Tag Archives: Miranda-Lambert

PopMatters best of 2007

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The ever snarky yet entertaining music site PopMatters are dropping their “Best Of…” lists by genre and their list of 2007’s Best Country is an insightful pick of the crop. My three favorite female  country crooners of the year, Elizabeth Cook, Sunny Sweeney,  and Miranda Lambert made the list as well as some typical Nashville faire. They also take time to take some cheap shots at the Eagles (Linda Ronstadt’s old backing back reinvent itself as the oldest boy band on the planet, HA! ) which always scores points with me.

And then there’s this lyrical insight to Rascal Flatts.

It’s safe to say Rascal Flatts will never make that leap across the firewire because I really don’t see any merit in an outfit that takes ostensibly good ideas, drowns them like kittens in a syrup of glossy good taste, skins them, and then drags them out over four minutes where two-and-a-half would have been more than enough. It’s all enough to make you long for an American Idol or two.

Bless you PopMatters….bless your snarky hide!

CMA / AMA Best Artists – My View

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So the Country Music Association and the Americana Music Association have recently released their nominees list for their respective awards and in an attempt to figure what passes for country music nowadays and what the heck “Americana” means I am going to compare a category they share…sort of.

CMA Entertainer of the Year
Kenny Chesney
Brad Paisley
Rascal Flatts
George Strait
Keith Urban

CMA Male Vocalist of the Year
Kenny Chesney
Brad Paisley
George Strait
Josh Turner
Keith Urban

CMA Female Vocalist of the Year
Alison Krauss
Miranda Lambert
Martina McBride
Reba McEntire
Carrie Underwood

AMA Artist of the Year
Joe Ely
Lucinda Williams
Patty Griffin
Todd Snider

Being good, progressive minded folk the Americana place the boys and the girls in one “artist” category. The CMA naturally plays it like a broken record with Chesney and Rascal Flatts nominated for the millionth time. I have a question, to qualify for EOTY shouldn’t you be entertaining? And I don’t mean in a comedic sense. And what is the difference between “Entertainer of the year” and Vocalist of the year” I mean all the nominees are vocalists,that’s what they do to entertain, sing. Is the CMA rewarding acrobatics, ripped biceps and hair gel as a separate category?

I like George Strait and think his 07 release “It Just Comes Natural” is good but not great. I like Brad Paisley somewhat but think he’s choosing the corn-ball and schmaltz cuts that are beneath him and his fine guitar playing to chase the dollar. I think Miranda Lambert is the best thing to happen to country in a long time and she has the good sense to cover excellent songwriters like Gillian Welsh. Alison Krauss is the one crossover artist here but she had to soften her bluegrass roots and get a make-over to get acceptance by the CMA crowd. Britney 2…er..I mean Carrie Underwood has the pipes but not the soul or courage to be interseting.

Joe Ely is a Texas legend and should when in any category he’s in. And even though I love Lucinda, I think “West” was a weak effort and shows that moving to L.A. will kill even a dignified soul.

I will use the CMA boy/girl dichotomy and ignore the useless EOTY category and play nice and not add other deserving artists like Elizabeth Cook and Wayne Hancock into the mix, and say:

Male Artist of the Year: Joe Ely

Female Artist of the Year: Miranda Lambert

Miranda Lambert Stripped

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I knew that title would get ya. Miranda Lambert does a fine job of going “unplugged” with some of her tunes from her new release “Crazy Ex-Girlfriend” and first release “Kerosene.” Lambert does “Famous In A Small Town”, “Desperation”, “Kerosene”, “New Strings” over at Stippedmusic.com. The native Texan also does a nice cover of Jessi Colter’s Storms Never Last.

Nashville Skyline on Miranda Lambert

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the risk of being not only a Chet Flippo (CMTs Nashville Skyline) fanboy but one for Ms. “crazy chick” Miranda Lambert as well. Chet’s latest post (thanks 9513) on Miranda’s rise to stardom on her own terms and some of the cool things she’s done that lends her more cred than most of her other Music City counterparts:

She learned a valuable lesson in songwriting with her first album. The title song, “Kerosene” — which really put her on the musical map — sounded very much like Steve Earle’s “I Feel Alright.” Very much like it. After that was brought to her attention, she added Earle’s name as her co-writer on the copyright. And on the royalties. She told Barry Mazor in a No Depression interview, “I didn’t purposefully plagiarize his song — but unconsciously I copied it almost exactly. I guess I’d listened to it so much that I just kind of had it in there.” Well, hell, outlaws rip each other off now and then. But then they usually own up about it — as she did — very quickly.

Cool, no? How many other Nashville Star and CMT alum would go out of their way to credit Earle (and share royalties with him) rather than dispatch a labels lawyers to pay him off? Class act! Miranda is making me proud of Texas in a way that Willie and the Chicks did.

Miranda Lambert Makes The Cover of No Depression – Hell Reports Snow

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I don’t know what it is, the end times, global warming, whacked mojo…but Miranda Lambert seems to be winning the hearts and minds of Nashville pop lovers as well as the alt.country crowd. I mean she’s on the cover of the yall’ternative bible “No Depresssion” for crips sake! (Yeah that her swinging her hair all rocking out like.) First the white trash American Idol (I mean that in a good way), a performance at the ’05 CMA Awards and now ND?
I mean ND has indy darlings The Shins on the last cover. What are they trying to do? Rise from relative obscurity and sell magazines?

I mean what’s next? Toby Keith on the cover of Spin? Carrie Underwood on the cover of Playboy? Okay, I could actually imagine that last one.

Good on the fellow Texan on all the good vibes and good on No Depression for risking their hipster cred to feature great music!

Miranda Lambert In The New York Times

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The New York Times has a cool write-up on Miranda Lambert. Lambert talks about the influences for her new album – “Crazy Ex-Girlfriend” – gives credit to Gretchen Wilson for opening the career door for her and is compared to some mighty company:

Ms. Lambert, 23, cites the usual outlaw influences — Waylon Jennings, Merle Haggard — as well as the well-regarded singer-songwriters Steve Earle, Buddy Miller, Jerry Jeff Walker and Guy Clark. In essence, Ms. Lambert is an alt-country singer operating covertly in the mainstream. “Dwight Yoakam, the Dixie Chicks — I think there’s a way to be really cool and mainstream, too,” she said.