Tag Archives: Ryan-Bingham

Ghost Brothers of Darkland County – A Gothic Americana Musical Soundtrack Forthcoming

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I’m not what you would call a fan of musicals (though I do have a soft spot for The Sound of Music) but I am intrigued by the Gothic musical Ghost Brothers of Darkland County CD release.  The result of a more than a decade long project between horror-rock master (and Americana music fan ) Stephen King and and roots/rock legend  John Mellencamp. As the musical got closer to completion they brought in singer/songwriter and producer T Bone Burnett to help flesh out the music. Burnett, who helmed the music for the Cohen Brother’s O Brother, Where Art Thou? and Scott Cooper’s Crazy Heart was brought in to “… create the vibe.”

The genesis of the project was Mellencamp who in the late 1990swas inspired by his own supposedly haunted cabin in Bloomington, IN . The lore goes that in the 1930s two brothers got into a fight over a woman at the cabin, and one of them wound up accidentally dead. The surviving brother and the woman sped away in a car, but crashed into a lake a short time later and both drowned.the stuff of Gothic lore, though the absence of moonshine and firearms works against it being Southern Gothic lore.

Mellencamp interpretats the story as  “…two brothers; they’re 19 years old or 20, maybe 18 or 21, who are very competitive and dislike each other immensely. The father takes them to the family vacation place, a cabin that the boys hadn’t been to since they were kids. What has happened is that the father had two older brothers who hated each other and killed each other in that cabin There’s a confederacy of ghosts who also live in this house. The older [dead] brothers are there, and they speak to the audience, and they sing to the audience. That’s all I want to say, except through this family vacation, many things are learned about the family, and many interesting songs are sung.” Again I emphasis the lack of moonshine and firearms!

Both King and Mellencamp welcomed to opportunity to challenge themselves. “You can just keep doing the same shit and you’ll make a living at it,” says King.

The musical oped at the Alliance Theatre in Atlanta, Georgia, between  April 4, 2012 until May 13, 2012 and was directed by Alliance Theatre Artistic Director Susan V. Booth, with musical direction by T Bone Burnett. The cast of the upcoming production is led by Tony Award winner Shuler Hensley (Young Frankenstein, Oklahoma, Sweet and Sad) and Tony Award nominee Emily Skinner (Billy Elliot, Side Show, James Joyce’s The Dead), and includes Justin Guarini (“American Idol,” American Idiot, Women on the Verge…), blues musician and actor Jake La Botz, Lucas Kavner (Completeness, The Blue Flower), Kate Ferber (One Child Born: the Music of Laura Nyro), Christopher Morgan (Gut Bucket Blues) and country musician Dale Watson.

Variety reviewed the show harshly, stating ” By the end of the show, you may yearning for “Carrie.” Ouch.

Though music created for a theatrical setting has it’s own flavor there’s no denying the pedigree of Americana music talent involved CD release. But judging by the Elvis Costello cut  “That’s Me,” sung not by Costello but by a member of the cast, I think this could be a great idea that misses the mark.

Ghost Brothers of Darkland County will be available as Standard Edition CD featureing  the complete soundtrack, dialog excerpts and digital libretto. The (2CD/1DVD) Deluxe Edition contains the complete soundtrack (with and without dialog), deluxe art work, handwritten lyrics, specially printed libretto and the “Making of Ghost Brothers” mini-documentary DVD featuring in-depth interviews with King, Mellencamp and Burnett along with other bonus material. Digital editions for tablets, smartphones and e-readers will allow users to interact with the soundtrack + digital libretto, as well as exclusive video and graphic materials.

GHOST BROTHERS OF DARKLAND COUNTY

-Libretto by Stephen King
-Music & Lyrics by John Mellencamp
-Musical Direction by T Bone Burnett
-Featured cast: Kris Kristofferson, Meg Ryan,
Matthew McConaughey, Samantha Mathis, Elvis Costello

Ghost Brothers of Darkland County track listing:

That’s Me  – Elvis Costello (listen at bottom of post)
That’s Who I Am – Neko Case
So Goddamn Smart  – Dave Alvin, Phil Alvin, Sheryl Crow
Wrong, Wrong, Wrong About Me – Elvis Costello
Brotherly Love – Ryan Bingham and Will Dailey
How Many Days – Kris Kristofferson
You Are Blind – Ryan Bingham
Home Again – Sheryl Crow, Dave Alvin, Phil Alvin, Taj Mahal
What’s Going On Here – Rosanne Cash
My Name Is Joe – Clyde Mulroney
Tear This Cabin Down – Taj Mahal
And Your Days Are Gone – Sheryl Crow, Dave Alvin, Phil Alvin
Jukin’ – Sheryl Crow
What Kind Of Man Am I – Kris Kristofferson, Phil Alvin, Sheryl Crow Dave Alvin, Taj Mahal
So Goddamn Good – Phil Alvin, Dave Alvin, Sheryl Crow
Away From This World – Sheryl Crow
Truth – John Mellencamp

http://soundcloud.com/fantasylabelgroup/thats-me-elvis-costello

 

 

Americana Music Festival and Awards Recap – The Year Americana Goes Legit

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Finally winding down from my annual trip and I’m here to say that 2011 is the year the Americana went mainstream.

The Americana Music Association, the Nashville professional trade organization that puts on the whole shindig, just experienced its biggest year yet: Their membership is up by 45 percent compared to 2006. The festival showcased twice the number of bands it did five years ago; and this year’s overall attendance was around 15,000, as opposed to the roughly 10,000 reported in 2011. Jed Hilly and the good people of the AMA were able to do all this while maintaining the performance intimacy and musical quality I’ve experienced over my 5 years of attending the event. They have also been able to avoid the band-of-the-minute trading bazaar plaguing events like South-By-Southwest .

CMT.com know a good thing when they see it. With the commercial breakout of artists like Mumford & Sons, The Civil Wars and the Avett Brothers the cable music channel, that in many ways embodies everything Americana stands in contrast of,  is setting up a small section of it’s site branded “CMT Edge” focused on showcasing artists outside their usual fare of quasi-“outlaws” and warbling blondes. The venture is focusing on the heart of Americana’s best. The tapping that i attended while attending the AMA conference featured Jason Isbell and justin Townes Earle in performing a solo acoustic set of a few songs in a setting that was more Bluebird Cafe than the hell-raising arenas most SMT artists can be found.

Craig Shelburne, a CMT.com writer and producer is the driving force behind CMT Edge introduced the artists before their performances. I briefly spoke to Shelburne and he seemed to me to be a man doing good that wants to do well. CMT sees that the Americana brand is blowing up  (thanks in large part to the promotional efforts of the AMA and the sheer talent under the genre’s tent.) Sure CMT is a corporation concerned with eyeballs to sell soap, but they offer a much larger stage where deserving artists can make more money and upgrade their instruments and crappy touring vans. or as Jason Isbell told me when i ran into him at the Buddy Miller Lee Ann Womack show “We all need to make money.” Indeed.

The Americana Honors & Awards program was a tightly executed package to showcase exceptional talent for wider public consumption. The new two-year deal with Mark Cuban’s AXS TV to broadcast the event live was added to the already existing live broadcast on radio, satellite and the web via outlets including Nashville’s WSM, SiriusXM’s “Outlaw Country” and NPR.org, respectively. The show’s current TV partner, Austin City Limits, also broadcasts an edited special ACL Presents on November 10.  Voice of America and Bob Harris’ BBC Radio 2 will broadcast overseas in following weeks.

All this spiked with an official hashtag #Americanafest and the youTube videos from the festivals shows cropping up afterward and you have a full-scale media juggernaut.

The inclusion of Bonnie Raitt , Booker T Jones and Richard Thompson for lifetime achievement awards for performance, instrumentalist and songwriting respectively. There’s no denying the legendary status of these great artists and their appeal to an Americana demo that trends towards the Boomer generation, but – to polish an old chestnut – are they “Americana?”

Each of these artists have established themselves as legends in the well defined genres of blues, R&B & soul and folk & rock. Honoring these legends in an Americana awards ceremony undoubtedly allows the AMA to hitch the brand to established and well-repected talent, but at what cost? By seemingly playing a game of “me too” the AMA could be using their crown jewel awards program to further obscure the Americana brand at best. At worst there the risk that the AMA will lead Americana into being a cast as an always derivative genre, riding on the coattails of established genres in order to gain credibility and an audience.

I’m not sure which of these scenarios will play out but I see them both as unnecessary as the above numbers and CMT attention show that Americana is doing just firm staking out it’s own turf heading toward greater brand visibility. How can a genre that has legitimate ties to Steve Earle , Ryan Bingham and The Civil Wars  need to pilfer genre to create awareness?

But maybe I’m wrong. maybe Americana at it’s core crosses so many lines that those lines are the real outlines of what this movement we all  love is really about. Maybe it’s a result of that truly American phenomenon of a society emerging from a diversity of the melting-pot.

Maybe it’s like Jim Lauderdale said from the stage of the Ryman Auditorium the other night. “Boundaries are for cowards.

Maybe.

News Round-Up: Hayes Carll and Ryan Bingham Leave Lost Highway

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  • The latest news from the wasted trailer-park that is music industry; Hayes Carll and Ryan Bingham have parted ways with their label the Universal Americana imprint Lost Highway. Mike Crowley, Carll’s manager, said in response to Carlls’ departure “Being part of Universal Music, we’ve watched as the corporation has tightened the reins on Lost Highway…The requirements that Universal imposes just make less and less sense for artists like Hayes and Ryan, who are never going to be something that can be marketed like Lady Gaga.”
  • Johnnie Wright, Country Singer, Bandleader, manager and husband of Kitty Wells, had died at the age of 97. (New York Times)
  • The current King of Country, George Strait, has been added to an already stellar lineup for the Fire Relief:
    The Concert for Central Texas event, which already booked Willie Nelson, Lyle Lovett, the Dixie Chicks and
    Asleep at the Wheel, Eric Johnson, Steve Miller, Joe Satriani, Shawn Colvin, the Texas Tornados and the Court Yard Hounds will make guest appearances, and Turk Pipkin and ‘Friday Night Lights’ star Kyle Chandler will host the event.. The benefit show, which is slated for October 17 at the Frank Erwin Center in the capitol city of Austin, Texas, will raise money to help replace the estimated $250 million loss in damages.   Tickets range from $25-$250, with the higher end being VIP tickets that allow concert-goers close access to the stage as well as an exclusive lounge area.
  • Looking forward to seeing Merle Haggard today ay Hardly Strictly Bluegrass with that youngster Kris Kristofferson. Here is the The Hag discussing his recent bout with cancer and his take on the current political climate. Here’s a hint, he recently penned a anti-government cut entitled “Shut It Down.” Take that Steve Earle.

:happy trails

Nominations for the 53rd GRAMMY Awards

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The National Academy of Recording Arts and Sciences (NARAS) announced the nominees for the 53rd Annual Grammy Awards (to be held February 13th, 2011.) Here listed are the nominees in the Americana, Roots categories as well as similar artists in other categories (for a full list of nominees ho the Grammy.com)  Any surprises? Who’s missing?

BEST AMERICANA ALBUM
Rosanne Cash – The List
Los Lobos – Tin Can Trust
Willie Nelson – Country Music
Robert Plant – Band of Joy
Mavis Staples – You Are Not Alone

BEST BLUEGRASS ALBUM
Sam Bush – Circles Around Me
Patty Loveless – Mountain Soul II
The Del McCoury Band – Family Circle
Peter Rowan Bluegrass Band – Legacy
The Steeldrivers – Reckless

BEST TRADITIONAL FOLK ALBUM
Carolina Chocolate Drops – Genuine Negro Jig
Luther Dickinson & the Sons of Mudboy – Onward and Upward
The John Hartford Stringband – Memories of John
Maria Muldaur – Maria Muldaur & Her Garden of Joy
Ricky Skaggs – Ricky Skaggs Solo: Songs My Dad Loved

BEST CONTEMPORARY FOLK ALBUM
Jackson Browne & David Lindley – Love Is Strange – En Vivo Con Tino
Mary Chapin Carpenter – The Age of Miracles
Guy Clark – Somedays the Song Writes You
Ray LaMontagne and the Pariah Dogs – God Willin’ & the Creek Don’t Rise
Richard Thompson – Dream Attic

BEST COUNTRY INSTRUMENTAL PERFORMANCE
Cherryholmes – “Tattoo of a Smudge”
The Infamous Stringdusters – “Magic #9”
Punch Brothers – “New Chance Blues”
Darrell Scott – “Willow Creek”
Marty Stuart – “Hummingbyrd”

Other Americana/roots/indie/alt/whatever artists nominated in assorted other categories:

  • Dailey & Vincent – “Elizabeth” (Best Country Performance by a Duo or Group with Vocals)
  • Dierks Bentley – Up on the Ridge (Best Country Album)
  • Dierks Bentley, Miranda Lambert & Jamey Johnson – “Bad Angel” (Best Country Collaboration with Vocals)
  • Dierks Bentley, Del McCoury & the Punch Brothers – “Pride (In the Name of Love)” (Best Country Collaboration with Vocals)
  • Ryan Bingham & T. Bone Burnett – “The Weary Kind” from Crazy Heart (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Johnny Cash – “Ain’t No Grave”/ The Johnny Cash Project (Best Short Form Music Video)
  • Crazy Heart (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Steve Earle – “I See You” from Treme (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Patty Griffin – Downtown Church (Best Traditional Gospel Album)
  • Buddy Holly – Not Fade Away: The Complete Studio Recordings and More (Best Historical Album)
  • Elton John & Leon Russell – “If It Wasn’t for Bad” (Best Pop Collaboration with Vocals)
  • Jamey Johnson – “Macon” (Best Male Country Vocal Performance, Best Country Album for The Guitar Song)
  • Miranda Lambert – “The House That Built Me” (Best Female Country Vocal Performance, Best Country Song, Best Country Album for Revolution)
  • Ray LaMontagne – “Beg, Steal, or Borrow” (Song of the Year)
  • Los Lobos – “Do the Murray” (Best Rock Instrumental Performance)
  • Mumford & Sons – “Little Lion Man” (Best Rock Song, Best New Artist)
  • Tom Petty & the Heartbreakers – Mojo (Best Rock Album)*The Steeldrivers – “Where Rainbows Never Die” (Best Country Performance by a Duo or Group with Vocals)
  • Robert Plant – “Silver Rider” (Best Solo Rock Vocal Performance)
  • Pete Seeger with the Rivertown Kids and Friends – Tomorrow’s Children (Best Musical Album for Children)
  • Ricky Skaggs – Mosaic (Best Pop/Contemporary Gospel Album)
  • George Strait – “The Breath You Take” (Best Country Song)
  • Marty Stuart & Connie Smith – “I Run to You” (Best Country Collaboration with Vocals)
  • Treme (Best Compilation Soundtrack Album for Motion Picture, Television, or Other Visual Media)
  • Hank Williams – The Complete Mother’s Best Recordings…Plus! (Best Historical Album)
  • Lucinda Williams & Elvis Costello – “Kiss Like Your Kiss” from True Blood (Best Song Written for Motion Picture, Television, or Other Visual Media)
  • Neil Young – “Angry World” (Best Solo Rock Vocal Performance, Best Rock Song, Best Rock Album for Le Noise)

News Round Up: A Brit Explains Country (Americana?) Music

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  • After the loss of Doug Sahm and  Freddy Fender, the future of the Texas Tornados was uncertain to say the least. Well Texas Music Matters has unveiled a new Texas Tornadoes cut, Who’s To Blame Senorita,written by Doug Sahm and his son Shawn. Shawn will also lend support to their new album, Esta Bueno,will be released March and is “…a collection of old sounds and new songs — with five previously unreleased vocal performances by Doug Sahm, new songs written by Fender, and a new song written by Doug and Shawn titled Who’s To Blame, Senorita?
  • Marty Stuart officially announced the creation of the Mississippi Country Music Trail. the Trail will feature 30 markers celibrating a variety of country music artists, including Jimmie Rodgers, Charley Pride, Conway Twitty, Jerry Clower, Faith Hill, Tammy Wynette, Mac McAnally and Stuart himself.
  • In another stoke of tone-deafness the Academy of Country Music has released their nominees for their 45th annual awards (April 18.) Nowhere in the Song Of the Year category will you find in one of the most popular (and good) songs sweeping awards outside of their narrow vision of mainstream country radio -  Ryan Bingham and T Bone Burnett’s Golden Globe -winning and Oscar nominated The Weary Kind from the great Jeff Bridges movie Crazy Heart. Hey ACM, do us all a favor and j ust give all the awards to Swift and put something else on in that time slot!
http://tinyurl.com/yhe79ev

News Round Up: Levon Helm Documentary Coming to SXSW

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  • The will of the late singer/songwriter Stephen Bruton, is being contested by his possibly estranged widow. Bruton provided the inspiration for the Crazy Heart character Bad Blake played by Jeff Bridges and worked with T. Bone Burnett on the movie’s soundtrack in his days of fighting cancer.
  • And for more in Crazy Heart news, the good folks at the 9513.com have a great interview with Ryan Bingham. Bingham. reflects on his Golden Globe winning and Academy Award nominated song The Weary Kind.
  • PopMatters debuts a new monthly country music column, Kickin’ Up Dust. First up? Willie Nelson!
  • The CMT blog has a nice run down of early 2010 Americana releases. Looks to be another bumper year!
  • Speaking of great 2010 releases, seminal 80’s cowpunk band, and the 2008 Americana Music Association’s Lifetime Achievement Award recipient, Jason and the Scorchers will release their first album in 14 years. Halcyon Times will be released in February 2010 and was co-produced by Scorcher member Warner E. Hodges and Brad Jones, and features guest contributions from Dan Baird and Tommy Womack.

News Round Up: Country for Our Country Supports the Troops

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  • The Country for Our Country benefit concert will occur  in Tyler, Texas this Saturday night (10/24). The event will celebrate the troops and benefit wounded soldiers by providing them with counseling and support during a difficult transitional period in their lives. The benefit will feature performances by Joe Nichols, Heidi Newfield, Derek Sholl, and Kacey Musgraves and The Big D & Bubba Show will emcee the event.
  • Check out Ryan Bingham’s new video for his song Country Roads.
  • Paste magazine’s Andy Whitman gives his view of the landscape of country (really Americana or alt.country) music of the aughts (’00.)
  • Find Lighten’ (the opposum) over at georgejones.com and get entered to win prizes like: Cracker Barrel Gift Cards, Autographed CD’s, and concert tickets.

News Round Up: Country for Our Country Supports the Troops

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  • The Country for Our Country benefit concert will occur  in Tyler, Texas this Saturday night (10/24). The event will celebrate the troops and benefit wounded soldiers by providing them with counseling and support during a difficult transitional period in their lives. The benefit will feature performances by Joe Nichols, Heidi Newfield, Derek Sholl, and Kacey Musgraves and The Big D & Bubba Show will emcee the event.
  • Check out Ryan Bingham’s new video for his song Country Roads.
  • Paste magazine’s Andy Whitman gives his view of the landscape of country (really Americana) music of the aughts (’00.)
  • Find Lighten’ (the opposum) over at georgejones.com and get entered to win prizes like: Cracker Barrel Gift Cards, Autographed CD’s, and concert tickets.

Michael Dean Damron “Father’s Day” (In Music We Trust Records)

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Portland Oregon’s Michael Dean Damron, or Mike D. as he was known when fronting his former hell-raising roots-rock band I Can Lick Any Sonofabitch in the House, isn’t your garden variety sensitive, market tested, conveyor belt type of singer/songwriter. The emotion, fear and anger is laid out on his third solo release Father’s Day for all to feel. He’s not just singing, he’s testifying.

The youthful flame-thrower intensity of ICLASOBITH has been condensed into a focused,  welding torch constructing a dark and twisted terrain of one mans life and soul.

The lost love songs here – Dead Days, Boy With A Car and the provocatively titled I Hope Your New Boyfriend Gives You Aids (do NOT judge the album based on the title of this song, it doesn’t show up once in this beautifully heart wrenching cut.) display just as much defiance as they do remorse. Love songs are welcome, whining is not.

The specter of the Damron family patriarch is summoned and exorcised in the title track. The song tells of Damron’s father’s life as a hard, violent, and lonely one. The song is both a celebration and an unflinchingly cautionary tale. The excellent Angels Fly Up carries on the divisional theme, devils and angels, suicide and celebration- that seems to run through Fathers Day.

Tornado Song is a chugging blues-Gospel number veined with wailing harmonica and I’m A Bastard has Damron unmitigated affirmation of his place among the best of the worst in the troubadour trade.

As if the original songs weren’t enough to make this a fine album the three covers Damron has chosen to include speak volumes, fit nicely and are done with deftness and deference. Drag the River’s Beautiful And Damned is a solemn pedal-steel laced number and a ’round the campfire treatment of Thin Lizzy’s Dancing In The Moonlight are wonderful. The real courage, as with anyone willing to cover the Late Great Townes Van Zandt, comes with the inclusion of an accomplished rendition of Towne’s bleak tale of perseverance Waiting Around To Die.

Damron’s whiskey-and-dust vocals  brings to mind modern day contemporaries like Ryan Bingham, Drive By Truckers’ Patterson Hood, William Elliot Whitmore and Lucero’s Ben Nichols. The worn nature of the delivery adds another depth of ragged beauty to each of these gems. Damron sites Steve Earle, Alejandro Escovedo, Townes Van Zant and Waylon Jennings as heroes. But I believe that the true Patron Saint to his unique style of edgy storytelling, with a penchant for tenderness might well be David Allen Coe.

Sure Father’s Day is not a sunny Summer party album, who cares. It’s a great example of a  mature and excellent singer/songwriter venting his own private Winter.

Official Site | MySpace | Facebook | Buy

Father’s Day mp3

[youtube]http://www.youtube.com/watch?v=uDIYDNi2uTI[/youtube]