Tag Archives: Marty-Stuart

Johnny Cash Forever Stamp Celebration at the Ryman Auditorium

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The United States Postal Service, John Carter Cash and other members of the Cash family will the release of a limited-edition Johnny Cash Forever stamp June 5, 2013 at historic Ryman Auditorium (116 Fifth Avenue, Nashville) at 10:30 a.m. CDT. Doors open for stamp sales at 9 a.m. and the event is free and open to the public.

Artists set to appear, perform or speak include John Carter Cash, Carlene Carter, Larry Gatlin, Jamey Johnson, The Oak Ridge Boys, The Roys, Marty Stuart and Randy Travis among others. 650AM WSM personality Bill Cody will serve as emcee of the event.
 
“It is an amazing blessing that my father Johnny Cash be honored with the issue of this stamp. Dad was a hard-working man, a man of dignity. As much as anything else, he was a proud American, always supporting his family, fans and country. I can think of no better way to pay due respect to his legacy than through the release of this stamp,” said John Carter Cash.
 
“My family is thrilled that my father will grace a United States ‘Forever’ stamp, a great honor for any American, and an honor that would have particularly delighted him. It is a joy to know that generations will use this stamp, and my father will forever be where he loved to be: traveling the world,” added Rosanne Cash.
 
About the Limited-Edition Johnny Cash Forever Stamp:
Designed by art director Greg Breeding, the Johnny Cash stamp features a photograph captured by Frank Bez during the photo session for Ring of Fire: The Best of Johnny Cash (1963).  The stamp is part of the U.S. Postal Service’s Music Icon series, which also includes stamps honoring Lydia Mendoza (available now)  and Ray Charles (to be released in September).
 
The stamps will be available for purchase at the Ryman Auditorium June 5 from 9 a.m. until 1 p.m., at the CMA Festival Fan Fair X at LP Field June 6-9, local Post Offices and online at usps.com/stamps.

Grammy Award for Best Americana Album – Predictions

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Live on CBS this Wednesday the Grammy organization will announce it’s nominees for all categories at The Grammy Nominations Concert Live!! concert from Bridgestone Arena in Nashville.

The Music City event will be the first time the Grammys have hosted an official awards programs since the 1973 Awards was held there. Wednesday’s eclectic offering of Pop, rappers, rockers and country singers will reflect the Nashville Grammys that brought together Johnny Cash, Aretha Franklin, Ringo Starr, Curtis Mayfield at the former Tennessee Theatre on Church Street.

The event will also feature a tribute to the legendary Johnny Cash. So far The Band Perry and Dierks Bentley also have been confirmed to take part in the tribute, though I argue that the manner in which Cash was treated by Music City late in his career a more fitting tribute would be populated by those on the Americana side of the fence. Hank III and Shooter Jennings anyone?

Though not reflected in performers on the stage that day (boo!) the Grammys nominees for the Best Americana Album of the Year will be announced. Personally I have no inside knowledge of who’s names will be called, but am willing to use what I can from over all three years of the the category’s existence. There are two obvious patterns that emerge, the nominees are well-known veterans in the music industry and all have been nominated for or won Grammys in the past.

But then there’s the Linda Chorney wild card from last year that blows away the first two patterns. So what do I know?

Set those DVRs for Dec. 5 at 10 p.m. ET on CBS. Then tune back in on Feb. 10, 8 p.m. ET (CBS) for the 55th annual Grammy awards show.

Let’s address the obvious two choices first. Mumford and Sons are the indisputable kings of contemporary roots-based music. Sure they were beat out by Adele for the coveted Record Of The Year Grammy last year but their prime-time performance with roots cohorts The Avett Brothers and vet Bob Dylan significantly raised their awareness. This higher-profile status has resulted in impressive sales for their sophomore offering, Babel.

The Avett Brothers have enjoyed an expanded fan base for all the reasons detailed above, as well as benefiting from being around longer and having their latest, The Carpenter, being their second to be produced by Rick Rubin.

Gretchen Peters is no stranger to the Grammys. In 1995 Peters received both a Grammy nomination and a Country Music Association Song of the Year award, for Martina McBride’s version of her song “Independence Day.” Her latest “Hello Cruel World’ is arguably some of her best work and has a great chance of catching the Grammy voters attention.

Dwight Yoakam has said that he doesn’t just want to appeal only to the smaller audience from his superstar heyday, I’m certain these days Nashville has little room for his signature Bakersfield sound. though I’m sure he won’t balk at his current perch at #1 on the current Americana charts. Yoakam won the Grammy Award for “Best Male Country Vocal Performance” in 1993 for the song “Ain’t That Lonely Yet”.

Willie Nelson has been nominated in this category before, in 2011 for the T Bone Burnett produced Country Music. Hos latest, Heroes, is a wonderful if uneven body of work that could find no better home than here. Personally, this is my favorite dark horse.

ON EDIT:

After a day of reflection I’m compelled to add a couple of more contenders that had slipped past me while writing this post.

Marty Stuart’s collection of country memorabilia is legendary, but his songs are his greatest contribution to the legacy.Stuart snagged his 5th Grammy at last year’s 54th annual event for Best Country Instrumental Performance for his”Hummingbyrd,” a musical tribute to the Byrds’ guitarist Clarence White, Stuart and his Fabulous Superlatives came out with the excellent release Nashville, Volume 1: Tear the Woodpile Down.

Chris Thile was a national mandolin champion at 12, a Grammy winner at 16 and one of this year’s MacArthur “genius grant” recipients. He can really screw up the bell curve for other musicians. His newest venture, The Punch Brothers, which I consider like Mumford and Sons with more depth and better chops, were nominated at the 54th Grammys for Best Country Instrumental Performance on the tune “New Chance Blues,” a bonus track on their second record Antifogmatic. They were also nominated for Best Country Collaboration with Vocals for the song “Pride” with Dierks Bentley and Del McCoury.

Stagecoach 2013 Lineup Announced

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If somebody said that Justin Townes Earle and Lady Antebellum would be appearing on the same bill you would not be remiss in thinking “You’re nuts.”

Then you haven’t been to Stagecoach.

The above is indeed correct. The Goldenvoice-produced festival, now in it’s seventh year, takes a broad, historical view of country music. Contemporary country staples Toby Keith and Trace Adkins with country legends Charley Pride and Don Williams and Americana music favorites Old Crow Medicine Show and Hayes Carll are all included.

I’m a fan of this cross-influence dynamic. That a Toby Keith fan could check out Hayes Carll is good for both fan bases that tend to be a bit musically and culturally insular. Americana acts in front of these huge audiences gives them a big opportunity to grow their audience.

And if Keith and Carll break into a rendition of “Beer for my Horses” I’ll be the first to applaud.

The festival place the weekend of April 26-28 in Indio California. Tickets go on sale Oct. 20 at 10 a.m. via the official Stagecoach site. A new pricing structure is in place for 2013, and a three-day festival pass will cost $239.

Friday, April 26:
Toby Keith, Hank Williams Jr., Trace Adkins, Jeff Bridges & the Abiders, Roger McGuinn, Old Crow Medicine Show, Joe Nichols, Connie Smith, Maggie Rose, Hayes Carll, Wylie and the Wild West, Commander Cody, the Steel Wheels, Haunted Windchimes, Alissa Griffith

Saturday, April 27:
Lady Antebellum, Dierks Bentley, Rodney Atkins, Dwight Yoakam, Phil Vassar, Nick 13, John Anderson, Marty Stuart, Jana Krama, Justin Townes Earle, Suzy Bogguss, the Honky Tonk Angels Band, Sons and Brothers, the Westbound Rangers, Robert Ellis

Sunday, April 28:
Zac Brown Band, Darius Rucker, Thompson Square, Lonestar, Jerry Lee Lewis, Charley Pride, Don Williams, Tanya Tucker, Blue Sky Riders, John Reilly and Friends, Riders in the Sky, Waddie Mitchell, Florida Georgia Line, Brown Bird, Becky Stark, Gabriel Kelley

Twang Nation Podcast Episode 6 – Willie Nelson , Austin Lucas with Glossary, Delta Rae

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Six podcasts in featuring some of the best in country and Americana music and I do believe I’m hitting a stride. Or something. Whatever, it getting even more fun!

This episode may be  the best yet! On the cut, “Hero,” Willie Nelson shares the spotlight with Jamey Johnson and Billy Joe Shaver off his new release “Heroes.” Austin Lucas with Glossary sends me a rough mix of “Alone in Memphis” being backed by his current tour mates Glossary. Delta Rae proves the power of the voice in the fiery ” Bottom of the River” from their debut album “Carry The Fire.”things end out with a tribute to the great Levon Helm from his Grammy award winning “Dirt Farmer.”

I hope you all enjoy the great Americana and roots music featured in this and all the podcasts  and hope you seek out the musicians and buy their music, merch and , most importantly, take all your friends and see them live. Remember you can leave requests or feedback below or email me at baron(at)twangnation(dot)com.

Now, kick back with your adult beverage of choice and let Twang Nation remind you what great music sounds like.

1. Jason Eady – song:  “AM Country Heaven”  album: “AM Country Heaven” (Underground Sound)
2. Marty Stuart -  song:  “Tear The Woodpile Down” -  album: “Nashville, Volume 1: Tear The Woodpile Down”  (Sugar Hill Records)
3. Delta Rae -  song: “Bottom of the River” – album:  “Carry The Fire” (Sire Records)
4. Shawn Mullins – song: “Give God The Blues” – album:  “Mercyland – Hymns For The Rest Of Us” (Mercyland Records)
5.  Giant Giant Sand  -  song: “Detained”  – album: “Tucson” (Fire Records)
6. Paul Thorn  -  song: “What the Hell Is Goin’ On”- album: “What the Hell Is Goin’ On” (Perpetual Obscurity)
7.  Willie Nelson – song: “Hero” – album: “Heroes” (Sony Music Entertainment)
8. Austin Lucas with Glossary – song: “Alone in Memphis” album: Demo
9. The Mavericks – song: “Born To Be Blue” – album: “Suited Up and Ready EP” (The Valory Music Co.)
10. Levon Helm – song: False hearted lover blues album: Dirt Farmer (Dirt Farmer Music)

News Round-Up: Pre-order Charlie Louvin, Still Rattlin’ the Devil’s Cage

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  • Judd Films and Devil’s Cage Productions have launched promotional site for the biography – Charlie Louvin, Still Rattlin’ the Devi’s Cage. The site offers trailers and a chance to pre-order one of the 1000 copies being produced (release targeted for 7/15) All proceeds from this initial release  will go to Mrs. Charlie Louvin and her family. The film features appearances by  Charlie, Sonny Louvin, George Jones, Marty Stuart, John McCrea, and Emmylou  Harris and chronicles Charlie’s resurgence and influence over his 60 + year  career and 50th anniversary of the Louvin Brothers release Satan is Real.
  • The line-up for the Johnny Cash Music Festival will include close family members and friend – Rosanne Cash, John Carter Cash & Laura Cash, Tommy Cash, Kris Kristofferson, George Jones, Rodney Crowell, Chelsea Crowell and more. The festival is presented annually by Arkansas State University, with participation by the Cash family, to benefit the Johnny Cash Boyhood Home Project in Dyess, Arkansas. The project involves establishing a museum to honor the Johnny Cash legacy as well as restoring or re-creating his boyhood home. ASU is lining up sponsors for the event.

[youtube]http://www.youtube.com/watch?v=lWp7MGY3II4&feature=related[/youtube]

Charlie Louvin – A Country Legend Dies

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Image by www.neltnercreative.com

Yesterday morning I got up at 5am and poured myself a cuppa, sat down and booted up the computer machine. Like millions of others I started my journey on Facebook. Then I saw at the lower right of my screen I saw someone initiating a chat with me. It was Blake Judd. All it said was “Charlie Louvin passed this morning.”

I had heard this before. Earlier this month rumors were spreading that Louvin has finally succumbed to the pancreatic cancer which he was diagnosed with last July. In his typical style Louvin had vowed to fight it and even after he had undergone unsuccessful surgery to remove the tumor he continued to schedule performances and even put out an album “The Battle Rages On,” a collection of war songs. On January 14th Louvin had taken to Twitter to announce “I just wanted to clear up a vicious rumor..I’m very much alive. At home resting, getting stronger each day!”

But this time was different. Blake Judd  wasn’t just some rumor monger. Blake Judd, from Judd Films, based in Kentucky, has been co-directing a non-profit film about Charlie Louvin that was being made to help Louvin with his medical bills. George Jones, John McCrea of CAKE, Marty Stuart, and Alison Krauss have been so kind as to appear in the film.

Blake had contacted me earlier this week to ask to use a video I had made of Louvin and Billy Bob Thorton singing  The Knoxville Girl at Nashville’s Cannery during the 2008 Americana Music Conference and Festival. It was an honor to be a part of this undertaking, of course I agreed.

I did a quick Google news search but nothing had been announced. But I trusted the source and posted the sad news on my twitter account. I knew this was just the thing my followers would want to know. I also posted it on the Twang Nation Facebook page and in a case of classic Internet age sourcing a post comment was added to the post from No Depression’s Kim Ruehl that his Wikipedia page still had him listed as alive. She was right, I was becoming uncertian.

An hour later that had changed. 1/26 had been added as the date of death on Wikipedia.But the I noticed an astonishing thing was happening on Twiiter. Charlie Louvin was a trending topic. Now trending topics on Twitter can be a great bottom-up source of news, like in the suicide bombing at Moscow’s Domodedovo airport , but more often than not the trending topics are a source of stupid jokes gone viral. But there it was , Charlie Louvin’s death had gone viral.

It was a fine send off for a man that made it big, along with his brother Ira, as the Louvin brothers. The groups were innovators of the close-harmony style that influenced The Everly Brothers and, then later, Simon & Garfunkel, The Beatles, Gram Parson’s version of The Byrds and The Beach Boys. Ira was notorious for drinking and reckless behavior leading Charlie Louvin to fire his brother. The next year, after a period of sobriety, Ira was killed when a drunk driver struck his car.

Louvin’s later career resurgence, Like many legends of country music, didn’t come from Music City but came from the Americana community. While covering the Louvin Brothers cold war testament “The Great Atomic Power” live Uncle Tupelo caught the eye of Peter Buck, guitarist for R.E.M., who saw the alt.country pioneers perform at the 40 Watt Club in Athens, Georgia. Buck offered to produce their next album. The album March 16-20, 1992 on Buck’s Rockville Records and contained The Great Atomic Power with an abbreviated title.

In 2006 New York’s Tompkins Square Records released disc of classics containing one new song, a tribute to Ira, and a gospel album on Tompkins Square Records. The songs pair Louvin with other singers, such as George Jones, Jeff Tweedy of Uncle Tupelo and Wilco, Alex McManus of Bright Eyes and Elvis Costello.

Here’s to a great man that stayed true to his art and vision.

Charlie Louvin, Country Singer, Dies at 83 (New York Times)

Charlie Louvin, Country Hall Of Fame Singer, Has Died (NPR)

Neko Case’s 2005 interview with Charlie Louvin (Fretboard Journal)

Charlie Louvin – Magic Songs of Life (No Depression – Peter Blackstock)

Charlie Louvin Daytrotter Session

No More Kings

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The other day I     saw a tweet from  the American Songwriter site a story title that caught my eye, like many of the tweets from excellent @AmerSongwriter. Writer Austin L. Ray story on Robert Plant and his new musical venture Band of Joy “The Unlikely King Of Americana.” It’s an excellent take on how a once rock-god followed his muse from the amped-up Blues side of the tracks to where the American genre flourishes wild.

Though it is a great story of a learned musical journeyman I take exception to the title of the piece. Please allow be to indulge the petty grievance of a genre blogger.

My first quibble is with the method of Americana regal ascendancy. Plant was not born into a legacy of Americana lineage, like say Rosanne Cash or Justin Townes Earle, that would align him in a place in whatever a genre monarchy we might imagine. So his crown must be earned.  Putting aside the concept of a violent coup I will focus on the work to goal.

Granted Plant has released two excellent Americana albums, Raising Sand and the current Band of Joy, and Led Zeppelin sometimes infused their sound with an Americana  spice (Black Country Woman and Bron-Y-Aur Stomp are great examples of this) his body of original Americana material is scant. Aside from the few Zeppelin pieces, Raising Sand and Band of Joy are comprised primarily of covers. Though excellently interpreted; these covers do not mount an argument toward an Americana crown
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If we weigh personal legacy and quality, original material a list to regal ascendancy would be long – Johnny Cash, Steve Earle, Marty Stuart, John Mellencamp, Gram Parsons, Townes Van Zandt etc. And why not a queen? Emmylou and Lucinda come to mind. And it’s not a Nativism issue. I believe Plant’s fellow English countrymen Elvis Costello and Richard Thompson have more of a right to any imagined throne.

Like America itself the Americana genre is a work in progress. And like America many of the settlers in this new land are from another land – rock, country, folk, hip-hop – and the borders are porous and the genre is stronger for it. Not all of these emigres are going to be in simpatico.  Guy Clark fans may have very little in common with Hank Williams III fans, but the bloodline that ties them are there for those who take the time to look.

Jed Hilly, executive director of the Americana Music Association, when asked about Plant’s possible crowning is quoted as saying “Without question.” I have no argument with Hilly’s opinion on this. Hilly heads up a trade group who’s primary objective is to raise awareness. Plant, along with his well-chosen guides, Allison Krauss, T Bone Burnett and Buddy Miller and others as well as the excellent songwriters chosen to be included on his albums, has led to the addition of a an Americana GRAMMY (which I am fortunate to be covering this year) and brought significant awareness to the genre.

But as a blogger for the cause I take exception to this coronation, or in fact any coronation. Like America we serve under no crown but for the exceptional beauty of the music itself. But I do nominate Gram Parsons as it’s patron saint.

Nominations for the 53rd GRAMMY Awards

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The National Academy of Recording Arts and Sciences (NARAS) announced the nominees for the 53rd Annual Grammy Awards (to be held February 13th, 2011.) Here listed are the nominees in the Americana, Roots categories as well as similar artists in other categories (for a full list of nominees ho the Grammy.com)  Any surprises? Who’s missing?

BEST AMERICANA ALBUM
Rosanne Cash – The List
Los Lobos – Tin Can Trust
Willie Nelson – Country Music
Robert Plant – Band of Joy
Mavis Staples – You Are Not Alone

BEST BLUEGRASS ALBUM
Sam Bush – Circles Around Me
Patty Loveless – Mountain Soul II
The Del McCoury Band – Family Circle
Peter Rowan Bluegrass Band – Legacy
The Steeldrivers – Reckless

BEST TRADITIONAL FOLK ALBUM
Carolina Chocolate Drops – Genuine Negro Jig
Luther Dickinson & the Sons of Mudboy – Onward and Upward
The John Hartford Stringband – Memories of John
Maria Muldaur – Maria Muldaur & Her Garden of Joy
Ricky Skaggs – Ricky Skaggs Solo: Songs My Dad Loved

BEST CONTEMPORARY FOLK ALBUM
Jackson Browne & David Lindley – Love Is Strange – En Vivo Con Tino
Mary Chapin Carpenter – The Age of Miracles
Guy Clark – Somedays the Song Writes You
Ray LaMontagne and the Pariah Dogs – God Willin’ & the Creek Don’t Rise
Richard Thompson – Dream Attic

BEST COUNTRY INSTRUMENTAL PERFORMANCE
Cherryholmes – “Tattoo of a Smudge”
The Infamous Stringdusters – “Magic #9”
Punch Brothers – “New Chance Blues”
Darrell Scott – “Willow Creek”
Marty Stuart – “Hummingbyrd”

Other Americana/roots/indie/alt/whatever artists nominated in assorted other categories:

  • Dailey & Vincent – “Elizabeth” (Best Country Performance by a Duo or Group with Vocals)
  • Dierks Bentley – Up on the Ridge (Best Country Album)
  • Dierks Bentley, Miranda Lambert & Jamey Johnson – “Bad Angel” (Best Country Collaboration with Vocals)
  • Dierks Bentley, Del McCoury & the Punch Brothers – “Pride (In the Name of Love)” (Best Country Collaboration with Vocals)
  • Ryan Bingham & T. Bone Burnett – “The Weary Kind” from Crazy Heart (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Johnny Cash – “Ain’t No Grave”/ The Johnny Cash Project (Best Short Form Music Video)
  • Crazy Heart (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Steve Earle – “I See You” from Treme (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Patty Griffin – Downtown Church (Best Traditional Gospel Album)
  • Buddy Holly – Not Fade Away: The Complete Studio Recordings and More (Best Historical Album)
  • Elton John & Leon Russell – “If It Wasn’t for Bad” (Best Pop Collaboration with Vocals)
  • Jamey Johnson – “Macon” (Best Male Country Vocal Performance, Best Country Album for The Guitar Song)
  • Miranda Lambert – “The House That Built Me” (Best Female Country Vocal Performance, Best Country Song, Best Country Album for Revolution)
  • Ray LaMontagne – “Beg, Steal, or Borrow” (Song of the Year)
  • Los Lobos – “Do the Murray” (Best Rock Instrumental Performance)
  • Mumford & Sons – “Little Lion Man” (Best Rock Song, Best New Artist)
  • Tom Petty & the Heartbreakers – Mojo (Best Rock Album)*The Steeldrivers – “Where Rainbows Never Die” (Best Country Performance by a Duo or Group with Vocals)
  • Robert Plant – “Silver Rider” (Best Solo Rock Vocal Performance)
  • Pete Seeger with the Rivertown Kids and Friends – Tomorrow’s Children (Best Musical Album for Children)
  • Ricky Skaggs – Mosaic (Best Pop/Contemporary Gospel Album)
  • George Strait – “The Breath You Take” (Best Country Song)
  • Marty Stuart & Connie Smith – “I Run to You” (Best Country Collaboration with Vocals)
  • Treme (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Hank Williams – The Complete Mother’s Best Recordings…Plus! (Best Historical Album)
  • Lucinda Williams & Elvis Costello – “Kiss Like Your Kiss” from True Blood (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Neil Young – “Angry World” (Best Solo Rock Vocal Performance, Best Rock Song, Best Rock Album for Le Noise)

News Round Up: A Brit Explains Country (Americana?) Music

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  • After the loss of Doug Sahm and  Freddy Fender, the future of the Texas Tornados was uncertain to say the least. Well Texas Music Matters has unveiled a new Texas Tornadoes cut, Who’s To Blame Senorita,written by Doug Sahm and his son Shawn. Shawn will also lend support to their new album, Esta Bueno,will be released March and is “…a collection of old sounds and new songs — with five previously unreleased vocal performances by Doug Sahm, new songs written by Fender, and a new song written by Doug and Shawn titled Who’s To Blame, Senorita?
  • Marty Stuart officially announced the creation of the Mississippi Country Music Trail. the Trail will feature 30 markers celibrating a variety of country music artists, including Jimmie Rodgers, Charley Pride, Conway Twitty, Jerry Clower, Faith Hill, Tammy Wynette, Mac McAnally and Stuart himself.
  • In another stoke of tone-deafness the Academy of Country Music has released their nominees for their 45th annual awards (April 18.) Nowhere in the Song Of the Year category will you find in one of the most popular (and good) songs sweeping awards outside of their narrow vision of mainstream country radio -  Ryan Bingham and T Bone Burnett’s Golden Globe -winning and Oscar nominated The Weary Kind from the great Jeff Bridges movie Crazy Heart. Hey ACM, do us all a favor and j ust give all the awards to Swift and put something else on in that time slot!
http://tinyurl.com/yhe79ev

News Round Up: Willie Twitters & A New Langhorne Slim Download

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  • Check out the “twitterview”  – a cute way of describing an interview conducted on twitter -  between TheBoot.com and Willie Nelson as was gearing up for his MySpace free secret concert in Maui, Hawaii.
  • Speaking of the twitterverse (yeah, I’m gonna get mileage out of this), Charlie Robison won’t have to travel far to play a private living room concert for the winner of his twitter concert. The winner lives in Austin.
  • The Grand Ole Opry will bring back it’s special Opry Country Classics program this fall for an eight-week run beginning Thurs., Sept. 10. Already scheduled to perform are Moe Bandy, Terri Clark, Jimmy Dickens, Larry Gatlin, Vince Gill, Jamey Johnson, George Jones, Ray Price, Joe Stampley, Marty Stuart, Mel Tillis, Pam Tillis, and Tanya Tucker.
  • Rosanne Cash will be the subject of the Americana Music Association’s Festival and Conference 2009 Keynote Interview. The interview will be conducted by author/journalist Michael Streissguth – who has written books on Rosanne as well as her father Johnny, Eddy Arnold and others – will take place Thursday, September 17 from 10:45 until noon at the Nashville Convention Center.
  • Jack Ingram established a new Guinness World Record – most radio interviews in a 24-hour period. Ingram was  promoting his new disc “Big Dreams & High Hopes.” Ingram recorded 215 radio interviews within 24 hours, hitting most of the 50 states, Canada, Ireland and Australia. The previous record was 96.