot of Grimey’s Preloved Music Record Store to see a current favorite, Nikki Lane,  perform her blend of 60’s surf rock and country noir. Lane charmed the crowd and then wowed them. She also won extra style points from me for sporing a Waylon Jennings logo tattoo on her forearm. I was suprised by the band Hymn For Her that I judged by their name to be a wispy folk duo. They were anything but as they tore through their set of hillbilly garage-rock with Lucy Tight on cigar-box guitar & Wayne Waxing on guitar, kick drum and harmonica. They blew me away with their cover of Morphine’s Thursday.

Overall this year’s conference seems like the community has come into their own with old friends and new mingling to laugh , argue and celebrate the thing that brings us together. Great music.

[youtube]http://www.youtube.com/watch?v=3skEpvi09Pc&feature=related[/youtube]

Americana Music Association Honors & Awards Nominees Announced

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From the Gibson/Baldwin Showroom in New York City local resident and legendary Americana performer Rosanne Cash announced the 2011 Americana Music Association Honors & Awards nominees. The announcement was followed by performances by New/Emerging Artist of the Year nominee and  The Civil Wars and an all-star set by Levon Helm,  Jim Lauderdale and Rosanne Cash (who tweeted that she was brought to tears by the event) which included The Band’s The Weight.

As in years past the nominees are a well-known safe bets with few surprises and tends towards the NPR-side of the Americana fence. No need to look for Whitey Morgan or Rachel Brooke here.

The Nashville -based trade organization moved toward the mainstream with the nominations of Grey’s Anatomy favorites Mumford and Sons and the Civil Wars, the later also aided to stardom by being heralded by no less than Taylor Swift and Boy George. Good for them, despite the mainstream success, these bands are actually great and will find longevity in the Americana community. Both are each nominated for both New/Emerging Artist and Duo/Group of the Year.

The AMA displayed spunk in nominating the extraordinary Elizabeth Cook the Album of the Year field for her latest Welder, Song of the Year nomination for the flash-back country-funk El Camino and Artist of the Year against some limey bloke named Robert Plant.

Recent New/Emerging Artist of the Year honorees Justin Townes Earle and Hayes Carll are each up for Album of the Year for Harlem River Blues (along with Song of the Year for the album’s title track) and Artist of the Year and Song of the Year for Kmag Yoyo respectively.

The Civil Wars and Mumford and Sons each earned nominations in both the New/Emerging Artist and Duo/Group of the Year categories, while Buddy Miller also secured two nods: Artist and Instrumentalist of the Year.

Album of the Year category also includes Lucinda Williams’ Blessed, and the  Song of the Year category includes The Decemberists featuring Gillian Welch’s “Down by the Water. And Mumford and Sons GRAMMY-stage mates The Avett Brothers are up for Duo/Group of the Year—which the band won in 2010. Sarah Jarosz, Will Kimbrough, Gurf Morlix and Kenny Vaughan all  will compete for Instrumentalist of the Year.

The 10th Annual Americana Music Association Honors & Awards ceremony is scheduled for Thursday, October 13 at the historic Ryman Auditorium in Nashville as part of the 11th Annual Americana Festival and Conference October 12 through Saturday, October 15.

The complete list for Americana Music Association Honors and Nominees:

ALBUM OF THE YEAR
Band of Joy, Robert Plant
Welder, Elizabeth Cook
Harlem River Blues, Justin Townes Earle
Blessed, Lucinda Williams

ARTIST OF THE YEAR
Buddy Miller
Elizabeth Cook
Hayes Carll
Robert Plant

NEW/EMERGING ARTIST OF THE YEAR
The Civil Wars
Mumford And Sons
The Secret Sisters
Jessica Lea Mayfield

DUO/GROUP OF THE YEAR
The Avett Brothers
The Civil Wars
Mumford And Sons
Robert Plant and the Band Of Joy

SONG OF THE YEAR
Decemberists with Gillian Welch- “Down By The Water”
Elizabeth Cook – “El Camino”
Hayes Carll – “Kmag Yoyo”
Justin Townes Earle – “Harlem River Blues”

INSTRUMENTALIST OF THE YEAR
Buddy Miller
Gurf Morlix
Kenny Vaughan
Sarah Jarosz
Will Kimbrough

 

 

Concert Review: Gurf Morlix Pays Tribute to Blaze Foley

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Gurf Morlix and the traveling Blaze Foley road-show rolled through San Francisco last night in the Amnesia. The Mission district bar was packed and it house showed a strong interest local interest in the current Austin-based Americana legend and David Fuller aka Blaze Foley, an until recently forgotten homeless, drunken singer/songwriting that could pen transcendentally lovely and aching songs that was tragically killed at 39 while protecting an elderly friend.

The event opened with Kevin Triplett, the producer and director of the documentary Blaze Foley: Duct Tape Messiah,  setting up a projector and handling the remote control, all in the true DIY spirit in which he took the 12 years that it took to make the film. Family, friends, fellow songwriters -  including Mr. Morlix – and a past love, Sybil Rosen, who was on hand to read from her biography with her life with Foley  Living in the Woods in a Tree, , make appearances in this edited version of the doc to tell the extraordinary tale of a peculiar man who moved in the 70s and 80s Austin singer/songwriting circles along with Morlix as well as Lucinda Williams and Townes Van Zandt who were all friends with Foley and posthumously wrote songs about him.

Morlix then took the stage to sing songs from Foley that appear on his latest and great release Blaze Foley’s 113th Wet Dream. The room remained mostly silent as Morlix with a single parlor guitar performed song after song with palatable reverence – If I Could Only Fly, Cold Cold World, Clay Pigeons…each one making you wonder how Foley couldn’t see fame and fortune in his lifetime even with high profile artists like John Prine, Lyle Lovett, Willie Nelson and Merle Haggard covering his songs (the latter taking the time to praise Foley in the film.) But as the documentary made clear as Foley followed his muse, and rejected material comforts in that pursuit, oftentimes caused him to alienate people and undermine his own career.

Gurf Morlix Official Site | Blaze Foley: Duct Tape Messiah official site

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Gurf Morlix – Blaze Foley’s 113th Wet Dream [Rootball Records]

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“He’s only gone crazy once. Decided to stay.” – Townes Van Zandt about Blaze Foley

For Gurf Morlix to create a tribute album for his Austin running buddy and fellow singer-songwriter, the late, great Blaze Foley, was a tricky endevour. Foley wrote songs with such singular originality edging toward cloying sentimentality and corny humor and instead delivering songs of heart-wrenching honesty and dry wit. Once hear Foley do a Foley song you can’t really imagine anyone else doing it.

Not that it hasn’t been tried before. Foley’s songs have been covered by John Prine (Clay Pigeons) and Merle Haggard (If I Could Only Fly.) And Foley has inspired others as as the subject of Austin contemporaries Townes Van Zandt’s “Blaze’s Blues” and Lucinda Williams’ “Drunken Angel.”

Foley’s legacy is ready-made for mythology. He used to jokingly claim to be the illegitimate son of Red Foley and Blaze Starr, to be a news broadcaster from Cincinnati and to have once tried to break into Caspar Weinberger’s house to “see what was on his VCR.” These whoppers are like a seeping breach between a rich source of song-craft inspiration and a need to recreate himself.

In truth Blaze Foley. Born in Marfa Texas (setting for the films Giant and There Will Be Blood and currently a thriving creative community) in l949. He performed in a family gospel act called the Fuller Family with his mother and sisters. He eventually landed in Austin, a city that prides itself on non-conformity, and with his duct-taped boots and clothing, sense of humor and stark, brutally honest songs, stood out.

Gurf Morlix is an Americana music pioneer. A New york native in1981 he moved to Los Angeles where he met a kindred spirit Lucinda Williams. He went on to lead her band for 11 years (1985 to 1996) singing, and playing guitar, and eventually producing her albums. His latter role as producer of Williams’ pinnacle Car Wheels On A Gravel Road led to their acrimonious split. Morlix then went on to play either guitar, bass, mandolin, dobro, pedal steel guitar, lap steel, banjo, piano, harmonica, and a variety of other instruments for and/or produce a literal who’s-who in the the Americana/rock field – Warren Zevon, Mary Gauthier, Robert Earl Keen, Slaid Cleaves, Ray Wylie Hubbard, Buddy and Julie Miller, Tom Russell, Guy Clark, Emmylou Harris, Michelle Shocked, Jimmy LaFave, Jimmie Dale Gilmore, Butch Hancock, Mojo Nixon, Jim Lauderdale, Jerry Lee Lewis, Peter Case, Bob Neuwirth, Don Walser, Jon Langford, Steve Earle, Harry Dean Stanton, Charlie Sexton, The Plimsouls, Victoria Williams, James McMurtry, Flaco Jimenez, Rosanne Cash, David Byrne, Kevin Welch, John Prine, Dave Alvin and many more. Impressed yet?

Blaze Foley’s 113th Wet Dream is 15 Foley originals that display the dark-to-light shadings of the man’s talent. Displaying a sense of humor and song-craft Roger Miller would envy on the cuts Baby Can I Crawl Back To You, Big Cheeseburgers and Good French Fries and No Goodwill Stores in Waikiki and the unvarnished melancholy and longing of If I Could Only Fly (featuring renowned Texas singer/songwriter Kimmie Rhodes on backing vocals) and Cold, Cold World that would make his buddy Townes Van Zandt weep. Some of the songs – Oh Darlin’ and Rainbows and Ridges combine elements of both.

Morlix ‘s arrangements and delivery are straightforward and top notch playing adds just the right amount of adornment. Aside from the excellent musicianship Morlix, unlike Steve Earle’s 2009 tribute to his mentor Townes Van Zandt, appears to have no urge to put his personal stamp on the songs.

Morlix was there on that cold February day in Austin when they put Blaze Foley in the ground as a result of being on the business end of a 22-caliber rifle. He was not content to let his songs be buried with him.

This CD is released in conjunction with the documentary film, Blaze Foley: Duct Tape Messiah, which has been 12 years in the making.

official site | buy

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Americana Music Association Nominees Announced

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The Americana Music Association announced the nominees for the trade organization’s 2009 Honors and Awards ceremony today at its annual celebration at BMI Nashville. The show, in its eighth year, will be held Thursday, September 17 at the Ryman Auditorium in Nashville, Tennessee.

I’ve attended the conference and showcase for the last three years and it’s always an amazing time. I don’t agree with all the nominees, and as a member of the organization I voted accordingly. But one thing is for certain, every nominee kicks the shit out of 99% of the CMA Awards.

The 2009 Americana Music Association Honors and Awards Nominees are:

ALBUM OF THE YEAR

Real Animal, by Alejandro Escovedo
Written in Chalk, by Buddy & Julie Miller
Jason Isbell & The 40 Unit, by Jason Isbell & The 40 Unit
Midnight At The Movies, by Justin Townes Earle

ARTIST OF THE YEAR

Alejandro Escovedo
Buddy Miller
Justin Townes Earle
Raul Malo

INSTRUMENTALIST OF THE YEAR

Buddy Miller
Gurf Morlix
Jerry Douglas
Sam Bush

NEW & EMERGING ARTIST

Band of Heathens
Belleville Outfit
Justin Townes Earle
Sarah Borges

SONG OF THE YEAR

“Chalk,” written by Julie Miller, performed by Buddy Miller & Patty Griffin
“Country Love” by the Gourds
“Homeland Refugee,” by Joe Ely, Jimmie Dale Gilmore, and Butch Hancock, performed by the Flatlanders
“Rattlin’ Bones” by Kasey Chambers & Shane Nicholson, performed by Kasey Chambers & Shane Nicholson
“Sex And Gasoline,” by Rodney Crowell, performed by Rodney Crowell

DUO GROUP OF THE YEAR

Buddy & Julie Miller
Flatlanders
Kasey Chambers & Shane Nicholson
Reckless Kelly

First Annual Ray Wylie Hubbard Grit-N-Groove Festival

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Ray Wylie Hubbard has always done things his own way. So after years of being asked to steward a festival he always put it off. Until now…

Hubbard has invited his favorite artists to play the First Annual Ray Wylie Hubbard Grit-N-Groove Festival to be held on Saturday April 4th in Luckenbach Texas (where else?!) From the poster design to the seating layout he has been involved in every aspect to ensure his festival has the grit and groove we have all come to expect and love about him. The vibe will be acoustic throughout the day with The Band of Heathens and Ray and his band closing the evening with full rockin’ band sets.

The concert will be held in the dance hall with seating on a first come first serve basis.