Tag Archives: Lucinda-Williams

Concert Review: Gurf Morlix Pays Tribute to Blaze Foley

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Gurf Morlix and the traveling Blaze Foley road-show rolled through San Francisco last night in the Amnesia. The Mission district bar was packed and it house showed a strong interest local interest in the current Austin-based Americana legend and David Fuller aka Blaze Foley, an until recently forgotten homeless, drunken singer/songwriting that could pen transcendentally lovely and aching songs that was tragically killed at 39 while protecting an elderly friend.

The event opened with Kevin Triplett, the producer and director of the documentary Blaze Foley: Duct Tape Messiah,  setting up a projector and handling the remote control, all in the true DIY spirit in which he took the 12 years that it took to make the film. Family, friends, fellow songwriters -  including Mr. Morlix – and a past love, Sybil Rosen, who was on hand to read from her biography with her life with Foley  Living in the Woods in a Tree, , make appearances in this edited version of the doc to tell the extraordinary tale of a peculiar man who moved in the 70s and 80s Austin singer/songwriting circles along with Morlix as well as Lucinda Williams and Townes Van Zandt who were all friends with Foley and posthumously wrote songs about him.

Morlix then took the stage to sing songs from Foley that appear on his latest and great release Blaze Foley’s 113th Wet Dream. The room remained mostly silent as Morlix with a single parlor guitar performed song after song with palatable reverence – If I Could Only Fly, Cold Cold World, Clay Pigeons…each one making you wonder how Foley couldn’t see fame and fortune in his lifetime even with high profile artists like John Prine, Lyle Lovett, Willie Nelson and Merle Haggard covering his songs (the latter taking the time to praise Foley in the film.) But as the documentary made clear as Foley followed his muse, and rejected material comforts in that pursuit, oftentimes caused him to alienate people and undermine his own career.

Gurf Morlix Official Site | Blaze Foley: Duct Tape Messiah official site

[youtube]http://www.youtube.com/watch?v=qSxUDRB5jRU&feature=player_embedded#at=132[/youtube]

[youtube]http://www.youtube.com/watch?v=WRkYTBERTvE&feature=related[/youtube]

Music Review – Lucinda Williams – Blessed [Lost Highway]

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It’s a staple of the blues mythos that things are bad and bound to get worse – Born under a bad sign, Born to Lose, Ain’t No Luck But Bad Luck… yeah, not a lot of sunshine on this side of the street.

Since moving to L.A. and marrying her manager, Tom Overby, on stage after a Minneapolis, Minn. concert in a nod to the late Hank Williams (no relation)- who married his second wife, Billie Jean, on stage in New Orleans – the Queen of Americana Music has seemed more satisfied of late and, dare I say, happy.

Williams catalog, like the great songs from country and blues music, is full of great songs about lost or unrequited love, but happiness? How does that work?

On her 9th studio album, Blessed Williams’ proves it can work quite well. The album opener Born To Be Loved is a tender blues number of affirmations. “You weren’t born to be abandoned. You weren’t born to be forsaken, you were born to be loved.” Williams world-weary voice and great immediacy of Producer Don Was and musical accompaniment drains any sap that might have crept into the song Buttercup is a barn burner that continues analogous caparisons with love and the natural world that was part of her last release Little Honey.

Not that everything has been rosy in her life; Williams saw the death of her longtime manager Frank Callari and the suicide of musical contemporary Vic Chesnutt, but the respective odes to these lost friends, the Wicked Game-slink of  Copenhagen and the rocking Seeing Black take these difficult topics and reflects on them with maturity and grace.

This approach is also applied to Soldier’s Song , a statement on war told as a shifting narrative from the killing fields to Main Street. It’s striking in how Williams finds from the poignant to normality and back again to heartbreaking conclusion.

I Don’t Know How You’re Livin’ is a song of devotion and faith that rolls on waves of pedal steel and slide guitar and Convince Me simmers with a longing  from the narrator that succinctly sets the tone for the records, and Lucinda Williams new direction overall. She’s seems be be hopeful by creating songs that direct us toward, if not outright deliver at our feet, hope.

Buy | Official Site

[youtube]http://www.youtube.com/watch?v=SrN9Wgh5Aic&feature=related[/youtube]

News Round Up: The Dixie Chicks Featured on Steve Martin’s Upcoming Album

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  • The Dixie Chicks are featured on Steve Martin’s upcoming bluegrass album “Rare Bird Alert”! You can pre-order the album now on Steve’s website before the record comes out on March 15th.
  • You can stream Lucinda Williams new album Blessed in full at NPR.
  • Louisville, KY-based Americana/ roots band Slithering Beast will release new EP called “Delicious” coming out next week (2/27). For one week from release day the EP will be available for free from the band’s site. On Saturday, March 5th there will be an official CD release party at Ear X Tacy records in Louisville, Kentucky and  the record will be for sale through CD Baby, iTunes and  local retailers.

Lucinda Williams To Release New Album – Blessed

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On March 1, the first lady of Americana Lucinda Williams will release Blessed, her first album since 2008’s GRAMMY nominated Honey. The record is produced by Don Was, and, according to American Songwriter, “features some of Williams’ strongest writing to date.” Blessed will also be available in a deluxe edition, which will include a bonus disc of the album in demo form, called The Kitchen Tapes.
Shortly after the album’s release, Williams will hit the road. Dates so far:

March
4-5 – Toronto @ Massey Hall
11-12 – New York @ Webster Hall
May
5 – New Orleans, La. @ New Orleans Jazz Festival
7 – Austin, Texas @ Stubb’s
8 – Houston, Texas @ The Houston International Festival

News Round Up: Lucinda Williams Tweets New Album Title

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  • Lucinda Williams took to Twitter to announce the title of her forthcoming album. Continuing her recent theme of happiness and matrimonial bliss the title will be Blessed. I guess Lou got her Joy back.
  • Ms. Lucinda and other notable Americana music folks, Drive By Truckers, Todd Snider, Gillian Welch, David Rawlings, Rhett Miller, Jimmie Dale Gilmore and Hayes Carll, became animated to appear in a special musical episode of Cartoon Network’s cartoon centered on hillbilly cephalopods -  Squidbillies.
  • Folk singer-songwriter Ana Egge has tapped Steve Earle as producer for her seventh solo album. The album will be recorded in Woodstock, New York in the fall to record at Levon Helm Studio.
  • Moody-Old time Americana band Black Prairie (a side project for three members of the Decemberists and other notable Portland, OR. musicians) has recently released two new songs they are giving away for free.

The Blackest Crow

Turn It Into Gold

Todd Snider, Gillian Welch, David Rawlings, Rhett Miller, Jimmie Dale Gilmore and Hayes Carll

Second Annual No Depression Festival Line-Up Announced

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No Depression magazine (and now web site), the go-to authority for roots and Americana music for 15 years, has announced the line-up for their second annual No Depression Festival, and it’s a peach! The Swell Season, Lucinda Williams, The Cave Singers, Alejandro Escovedo, Chuck Prophet, Punch Brothers and Sera Cahoone. The fun starts on Aug. 21, 2010, at Marymoor Park  in Redmond, Wash. Pre-sale tickets are available 10 a.m. Thursday 4/29 until 10 p.m. Friday 4/30 (password: HAPPY). Tickets will be available to the general public beginning 10 a.m. May 1.

If you order your tickets in the presale, email your confirmation to info at nodepression dot com to be entered in a drawing for a special No Depression prize package. Three winners will be chosen at random and will win a No Depression t-shirt, tote bag, anthology, and stickers.

Willie Nelson Twitter Interview

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  • Willie Nelson will join TheBoot.com for a live “Twitterview” next Tuesday, Aug. 25, the same day as the release of his newest album American Classic. You can watch the live chat with Willie, starting at 7:00 PM ET on Tuesday, if you follow Willie Nelson and theBoot.com  on Twitter.
  • Joe Pug will be joining Steve Earle on his upcoming European tour. Pug’s  debut LP “Messenger” will be released in early 2010.
  • Austin’s jazz and western swing band Hot Club of Cowtown has released their new, Wishful Thinking.
  • The New York Time reviews a show at Joe’s Pub by Works Progress Administration (WPA). the expandable collective, featuring core members Luke Bulla (Lyle Lovett), Sean Watkins (Nickel Creek) and Glen Phillips (Toad the Wet Sprocket) and on this night featuring Sara Watkins (Nickel Creek) pedal steel guitarist and multi-instrumentalist extraordinaire Greg Leisz (Bill Frisell, Dave Alvin, Lucinda Williams,  Emmylou Harris, Joni Mitchell, Whiskeytown, and Robert Plant and Alison Krauss and many more)
  • Chet Flippo sees compelling storytelling in videos by Toby Keith and Brad Paisley in his newest Nashville Skyline post. I see trite, if mildly clever,  symbolism  mirroring the trite song they represent. For shear technical and style excellence I still have to go with this one.

[youtube]http://www.youtube.com/watch?v=BDtaJmrVfx8[/youtube]

Lucinda Williams Announces 30th Anniversary Tour

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The queen of Alt.country Lucinda Williams has announced her upcoming 30th Anniversary tour (krips where does the time go?!) The tour will begin on September 18 at at First Avenue in Minneapolis, MN. Later in the tour Williams will do two three night runs, one at New York’s The Fillmore at Irving Plaza ( October 3, 4 & 5) and the other at Chicago’s Park West a week later (October 13, 14 & 15) At these special engagements Williams will use the opening night to feature songs from 1979-1989 ( Ramblin’, Happy Woman Blues and Lucinda Williams) The second night will cover music from 1992-2001 (Sweet Old World, Car Wheels On A Gravel Road and Essence.) The final night Williams will perform music from 2004 -present (World Without Tears, West and Little Honey.) Following each opening set will be a full second set of songs from throughout Williams’ career.

Williams will also be performing a two night stand in Toronto on October 10th & 11th. The first night will feature selections from Ramblin’, Happy Woman Blues, Lucinda Williams, Essence and World Without Tears over two sets. The second night will feature two sets of music from Sweet Old World, Car Wheels…, West and Little Honey. Additional multi-night shows will be added in early 2010.

Lost Highway to Release Willie Nelson Compilation

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  • Chet Flippo over at CMT’s Nashville Skyline and Miss Leslie at the 9513.com are strolling down the mine-laden path of “What is country music?”
  • Classical Americana? Sam Bush, Jerry Douglas and Buddy Miller will be among the musicians who will perform with the Nashville Symphony on Sept. 12 during the inaugural Classical Americana concert at the Schermerhorn Symphony Center. The concert is one of the events leading up to 10th annual Americana Music Festival and Conference taking place Sept. 16-19 in Nashville.
  • Lost Highway Records will release a compilation of music Willie Nelson has made on their label. Willie Nelson’s Lost Highway will be released on Aug. 11 with three previously unreleased songs. The 17-track album features Grammy-winning duets with Ray Price (”Lost Highway”) and Lee Ann Womack . Other guests on the album include Elvis Costello, Diana Krall and Lucinda Williams.I;m not sure that the work Willie has done while on Lost Highway really warrents the compilation treatment but I will hold judgment until I hear it.
  • Bob Schneider teamed up with Dixie Chick Martie McGuire for a  sold-out show at the Paramount Theater in Oakland, CA. SPINearth.tv (SPIN Magazine’s new global music site) recently published an exclusive photo collection from the DVD taping of the show.

Elvis Costello – Secret, Profane & Sugarcane (Hear Music)

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Hardly a day goes by that we hear about another performer leaving their chosen career trajectory and taking a swing at country music.Some of these travelers deeply feel the need to honor the history, the tradition, of the genre. They also bring something new and interesting to the sound. Then there are the carpetbaggers. The ones who’s career have a justly stalled and are looking to find a new audience in a genre they mistakenly see as an easy get. They carry with them the foul stench of mediocrity they cultivated from whence they came.

The latter category is too painful to detail here but a prime example of the former is Elvis Costello. A singer/songwriter so accustomed to straddling, hopping and distorting genres that people are surprised when he returns to his earlier literate pop-punk roots. Costello’s love of American Southern music is well documented. The established Angry Young (British) Man takes a sharp turn from edgy punk-pop to head to Nashville and cut 1981’s Almost Blue which featured songs by Hank Williams, Merle Haggard, George Jones and Gram Parsons. The post-divorce roots-folk of 1986’s T. Bone Burnett produced King of America. 2004’s The Delivery Man featuring duets with  Emmylou Harris and Lucinda Williams – who he also performed with in a CMT Crossroads. There is the Costello T. Bone Burnett penned Scarlet Tide was used in the film Cold Mountain, nominated for a 2004 Academy Award and performed by Costello it at the awards ceremony with Alison Krauss, who also sang the song on the official soundtrack. Point being his newest Americana release Secret, Profane & Sugarcane is not a hard diversion nor a lark for Mr. MacManus.

It doesn’t help that you’re sound is so distinctive that people start to harp on it like it’s a curse. Secret, Profane & Sugarcane like it’s spiritual cousins Bob Dylan’s Nashville Skyline, Neil Young’s Harvest and the Rolling Stones’ Exile on Main Street seems to lose points some detractors because the work reflects the unique characteristics the artists brings with them when they cross the Americana tracks. If you prefer your music by outsiders to be cleansed of all traces of the performers unique earlier style, well, Secret, Profane & Sugarcane is not for you.

The album took three days to create in a Nashville studio (March 31 to April 2, 2008)  thus beating out the usually fleet Bob Dylan’s Nashville Skyline, which took 9 days (February 12, 1969 – February 21, 1969) is with producer T Bone Burnett- whos is becoming the go-to-guy when you want to do Americana – and focuses on Costello’s own work rearranged for a crack band featuring Stuart Duncan on banjo and fiddle, Jerry Douglas on Dobro, , Dennis Crouch on bass, Mike Compton on mandolin and Mr. Americana himself Jim Lauderdale lending honey harmony vocals to counter Costello’s (in)famous keen.

Things get off to a nice starts with Down Among The Wines And Spirits, originally written for Ms. Loretta Lynn, is a lolling down-and-out drinking song featuring the kind of wordplay Costello has become famous for (there’s that uniqueness again!) Complicated Shadows, first recorded for 1996’s All This Useless Beauty and originally written for Johnny Cash, gets the amped-up greasy blues treatment that would make Tony Joe White smile.

The beautifully sad I Felt the Chill Before the Winter Came was penned by Costello and aforementioned Loretta Lynn is lovely but brings to mind the coldness suggested in the title. My All Time Doll is a hillbilly cabaret number featuring the excellent accordion work by Jeff Taylor and a demo from All This Useless Beauty Rhino reissue Hidden Shame gets a great rousing makeover.

How Deep Is the Red?, She Was No Good,”She Handed Me a Mirror, and Red Cotton are  from Costello’s unfinished Hans Christian Andersen chamber opera The Secret Songs (did I mention that man was eclectic?) As prolific as Costello is, he is known to rework his own songs for different occasions, and although these songs do carry trace elements of their classical origins they sound right at home here.

Sulphur to Sugarcane was written by Costello & T Bone Burnett for (but not used)  in the Sean Penn 2006 film All The King’s Men. The song sounds like a bawdy ragtime-jazz response to Johnny Cash’s I’ve Been Everywhere as imagined by Leon Redbone. The Crooked line is rumored to have been an unused song for the Johnny Cash biopic Walk The Line and Costello is reported to have said that it’s “…the only song I’ve ever written about fidelity that is without any irony.” Here the song is a Cajun-flavored duet with Emmylou Harris with Emmylou way too far down in the mix, or just right, depending on your feeling about Ms. Emmylou’s disctinctive style. Changing Partners is a more-or-less faithful rendition of a the ubber-crooner Bing Crosby’ classic  number of lost love.

Is Secret, Profane & Sugarcane a great country or Americana album as you might expect from a seasoned vet? No. Is it a great Elvis Costello record? No, it hits just about in the mid-range of his canon. But with the likes of Jewel, Miley Cyrus and Kid Rock paraded as examples of roots and country music’s future Costello has given us a lovely, lively work to brace us out of that nightmare.

Official Site | Buy

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