Tag Archives: Son-Volt

Wanted! – Notable Americana and Roots Music Releases for 2019

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2018 is now in the pages of history and as America shifts (lurches?) into an uncertain future. Americana and roots music, unlike many other genres, continues to be true to its legacy and addresses our times with art that refuses to chase the charts and churn out reflexively commercial product and, lucky for us, refuses to treat the audience as mindless consumers.

That’s not to say that Americana and roots music is merely a barometer for political and social conditions and change. No sane person wants their favorite artists to be righteous yet starve. As the music industry continues to reflect changing consumer demands artists are also finding opportunities to reach audiences and generate revenue in movies and video games.

Some albums I’m  personally looking forward to because I’ve heard some cuts, or on my faith in the artist,  are Hayes Carll’s  â€œWhat It Is,” Feb. 15: Dale Watson’s Call Me Lucky and Ryan Bingham – “American Love Song” , all on February 15th,  Mandolin Orange’s “Tides of a Teardrop” on February 1st, and Joshua Ray Walker’s “Wish You Were Here” on January 25th as well as Son Volt’s “Union’ on March 29th.

As more dates come throughout the year I will be updating the list. If you know of an actual release not listed yet please leave it in the comments.

As always I appreciate your visiting the site and hope you join me in another great year for Americana and roots music.

January: Jan. 18th: Danny Burns – “North Country”
Jan. 25th: Lula Wiles – ‘What Will We Do’
Jan. 4th: Balsam Range – “Aeonic”
Jan. 18th: Alice Wallace – “ Into the Blue”
Jan. 18th: Ronnie Milsap – “Ronnie Milsap: The Duets”
Jan. 18th: Greensky Bluegrass – “All for Money”
Jan. 18th: The Steel Woods – “Old News”
Jan. 18th: Whitehorse – “The Northern South Vol. 2”
Feb. 22: Vandoliers – “Forever” 

February:
Feb. 1st: Mandolin Orange – “Tides of a Teardrop”
Feb. 1st: Abigail Lapelle – “Getaway”
Feb. 8th: Gurf Morlix – ‘Impossible Blue’
Feb. 15th: Hayes Carll – “What It Is”
Feb. 15th: Dale Watson – “Call Me Lucky”
Feb. 15th: Ryan Bingham – “American Love Song”
Feb. 15th: Joey McGee – “El Camino Real”
Feb. 15th: Kalyn Fay – “Good Company”
Feb. 22nd: Dearling – “Silver and Gold” (EP)
Feb. 22nd Vandoliers – “Forever”
Feb. 22nd – Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell – ‘Songs of Our Native Daughters’ March:
March 1st: Mary Bragg – “Diamonds as Camouflage”
March 1st: The Cactus Blossoms – “Easy Way”
March 1st: Dave Ernst – “Hickory Switch”
March 2nd: The Honey Dewdrops – “Anyone Can See”
March 7th: Townes Van Zandt – “Sky Blue”
March 8th: Patty Griffin – “Patty Griffin” March 8th: Clara Baker – “Things To Burn”
March 22nd: Allison de Groot & Tatiana March 22nd: Orville Peck – “Pony” March 22nd: Luther Dickinson and Sisters of the Strawberry Moon – “Solstice” March 29th: Son Volt – “Union”

April: April 2nd: John Paul White – ‘The Hurting Kind” April 5th: Molly Tuttle – “When You’re Ready.” April 5th: Megg Farrell -“Megg Farrell” April 12th: Shovels & Rope – “By Blood” April 12th: Taylor Alexander – “Good Old Fashioned Pain” April 19th: Daniel Norgren – “Wooh Dang” May:
May 3rd: Pete Seeger – ‘The Smithsonian Folkways Collection’ May 3rd: Caroline Spence – “Mint Condition” May 10th: The Shootouts – “Quick Draw” May 24th: Willard Gayheart – “At Home in the Blue Ridge”

June:
June 14th: Hank Williams – ‘Health & Happiness Show’ June 21st: Buddy and Julie Miller -‘Breakdown on 20th Ave. South’ June 28th: Chuck Mead – “Close To Home” August 16th The Messenger: A Tribute to Ray Wylie Hubbard August 23rd Esther Rose – ‘You Made It This Far’ Erin Enderlin – ‘Chapter Three: Whatever Gets You Through The Night’ Tanya Tucker – ‘While I’m Livin’ ‘ Vince Gill – ‘Okie’ Dalton Domino – ‘Songs From the Exile’ Jason Hawk Harris – Love & the Dark The Po’ Ramblin’ Boys – ‘Toil, Tears & Trouble’ Leslie Stevens – ‘Sinner’ Croy and the Boys – ‘Howdy High-Rise’ Seth James – Midland – ‘Let It Roll’ September 7th The Highwomen – Self-Titled’ Terri Hendrix – ‘Talk To A Human’ Jason Tyler Burton – ‘Kentuckian’ Paul Cauthen – ‘Room 41’ Cut Throat Francis – ‘This Garden’s Never Gonna Grow’ Ana Egge – ‘Is It the Kiss’ NRBQ – ‘Turn On, Tune In’ Amy Speace – ‘Me and the Ghosts of Charlemagne’ These Wild Plains – ‘Thrilled To Be Here’ Trailerpark Idlers – ‘Ghost Town Nights September 13th Jeremy Ivey – ‘The Dream And The Dreamer’ September 27th Hot Club of Cowtown – ‘Wild Kingdom’ October 4th The North Mississippi Allstars – “Up and Rolling” October 13th Cody Jinks – ‘After The Fire’ North Mississippi Allstars – ‘Up and Rolling’ Corb Lund – ‘Cover Your Tracks’ Jonah Tolchin – ‘Fires for the Cold’ Marti Brom – ‘Midnight Bus’ Ted Drozdowski – ‘Learn To Love The Moon’ Jeremy Ivey – ‘The Dream And The Dreamer; Janiva Magness – ‘Change In The Weather: Janiva Magness Sings John Fogerty’ October 18th The Milk Carton Kids – ‘The Only Ones’ Darin Aldridge & Brooke Aldridge – ‘Inner Journey’ Driftwood Soldier – ‘Stay Ahead Of The Wolf’ The Drunken Hearts – ‘Wheels of the City’ Rory Ellis – ‘Inner Outlaw’ EmiSunshine and The Rain – ‘Family Wars’ Jimmy “Duck” Holmes – ‘Cypress Grove’ Jake La Botz – ‘They’re Coming For Me’ New Copasetics – ‘Twang-Ucopia’ David Newbould – ‘Sin & Redemption’ Karen & the Sorrows – ‘Guaranteed Broken Heart’ Zachary Lucky – ‘Midwestern’ October 25th Allison Moorer – ‘Blood’ Neil Young & Crazy Horse – ‘Colorado’ Craig Cummings – ‘Absolute Surprise’ Karen & the Sorrows – ‘Guaranteed Broken Heart’ Van Morrison – ‘Three Chords and the Truth’ Jackson Stokes – ‘Jackson Stokes’ Zack Walther Band – ‘The Westerner’ November 20th Bill Scorzari – ‘Now I’m Free’ January 31st Dustbowl Revival – ‘Is It You, Is It Me?’

Record Store Day’s Black Friday 2017 – Americana and Roots Music Picks

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Record Store Day's Black Friday

To me the start of the holiday season comes on Record Store Day Black Friday event. Putting indy record stores on the forefront of holiday shopping by special, limited edition slabs of sweet, sweet vinyl itching to be added to your collection.

2017 is sure to be a dandy, offering selections from Steve Earle, Willie Nelson, ram Parsons with Emmylou Harris and others. Sure, the Record Store Day Black Friday selections are smaller than the usual offerings on include Record Store Day, but that doesn’t make them any less enticing.

Record Store Day’s Black Friday is November 24th, 2017. Check the full list and remember to tweet a pic of your bounty tomy twitter account and I’ll share it with those foolish enough to stay home.

Steve Earle – El Corazon
Format: LP
Label: Warner Bros.
Quantity: 2500
Release type: RSD Exclusive Release
This 1997 Steve Earle album is released on vinyl for the frst time, and comes with a lithograph exclusive to this Record Store Day Black Friday edition.

Christmas In Washington, Taneytown, If You Fall, I Still Carry You Around (with the Del McCoury Band), Telephone Road (with the Fairfield Four), Somewhere Out There, You Know The Rest,, N.Y.C. (with The Supersuckers), Poison Lovers (with Siobhan Kennedy), The Other Side Of Town, Here I Am, Ft. Worth Blues

Willie Nelson – Spirit
Format: LP
Label: Modern Classic Recordings
Quantity: 2200
Release type: RSD Exclusive Release
Few country artists have had a bigger influence on the musical landscape than Wille Nelson. Born in 1933 in Abbott, TX, Ol’ Willie is still going strong at the young age of 84! For RSD Black Friday, Modern Classics is re-releasing Spirit, Willie Nelson’s forty-ninth studio album, originally released in 1996. The album differs from Nelson’s other work because his band used fewer instruments on the recording (two guitars, piano, fiddle) and it has a more classical/Spanish influence. Spirit reached the US Country top 20 when it was released, and David Fricke from Rolling Stone describes it as “low-key, acoustic, stripped to the rugged fundamentals of a good song and a superior voice.” Spirit is an emotional concept album illustrating the forlorn tale of a man abandoned by the great love of his life. We follow him down the path of loss as he confronts grief, gets back on his feet, and eventually finds solace in acceptance. Beloved by those familiar with Nelson’s deep catalog, Spirit remains highly revered amongst critics and fans alike. Likened to Bob Dylan’s Time Out Of Mind or Waylon Jennings’ Right For the Time, Spirit sees Nelson maturing most gracefully. Originally released in 1996, Spirit is issued here for the first time on colored vinyl as a special Record Store Day Black Friday release. It comes newly remastered with a deluxe, gatefold, ‘tip-on’ uncoated jacket, this is a chance to own this unique album in its most beautifully presented form.

1 Matador 2 She Is Gone 3 Your Memory Won’t Die In My Grave 4 I’m Not Trying To Forget You Anymore 5 Too Sick To Pray 6 Mariachi 7 I’m Waiting Forever 8 We Don’t Run 9 I Guess I’ve Come To Live Here In Your Eyes 10 It’s A Dream Come True 11 I Thought About You, Lord 12 Spirit Of E9 13 Matador

Willie Nelson – Yesterdays Wine
Format: LP
Label: Friday Music
Quantity: 1500
Release type: RSD Exclusive Release
in 1973’s Yesterday’s Wine LP, Willie Nelson crafted one of the most artistically acclaimed albums in his huge catalog of recorded music. The LP is an insightful look into the the wrtiing and musicianship of this legendary artist at a time when he and friends like Waylon Jennings were considered too hip and outlaw for the confines of Nashville radio acceptance. It contains songs like the autobiographical “Me & Paul”, the stellar title track and an incredible trove of balladry including “December Day,” “It’s Not For Me To Understand,” and the gospel hits “In God’s Eyes” and “Family Bible.” Yesterday’s Wine has been long out of print on vinyl and is coming to record stores as part of the Friday Music 180g Audiophile Vinyl Series on burgundy vinyl, in a gatefold sleeve and with a poster depicting the cover art included.

1. Medley 2. In God’s Eyes 3. Family Bible 4. It’s Not for Me to Understand 5. Medley 6. Summer of Roses 7. December Day 8. Yesterday’s Wine 9. Me and Paul 10. Goin’ Home

Gram Parsons & The Fallen Angels – Live 1973 Featuring Emmylou Harris
Format: LP
Label: Sierra High Fidelity
Quantity: 2000
Release type: RSD Exclusive Release
Gram Parsons, an extremely revered and influential American singer, songwriter, guitarist, and pianist, famously passed away on September 19, 1973, in Joshua Tree, CA of a drug overdose. Live 1973 Featuring Emmylou Harris is a live album by Gram Parsons and the Fallen Angels, recorded at Sonic Studios in Hempstead, New York during a live radio broadcast from WLIR-FM. The recording came between Parsons’ only two solo studio albums, GP, and Grievous Angel, but it was not released until 1982. This re-issue of Live 1973 Featuring Emmylou Harris is pressed on audiophile 180gram vinyl, utilizing Sierra Records 1982 original half-speed metal master, and was processed by the late Richard “Slim” Doss at the legendary Sheffield Lab Matrix. This beautiful deluxe edition comes with the original LP artwork, in an enhanced presentation silver foil, limited numbered jacket. It is a must have for any fan of the talented and troubled musician.

A1 We’ll Sweep Out the Ashes A2 Big Mouth Blues A3 The New Soft Shoe A4 Streets Of Baltimore A5 Cry One More Time B1 California Cottonfields B2 Love Hurts B3 Country Baptizing B4 Drug Store Truck Drivin’ Man B5 That’S All It Took B6 Six Days On The Road

Chet Atkins – Guitar Blues / Brown Eyes A Cryin’ In The Rain
Format: 7″ Vinyl
Label: Modern Harmonic
Quantity: 1000
Release type: RSD Limited Run / Regional Focus Release
Originally released on 78 in 1946 on Nashville’s Bullet Records, this is the first ever vinyl reissue of Chet’s very first release! Packaged in an envelope style picture sleeve with liner notes by Chet historian Pat Kirtley. Limited edition blue vinyl!

“Guitar Blues”/”Brown Eyes A Cryin’ In The Rain

Lou Reed and Kris Kristofferson – The Bottom Line Archive Series: In Their Own Words: With Vin Scelsa
Format: LP Picture Disc
Label: The Bottom Line Record Company
Quantity: 1000
Release type: RSD Limited Run / Regional Focus Release
An exclusive, limited 1000 quantity picture disc LP of select’ tracks from Lou Reed and Kris Kristofferson’s ‘In Their Own words with Vin Scelsa’ set from 1994 at the famed Bottom Line in NYC.

Side A: 1) “Introduction” 2) Vin Scelsa Introduces Lou Reed 3) “Betrayed” 4) Vin Scelsa introduces Kris Kristofferson 5) “Shipwrecked” 6) Lou Reed talks about songwriting 7) “Legendary Hearts” 8) Kris Kristofferson talks about his chiildhood and songwriting 9) “Sunday Morning Coming Down/The Pilgrim” Side B: 1) Lou Reed talks about The Velvet Underground and Andy Warhol 2) “Sweet Jane” 3) Kris talks about “Me and Bobby McGee” 4) “Me and Bobby McGee” 5) Kris talks about “Bird on a Wire” 6) “Bird on a Wire” 7) “Tracks of My Tears”

The Reverend Peyton’s Big Damn Band – Sixteen Tons
Format: 7″ Vinyl
Label: Family Owned/Thirty Tigers
Quantity: 500
Release type: RSD Limited Run / Regional Focus Release
Limited edition 7″ vinyl single featuring the Tennessee Ernie Ford classic “Sixteen Tons” b/w the Smokey Robinson & The Miracles classic “You Really Got A Hold On Me.

“Sixteen Tons”/”You Really Got A Hold On Me”

Various Artists – Gentle Giants: The Songs of Don Williams
Format: LP
Label: Slatecreek Records
Quantity: 1000
Release type: RSD Limited Run / Regional Focus Release
Country Music Hall of Famer Don Williams announced his retirement from performing last year, concluding an impressive five-decade career that includes two CMA Awards, two ACM Awards and 17 No. 1 hits. Williams unfortunately passed away in September 2017. In honor of his legendary career, Williams’ longtime producer and friend Garth Fundis have produced a tribute album, Gentle Giants: The Songs of Don Williams, featuring an all-star lineup of artists. Some of the artists on Gentle Giant include Jason Isbell, Lady Antebellum, Dierks Bentley, Alison Krauss, John Prime and Garth Brooks. The 11-track album is being released on Slate Creek Records exclusively for RSD Black Friday 2017, and will serve as both a tribute and a memorial to a great man.

Tulsa Time – Pistol Annies, I Believe In You – Brandy Clark,We’Ve Got A Good Fire Goin’ – Lady Antebellum,Some Broken Hearts Never Mend – Dierks Bentley,Amanda – Chris Stapleton Feat. Morgane Stapleton,Till The Rivers All Run Dry – Alison Krauss,Love Is On A Roll – John Prine Feat. Roger Cook,If I Needed You – Jason Isbell & Amanda Shires,Maggie’S Dream – Trisha Yearwood,Lord I Hope This Day Is Good – Keb’ Mo,Good Ole Boys Like Me – Garth Brooks

Waylon Jennings – New Stuff
Format: LP
Label: Black Country Rock
Quantity: 1500
Release type: ‘RSD First’ Release
In the late 90’s, Waylon Jennings was working on a batch of new material for a potential new album to be recorded. Unfortunately, that Jennings passed away before that album could be realized. While going through some of his fathers things, Shooter Jennings ran across a cassette tape labeled “New Stuff”. What was on that tape was a collection of new songs performed by just Waylon and his guitar. Shooter restored the tape and the result was an earnest collection of songs Waylon felt passionate and proud of. Black Country Rock proudly presents “New Stuff” on beautiful limited colored 12″ vinyl, a collection of songs that are a must-have for any die-hard Waylon fan.

Lydia Loveless – LIVE from the documentary Who Is Lydia Loveless?
Format: 12″ Vinyl
Label: What Were We Thinking Films
Quantity: 1400
Release type: ‘RSD First’ Release
A six-song vinyl-only Black Friday release of Lydia Loveless and her band performing a hometown show at Skully’s in Columbus, Ohio. Recorded by her longtime producer Joe Viers, the show was filmed for Gorman Bechard’s documentary Who Is Lydia Loveless’ which is included as a DVD in this package.

Side One: Out on Love, More Like Them, Desire. Side Two: Really Wanna See You Again, Heaven, Boy Crazy

Son Volt – Straightaways
Format: LP
Label: Rhino/WB
Quantity: 2500
Release type: ‘RSD First’ Release
20th Anniversary repressing of Son Volt’s second album.

Son Volt – Ballymena EP
Format: 10″ Vinyl
Label: Transmit Sound/Thirty Tigers
Quantity: 1500
Release type: ‘RSD First’ Release
This wonderful 10″ vinyl 45 rpm RSD Black Friday offering from Son Volt features 3 unreleased tracks that were left off of 2017’s Notes Of Blue, and 1 re-recording of a Son Volt classic “Sultana” from American Central Dust. These amazing songs are of stripped down acoustic in nature with some percussion elements and electric guitar.

1. “Ballymena” 2. “Dressed In White” 3. “Yellow Walls” 4. “Sultana”

Neil Young – Harvest Moon
Format: 2 x LP
Label: Warner Bros.
Quantity: 5000
Release type: ‘RSD First’ Release
This 25th Anniversary Edition of the Neil Young classic is newly remastered and presented for the first time on vinyl in North America, in case-wrapped gatefold jacket.

 Wanted! – Notable Americana and Roots Music Releases for 2017

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Wanted! - Notable Americana and Roots Music Releases for 2017

2016 was another great year for Americana and roots music, and 2017 shows signs that the great music will continue to come our way. As our Cream of the Crop favorites from last year makes plain we might be experiencing a new golden age of roots music/ Both as a growing influence on our contemporary culture and also as a viable, business for young and old artists to sustain themselves and thrive.

That last part is crucial as it provides economic and influential seed corn for the future ‘Cream of the Crop’ year-end best of collections.

The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like Ray Wylie Hubbard, Chris Stapleton, Jason Isbell and The Secret Sisters have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year and will send word through my twitter account when I do.

If you know of a release not listed yet please leave it in the comments.

One thing is for sure, it’s going to be a great year folks.

January 13th –
The Band of Heathens – ‘Duende’
Blackie and the Rodeo Kings – ‘Kings and Kings’
Otis Gibbs – ‘Mount Renraw’

January 20th –
Kasey Chambers – ‘Dragonfly’
The Show Ponies – How It All Goes Down’
Rayna Gellert – ‘Workin’s Too Hard’

January 27th –
Delbert McClinton – ‘Prick Of The Litter’
Tift Merritt – ‘Stitch of the World’
Valerie June – ‘The Order of Time’
Bankesters – ‘Nightbird’
Dead Man Winter – ‘Furnace’

February 3rd –
Ags Connolly – ‘Nothin’ Unexpected’
Gurf Morlix – ‘The Soul & The Heal’
Mitch Dean –‘Suburban Speakeasy’
Rose Cousins – ‘Natural Conclusion’
Caroline Spence – ‘Spades & Roses’

February 10th –
Kris Kristofferson – The Austin Sessions (Expanded Edition)

February 17th –
Alison Krauss – ‘Windy City’
Nikki Lane – ‘Highway Queen’
Pegi Young & The Survivors – ‘Raw’
Son Volt – ‘Notes Of Blue’
Son of the Velvet Rat – ‘Dorado’
Blair Crimmins – ‘You Gotta Sell Something’
The Gibson Brothers – “In The Ground”

February 24th –
Curtis McMurtry – ‘The Hornet’s Nest’
Rhiannon Giddens – ‘Freedom Highway’
Old 97s – ‘Graveyard Whistling’
Scott H. Biram – “The Bad Testament”
Shinyribs – “I Got Your Medicine”
Aaron Watson – “Vaquero”

March 3rd –
Grandaddy – ‘Last Place’
Beth Bombara – ‘Map With No Direction ‘

March 10th –
Sunny Sweeney – “Trophy’
Pieta Brown – “Postcards”

March 24th –
Jessi Colter – ‘The Psalms’
Samantha Crain – ‘You Had Me At Goodbye’

March 31st –
Rodney Crowell – ‘Close Ties”
David Olney – “Don’t Try To Fight It”
Dead Soldiers – “The Great Emptiness”
Shoddy Blacktooth — “Don’t Forget To Die”

April 7th
Malcolm Holcombe – ‘Pretty Little Troubles’
Andrew Combs – “Canyons Of My Mind”

April 14th
Evening Darling – “Evening Darling’

April 21st –
Angaleena Presley – ‘Wrangled’

May 5th
Chris Stapleton – ‘From a Room: Volume 1’

May 19th
Builders and the Butchers – ‘The Spark’
Pokey LaFarge – ‘Manic Revelations’
Tom Russell – ‘Play One More: The Songs Of Ian And Sylvia’

May 26th
Justin Townes Earle – ‘Kids in the Street’

June 2nd –
Bobby Osborne – ‘Original’

June 9th –
The Secret Sisters – ‘You Don’t Own Me Anymore’
Shannon McNally – ‘Black Irish’

June 16th –
Sammy Brue – ‘I Am Nice’

June 23rd –
The Deslondes – ‘Hurry Home’
Slaid Cleaves – ‘Ghost on the Car Radio’

July 7th –
Randall Bramblett – ‘Juke Joint At The Edge Of The World’

July 14th –
Cale Tyson – ‘Careless Soul’

July 21st –
Whiskey Shivers – ‘Some Part of Something”

August 4th
Tyler Childers – ‘Purgatory’

August 18th
Loretta Lynn – ‘Wouldn’t It Be Great’ POSTPONED
Ray Wylie Hubbard – ‘Tell the Devil I’m Getting There as Fast as I Can’

September 8th
Caroline Reese – ‘Two Horses’ EP

September 15th
Willie Watson – ‘Folksinger Vol. 2’
The Lone Bellow – ‘Walk Into A Storm’

September 22nd
Steve Martin & Steep Canyon Rangers – “The Long-Awaited Album”
Billy Strings – ‘Turmoil & Tinfoil’

September 29th
Anna Tivel – “Small Believer”

October 6th
Whitney Rose – ‘Rule 62’
JD McPherson – ‘Undivided Heart and Soul’
Becca Mancari – ‘Good Woman’

October 13th
Hellbound Glory – ‘Pinball’
Caleb Cladry – ‘Invincible Things’

October 16th
Gill Landry – ‘Love Rides A Dark Horse’

October 20th
Turnpike Troubadours – ‘A Long Way From Your Heart’
Dori Freeman – ‘Letters Never Read’

October 27th
Lee Ann Womack – ‘The Lonely, The Lonesome & The Gone’
Ronnie Fauss – ‘Last of the True’
The Wailin’ Jennys – ‘Fifteen’
The Deep Dark Woods – ‘Yarrow’

October 31st
Year of October – ‘Trouble Comes’

November 3rd
Samantha Fish – ‘Belle of the West’
Anna St. Louis – “First Songs’
Scott Miller – ‘Ladies Auxiliary’

November 17th
Mavis Staples – ‘If All I Was Was Black’

December
Chris Stapleton – ‘From a Room: Volume 2’

December 8th
Robert Ellis and Courtney Hartman – ‘Dear John’

Anticipated Americana Albums That Will Help 2017 Not Suck

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Dead Man Winter – ‘Furnace’ (Gndwire Records) – January 27
Minnesota singer/songwriter Dave Simonett takes from fronting the prog-grass Trampled By Turtles to release a set of deeply personal folk-pop songs traveling The emotional terrain scarred by divorce and the subsequent fracturing of his family.

Valerie June – ‘The Order of Time’ (Concord Records) – January 27
Following her 2013 breakout release, ‘Pushin’ Against a Stone’ that showered her with accolades from the New York Times and NPR, ‘The Order of Time’ has the Tennessee-bred singer/songwriter weaving folk, blues, Afro-rhythms and trip-hop atmosphere into a reflection on family, love and the nature of time. Produced by Matt Marinelli (Beck, Bad Brains), The Order of Time includes twelve original songs and features piano accompaniment from Norah Jones on three tracks and vocals from June’s late father and brothers on “Shake Down.”

Kasey Chambers – ‘Dragonfly’ – (Sugar Hill) – January ?
The 11th studio album by iconic Australian country/roots singer-songwriter Kasey Chambers will be released as a two disc set. The first, The ‘Sing Sing Sessions’ is produced by Paul Kelly. The second, ‘The Foggy Bottom Sessions’ is produced by Nash Chambers, Kasey’s brother. The release will feature ‘If We Had A Child,’ a duet with fellow Aussie and longtime friend Keith Urban and the previously released smoky liberation ballad ‘ Ain’t No Little Girl.”

Rose Cousins – ‘Natural Conclusion – (Old Farm Pony) – February 3
This collaboration with local Halifax artists and producer Joe Henry has Cousins crafting songs similar to early Patty Griffin and fellow Canadian Kathleen Edwards. The sparse economy of her folk songs belie their turbulent core.

Gurf Morlix – ‘The Soul & The Heal (Rootball Records) – February 3
Austin-based roots music legend Gurf Morlix has made a name for himself by working with roots artists like Blaze Foley, Robert Earle Keen, Ray Wylie Hubbard and Lucinda Williams. He’s also renowned for his extraordinary solo work and live performances. Morlix will release his self-produced 10th studio album, ‘The Soul & The Heal on his own Rootball Records in February and, given his attention to detail and feel for a great song, it’s sure to be a must-have.

Son Volt – ‘Notes of Blue’ (Transmit Sound) – February 17
Veteran Jay Farrar has built a legacy working within the alt.country territory he helped found with Jeff Tweedy, and Mike Heidorn when Uncle Tupelo formed in St. Luis. Now he steers his roots vehicle, Son Volt, toward the blues, the cousin genre following in the footsteps of other roots royalty like Steve Earle and Lucinda Williams.

Nikki Lane – ‘Highway Queen’ – (New West) – February 17
One of the few women that fit the stylistically daring and business savvy mode established by Willie and Waylon, Nikki Lane takes the co-production helm (along with Texas’ Jonathan Tyler) on her upcoming 10-track ‘Highway Queen’ that’s sure to brim with her personal stock of twangy grit and slinky 70’s inspired pop.

Old 97s – ‘Graveyard Whistling’ – (ATO Records) – February 24
Few bands have carried the alt.country flag so skillfully (and with such fun!) as Dallas’ own Old 97s. For decades the original band of hombres, guitar-slinger Ken Bethea, bassist Murry Hammond, and drummer Philip Peeples and front man extraordinaire Rhett Miller, will showcase their brand of rowdy style of melody wrangling When they release their anticipated 11th album.

Sunny Sweeney – “Trophy’ – (Thirty Tigers) – March 10
Texas’ own Sunny Sweeney looks to producer Dave Brainard, the man at the helm behind Brandy Clark’s breakout debut ’12 Stories,’ for her fourth release. Many of the songs are co-written by Sweeney along other pros like Lori McKenna. Look for a mix of personal introspection and barroom serenades.

Chris Stapleton – TBA ( Mercury Nashville) TBA
Two years is the time that labels like to pass before releasing another album and given the success of Stapleton’s debut ‘Traveler ‘ this is probably the year we’ll see a new erase from his label Murcury Nashville. One of the cuts possibly to be featured on this yet-to-be announced release is ‘Broken Halos,’ an unreleased song Stapleton debuted last month on Dolly Parton’s telethon to benefit victims of Tennessee wildfires.

https://youtu.be/y_Dhgro8ri8

The Secret Sisters – TBA ( Mercury Nashville) TBA
The third full-length by roots singer-songwriting siblings Laura and Lydia Rogers will be produced by Brandi Carlile and the Hanseroth twins. Look for this splendid release in the Spring.

Jason Isbell- TBA- TBA

Son Volt To Release Eighth Studio New Album ‘Notes Of Blue’ February 17

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Son Volt - 'Notes Of Blue'

stalwart alt.country pioneers Son Volt will release a new album ‘Notes Of Blue’ on February 17 on the Thirty Tigers label. ‘Notes Of Blue’ will be thw follow-up o he 2013’s acclaimed ‘Honky Tonk.’

The 10 songs on Notes Of Blue are inspired by the spirit of the blues, but not the standard blues as most know it. The unique and haunting tunings of Mississippi Fred McDowell, Skip James and Nick Drake were all points of exploration for Farrar for the new collection. The album opens with the country soul of “Promise The World”, followed by “Back Against The Wall”, a song that could stand alongside the great Son Volt songs of their early albums. However, ‘Notes Of Blue’ reflects the blues as it resides in the folk tradition, but heavily amplified. The primal stomp of “Cherokee St.”, the frenetic guitar on “Static” and the raw slide in “Sinking Down” exude grit and attitude. Conversely, tracks such as “The Storm” and “Cairo and Southern” seamlessly meld blues with hypnotic melodies that add a unique balance to ‘Notes Of Blue.’

Founder Jay Farrar possesses one of the most distinctive voices in roots, rock, country or any genre. He exudes a soulful longing combined with a wise-beyond-his-years command that is as arresting and compelling as ever. As a songwriter, Farrar’s depth and poetic penchant has been the foundation of a thoughtful, deep and intelligent body of work. Both attributes are on full display on Notes Of Blue, as he touches on themes of redemption and the common struggle, both of which are at the core of the blues.

‘Notes of Blue’ will be available to pre-order via the Son Volt website November 29th. The group will announce upcoming live dates in support of the album That same day, while tickets are scheduled to go on sale December 2nd.

Whether you call it alt.country, Americana, roots rock, insurgent country or just good ol’ rock ‘n’ roll anytime Son Volt releases a new album it’s cause for celebration.

Live Review: Jay Farrar – Kessler Theatre, Dallas Texas – 11 /14 / 2015

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Jay Farrar - Kessler Theatre, Dallas Texas

A little over 21 years ago Jay Farrar walked away from, if not the first alt.country band, certainly the most influential one.

Uncle Tupelo’s 4 studio album distilled a potent blend of punk fury, rock chops, and reverence to folk and country heritage. But the brighter the light the sooner the fizzle and after a mere 7 years Uncle Tupelo gave way from the figurative and literal combat between the two primary members, Farrar and Jeff Tweedy, who parted ways to found and steward Son Volt and Wilco respectively.

Farrar carried the honest and forthright aesthetic to his next venture , Son Volt. Their debut, “Trace” was in many ways a perfect follow-up to UT’s sawn song ‘Anodyne.’ “Trace” was an album that made the pain of the band’s demise even more acute while at the same time reassuring fans that someone was stewarding that sonic treasury.

This night was a celebratory look back at the back-looking album on it’s 20th anniversary.

Jay Farrar ambled on the Kessler Persian rug-laden stage looking like he’d not aged a day from the 20 years since the namesake for this event. Billed oddly as Jay Farrar playing the music of Son Volt’s ‘Trace’ to underscore this wasn’t a reassembling of older or current varieties of the his band. No, this was a brief tour with two skilled side men – pedal steel player, Eric Heywood, along with multi-instrumentalist, Gary Hunt.

Farrar has never been known as a chatty front man and with a simple “Hi,” a boyish grin and hair in his eyes the band launches into a spirited rendition of ‘Live Free.’ Yes “Windfall” is the first track on ‘Trace,’ but this is Farrar’s show and he’ll sequence the songs in any damn order he chooses.

And the packed house doesn’t care either as whoops erupted over the swelling instrumentation and Farrar’s voice. That familiar voice which now exhibiting a road-worn lower register, but still contains a earnest delivery that slips in-between the melodies in it’s quirky odd timing. The wonderfully swervey “Catching On” and the crowd joined in as a full throated singalong to the bittersweet “Tear Stained Eye.”

The show locked into a smooth groove just in time for the stutter stop jam of the Ronnie Wood cover ‘Mystifies me.” Heywood and Hunt faced off in what Farrar described as a “pedal steel cage match” that was less competitive than playing off each other in lovely harmonic wails on the gloriously dark and yearning “Ten Second News.’

Farrar announced “We are now entering a post-Trace world” before breaking into his acapella opening to ‘Wild Side’ from 2013’s excellent ‘Honky Tonk” that transformed the listening room into a swaying, joyous ocean. “Back Into Your World” from the 1997 album “Straightaways” closed out the main set on a warmly glowing note.

The band seemingly had just walked off the stage before returning and encoring with the rousing ‘Afterglow 61″ from ‘Okemah and the Melody of Riot’ and and a dreamily , almost unrecognizable version of Bob Dylan’s ‘Rainy Day Women #12 & 35.”

Farrar and company have carried the alt.country torch lit by Uncle Tupelo more truly than Tweedy has with Wilco, and though market forces have rewarded Tweedy for his sonic ventures this night proved that there’s still fans of honest and simple tunes.

Live Free
Catching On
Tear Stained Eye
Out of the Picture
Loose String
Route
Mystifies me
Too Early
Ten Second News
Drown
Windfall
Wild Side
Back Into Your World

Encore:
Afterglow 61
Rainy Day Women #12 & 35 (Bob Dylan cover)

Son Volt To Release 20th Anniversary Version of Acclaimed Debut, ‘Trace.’ Tour To Follow.

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SON VOLT'S TRACE DELUXE REISSUE

While I oh-so-paiently await that long overdo Uncle Tupelo reunion (come on already, we ain’t getting any younger!) I will find solace in the upcoming release of the 20th anniversary version of Son Volt’s spectacular acclaimed debut album, ‘Trace.’

This fall, Jay Farrar will celebrate the anniversary by putting out a deluxe version digitally remastered from the original analog masters. Farrar was heavily involved in the remastering process and contributes highlighted track commentary to the liner notes, which also feature a contribution from No Depression magazine founder Peter Blackstock.

In addition to every song from the 1995 original album, the first disc also features previously unreleased demos for eight album tracks, including “Drown,” “Live Free,” “Windfall,” and an acoustic version of the rocker “Route.” The two-disc version of ‘Trace’ features newly remastered sound and more than two dozen unreleased bonus tracks will be available October 30, 2015, for a suggested retail price of $24.98. The original album will also be re-issued on 180-gram vinyl for $24.98.

Son Volt will also hit the road with original pedal steel player, Eric Heywood, along with multi-instrumentalist, Gary Hunt. The tour is billed as “Jay Farrar Performs Songs Of Trace” and tickets for the tour will go on-sale Friday, August 14. For more information please go to www.sonvolt.net.

The dates will begin with a special AmericanaFest performance at 3rd & Lindsley on September 20. Farrar will also bring the tour to New York City on October 30, and on the same day, Rhino will release a two-disc version of Trace that features newly remastered sound and more than two dozen unreleased bonus tracks.

The second disc contains an unreleased live performance recorded at The Bottom Line in New York’s Greenwich Village on February 12, 1996. At the show, the band played nearly every song from Trace , covered Del Reeves’ “Looking At The World Through A Windshield,” and performed “Cemetery Savior,” a tune that wouldn’t surface until the following year on Son Volt’s sophomore release, Straightaways.

The show also features songs originally recorded by Uncle Tupelo, the vastly influential alt-country band that Farrar started with Jeff Tweedy in the Eighties. Among the standouts are: “Slate,” “True to Life” and the title track from the band’s final album Anodyne (1993).

Track Listing

Disc One
1. “Windfall”
2. “Live Free”
3. “Tear Stained Eye”
4. “Route”
5. “Ten Second News”
6. “Drown”
7. “Loose String”
8. “Out Of The Picture”
9. “Catching On”
10. “Too Early”
11. “Mystifies Me”
12. “Route” -Acoustic Demo*
13. “Drown” – Demo*
14. “Out Of The Picture” – Demo*
15. “Loose String” – Demo*
16. “Live Free” – Demo*
17. “Too Early” – Demo*
18. “Catching On” – Demo*
19. “Windfall” – Demo*

Disc Two: Live from Bottom Line 2/12/96
1. “Route”*
2. “Loose String”*
3. “Catching On”*
4. “Live Free”*
5. “Anodyne”*
6. “Windfall”*
7. “Slate”*
8. “Out of the Picture”*
9. “Tear Stained Eye”*
10. “True to Life”*
11. “Cemetery Savior”*
12. “Ten Second News”*
13. “Fifteen Keys”*
14. “Drown”*
15. “Looking For a Way Out”*
16. “Chickamauga”*
17. “Too Early”*
18. “Looking at the World Through a Windshield” – Del Reeves cover*
*previously unreleased

JAY FARRAR PERFOMS SONGS OF TRACE – 20TH ANNIVERSARY TOUR

SEPTEMBER
20 3rd & Lindsley (AmericanaFest) Nashville, TN

OCTOBER
28 The Birchmere
29 Ardmore Music Hall
30 City Winery Alexandria, VA
Ardmore, PA
New York, NY
DECEMBER
2 The Troubadour
3 Slim’s
5 Aladdin Theatre
6 Tractor Tavern
Los Angeles, CA
San Francisco, CA
Portland, OR
Seattle, WA

Uncle Tupelo’s Pivotal Debut “No Depression” to be Reissued In January

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Uncle Tupelo’s No Depression

Great news alt.country fans! On January 28th, Legacy Recordings will reissue Uncle Tupelo‘s widely acclaimed debut LP, 1990′s “No Depression.” The release will be a special two-disc expanded edition featuring rare and previously unreleased material. Of course, the influential alt.country trio would later birth Wilco (Tweedy) and Son Volt (Farrar.)

“No Depression: Legacy Edition” improves on the original album’s “tinny” production. Remastering has been done by engineer Vic Anesini, and the reissue features new liner notes by original band booster Richard Byrne of St. Louis’ alt-weekly The Riverfront Times. The second disc features the band’s original 1989 eight-song demo, Not Forever, Just For Now, which has never been released on CD.

Also included is a recently unearthed 10-song demo tape “Not Forever, Just Now,” recorded by the original UT, Jeff Tweedy, Jay Farrar, and Mike Heidorn in 1989. Below, listen to one of the demo tape’s tracks, an early version of “I Got Drunk” (via Consequence of sound).

The reissue will also include bonus tracks that appear on the album’s 2003 reissue; songs taken from their 1983 self-released Live and Otherwise cassette; and five cuts off the band’s 1987 demo Colorblind and Rhymeless.

Legacy will also issue a limited edition seven-inch vinyl single of Uncle Tupelo’s “I Wanna Be Your Dog” b/w “Commotion” for Record Store Black Friday on November 29th.

Pre-order No Depression: Legacy Edition.

No Depression: Legacy Edition Track List:

Disc One

No Depression (Original Album)

Graveyard Shift
That Year
Before I Break
No Depression
Factory Belt
Whiskey Bottle
Outdone
Train
Life Worth Livin’
Flatness
So Called Friend
Screen Door
John Hardy
No Depression Era Odds & Ends

Left In The Dark
Won’t Forget
I Got Drunk
Sin City
Whiskey Bottle (Live Acoustic)
Disc Two

Not Forever, Just For Now (No Depression Demos, Produced By Matt Allison, 1989)

Outdone
That Year
Whiskey Bottle
Flatness
I Got Drunk
Before I Break
Life Worth Livin’
Train
Graveyard Shift
Screen Door

From Live & Otherwise (Self-Released Cassette, 1988)

No Depression
Blues Die Hard

From Colorblind and Rhymeless (1987 Cassette Demo)

Before I Break
I Got Drunk
Screen Door
Blues Die Hard
Pickle River

Americana Music Awards Nomination Oversights – Son Volt, The Trishas, Lindi Ortega, Delta Rae

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lindi-ortega

Every autumn for the past 11 years the Americana Music Association honors Americana and roots music. Members of the association (of which I am one) get’s an email in early spring and are asked to submit up to 10 nominees for each of six categories – Album of the Year, Song of the Year, Artist of the Year Emerging Artist of the Year, Duo/Group of the Year and Instrumentalist of the Year. The eligibility period for the nominees runs from April 1, 2012 through March 31, 2013.

The numbers are tallied up and the 5 nominees for each category have just been announced last Tuesday. Though some have stated that the Americana music Association is playing it safe and should do more to grow the base.

But all they did was count the votes. The good portion of their dues paying voters are members of the music industry with a stake in the game and this list reflects, with a few glaring exceptions (which I will dress at the bottom), the Americana chart for the time criteria.

As a blogger, with no direct stake in promotion of any one artist over another, I’m bound only by my own subjective opinion. i voted for artists who I believed were the best of the best and some ended up on the final nominee list. Many did not. Here are a few glaring omissions that me, and some of my community on Facebook and twitter have, noticed.

Got your own? List ’em in the comments below.

The first oversight is the most glaring. How is Lindi Ortega, one of the freshest voices in Americana, not up for Emerging Artist Of The Year? Seriously?!

Is there a better singer/songwriter in roots and Americana music than Chris knight? Little Victories was my top album of 2012 and it should be up for Album of the Year. Andd it’s high-time Knight be shown some Artist of the Year love. The man’s a damn legend!

Another fantastic new talent hitting her stride in American, root and pop is Caitlin Rose. Emerging Artist Of The Year and Album of the Year.

Jake Smith (aka The White Buffalo) is also an exciting newcomer in the Americana and roots field. Emerging Artist Of The Year and Album of the Year for How the West Was Won.

A legend, and one of the finest voices in roots music, comes out with her first of new material in sixteen-years on Sing The Delta and it doesn’t get a Album of the Year nod?!

https://www.youtube.com/watch?v=_Suq8KSwrS0

alt.country legends, Son Volt, reach back to the classic country that’s always been a part of their DNA to make one of the best albums of their career and they’re passed over/ They should be up for for Album of the Year for Honky Tonk and I’d argue that Jay Farrar should be up for Artist Of The Year.

Ray Wylie Hubbard’s Grifter’s Hymnal is the legend at his gritty, greasy Texas best. Album of the Year.

https://www.youtube.com/watch?v=r92RkIKm6Wc

Carrie Rodriguez has been around for a a while and deserves some Artist of the Year and Album of the Year love for her Give Me All You Got.

The Turnpike Troubadours are one of the best young bands that I saw at last year’s Americana Conference showcases. Album of the Year for their Goodbye Normal Street and Duo/Group of the Year.

The Trishas were also a highlight of last year’s Americana Conference and have put in their time. They earned nods for High, Wide and Handsome for Album of the Year and Duo/Group of the Year.

ON EDIT: When it comes to pop-Americana the Lumineers can’t hold a candle to Durham’s Delta Rae. I would nominate Delta Rae for Duo/Group of the Year and Bottom of the River for Song of the Year.

Album Review – Son Volt: Honky Tonk [Rounder Records]

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son volt honky tonk

From the ashes of one of the pivotal harbingers of the late 80’s alt.country movement, Uncle Tupelo, Jay Farrar’s Son Volt has continued to carry the torch of classic country and rock music for seven albums now. Each album blending, progressing, and sometime faltering, but always staying true to course. This time around, Farrar seems content to ease off of the rock influence and focus in classic country nuance. Picking up the pedal steel in his spare time he’s uses ot deftly spanning 11 songs that display economy (clocking in at just over 36 minutes) as well as expansiveness in influence.

This incarnation of Son Volt appears well suited to provide the Honky Tonk of the album title and theme. The band sets a welcome tone with the 3/4 Waltz of “Hearts and Minds.” Brick Walls is straight from the Lefty Frizzell book of song-craft and heartache. The nightlife lament of “Wild Side” is Farrar’s subtler and more tender take on a theme Hank Thompson tackled with “Wild Side Of Life.”

“Every road is a story to tell, of dreams that have soared and dreams that have fell.” starts off the lovely Celtic-tinged “Down the Highway” that blends the road with life, or perhaps it’s all just life on the road. “Bakersfield” flirts with jukebox fair to compel a dust-bowl migrant to drop a dime to hear it. Languidly paced atmospheric and shimmery electric guitars makes Angel of the Blues’ and “Shine On” gives the album a contemporary conclusion.

Honky Tonk doesn’t slap you in the face with some aural revelation. it’s not a furious album or one trying to prove itself. It lays it out and really couldn’t care what the world thinks. That’s the beauty in it. There is no overt commercial aspirations, just love of music and a celebration of it’s timeless nature. Farrar has always been true to his vision never chasing stylistic trends to broaden his demographic appeal. He’s cultivated and harvesting country music gold throughout his career and with the excellent Honky Tonk, he sounds right at home.

Official Site | Buy

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