55th Annual Grammy Award Nominees – Americana, Country and Related Categories

This year’s National Academy of Recording Arts and Sciences (NARAS) 55th Annual Grammy Awards nominees reflect the rich and diverse community of talent that celebrates some of the genres finest old and new. From a CBS prime-time nominations concert LL Cool J and co-host Taylor Swift.

Some history – Nashville hosted the Official Grammy awards in 1973, but this marks only the fist time The Grammys have held the nomination event outside of L.A. This fortuitous event for Music City resulted from a scheduling conflict with the event usual home at the Staples Center but the city rose to the occasion and showed the performers and attendees a great time. Of course I would have preferred to have people from the lists below perform of national televised show but I’m biased by design.

As in recent years social media was a major conduit for the event. Music City was abuzz on mobile phones, computers ad tablets during the hour-long broadcast from Nashville’s Bridgestone Arena (Go Predators!) . Nearly 12,000 posts on Twitter, Facebook and other social media sites mentioned the word “Nashville” in connection with the Grammy nominations

Aside from the usual categories of Americana, Folk and Bluegrass roots music made an impressive showing for the coveted Album Of The Year , which includes a nomination for Mumford & Sons’ sophomore outing Babel, and Best New Artist with Alabama Shakes and the Lumineers.

I got 2 out of 7 of my predictions right for the Best Americana Album category with The Avett Brothers and Mumford and Sons. The pleasant surprise in this category is John Fullbright who I’m willing to say here I’m pulling for. The legendary Bonnie Raitt is nominated in this category and I’ll also go on record as saying Bonnie has secured her legendary status in Blues and Rock. When there are performers from the community like Justin Townes Earle and Corb Lund have new albums out why poach legends from other genres.

Classic country was also celebrated with Nashville Western swing ensemble the Time Jumpers being nominated for two GRAMMYs for Best Country Duo/Group Performance for “On The Outskirts Of Town” and Best Country Album for their latest self-titled release. Best Country Album also has another surprise with Jamey Johnson being nominated for his tribute covers album “Living for a Song: A Tribute to Hank Cochran.” The “Gentle Giant” Don Williams is nominated for his duet with the woman that hold the record for the most Grammys by a female artists (27!), Alison Krauss for Best Country Duo/Group Performance with “I Just Come Here for the Music”

Here’s the full list of Americana and associated categories for the 55th Grammy Awards. The Awards will be presented on Feb. 10, 2013. Most of these will be presented in the pre-telecast ceremony before the televised portion that evening on CBS. To find ot the winners follow me on Twitter and watch live streaming at Grammy.com.

Best Americana Album
The Avett Brothers – The Carpenter
John Fullbright – From the Ground Up
The Lumineers – The Lumineers
Mumford & Sons – Babel
Bonnie Raitt – Slipstream

Best Bluegrass Album
Dailey & Vincent – The Gospel Side Of
The Grascals – Life Finds a Way
Noam Pikelny – Beat the Devil & Carry a Rail
Special Consensus – Scratch Gravel Road
Steep Canyon Rangers – Nobody Knows You

Best Country Album
Zac Brown Band – Uncaged
Hunter Hayes – Self-titled
Jamey Johnson – Living for a Song: A Tribute to Hank Cochran
Miranda Lambert – Four the Record
The Time Jumpers – Self-titled

Best Folk Album
Carolina Chocolate Drops – Leaving Eden
Ry Cooder – Election Special
Luther Dickinson – Hambone’s Meditations
Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile – The Goat Rodeo Sessions
Various – This One’s For Him: A Tribute to Guy Clark

Americana and Roots artists on other categories:

– Mumford & Sons – Album of the Year for Babel, Best Rock Performance and Best Rock Song for “I Will Wait”, Best Long-form Music Video for “Big Easy Express” from the Railroad Revival Tour with Old Crow Medicine Show , Edward Sharpe and the Magnetic Zeros, “Markus Dravs nominated for Producer of the Year for Babel.”
– Alabama Shakes – Best New Artist, Best Rock Performance for “Hold On”, Best Recording Package for Boys and Girls
– The Lumineers – Best New Artist-
– Bruce Springsteen – Best Rock Performance, Best Rock Album for Wrecking Ball & Best Rock Song for “We Take Care of Our Own”
– The Goat Rodeo Sessions featuring Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile – for Best Folk Album, Best Engineered Album, Non-Classical
– Don Williams (feat. Alison Krauss) – Best Country Duo/Group Performance for “I Just Come Here for the Music”
– Taylor Swift/The Civil Wars – Best Country Duo/Group Performance & Best Song Written for Visual Media for “Safe and Sound”
– Woody at 100: The Woody Guthrie Centennial Collection – Best Boxed or Special Limited Edition Package, Best Historical Album
– Old-Time Smoky Mountain Music: 34 Historic Songs, Ballads, And Instrumentals Recorded In The Great Smoky Mountains By “Song Catcher” Joseph S. Hall – Best Historical Album
– Ryan Adams – Ashes and Fire – Best Engineered Album, Non-Classical

Jamey Johnson and Alison Krauss Perform “Make the World Go Away” [Video]

David Letterman continues to champion great Country and Americana music by inviting Jamey Johnson and Alison Krauss to appear on the Late Show. The duo perform a breathtaking rendition of the classic “Make the World Go Away,” from Johnson’s tribute to his friend, the just-released “Living for a Song: A Tribute to Hank Cochran.”

Don Imus also showed his love for great Country music by featuring Johnson earlier in the week. He did “Love Makes A Fool Of Us All” and “I Fall To Pieces” from “Living for a Song…”

 

 

http://www.youtube.com/watch?v=8eW0o7-2Ffk

George Jones, Jamey Johnson and Blackberry Smoke – “Yesterday’s Wine ” [VIDEO]

While indulging my frequent music video ADHD I followed a YouTube  trajectory to a  series of videos of Jamey Johnson doing classic cover of Waylon Jennings and Patsy Cline and the like . One really caught my eye, it was Johnson not only covering, but joining with none other than country  music legend George Jones on Willie Nelson classic “Yesterday’s Wine.”  And it had only 751 views!! What a find!

“Yesterday’s Wine”  is the title cut from Willie’s 1971 album and, in 1982, Merle Haggard and Jones recorded a duet of “Yesterday’s Wine” which became a number one single on the country chart. Not everyone can fill The Hag’s boots but Johnson and Blackberry Smoke’s Charlie Starr do a fine job.  And, ladies and gentlemen , if that went enough the great Atlanta-based Southern Rock band Blackberry Smoke is backing them up. As one twitter follower responded when i posted it “Dayum!”

I was puzzled where the track came from and discovered, through the power of the google machine , that it’s included as a bonus track on Blackberry Smoke’s  “Little Piece of Dixie” (2010.) I guess i should have payed more attention that that fine album!

Behold the greatness!

http://www.youtube.com/watch?v=hyRLTzdEv_k&feature=youtu.be

Willie Nelson, Jamey Johnson, Band of Horses on the Railroad Revival Tour

I loved this idea when I heard of it last year in it’s inaugural voyage featuring Mumford & Sons, Edward Sharpe and the Magnetic Zeros and Old Crow Medicine Show -documented on the documentary “Big Easy Express.” Alas I missed it when it rolled into Oakland.

Not this year my friends! The Railroad Revival Tour is the coolest thing this side of The Cayamo Cruise. The train will route through the south to west through Texas of the United States on Oct. 20-Oct. 28, is reminiscent of the old-style medicine shows. This year’s bill is a beaut, Willie Nelson, Jamey Johnson, Band of Horses and MCd by actor and actor-musician John C. Reilly.

Tickets go on sale Friday, July 27th at 10am CST.

Here is the full list of tour stops:

Oct. 20: Duluth, Ga.
Oct. 21: TBA
Oct. 22: Memphis, Tenn.
Oct. 23: Oklahoma City
Oct. 24: Old Town Spring, Texas
Oct. 26: Tempe, Ariz.
Oct. 27: San Pedro, Calif.
Oct. 28: Oakland, Calif.

Music Review: Willie Nelson – Heroes [Sony Legacy]

Reviewing a Willie Nelson album is like describing to someone a visit you’ve made to the Grand Canyon. Sure there are the facts and impressions but the shear majesty of what you’re in the presence of something larger than life anit can bow you into awe. But here goes…

Nelson has always been a serial collaborator. The Texas Yoda has cut tracks with so many people he’s become a  musical Keven Bacon. He’s shared the studio with  his country contemporaries Waylon, Merle, Ray to genre-crossers Julio Iglesias and Phish, but Willie is no longer just a country artist. Like Ray Charles, another of his collaborators, he’s jettisoned his original genre and elevated himself to simply American music.

This studio gregariousness shows that Willie is not willing to sit on a laureled pedestal. He is generous with his studio and stage time and willing to lend a little Texas outlaw mojo to others. His legacy is so firmly entrenched in history he seems to feel he can work with whomever,and do do whatever, strikes his fancy. This has resulted from the inspired to the perplexing, but it’s hardly ever boring.

At nine Willie’s new album, ‘Heroes,’ ups the collaboration ante, and sometime within a single song. The count is four,including Willie,  in the post-mortem ode to herb “Roll Me Up and Smoke Me When I Die.” The song’s title was was originally the album’s title until Willie put the kibosh on the inevitable Walmart boycott. Willie might be an outlaw, but he’s also always been a shrewd businessman. On the song Willie seems to be having fun performing with his brother of the weed Snoop Dogg, along with a bemused-sounding Kris Kristofferson and Jamey Johnson, this collection get’s my vote for a “High” way men tour.

A Last of the Breed mini reunion occurs with Merle Haggard on a beautifully grizzled “Horse Called Music,” originally from the criminally overlooked 1989 album of the same title. Ray Price reprises Floyd Tillman’s classic “Cold War With You” with Willie and Lukas Nelson to suave cowboy effect.

The album’s title, Heroes, is a nod to the performers on the album as well as the musical influences that Willie has always honored. One clear influence on Willie Nelson, Bob Wills and the Western Swing genre is well represented with spirited renditions of Will’s “My Window Faces The South” and “Home In San Antone.”

Amongst the crowded studio the real purpose of “Heroes” appears to be a father’s introducing his son to a larger fan-base. Lukas and his band, The Promise of the Rea,l have been opening and backing for Willie for a couple of year as they honed the craft. But this is not crass nepotism as Lukas contributes a couple of the  best songs on the album with “Every Time He Drinks He Thinks of Her” and “The Sound of Your Memory,” His pleasing vocal style is somewhere between his old man’s phrasing and Jimmie Dale Gilmore keen. Also, he’s a solid guitarist and his Stratocaster flourishes provides a contemporary counterpart to Willie’s cowboy-jazz Trigger.

A contemporary theme runs through a selection of covers. An inspired, palatial version of Pearl Jam’s rumination on mortality “Just Breathe” takes on deeper level of poignancy as the song is sung with his son Lukas, and Willie approaches his 80th birthday. Tom Waits’  quasi-gospel  “Come On Up To The House” features Mickey Raphael’s excellent and understated harmonica work cultivated from being with Willie for many years. The song aligns dutifully with the original and also features Lucas and the ubiquitous Sheryl Crow, who is serviceable if unnecessary. Willie’s solo turn on Coldplay’s “The Scientist,” first seen on a Chipotle Super Bowl commercial, charms me into enjoying (okay, appreciating) the song.

The Willie-penned title song is said to be about fellow outlaw Billy Joe Shaver (in some cases literally), who appears here with a contemporary rabble-rouser of sorts, Jamey Johnson. This 4/4 waltz is a sentimental reminiscence of a musician who used to be “king of the bars,” but it just as well could be a testament to the current sad state of country music.

“Heroes” is an uneven affair. Like a ramshackle late-night guitar pull fueled by intoxents both legal and not, it’s a lot of fun and done with love of music, mutual respect and a seeming sense of harmonious happenstance sorely missing image-obsessed music industry.

Here’s to Willie being Willie.

Official site | Buy

Father’s Day – Songs for Daddy

For Father’s Day I rustled up some greats singing songs for their dads. I know it’s not an even 10 but I think you’ll like what I have. Share your favorites in the comments or just leave some memory or sentiment for your own dad. Thanks for all the great suggestion from my friends and followers in twitter.  This is dedicated to my own father Jerry Max Lane, and my daughter Isobel and my step-father Joe Herbert whose been more than a father to me in my life.

Jerry Max Lane – Swinging Doors – A snippet of a leaving and drinking song by my dad.

http://www.youtube.com/watch?v=QphvJhBKUho

Conway Twitty – ‘That’s My Job’- For such a macho genre Country Music has never been shy about it’s sentimentality. And nobody could deliver the heartstrings yanking goods like Mr. Conway Twitty.

http://www.youtube.com/watch?v=bGstAcxrl7I

George Strait – ‘Love Without End, Amen’ – King George gives Twitty a run for his money. Love Without End, Amen is Cat’s in the Cradle with a better ending.

http://www.youtube.com/watch?v=YrTidoW2Erc

Guy Clark – ‘Randall Knife’ – Storytelling get’s no better than Clark’s use of a battered knife as a metaphor for life and a conduit for letting go.

Loretta Lynn – ‘They Don’t Make ‘Em Like My Daddy Anymore’ – The ultimate daddy’s girl! The Coal Miners Daughters sings the praises and quiet grace of her daddy

Charlie Louvin – ‘See the Big Man Cry’ – The jaunty tone of Louvin’s famous “See the Big Man Cry” belies the heartache of a man that sees his boy while walking on the sidewalk on day but can’t approach him and his ex-wide due to court orders.

Reba McEntire – ‘The Greatest Man I Never Knew’ – The darker side of Loretta’s tune. A man’s quiet grace leads to isolation and alienation from his daughter.

Shooter Jennings – It Ain’t Easy – Shooter relays some wisdom on career and manhood handed down from his daddy.

Brad Paisley – ‘Anything Like Me’ – Brad Paisley is a cut above the typical Music City hat acts and his performance of this song on impending fatherhood shows as much.

[youtube]http://www.youtube.com/watch?v=ZazrQYirYLs[/youtube]

Jamey Johnson – ‘The Dollar’ – Even early in his career and with all the production sheen Johnson is a great songwriter. This is a tale of a boy that saves his change to buy time with his overworked father. An anthem to family challenges in these tough economic times.

John Prine – My Old Man – Tell ’em you love ’em while they’re on this side of the ground.

The Best of 2010

It’s that time again. The end of the year list that are as common as as spam in your inbox, but it’s tradition and I’m a sucker for tradition. So here we go!

If you follow my twitter feed (http://twitter.com/#!/TwangNation) you’ll already know what’s on this list. I did the countdown as seperate tweets lest week and I got a great response. You also know that its not merely a top 10 but a top 25! That’s right, you get 25% more music for your money.

It has been another great year for Americana/roots music, and from what’s currently coming across my desk for 2011 we can look forward to another. Old-timers are beating on the barn door and upstarts are using old parts to make new works that advance the form while staying true to the roots.  The genre appears to be attracting and cultivating the type of nurturing and craftsmanship that labels used to practice in the golden days of the 60s and early 70s. Of course this time without the lavish pay-out. The music industry is in turmoil from the corner office view but from the touring van and the laptop it’s  a prime-time for opportunity. And if you’re a burgeoning musician concerned about the current conditions I urge you to purchase Dr. Ralph Stanley’s book Man of Constant Sorry and learn about what REAL hard time look like.

So I raise a pint and celebrate an embarrassment of riches that show the love of craft and and honor in roots that defines a road of American culture that is often overlooked and forgotten but often leads to the promised land.

As the year comes to a close, I’m reflecting on the past four years of writing Minkin’s Music and all the good times with people I’ve met along the way. May the spirit of the season touch your soul and let comfort and joy shine upon you throughout the upcoming year.

  1. Mat D – Plank Road Drag – goo.gl/JmxJL
  2. Jamey Johnson – Guitar song- goo.gl/quZFh
  3. Ray Wylie Hubbard – A: Enlightenment B: Endarkenment (Hint: There Is No C) – goo.gl/VMe2Z
  4. Truckstop Darlin’ – Truckstop Darlin’ – goo.gl/jcRi0
  5. Reckless Kelly – Somewhere in Time- goo.gl/gwqGM
  6. Miranda Lambert – Revolution – goo.gl/Ana72
  7. Justin Townes Earle – Harlem River Blues – goo.gl/ZIU2V
  8. Lindsay Fuller – The Last Light I See – goo.gl/wZsFI
  9. Elizabeth Cook – Welder – goo.gl/kiEVi
  10. Jason & The Scorchers  –  Halcyon Times – goo.gl/gzf0g
  11. Mandolin Orange – Quiet Little Room – goo.gl/tPcHS
  12. Black Twig Pickers – Ironto Special – goo.gl/sipmJ
  13. Possessed By Paul James – Feed The Family – goo.gl/0BjNl
  14. Joe Thompson – Yankee Twang – goo.gl/whgRF
  15. Joe Pug – Messenger – goo.gl/VQt31
  16. Carolina Chocolate Drops  – Genuine Negro Jig – goo.gl/38tmF
  17. The Sadies – Darker Circles – goo.gl/z5nMt
  18. 6 Day Bender – E’ville Fuzz – goo.gl/xLDK6
  19. I Can Lick Any Sonofabitch In the House – Sounds of Dying – goo.gl/AhIG1
  20. Doc Dailey & Magnolia Devil – Victims, Enemies & Old Friends – goo.gl/twVaZ
  21. Shineyribs – Well After Awhile – goo.gl/8kgWY
  22. Patty Griffin – Downtown Church – goo.gl/YVXav
  23. Whitey Morgan & the 78′s – Whitey Morgan & the 78′s- goo.gl/HM2af
  24. Th’ Legendary Shack Shakers  – Agridustrial – goo.gl/ldsGN
  25. Mary Gauthier – The Foundling – goo.gl/fKAJb

Nominations for the 53rd GRAMMY Awards

The National Academy of Recording Arts and Sciences (NARAS) announced the nominees for the 53rd Annual Grammy Awards (to be held February 13th, 2011.) Here listed are the nominees in the Americana, Roots categories as well as similar artists in other categories (for a full list of nominees ho the Grammy.com)  Any surprises? Who’s missing?

BEST AMERICANA ALBUM
Rosanne Cash – The List
Los Lobos – Tin Can Trust
Willie Nelson – Country Music
Robert Plant – Band of Joy
Mavis Staples – You Are Not Alone

BEST BLUEGRASS ALBUM
Sam Bush – Circles Around Me
Patty Loveless – Mountain Soul II
The Del McCoury Band – Family Circle
Peter Rowan Bluegrass Band – Legacy
The Steeldrivers – Reckless

BEST TRADITIONAL FOLK ALBUM
Carolina Chocolate Drops – Genuine Negro Jig
Luther Dickinson & the Sons of Mudboy – Onward and Upward
The John Hartford Stringband – Memories of John
Maria Muldaur – Maria Muldaur & Her Garden of Joy
Ricky Skaggs – Ricky Skaggs Solo: Songs My Dad Loved

BEST CONTEMPORARY FOLK ALBUM
Jackson Browne & David Lindley – Love Is Strange – En Vivo Con Tino
Mary Chapin Carpenter – The Age of Miracles
Guy Clark – Somedays the Song Writes You
Ray LaMontagne and the Pariah Dogs – God Willin’ & the Creek Don’t Rise
Richard Thompson – Dream Attic

BEST COUNTRY INSTRUMENTAL PERFORMANCE
Cherryholmes – “Tattoo of a Smudge”
The Infamous Stringdusters – “Magic #9”
Punch Brothers – “New Chance Blues”
Darrell Scott – “Willow Creek”
Marty Stuart – “Hummingbyrd”

Other Americana/roots/indie/alt/whatever artists nominated in assorted other categories:

  • Dailey & Vincent – “Elizabeth” (Best Country Performance by a Duo or Group with Vocals)
  • Dierks Bentley – Up on the Ridge (Best Country Album)
  • Dierks Bentley, Miranda Lambert & Jamey Johnson – “Bad Angel” (Best Country Collaboration with Vocals)
  • Dierks Bentley, Del McCoury & the Punch Brothers – “Pride (In the Name of Love)” (Best Country Collaboration with Vocals)
  • Ryan Bingham & T. Bone Burnett – “The Weary Kind” from Crazy Heart (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Johnny Cash – “Ain’t No Grave”/ The Johnny Cash Project (Best Short Form Music Video)
  • Crazy Heart (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Steve Earle – “I See You” from Treme (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Patty Griffin – Downtown Church (Best Traditional Gospel Album)
  • Buddy Holly – Not Fade Away: The Complete Studio Recordings and More (Best Historical Album)
  • Elton John & Leon Russell – “If It Wasn’t for Bad” (Best Pop Collaboration with Vocals)
  • Jamey Johnson – “Macon” (Best Male Country Vocal Performance, Best Country Album for The Guitar Song)
  • Miranda Lambert – “The House That Built Me” (Best Female Country Vocal Performance, Best Country Song, Best Country Album for Revolution)
  • Ray LaMontagne – “Beg, Steal, or Borrow” (Song of the Year)
  • Los Lobos – “Do the Murray” (Best Rock Instrumental Performance)
  • Mumford & Sons – “Little Lion Man” (Best Rock Song, Best New Artist)
  • Tom Petty & the Heartbreakers – Mojo (Best Rock Album)*The Steeldrivers – “Where Rainbows Never Die” (Best Country Performance by a Duo or Group with Vocals)
  • Robert Plant – “Silver Rider” (Best Solo Rock Vocal Performance)
  • Pete Seeger with the Rivertown Kids and Friends – Tomorrow’s Children (Best Musical Album for Children)
  • Ricky Skaggs – Mosaic (Best Pop/Contemporary Gospel Album)
  • George Strait – “The Breath You Take” (Best Country Song)
  • Marty Stuart & Connie Smith – “I Run to You” (Best Country Collaboration with Vocals)
  • Treme (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Hank Williams – The Complete Mother’s Best Recordings…Plus! (Best Historical Album)
  • Lucinda Williams & Elvis Costello – “Kiss Like Your Kiss” from True Blood (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Neil Young – “Angry World” (Best Solo Rock Vocal Performance, Best Rock Song, Best Rock Album for Le Noise)

News Round Up: Kris Kristofferson Presented With BMI Icon Award

  • Rosanne Cash talks to the Wall Street Journal about her new release, The List, and joins George Jones by stating her views on the homogenization of mainstream country radio.
  • The Who’s Roger Daltrey says Nashville’s legendary Ryman Auditorium is the “That’s the best bloody place for a musician to play in the whole —— world.” You get one guess what goes where the lines are but this is a quite as it appears over at Country Standard Time.
  • Kris Kristofferson was presented with the BMI Icon award Tuesday evening and watched while Vince Gill, Patty Griffin and Willie Nelson performed some of his best-loved compositions.  “Why Me,” “Help Me Make It Through The Night,” “Loving Her Was Easier (Than Anything I’ll Ever Do Again)” and “Me and Bobby McGee.”
  • Geoff Muldaur recently sat down with the New York Times’ Ben Sisario to discuss the extraordinary group of musicians who came together to form the Texas Sheiks. The Texas Sheiks includes the late Stephen Bruton (Kris
    Kristofferson, Bonnie Raitt, and T-Bone Burnett) who did not live
    to see the album released, blues singer Johnny Nicholas (Big Walter Horton and Robert Jr. Lockwood, Asleep at the Wheel), Cindy Cashdollar ( Levon Helm, Bob Dylan, Van Morrison and Paul Butterfield), Suzy Thompson ( Dave Alvin and Alice Gerrard).  Bruce Hughes (Jason Mraz, Bob Schneider)

New Round Up: Austin’s Rusty Wier Dies

  • Austin singer-songwriter Rusty Weir died October 9, after two years of struggling with cancer. Wier was considered a country legend and he was inducted into the Austin Songwriters Hall of Fame in 2002.
  • The New York Times reviews the Jamey Johnson show at the Music Hall of Williamsburg in Brooklyn. Johnson played two new songs, Back to Macon and Nothing Is Better Than You from hos upcoming release.
  • The New York Times also features a review of the Roseanne Cash’s sold-out concert at St. Ann’s Warehouse in Brooklyn. Cash performed many songs from her stellar career as well as from her newest album, The List.
  • Peter Cooper at the Tennessean celebrates geezerdom by detailing the steller and ongoing careers of country music legends Kris Kris Kristofferson, Bobby Bare, Loretta Lynn, Bill Anderson, Tom T. Hall, Willie Nelson and Merle Haggard. What other genre  has artists over 70 making some of the best music of their careers? I mean besides Blues, R&B, Gospel and Jazz that is
  • As you can see there have been some changes here at Ranch Twang. Not all the kinks are ironed out so I will be working on them this week. Let us know what you think of the new look and , as the sign says, pardon our mess.