Tag Archives: LeAnn-Rimes

Record Store Day 2019 – Americana and Roots Music Picks

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Spring has sprung and for some antiquated reason we lose an hour of sleep, pollen lays waste to the weakest among us, people lay in fields Of bluebonnets just begging for a snake bite and the smell of vinyl hangs heavy in the air.

You might very well be asking yourself “Did I just read that right? Vinyl?”

Yes, indeed you did.

This Saturday, April 13th, is Record Store Day. That time when you drag your dead ass out of bed at the crack of dawn to stand in a line for the chance to score some choice limited-run vinyl.

The DIY movement that nearly single-handedly resuscitated a near-dead medium. New releases, obscure releases, long out-of-print re-releases, picture discs, colored discs, die-cut discs…it’s all there for a sometimes hefty price. But it’s cheaper than buying it later on eBay for 3-times the original price.

Here are a few Americana and Roots music nuggets from the list (see the full list here)

Highlights include Woody Guthrie’s first time on vinyl limited-edition 10″ “I Don’t Like The Way This World’s A-Treatin’ Me,” John and Lilly Hiatt song swap limited-edition color 7″ vinyl “You Must Go! / All Kinds Of People” and Lone Justice’s previously unreleased live performance from October 1983 at the historic live County music venue “Live at the Palomino.”

So, get to your favorite indy record early on April 13th (I’ll be at Good Records in Dallas) and share those great finds with me on Instagram and Twitter.


Allman Brothers Band – Bear’s Sonic Journals: Fillmore East. February 1970
Label: Allman Brothers Band Recording Company
Quantity: 1500
Release type: ‘RSD First’ Release
A live recording compilation drawn from three nights of shows in February 1970. Recorded by legendary Grateful Dead soundman Owsley Stanley. This special Record Store Day package includes a limited edition, numbered glow-in-the-dark poster.

In Memory of Elizabeth Reed/Hoochie Coochie Man/Stateboro Blues/Trouble No More/Outskirts of Town/Whipping Post/Mountain Jam

Bob Dylan Blood On The Tracks — Original New York Test Pressing
Label: Legacy
Quantity: 7500
Release type: RSD Exclusive Release
Months before Bob Dylan released Blood On The Tracks in early 1975, a small number of test pressings were circulated, consisting entirely of material from sessions at A&R Recording Studios in New York City. (Dylan re-recorded five of these tracks in Minneapolis for inclusion on the final album.) Those original records were soon bootlegged, and the alternate history of one of Dylan’s most acclaimed works was born. This LP is an exact duplicate of the test pressing, containing unique mixes from the New York session, available commercially for the first time.

Side One: 1. Tangled Up In Blue 2. Simple Twist of Fate 3. You’re a Big Girl Now 4. Idiot Wind 5. You’re Gonna Make Me Lonesome When You Go Side Two: 1. Meet Me In The Morning 2. Lily, Rosemary and the Jack of Hearts 3. If You See Her, Say Hello 4. Shelter from the Storm 5. Buckets of Rain

Steve Earle – El Coyote / Don’t Let The Sunshine Fool You
Label: New West Records
Quantity: 900
Release type: ‘RSD First’ Release
Steve Earle & The Dukes release their latest album, GUY on March 29.. The band holed up in Nashville and recorded the record over a six-day period. They came out those sessions with 16 songs featuring some of Guy Clarks most well known hits such as “Desperados Waiting For A Train”, “LA Freeway” and “Dublin Blues.” Steve Earle then decided to book a solo recording session with the intention of recording two more Guy Clark songs specifically for independent retail and Record Store Day. New West Records and Steve Earle are proud to present his solo recordings of “El Coyote” and “Don’t Let The Sunshine Fool You” pressed on a limited edition 7″ 45rpm record.

A – El Coyote / B – Don’t Let The Sunshine Fool You

Woody Guthrie – I Don’t Like The Way This World’s A-Treatin’ Me
Label: Omnivore Recordings
Quantity: 1500
Release type: ‘RSD First’ Release
In 1952, Guthrie wrote and recorded a song at home titled “I Don’t Like The Way This World’s A-Treatin’ Me.” The track appears on vinyl for the first time on a limited edition 10″ of the same name for Record Store Day 2019. Also found on this special release is a second version of the demo with new accompaniment from Wilco’s Jeff Tweedy, who, along with Billy Bragg and Wilco, released a series of acclaimed albums featuring their interpretations of unearthed Guthrie lyrics. Mermaid Avenue, the first in the series, was nominated for a Grammy® in 2000.

If those two tracks weren’t enough, I Don’t Like The Way This World’s A-Treatin’ Me includes two versions of “Beech Haven Ain’t My Home” (a.k.a. “Old Man Trump”), whose lyrics were discovered within the Woody Guthrie Archives and chronicle the time the Guthrie family lived under landlord Fred Trump. As two drafts of the lyrics exist, the Riot-Folk Musician’s Collective’s Ryan Harvey combined them. This release contains a version by Harvey featuring Ani DiFranco and Tom Morello (Rage Against the Machine/Audioslave), and another from Irion’s band U.S. Elevator.

Available exclusively for Record Store Day as a 10″ EP, I Don’t Like The Way This World’s A-Treatin’ Me is not only a historic but a musical document, released in conjunction and with full cooperation from the Woody Guthrie Archives. As stated in the album’s notes: “These songs were mostly written well over half a century ago, but they are songs for our times to be sure.”

It is truly time for this music to be heard.

Side One:
I Don’t Like The Way This World’s A-Treatin’ Me (1952 Home Demo) – Woody Guthrie
Old Man Trump – Ryan Harvey feat. Ani DiFranco & Tom Morello

Side Two:
I Don’t Like The Way This World’s A-Treatin’ Me – Woody Guthrie & Jeff Tweedy
Beech Haven Ain’t My Home (aka Old Man Trump) – U.S. Elevator

Emmylou Harris – The Studio Albums 1980-83
Format: 5 x LP
Label: Warner Bros
Quantity: 1000
Release type: ‘RSD First’ Release

John & Lilly Hiatt
You Must Go! / All Kinds Of People

Label: New West Records
Quantity: 450
Release type: ‘RSD First’ Release
Lilly Hiatt is the critically acclaimed daughter of singer-songwriter legend, John Hiatt. In the fall of 2018 they got together to record a version of one anothers songs. John Hiatt covered, “All Kinds Of People” from Lilly’s heavily praised album, “Trinity Lane.” Lilly took on the daunting task of picking a song from John’s vast catalog. She picked a winner with “You Must Go” from John Hiatt’s 1995 release, “Walk On.” Together these songs are pressed onto a limited edition color vinyl 7″.

SIDE A: You Must Go! SIDE B: All Kinds Of People

Lone Justice – Live at the Palomino
Label: Omnivore Recordings
Quantity: 1700
Release type: ‘RSD First’ Release
MORE INFO
Previously unissued live performance from October 1983 recorded at Los Angeles’ iconic Palomino club. Features 12 tracks from the early Lone Justice line-up consisting of Maria McKee, Ryan Hedgecock, Marvin Etzioni, and Don Willens. Songs from their yet to be issued debut are coupled with classic country covers, and songs which have appeared on various collections throughout the years—but never with this live power from this L.A. landmark.

You Are The Light
Drugstore Cowboy
How Lonesome Life Has Been
The Train
Dustbowl Depression Time
Cotton Belt
This World Is Not My Home (I’m Just A Passin’ Through)
I See It
Working Man’s Blues
The Grapes Of Wrath
Working Late
Jackson

The Mavericks / Sweet Lizzy Project
The Flower’s In The Seed
Label: Y&T Music /Mono Mundo
Quantity: 1500
Release type: RSD Exclusive Release
MORE INFO
A split 7” featuring Grammy-winning band The Mavericks on one side and The Sweet Lizzy Project on the other. The Sweet Lizzy Project is a new band from Havana, Cuba signed to the Mavericks’ new label. Both sides are produced by The Mavericks’ Raul Malo.

Mumford & Sons – Delta Acoustic Sessions | Live From Electric Lady
Format: 10″ Picture Disc
Label: Glassnote
Quantity: 3500
Release type: RSD Exclusive Release

“Delta Acoustic Sessions | Live From Electric Lady” features previously unheard acoustic recordings of four tracks from last year’s acclaimed album, “Delta”, pressed on a special 10″ Picture Disc.

SIDE A WOMAN GUIDING LIGHT
SIDE B WILD HEART IF I SAY

Leann Rimes – Live from Gruene Hall
Label: Everle Records
Quantity: 1000
Release type: ‘RSD First’ Release
MORE INFO
1. Pride and Joy 2. You Never Even Call Me By Name 3. San Antonio Rose 4. Wasted Days and Wasted Nights 5. Wonderwall 6. Nothing Better To Do 7. Blue 8. Streets of Bakersfield 9. The Bottle Let Me Down 10. Always On My Mind

Leon Russell – Live at Gilley’s
Label: Varese
Quantity: 1350
Release type: RSD Exclusive Release
Leon Live was recorded on September 17, 1981, at the world-famous Gilley’s nightclub in Pasadena, Texas, with his New Grass Revival Band. Leon was in prime shape and the band was on fire that night. The album includes excellent versions of “One More Love Song” (the steel guitar gives the song a new twist), “Cajun Love Song,” and the show-stopping bluegrass tune, “Uncle Pen.” The release also features the Leon classics “A Song For You” and “Lady Blue.”

2013 The Year in Americana and Roots Music

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Jason Isbell

2013 will go in the books as the year that Americana and roots settled comfortably into the mainstream. Kids are wearing dust-bowl duds and there is a brisk trade in acoustic guitars and banjos. Bands are taking a page from the Mumford, Avetts and Lumineers book of hand-crafted songs with rousing melodies just begging to be sung at live shows. It’s no longer a rustic throwback fad.

The genre grows more diverse, from folk-pop, Laurel Canyon rock, psych folk, hard-sore honky-tonk and everything that doesn’t neatly fit in other buckets. As genre defying as the music can be it all comes down to the only tis that matters, Great songwriting, evocative, absorbing narratives and memorable melodies that endures the ages.

But first you must find an audience.

ABC music row drama Nashville has done a fine job in highlighting great roots music, under the guidance T Bone Burnett , and now Buddy Miller, as well as classic country references and Americana and roots performer cameos. The show’s cutest stars (and real-life sisters,) Lennon and Maisy Stella, performed the Lumineers omnipresent top-40 hit hit “Hey Ho.” This gave the song an already bigger audience then it originally had. Is that possible?

This July Americana stalwarts Old Crow Medicine Show backed ex-Hootie & the Blowfish front man, and current country music star, Darius Rucker on Old Crow’s version of Bob Dylan’s “Wagon Wheel” at the Grand Ole Opry. The song was recorded with the band and included on his latest album resulting in one of his most popular singles as a solo artist and reaching number one on Billboard Hot Country Songs in its 12th week.

Old Crow Medicine Show then had the honor to be inducted into the Grand Ole Opry this fall by Opry members Dierks Bentley and Marty Stuart.

That’s not the only example of music row looking to Americana for material and a shot of inspiration. GRAMMY-winning singer Leann Rimes reached into the Americana well, and beyond her music row comfort zone, on her latest “ Spitfire.” She lends her extraordinary pipes to a searing version of Buddy Miler’s “Gasoline and Matches” in a duet with Rob Thomas. Country music chanteuse and Pistol Annie Ashley Monroe tapped legendary Texas singer-songwriter Guy Clark to collaborate on the title song on her latest “Like a Rose.”

If your looking for evidence of Americana’s mainstream presence you need go no further than SPIN’s list of 20 Best Country Albums of 2013 had Blake Shelton and Brad Paisley mixed with The Civil Wars (12), Jason Isbell (11) and Emmylou Harris and Rodney Crowell (9) Holly Williams (8) Sturgill Simpson (6) Cailtlin Rose (2).

Entertainment Weekly, the beacon of popular taste, counted a majority of Americana artists on their list of top country releases of 2013 with Jason Isbell and Lindi Ortega taking the number 1 and 2 spot respectively.

As in recent years I even had a hard time limiting myself to a top 10,15, 20+ on my Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2013.

T Bone Burnett again joins forces with the Coen Brothers to contribute soundtrack stewardship to thier new 60’s neo-folk focused film. The soundtrack features old folk songs performed by Marcus Mumford , The Punch Brothers along with the film’s actors Oscar Isaac, Carey Mulligan , Adam Driver and Justin Timberlake, who might use his his work here to jump dart his desired foray into country music.

As the music advances it’s important that a music that celebrate the past honors those that came before. George Jones, the greatest voice in country music and the innovator, Ray Price were both lost to use this year.

We also lost “Cowboy” Jack Clement, As a record and movie producer, songwriter, performing and recording performer and studio engineer, Clement was responsible for for shaping American music in the 20th century.

Premier rock and country journalist Flippo, who documented much of the major changes in country music including the Outlaw movement and one of the original Outlaws Tompall Glaser, both left us in 2013.

Though gone they will boot be forgotten for their contribution to the rich and progressive music we love.

Here’s to the music we love and the performers that endure much to offer their craft to make this world just a little bit better, kinder and more interesting. Here’s to a community that still buys albums, t-shirts and packs local shows and helps these talented folks make music a career.

Here’s to the New Year.

New York Times Features CMT’s Crossroads

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One of the most memorable show I ever attended here in New York was the CMT Crossroads featuring Rosanne Cash and Steve Earle. The pairing of artists from the country and rock/pop genre is getting harder and harder to differentiate from one another but it’s still one of the best shows on CMT. The New York Times has a nice slide-show on Crossroads featuring Joss Stone and LeAnn Rimes, Kid Rock (Bob Ritchie) and Hank Williams Jr., Bonnie Raitt and Lyle Lovett, Bon Jovi and Sugarland and Kenny (Babyface) Edmonds and Trisha Yearwood.