Tag Archives: Ryan-Bingham

Wanted! – Notable Americana and Roots Music Releases for 2019

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2018 is now in the pages of history and as America shifts (lurches?) into an uncertain future. Americana and roots music, unlike many other genres, continues to be true to its legacy and addresses our times with art that refuses to chase the charts and churn out reflexively commercial product and, lucky for us, refuses to treat the audience as mindless consumers.

That’s not to say that Americana and roots music is merely a barometer for political and social conditions and change. No sane person wants their favorite artists to be righteous yet starve. As the music industry continues to reflect changing consumer demands artists are also finding opportunities to reach audiences and generate revenue in movies and video games.

Some albums I’m  personally looking forward to because I’ve heard some cuts, or on my faith in the artist,  are Hayes Carll’s  â€œWhat It Is,” Feb. 15: Dale Watson’s Call Me Lucky and Ryan Bingham – “American Love Song” , all on February 15th,  Mandolin Orange’s “Tides of a Teardrop” on February 1st, and Joshua Ray Walker’s “Wish You Were Here” on January 25th as well as Son Volt’s “Union’ on March 29th.

As more dates come throughout the year I will be updating the list. If you know of an actual release not listed yet please leave it in the comments.

As always I appreciate your visiting the site and hope you join me in another great year for Americana and roots music.

January: Jan. 18th: Danny Burns – “North Country”
Jan. 25th: Lula Wiles – ‘What Will We Do’
Jan. 4th: Balsam Range – “Aeonic”
Jan. 18th: Alice Wallace – “ Into the Blue”
Jan. 18th: Ronnie Milsap – “Ronnie Milsap: The Duets”
Jan. 18th: Greensky Bluegrass – “All for Money”
Jan. 18th: The Steel Woods – “Old News”
Jan. 18th: Whitehorse – “The Northern South Vol. 2”
Feb. 22: Vandoliers – “Forever” 

February:
Feb. 1st: Mandolin Orange – “Tides of a Teardrop”
Feb. 1st: Abigail Lapelle – “Getaway”
Feb. 8th: Gurf Morlix – ‘Impossible Blue’
Feb. 15th: Hayes Carll – “What It Is”
Feb. 15th: Dale Watson – “Call Me Lucky”
Feb. 15th: Ryan Bingham – “American Love Song”
Feb. 15th: Joey McGee – “El Camino Real”
Feb. 15th: Kalyn Fay – “Good Company”
Feb. 22nd: Dearling – “Silver and Gold” (EP)
Feb. 22nd Vandoliers – “Forever”
Feb. 22nd – Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell – ‘Songs of Our Native Daughters’ March:
March 1st: Mary Bragg – “Diamonds as Camouflage”
March 1st: The Cactus Blossoms – “Easy Way”
March 1st: Dave Ernst – “Hickory Switch”
March 2nd: The Honey Dewdrops – “Anyone Can See”
March 7th: Townes Van Zandt – “Sky Blue”
March 8th: Patty Griffin – “Patty Griffin” March 8th: Clara Baker – “Things To Burn”
March 22nd: Allison de Groot & Tatiana March 22nd: Orville Peck – “Pony” March 22nd: Luther Dickinson and Sisters of the Strawberry Moon – “Solstice” March 29th: Son Volt – “Union”

April: April 2nd: John Paul White – ‘The Hurting Kind” April 5th: Molly Tuttle – “When You’re Ready.” April 5th: Megg Farrell -“Megg Farrell” April 12th: Shovels & Rope – “By Blood” April 12th: Taylor Alexander – “Good Old Fashioned Pain” April 19th: Daniel Norgren – “Wooh Dang” May:
May 3rd: Pete Seeger – ‘The Smithsonian Folkways Collection’ May 3rd: Caroline Spence – “Mint Condition” May 10th: The Shootouts – “Quick Draw” May 24th: Willard Gayheart – “At Home in the Blue Ridge”

June:
June 14th: Hank Williams – ‘Health & Happiness Show’ June 21st: Buddy and Julie Miller -‘Breakdown on 20th Ave. South’ June 28th: Chuck Mead – “Close To Home” August 16th The Messenger: A Tribute to Ray Wylie Hubbard August 23rd Esther Rose – ‘You Made It This Far’ Erin Enderlin – ‘Chapter Three: Whatever Gets You Through The Night’ Tanya Tucker – ‘While I’m Livin’ ‘ Vince Gill – ‘Okie’ Dalton Domino – ‘Songs From the Exile’ Jason Hawk Harris – Love & the Dark The Po’ Ramblin’ Boys – ‘Toil, Tears & Trouble’ Leslie Stevens – ‘Sinner’ Croy and the Boys – ‘Howdy High-Rise’ Seth James – Midland – ‘Let It Roll’ September 7th The Highwomen – Self-Titled’ Terri Hendrix – ‘Talk To A Human’ Jason Tyler Burton – ‘Kentuckian’ Paul Cauthen – ‘Room 41’ Cut Throat Francis – ‘This Garden’s Never Gonna Grow’ Ana Egge – ‘Is It the Kiss’ NRBQ – ‘Turn On, Tune In’ Amy Speace – ‘Me and the Ghosts of Charlemagne’ These Wild Plains – ‘Thrilled To Be Here’ Trailerpark Idlers – ‘Ghost Town Nights September 13th Jeremy Ivey – ‘The Dream And The Dreamer’ September 27th Hot Club of Cowtown – ‘Wild Kingdom’ October 4th The North Mississippi Allstars – “Up and Rolling” October 13th Cody Jinks – ‘After The Fire’ North Mississippi Allstars – ‘Up and Rolling’ Corb Lund – ‘Cover Your Tracks’ Jonah Tolchin – ‘Fires for the Cold’ Marti Brom – ‘Midnight Bus’ Ted Drozdowski – ‘Learn To Love The Moon’ Jeremy Ivey – ‘The Dream And The Dreamer; Janiva Magness – ‘Change In The Weather: Janiva Magness Sings John Fogerty’ October 18th The Milk Carton Kids – ‘The Only Ones’ Darin Aldridge & Brooke Aldridge – ‘Inner Journey’ Driftwood Soldier – ‘Stay Ahead Of The Wolf’ The Drunken Hearts – ‘Wheels of the City’ Rory Ellis – ‘Inner Outlaw’ EmiSunshine and The Rain – ‘Family Wars’ Jimmy “Duck” Holmes – ‘Cypress Grove’ Jake La Botz – ‘They’re Coming For Me’ New Copasetics – ‘Twang-Ucopia’ David Newbould – ‘Sin & Redemption’ Karen & the Sorrows – ‘Guaranteed Broken Heart’ Zachary Lucky – ‘Midwestern’ October 25th Allison Moorer – ‘Blood’ Neil Young & Crazy Horse – ‘Colorado’ Craig Cummings – ‘Absolute Surprise’ Karen & the Sorrows – ‘Guaranteed Broken Heart’ Van Morrison – ‘Three Chords and the Truth’ Jackson Stokes – ‘Jackson Stokes’ Zack Walther Band – ‘The Westerner’ November 20th Bill Scorzari – ‘Now I’m Free’ January 31st Dustbowl Revival – ‘Is It You, Is It Me?’

Ryan Bingham To Release ‘American Love Song’ in 2019. Hear the Song “Wolves.”

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Southwestern spirit chaser Ryan Bingham will release his sixth studio album “American Love Song” on February 15th, 2019.

That will mark a four year stretch between his latest and the criminally overlooked “Fear and Saturday Night.” That’s a long time for fans, like me, to wait. Though there was a pretty sweet live album to hold me over.

Like Bingham’s last three albums “American Love Song” will be released on his own label, Axster Bingham Records. The album is co-produced by Austin music legend Charlie Sexton, fresh off his extraordinary portrayal of Townes Van Zandt in Ethan Hawke’s “Blaze.” The album was recorded at Austin’s Arlyn Studios and Public Hi-fi. Additional recording was done at Matter Music in Los Angeles.

Listen to Bingham play his ode to personal strength “Wolves” live on The Off Camera Show. (That glorious voice!) “Wolves” is available to download now with all pre-orders.

Pre-order “American Love Song” here.

Bingham is currently touring across America on a sold-out solo acoustic tour. He hits the road with a full band in March in Salt Lake City, UT. See full dates below.

Bingham has also announced his own curated music festival “The Western.” The festival looks like a winner right out of the gate featuring the Old 97s, Margo Price, Jamestown Revival, and Colter Wall already booked. The event will feature an exclusive “Campfire Jam,” highlighting an acoustic song-swap with Bingham and Price.

The festival will take place April 12th and 13th, 2019 at the storied outdoor venue Luckenbach, TX. Visit www.thewesternfestival.com for more information.

Ryan Bingham – “American Love Song” Tracklist:

1. Jingle and Go
2. Nothin Holds Me Down
3. Pontiac
4. Lover Girl
5. Beautiful and Kind
6. Situation Station
7. Got Damn Blues
8. Time for My Mind
9. What Would I’ve Become
10. Wolves
11. Blue
12. Hot House
13. Stones
14. America
15. Blues Lady

U.S Tour 2019 (Full Band)
March

19 – Salt Lake City, UT
21 – Phoenix, AZ
23 – San Diego, CA
24 – San Luis Obispo, CA
26 – Santa Cruz, CA
28 – Los Angeles, CA
29 – San Francisco, CA
30 – Petaluma, CA

April

2 – Denver, CO
3 – Lincoln, NE
4 – Springfield, IL
5 – Chicago, IL
6 – Minneapolis, MN
7 – Milwaukee, WI
9 – Kansas City, MO
12 – Luckenbach, TX – THE WESTERN
13 – Luckenbach, TX – THE WESTERN
16 – New Orleans, LA
17 – Atlanta, GA
19 – Philadelphia, PA
20 – Boston, MA
21 – Washington, DC
22 – Asbury Park, N
23 – Brooklyn, NY

Wanted! – Notable Americana and Roots Music Releases for 2018

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2017 was another great year for Americana and roots music, and 2018 so far shows no signs that the great music is waning. As our Cream of the Crop favorites from last year makes plain we continue to experience a golden age of roots and Americana music. From Sturgill Simpson winning the Grammy for the best Country album of the Year (for his least country album no less) to the increased numbers of roots artists in media and festival line-ups the genre continues to represent and deliver on great music.

As I’ve said before, this is important not only because as fans, there’s abundant choices for our entertainment but because it continues to lay a foundation for future ‘Cream of the Crop’ recipients.

The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like American Aquarium and Kacey Musgraves have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year. Follow me on Twitter to stay current on changes to the list.

If you know of an actual release not listed yet please leave it in the comments.

One thing is for sure, it’s going to be another great year for roots music folks.

January 12th –
Brooks Dixon – White Roses EP
Ryan Bingham – ‘Live’
Cindy Alexander – ‘Nowhere To Hide’
Seth Lakeman – ‘Ballads Of The Broken Few’
Cassidy Best – ‘Same Old Sins’

January 19th –
First Aid Kit – ‘Ruins’
Lanco – ‘Hallelujah Nights
’
R. Finn (aka Chris Rondinella) – ‘Collecting Trip
Calexico, The Thread That Keeps Us
Steep Canyon Rangers, Out in the Open
Kalie Shorr, Awake EP
Mary Gauthier, Rifles and Rosary Beads
Devin Dawson – ‘Dark Horse’
Caitlyn Smith -‘Starfire’
Van William – ‘Countries’
Alice DiMicele – “One With The Tide”
Grace Basement – ‘Mississippi Nights’
Glen Hansard – ‘Between Two Shores’
John Gorka – ‘True In Time’

January 26th –
The Ben Miller Band – ‘Choke Cherry Tree’
Laura Benitez and The Heartache’s – ‘With All Its Thorns’
Sara Morgan – ‘Average Jane’
The Fugitives – ‘The Promise of Strangers’
Ron Pope – ‘Worktapes EP’

February 2nd –
Mike and the Moonpies – ‘Steak Night at the Prairie Rose’
The Wood Brothers – ‘One Drop of Truth’
John Oates – ‘Arkansas’
Sunny War – ‘With the Sun’

February 9th –
Wade Bowen – ‘Solid Ground
’
Jim White – ‘Waffles, Triangles & Jesus’

February 16th –
Matthew McNeal – ‘Good Luck’
Brandi Carlile – ‘By the Way, I Forgive You’
Courtney Patton – ‘What It’s Like to Fly Alone’
I’m With Her (Sara Watkins, Sarah Jarosz, and Aoife O’Donovan) – ‘See You Around’

February 23rd –
Jeff Hyde – ‘Norman Rockwell World’
3hattrio – ‘Lord of the Desert’
Doby Watson – “Family Mattress Deluxe”

March 2nd –
Vivian Leva – ‘Time is Everything’
Chip Taylor – ‘Fix Your Words’
Haley Heynderickx – ‘I Need To Start A Garden’
Son of the Chief – ‘Needless Road’
Savannah Conley – “Twenty-Twenty.”

March 9th –
Ashley Campbell – ‘The Lonely One’
Ross Cooper – “Another Mile”

March 16th –
Trailhead – “Keep Walking”

March 23rd –
The Price Sisters – ‘A Heart Never Knows’
Paul Thorn – ‘Album Don’t Let The Devil Ride’

March 30th –
Caitlin Canty – ‘Motel Bouquet’
Lindi Ortega -‘Liberty’
Kim Richey – ‘Edgeland’
Ashley McBryde – ‘Girl Going Nowhere’
Great Peacock – ‘Gran Pavo Real’
Sam Morrow – ‘Concrete and Mud’

April 6th –
Blackberry Smoke – ‘Find A Light’
Sarah Shook & the Disarmers – ‘Years’
Jodee Lewis – ‘Buzzard’s Bluff’
Kacey Musgraves – ‘Golden Hour’

April 10th –
Rita Hosking – ‘For Real’

April 13th –
John Prine – ‘Tree of Forgiveness’
Simone Felice – ‘The Projector’

April 20th –
Old Crow Medicine Show – ‘Volunteer’
Joshua Hedley – “Mr. Jukebox”
Charley Crockett – ‘Lonesome As a Shadow’
Ashley Monroe – ‘Sparrow’

April 27th –
Band of Heathens – “Live Via Satellite” On April 27th

May 4th
Scott Mickelson – ‘A Wondrous Life’
Parker Millsap – ‘Other Arrangements’
Trampled by Turtles – ‘Life Is Good On The Open Road’
Daniel Daniel – ‘Lonesome Hollow’
Rita Coolidge – ‘Safe in the Arms of Time’

May 11th
Ry Cooder – ‘The Prodigal Son’

May 18th
Kelly Willis – “Back Being Blue”
The Dead Tongues – ‘Unsung Passage’

June 1st
Dave Alvin and Jimmie Dale Gilmore – “Downey to Lubbock”
American Aquarium – ‘Things Change’

June 8th
Erin Rae – ‘Putting On Airs”

June 22nd
Jeffrey Foucault – ‘ Blood Brothers’
Paul Cauthon – ‘Have Mercy’
Lera Lynn – ‘Plays Well With Others’
Adam Wright – ‘Dust’
Roanoke – ‘Where I Roam’

June 29th
The Milk Carton Kids – ‘All The Things That I Did And All The Things That I Didn’t Do’

July 13th
Carolina Story – ‘Lay Your Head Down’ – buy

July 15th
The Brothers Comatose – ‘Ink, Dust, and Luck’ buy

July 20th
Lori McKenna – “The Tree”

July 27th
Andrew Combs – 5 Covers & A Song’ EP
The Hollow Ends – ‘Bears In Mind’

August 2nd
Kevin Galloway – “The Change”

August 3rd
Jim Lauderdale – ‘Time Flies” and “Jim Lauderdale and Roland White’

August 10th
Dawn Landes – ‘Meet Me at the River’
Robbie Fulks & Linda Gail Lewis – ‘Wild! Wild! Wild!’

August 24th
Devil Makes Three – ‘Chains Are Broken’
Ryan Culwell – “The Last American”
Murder By Death – ‘The Other Shore’

August 31st
Aaron Lee Tasjan – ‘Karma for Cheap’ buy

September 7th
Roscoe & Etta – ‘Roscoe & Etta’
Mike Farris – “Silver & Stone”
William Elliott Whitmore – ‘Kilonova’
Kathy Mattea – ‘Pretty Bird’

October 12th
Colter Wall – ‘Songs of the Plains’

October 14th
Asleep at the Wheel – “New Routes”

October 26th
Whitey Morgan and the 78s – ‘Hard Times and White Lines’

Modern Outlaws to Pay Tribute to Waylon Jennings

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waylon-trib

On July 6th at Austin’s Moody Theater some of country and roots music’s most independent spirits will convene to pay tribute to a musical and cultural pioneer that helped blaze a trail they all travel, Waylon Jennings.

Two days after Willie Nelson’s Picnic many in Austin for Willie’s already fantastic event will gather with others to pay tribute to Jennings who died in his sleep in 2002 of diabetic complications.

The level of talent makes the ticket prices easier to swallow, $150 to $400, which go on sale at acl-live.com at 10 a.m. on Waylon’s birthday, Monday, June 15.

Ticket buyers also have an opportunity to purchase tickets to an exclusive after-party, proceeds which benefit “the United Way and earmarked to help Central Texas residents most affected by the recent Memorial Day floods,” according to a statement on the ACL Live website.

The lineup of “Outlaw: Celebrating the Music of Waylon Jennings”:

• Willie Nelson • Kris Kristofferson • Sturgill Simpson • Jamey Johnson • Kacey Musgraves • Toby Keith • Lee Ann Womack • Ryan Bingham • Eric Church • Chris Stapleton • Billy Joe Shaver • Jessi Colter • Shooter Jennings

Ryan Bingham Announces New Album, ‘Fear and Saturday Night,’ Streams New Song ‘Broken Heart Tattoos’

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Fear-Saturday-Night-Album-Cover-e1414000950534

2015 is shaping up to be another great bounty year for Americana and roots music and singer-songwriter Ryan Bingham has just sweetened the pot.

Bingham’s follow up to 2012’s “Tomorrowland,” and his fifth studio release, entitled “Fear and Saturday Night” will be released on Jan. 20

Bingham described the new album to wsj.com as a more positive effort than “Tomorrowland.” “On this album I find myself back in a more hopeful place and the songs are more stripped down musically,” he told WSJ. “Each album seems to be about whatever I have gone through in my life previous to recording it.”

“Sometimes they’re like scars or tattoos that you have to live with and deal with. You can’t run and hide from them or wash them off,” he explained. “There’s no way to remove them from your soul.”

On the 12-song album has Bingham working with a new band and Jim Scott (Wilco, Tom Petty) as producer.

“Broken Heart Tattoos” is a return to the dusty country-folk that fits Bingham’s gravel delivery like a bill-rider’s glove. the song also retains some of the sonic experimentation Bingham has been ex[poring.

Stream the new song “Broken Heart Tattoos,” below.

“Fear and Saturday Night” track list:

Nobody Knows My Trouble
Broken Heart Tattoos
Top Shelf Drug
Island in the Sky
Adventures of You and Me
Fear and Saturday Night
My Diamond is Too Rough
Radio
Snow Falls in June
Darlin’
Hands of Time
Gun Fightiin’ Man

Watch Out! Ryan Bingham Live at Gruene Hall [VIDEO]

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Ryan Bingham Live at Gruene Hall

On March 13th of this year, Ryan Bingham took the stage at the historic Gruene Hall, the oldest continually run dance hall in Texas. The hall echoes the songs of Texas legends Willie Nelson, Townes Van Zandt, Doug Sahm, Lyle Lovett and others.

Captured in glorious sepia by TourGigs, this sold-out, intimate performance that features renditions of: “Tell My Mother I Miss Her So,” “Boracho Station” and “Hallelujah.”

Hardly Strictly Bluegrass 13 Line-Up Announced

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Hardly Strictly Bluegrass 13

The good people at Hardly Strictly Bluegrass have released the roster for this years event and it’s another winner.

For those uninitiated, HSB is one of the premier Americana and roots music festivals in the world.
The annual event is held on the first Friday, Saturday and Sunday in October on 5 stages stretching across a location in Golden Gate Park formerly named Speedway Meadows but renamed Hellman Hollow in 2012, to pay homage to the late HSB benefactor, private equity investor and banjo enthusiast, Warren Hellman.

The 13th version of the festival does not disappoint as there is few Americana and roots festivals with this number of quality acts. it also has the benefit of being free. Well, it’s benefit in one sense, but the swelling os not always pleasant crowds in recent years does take a toll.

The 41 confirmed acts offers exciting newcomers like Sturgill Simpson, Trampled By Turtles, Della Mae, First Aid Kit, Sallie Ford & The Sound Outside and local favorites Nicki Bluhm & The Gramblers and The Devil Makes. Americana and roots stalwarts like Buddy Miller, Joe Ely, Jimmie Dale Gilmore & Butch Hancock (aka The Flatlanders), Jon Langford, Patty Griffin, Tim O’Brien & Darrell Scott.

The folk-rock pioneers The Waterboys will be appearing as well as the legendary Ralph Stanley & The Clinch Mountain Boys. The whole thing wraps up in traditional fashion with the woman that has closed the event since it’s beginning and embodies the spirit of the event, the extraordinary Emmylou Harris.

Find below the full line-up. The per-day stage schedules will be announced soon and I will update his post with the information.

When: Fri Oct 4th, Sat Oct 5th (11am – 7pm), and Sun Oct 6th, 2013 (11am – 7pm).
Where: Hellman Hollow (formerly Speedway Meadows), Lindley & Marx meadows in Golden Gate Park, San Francisco, CA.

Mark Lanegan, Bonnie Raitt, Patty Griffin, Conor Brings Friends For Friday Featuring: Whispertown, The Cave Singers, The Felice Brothers, The Evens, First Aid Kit, Conor Oberst, Pieta Brown, Joy Kills Sorrow, LP, The Handsome Family, Jesse Dee, Alison Brown, Gogol Bordello, Boz Scaggs, Paul Kelly, The Deep Dark Woods, Justin Townes Earle, Emmylou Harris, The Devil Makes Three, Calexico, Ralph Stanley & The Clinch Mountain Boys, Martha Wainwright, The Brothers Comatose, Elvin Bishop, Jon Langford & Skull Orchard acoustic / FREAKONS, Low, Tumbleweed Wanderers, Richard Thompson, Tim O’Brien with Bryan Sutton & Mike Bub, Moonalice, Chris Isaak, Buddy Miller, The Time Jumpers featuring Brad Albin, Larry Franklin, Paul Franklin, Vince Gill, “Ranger Doug” Green, Andy Reiss, Dawn Sears, Kenny Sears, Joe Spivey, Jeff Taylor & Billy Thomas, Kieran Kane, Kevin Welch & Fats Kaplin, The Flatlanders featuring Joe Ely, Jimmie Dale Gilmore & Butch Hancock, The String Cheese Incident, Nick Lowe, Mike Scott & Steve Wickham of The Waterboys, Steve Martin and Steep Canyon Rangers featuring Edie Brickell, Freakwater, The Go To Hell Man Clan, Tim O’Brien & Darrell Scott, Billy Bragg, Loudon Wainwright III, Dry Branch Fire Squad, Mike Farris & The Roseland Rhythm Revue, Steve Earle & The Dukes, Kate McGarrigle Tribute with Martha & Sloan Wainwright & Special Guests, Holler Down the Hollow: A Hardly Strictly Salute to the Masters, Sturgill Simpson, Peter Rowan Bluegrass Band featuring Yungchen Lhamo, Sallie Ford & The Sound Outside, Shovels & Rope, Seldom Scene, Natalie Maines, Dave Alvin with Greg Leisz, Evolfo Doofeht, Allah-Las, Buddy Miller & Jim Lauderdale, G. Love & Special Sauce, Robert Ellis, Spirit Family Reunion, Bettye LaVette, Supermule, MC Hammer (Friday morning middle school program), Trampled By Turtles, The Warren Hood Band, Della Mae, Los Lobos Disconnected, Father John Misty, Jesse DeNatale, The Wood Brothers, Ryan Bingham, Jerry Douglas, Sonny & The Sunsets, Nicki Bluhm & The Gramblers, Tift Merritt, Kat Edmonson, Laurie Lewis & The Right Hands, The Forest Rangers with Katey Sagal,
Manchester Orchestra, Poor Man’s Whiskey (Friday morning middle school program), Robert Earl Keen

Americana For All

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carolina chocolate drops

I’ve been kicking around the ideas to address Giovanni Russonello’s “Why Is a Music Genre Called ‘Americana’ So Overwhelmingly White and Male?” i heard my mom’s advice in m mind,
“just walk away from the stupid.” Part of it was my dad’s voice “Teach ’em a lesson.” i’ve decided to go with dad on this one.

Russonello’s piece frames the recent six-week “Americanarama” tour to argue that the tour’s roster, which included Bob Dylan, Wilco, My Morning Jacket and Ryan Bingham – represents a larger cultural exclusion rampant in the genre.

Setting aside the argument that the “Americanarama” bill does not really represent the contemporary Americana genres, let’s address the premise of “Overwhelmingly White and Male”

Early country, folk and bluegrass have generally appealed to a predominantly anglo audience. Partly because many of the songs are from European source material performed by mostly white people. The trend in these genres have mapped closely to the trends in American society in general and, as opportunities have arisen, woman and people of color have stepped up to represent their unique take on the music.

The difference is that Americana proper (and it’s cousin alt.country) have never been exclusionary.

It’s introduction into popular culture came in the 80’s as MTV gave us the L.A. cow punk band Lone Justice , featuring the gritty soul of Maria McKee, and their “Ways to be Wicked” and “Sheltered videos in rotation with Jason and the Scorchers and The Georgia Satellites on the 24- hour feed.

At the same time kd Lang and Roseanne Cash joined Steve Earle, Dwight Yoakam and Lyle Lovett in shaking up Nashville.

Soon after bands like The Meat Purveyoyers, Freakwater , Neko Case, Gillian Welch, the Cowboy Junkies, Hem, Tarnation – all bands prominently featuring female artists – laid the groundwork for Americana.

An allum of the watershed “O Brother where art thou” roster, Alison Krauss, has the enviable honor of having won the most Grammys by a female artist with twenty-seven (!)

Hardly the good-old boys club that article paints for the genre.

Then there’s this:

“… if an art form is going to name itself after this country, it should probably stop weatherproofing itself against America’s present-day developments. And it hardly seems like enough to say you’re carrying on the legacies of black gospel and blues if the performers and listeners venerating them are almost all white.”

The claim that Americana is “carrying on the legacies of black gospel and blues” is specious. True, some artist incorporate gospel and blues within their style, to say that Americana is carrying on the legacy of those sage musical genres is insulting to these thriving genres and their decades of practitioners.

And the argument that since the genre appeals to a particular segments of the population signifies that genre exclusion of others is ridiculous. Much of music is self-identity. If a segment of society don’t see themselves in the performers and their stories it follows that they wouldn’t be compelled to buy the music or attend the shows. Early hip-hop was a primarily African -American cultural phenomenon which has now transcended. As for as I know on one was accusing hip-hop of excluding anglos.

Just as people of color have taken different roads to Americana, and have contributed to it’s evolution. Los Lobos and Alejandro Escovedo bring a uniquely chicano take to the music. The Carolina Chocolate Drops and newcomer Valarie June have infused the genre with African-American string-band and folk-soul influences receptively.

Russonello places Dylan as the “the father of Americana” (I would argue Gram Parsons or Townes Van Zandt) and then points to the current shining light, Jason Isbell, as not heading the lessons of Dylan and providing anything “new.” The argument could be made that Dylan at the beginning of his career, as Isabell still is, brought nothing that hadn’t already been done by Guthrie and Seeger. Russonello then makes the case that “Music gets its power from a keen, contemporary perspective” and then “it feels facile to let this one strain of yellow-page nostalgia represent it.”

This is just lazy. Though the form, the music and singing styles harken back to a yesteryear , topics are either contemporary, like Isbell, Todd Snider and Steve Earle or dealing with the great human truths – love, hate, death – that transcend any time period.

Though the article does a serviceable job of tracing roots music’s trajectory thorough time, the conclusion shows a bias of the writer. Anything this white and male met be a conspiracy..

Americana does reflect an idealized notion of the the past (as Americans are prone to do,) but to confuse the predilections of subjective taste enjoyed by some as a kind of organized Jim Crow-style musical segregation insults a music and musicians that I celebrate daily. It also, ironically, displays a type of bigotry that all cultural forms must undergo some forced, artificial desegregation toward some imagined moral purity.

Let freedom twang!

Listen UP! “Until I’m One With You” – Ryan Bingham

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Until I'm One With You - Ryan Bingham

The lead up eerie border-town short videos for FX’s “The Bridge’ has hooked me I and I will be tuning in for the pilot episode July 10th at 10pm.

The theme song, “Until I’m One With You,” written and performed by Ryan Bingham is a great aesthetic fit for the program.

The gritty program is loosely adapted from a popular Scandinavian crime drama. The American version follows two detectives as they hunt down a serial killer slaughtering women on both side of the El Paso, Texas and Juárez, Chihuahua, Mexico border.

Bingham does the song with a fittingly chilling delivery. Chiming acoustic guitar answered by electric guitar, his gravel-road rasps a sentiment that slithers from desire to claustrophobic obsession.

Until I’m one with you
Until I’m one with you
My heart shall not pass through
It’ll only be forsaken

Until I’m one with you
Our world is torn in two
Until I’m one with you
Our love will be mistaken

Until I’m one with you
My death they will pursue
Until I’m one with you
My life will be degraded

Until I’m one with you

Bob Dylan, Wilco, & My Morning Jacket Team Summer AmericanaramA Festival Tour

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bob-dylan-wilco-my-morning-jacket

Coming through this summer Bob Dylan, Wilco, and My Morning Jacket, Richard Thompson Electric Trio and Ryan Bingham will be featured for the AmericanaramA Festival. Pre-sale tickets go on sale Wednesday, April 24th.

Though I would squabble with some of the inclusions in an “Americana” showcase this should be a cool show.

The tour kicks off in West Palm Beach, FL on June 26th and hits over 20 U.S. different cities before concluding in Mountain View, CA on August 4th. Check out the itinerary below.

Bob Dylan 2013 Tour Dates:
04/21 – Bowling Green, OH @ Bowling Green State University – Stroh Center *
04/23 – St. Louis, MO @ Peabody Opera House *
04/24 – Springfield, MO @ Missouri State University – JQH Arena *
04/25 – Champaign, IL @ University of Illinois – Assembly Hall *
04/27 – Murray, KY @ Murray State University – CFSB Center #
04/28 – Louisville, KY @ The Louisville Palace #
04/30 – Asheville, NC @ U.S. Cellular Center*
05/01 – Charlotte, NC @ Time Warner Cable Uptown Amphitheatre *
05/02 – Raleigh, NC @ Red Hat Amphitheater *
05/04 – Charleston, SC @ Family Circle Magazine Stadium *
05/05 – St. Augustine, FL @ St. Augustine Amphitheatre *
06/26 – West Palm Beach, FL @ Cruzan Amphitheatre &
06/27 – Tampa, FL @ Live Nation Amphitheatre &
06/29 – Atlanta, GA @ Aaron’s Amphitheatre at Lakewood &
06/30 – Nashville, TN @ The Lawn at Riverfront Park &
07/02 – Memphis, TN @ AutoZone Park & ^
07/05 – Noblesville, IN @ Klipsch Music Center & ^
07/06 – Cincinnati, OH @ Riverbend Music Center & ^
07/07 – Columbus, OH @ Nationwide Arena & ^
07/10 – St. Paul, MN @ Midway Stadium & ^
07/11 – Peoria, IL @ Chiefs Stadium & ^
07/12 – Chicago, IL @ Toyota Park & ^
07/14 – Clarkstown, MI @ DTE Energy Music Theatre
07/15 – Toronto, ON @ Molson Canadian Amphitheatre & ^
07/18 – Darien Center, NY @ Darien Lake Performing Arts Center & %
07/19 – Bridgeport, CT @ The Ballpark at Harbor Yard & %
07/20 – Mansfield, MA @ Comcast Center & %
07/23 – Columbia, MD @ Merriweather Post Pavilion & %
07/24 – Virginia Beach, VA @ Farm Bureau Live at Virginia Beach & %
07/26 – Hoboken, NJ @ Pier A Park & %
07/27 – Wantagh, NY @ Nikon at Jones Beach Theater & %
07/28 – Camden, NJ @ Susquehanna Bank Center & %
07/31 – Denver, CO, @ Fiddler’s Green Amphitheatre & %
08/01 – Salt Lake City, UT @ USANA Amphitheatre & %
08/03 – Irvine, CA @ Verizon Wireless Amphitheatre & %
08/04 – Mountain View, CA @ Shoreline Amphitheatre & %
* = w/ Dawes
# = w/ The Wild Feathers
& = w/ Wilco and My Morning Jacket
^ = w/ Richard Thompson Electric Trio
% = w/ Ryan Bingham