Tag Archives: the Allman Brothers

Record Store Day 2014 – Americana and Roots Music Picks

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Gram Parsons - Alternate Takes from GP and Grievous Angel

It’s that time again twangers. Yes, Record Store Day 2014 is upon us. The annual celebration of local record stores that leaves behind clowns and balloons and replaced them with long lines and limited edition slabs of vinyl.

This year’s RSD2013 releases offer some great selections from the roots and Americana side of the fence. Steve Earle townes album stripped back to it’s solo guitar base? Yes! Alternate Takes from Gram Parsons’ pivotal GP and Grievous Angel albums? Oh yes! Unreleased Hank Williams from the 1950 The Garden radio spot programs? Hells yes!

Head to your local indy record store on April 19th early and scoop up some of these limited edition goodies below.

Check the RSD14 full list and remember to tweet a pic of your bounty to my twitter account and I’ll share it with those that dared to stay home.

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Big Mama Thornton – Sassy Mama
Format: 12″ Vinyl
Label: Vanguard
– A scorching 1975 live set from Big Mama including “Rolling Stone,” “Lost City,” and “Mr. Cool.”

Joan Baez – “Blessed Are”
Format: 12″ Vinyl
Label: Vanguard
Baez’s seminal 1971 double album is presented here in an ‘exact replica’ gatefold package. Included are “Blessed Are,” “The Night They Drove Old Dixie Down,” “Salt of the Earth,” and many more.

The Allman Brothers – “Selections from: Play All Night: Live at the Beacon Theatre 1992”
Format: 12″ Vinyl
Label: Legacy
Double vinyl release of live songs previously only available on DVD.

Dave Alvin & Phil Alvin – Songs from Common Ground
Format: 12″ Vinyl
Label: Yep Roc
Four song 12″ featuring the Alvin Brothers playing the songs of Bill Broonzy

Blue Rodeo – “Diamond Mine”
Label: Rhino
Release type: RSD Limited Run / Regional Focus Release
25th anniversary reissue, first time on blue and green colored vinyl

Neko Case & Jason Lytle – “Satellite of Love”
Format: 7″ Vinyl
Label: Brink
Take a trip into space with musicians Howe Gelb, Neko Case, Victoria Williams, John Covertino (Calexico), and many more in this limited edition 7 inch vinyl. Includes songs Satellite of Love, Mars Cassette Waltz, and Untethered Space Walk from the award winning animation comedy film Mars (Starring Mark Duplass of The League and Safety Not Guaranteed).

Johnny Cash – With His Hot and Blue Guitar
Format: 12″ Blue Vinyl
Label: ORG Music
Release type: ‘RSD First’ Release
More Info:
Johnny Cash with His Hot and Blue Guitar is the debut album of country singer Johnny Cash. Released in 1957, it was the first LP ever issued on Sam Phillips’ Sun Records label. Currently out of print, the album is being remastered and reissued on an exclusive blue color vinyl for Record Store Day. This limited edition pressing of 3,000 units will be numbered with a foil stamp on each jacket.

CENTRO-MATIC – Redo The Stacks
Format: 12″ Vinyl
Label: Navigational Transmissions
Reissue of the band’s first album, originally released in 1996. This version is remastered and artwork has been redone and hand painted to match the original version.

The Civil Wars – Live at Eddie’s Attic
Format: 12″ Vinyl
Label: Columbia
Nine songs recorded live in Decatur, Georgia in April 2009.

Court Yard Hounds – Amelita
Format: 12″ Vinyl
Label: New West Records
12″ vinyl of the new record with bonus 7″

Drive-By Truckers – Dragon Pants EP
Format: 10″ Vinyl
Label: ATO
B-Sides and outtakes from the new album English Oceans

Steve Earle – Townes: The Basics
Format: 12″ Vinyl
Label: New West Records
Release type: RSD Exclusive Release
In 2009 Steve Earle released an album of Townes Van Zandt songs. It began as solo guitar and vocal tracks recorded in October 2008 in New York City. Other instruments were added later in subsequent sessions for the album in New York, Nashville and Los Angeles. Those original recordings – The Basics – were released on a limited edition bonus CD with the Townes album and are available here for the first time on vinyl.; HAND NUMBERED

The Everly Brothers – Roots
Format: 12″ Vinyl
Label: Rhino
Release type: RSD Exclusive Release
“Roots” showcases the harmonies of the Everlys with covers of songs by performers who had been influential on the duo’s career. Songs by Jimmie Rodgers, George Jones, Randy Newman and Merle Haggard plus traditional standards offer laid-back, tasteful, acoustic-oriented arrangements with superb vocals that convey qualities of innocence tempered by experience. Originally released in 1968, “Roots” is one of the finest early country-rock albums.

Mary Gauthier/Sam Baker – When A Woman Goes Cold/Ditch
Format: 7″ Vinyl
Release type: RSD Limited Run / Regional Focus Release

Gram Parsons – 180 Gram: Alternate Takes from GP and Grievous Angel
Label: Rhino
2LP vinyl release of audio sourced from “The Complete Reprise Sessions” released in 2005. Contains a postcard insert at the request of Gram’s daughter, Polly Parsons, for the Hickory Wind Ranch Recovery Community. Foil numbering.

TRACK LISTING: SIDE ONE: “She (Alternative Version)”, “That’s All It Took (Alternative Version)”, “Still Feeling Blue (Alternative Version)”, “Kiss The Children (Alternative Version)”, “Streets of Baltimore (Alternative Version)” SIDE TWO: We’ll Sweep Out The Ashes In The Morning (Alternative Version)”, “The New Soft Shoe (Alternative Version)”, “Return of the Grievous Angel #1 (Alternative Version)”, “In My Hour of Darkness (Alternative Version)”, “In My Hour of Darkness (Alternative Version)”, “Ooh Las Vegas (Alternative Version) SIDE THREE: “I Can’t Dance (Alternative Version)”, “Sleepless Nights (Alternative Version)”, “Love Hurts (Alternative Version)”, “Brass Buttons (Alternative Version)”, “Hickory Wind (Alternative Version)” SIDE FOUR: “Brand New Heartache”, “Sleepless Nights”, “The Angels Rejoiced Last Night”

Waylon Jennings/Sanford Clark – Zia Records Presents: Audio Recorders Archive Vol. 1
Format: 7″ 45 – Limited to 500 copies on “GOLD” wax for Record Store Day
Label: Zia Records
Release type: RSD Limited Run / Regional Focus Release

Lake Street Dive – What I’m Doing Here/Wedding Band
Format: 7″ Vinyl
Label: Signature Sounds
Single 45 in a picutre sleeve, unreleased tracks

Ray Lamontagne – “Supernova”/”Pick Up A Gun”
Format: 7″ Vinyl
Label: RCA
First single from the album Supernova coming May 6th. Produced by Dan Auerbach.

Jon Langford & Skull Orchard – “Days & Nights”/”Here’s What We Have”
Format: 7″ Vinyl
Label: In De Goot Records
Release type: RSD Limited Run / Regional Focus Release

Langhorne Slim & The Law – “Animal”/”Space Girl”
Format: 7″ Vinyl
Label: Ramseur Records
Release type: RSD Exclusive Release

Lydia Loveless – “Mile High”/”Blind”
Format: 7″ Limited edition on colored vinyl. B-side is exclusive Ke$ha cover.
Label: Bloodshot
Release type: RSD Limited Run / Regional Focus Release

Jessica Lea Mayfield – “Make My Head Sing”
Format: Pink Cassette of the full album
Label: ATO Records
Release type: RSD Limited Run / Regional Focus Release

Doug Paisley – “Growin Souls/”Lies Lead To Lies”
Format: 7″ Vinyl
Label: No Quarter
Release type: RSD Limited Run / Regional Focus Release

Dolly Parton – “Blue Smoke”/”Home”
Format: Blue 7″ Vinyl
Label: Masterworks
Tracks from the forthcoming Dolly Parton record

Ramblin’ Jack Elliott – “Jack Elliott”
Format: 12″ Vinyl
Label: Vanguard
Ramblin’ Jack’s Vanguard debut, notable also for the appearance of Bob Dylan (credited as Tedham Porterhouse) on harmonica. It includes such staples as “Roving Gambler,” “Diamond Joe,” and “Black Snake Moan.”

Songs: Ohia – Journey On: Collected Singles
Format: 12″ Vinyl
Label: Secretly Canadian
Release type: ‘RSD First’ Release
More Info:
Almost 20 years after Jason Molina’s voice first rang out from Ohio, in this brave new world of streaming, the discussion surrounding the resurgence of vinyl rarely includes the 7”.

Southern Culture On The Skids – Party at my Trouse
Format: 7″ Vinyl – SCOTS collaboration with B-52s frontman Fred Schnieder
Label: Yep Roc
Release type: RSD Limited Run / Regional Focus Release

Various Artists – The Folk Box 50th Anniversary
Label: Rhino
Release type: RSD Exclusive Release
50th Anniversary Edition of the Elektra Records (in cooperation with Folkway Records) Vinyl Box Set 4-LP set containing 83 tracks featuring artists such as Pete Seeger, Dave Van Ronk, Phil Ochs, Tom Paxton and Judy Collins and many more. Vinyl cut from the original 1964 master tapes. Limited edition with foil stamp numbering. Bonus exclusive 7″ Vinyl included featuring Judy Collins’ rare version of Bob Dylan’s “I’ll Keep It with Mine” backed with Tom Paxton’s recording of “The Last Thing on My Mind” for Record Store Day only. Includes a 48 Page booklet including Forewords from legendary Producer Jac Holzman and Co-Producer Ted Olson. Out of print for over 40 years.

Various Artists – The Newport Folk Festival 1963–The Evening Concerts, Vol. 1
Format: 12″ Vinyl
Label: Vanguard
Fans at RecordStoreDay.com and VanguardRecords.com voted for this re-issue of Newport’s 1963 installment, remastered from the original tapes by David Glasser at Airshow Mastering and features performances from Mississppi John Hurt, Joan Baez, Ramblin’ Jack Elliott and, yes, Bob Dylan. Presented in ‘exact replica’ package.

“The Barnyard Song” (Sam Hinton), “Must I Go Bound” (Sam Hinton), “The Arkansas Traveller (Sam Hinton), “C.C.Rider” (Mississippi John Hurt/Pete Seeger), “Stagolee” (Mississippi John Hurt), “Spike Driver Blues (Mississippi John Hurt), “Coffee Blues (Mississippi John Hurt), “Diamond Joe” (Ramblin’ Jack Elliott), “Walk Right In” (Rooftop Singers), “Un Canadian Errant” (Ian and Sylvia), “Woke Up This Morning” (The Freedom Singers), “Oh, Freedom” (Joan Baez/Theodore Bikel), “Te Adore, Ate Amanha” (Joan Baez), “Wagoner’s Lad” (Joan Baez), “Blowin’ In The Wind” (Bob Dylan), “We Shall Overcome” (The Freedom Singers)

“Doc Watson – Southbound”
Format: 12″ Vinyl
Label: Vanguard
Release type: RSD Exclusive Release
Fans at RecordStoreDay.com and VanguardRecords.com voted for this re-issue of Doc’s classic 1966 album, remastered from the original tapes by David Glasser at Airshow Mastering. Presented in ‘exact replica’ package.

“Walk On Boy”, “Blue Railroad Train”, “Sweet Georgia Brown”, “Alberta”, “Southbound”, “Windy and Warm”, “Call of the Road”, “Tennessee Stud”, “That Was The Last Thing On My Mind”, “Little Darling Pal of Mine”, “Nothing To It”, “Riddle Song”, “Never No More Blues”, “Nashville Picking”

The Wild Feathers – “Got It Wrong/Marie”
Format: 7″ Vinyl
Label: Warner Bros.

Hank Williams – The Garden Spot Programs, 1950–Extended Play
Format: 10″ Vinyl
Label: Omnivore Recordings
Release type: RSD Exclusive Release
All recordings previously unreleased! From a 1950 radio show sponsored by Texas’ Naughton Farms Nursery, and brought to brown 10″ vinyl with the help of Williams’ daughter Jett.

SIDE ONE: “The Garden Spot Jingle” (Show 4), “I Don’t Care (If Tomorrow Never Comes) (Show 10), “Lovesick Blues” (Show 4), “Closing/Oh Susanna” (Show 10) SIDE TWO: “Farther Along” (Show 10), “Mind Your Own Business” (Show 9), “Fiddle Tune” (Show 4), “Closing/Oh Susanna” (Show 11)

Bob Wills And His Texas Playboys – Transcriptions
Format: 12″ Vinyl
Label: Real Gone Music
Release type: RSD Limited Run / Regional Focus Release
More Info:

Ten sides from Bob Wills’ legendary Tiffany Transcriptions, which were recordings made available only to radio stations in the late ’40s. The Tiffany Transcriptions are generally considered to be the best recordings that the King of Western Swing ever made, as the lack of commercial restrictions allowed his incredible band–and vocalist Tommy Duncan–to stretch out. Wills made over 300 transcription sides for Tiffany; only about half of them have been reissued on vinyl or compact disc. This 10-track album not only includes ten songs that have never been heard or seen anywhere since they appeared on the transcription discs some 65 years ago, but also features packaging designed to mimic the look of the original transcriptions, with a cutaway hole in front to show the vintage Tiffany logo on the vinyl, which is pressed in red as some Tiffany transcriptions did come in red vinyl. The back cover also includes vintage graphics from the period.

“I’m an Old Cowhand”, “Long Eared Mule”, “Put Another Chair at the Table”, “I’m Thinking Tonight of My Blue Eyes”, “Don’t Fence Me In”, “Don’t Be Ashamed of Your Age”, “Black and Blue Rag”, “Have I Stayed Away Too Long”, “Moonlight on the Ganges”, “What Is Life Without Love”

Music Review: Blackberry Smoke – The Whippoorwill [Southern Ground]

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My first encounter with Atlanta’s Blackberry Smoke – Charlie Starr on Lead Vocals, Guitar, Richard Turner on Bass, Vocals, Brit Turner on Drums, Paul Jackson on Guitar, Vocals and Brandon Still on Keyboards – was seeing them open two shows for ZZ Top at the Beacon theater. The neo-Grecian Beacon was originally a deluxe movie place designed Chicago architect Walter W. Ahlschlager of Chicago and , since 1989, most famously the home for the Allman Brothers yearly New York City spring residency.

Both shows were great,as a Texan I am obligated to see all ZZ Top shows in a 50 mile radius, and Blackberry Smoke easily won over a crowd in the unenviable spot opening for a legendary band. The band won the crowd by performing their no-frills brand of Southern rock, that rowdier sibling to the Progressive Country movement. The blend of blues, country rock, r&b, rock, southern soul and gospel forged by pioneers like The Allmans, ZZ Top, Lynyrd Skynyrd and Black Oak Arkansas and others provided a rich terrain for the band to work.

Newly released The Whippoorwill, their third studio album and first for Zac Brown’s independent label Southern Ground, proves the quintet has 12 years of road-honed musical contributions to the cause. This is made clear by the brash opener “Six Ways To Sunday” continues that tradition. Fueled by a Still ‘s barrell house piano, and fuzz guitar boogie and blue-collar come-ons like “I’m chasing my tail, and a couple other ones too” cements the song as a staple of their live performance from years to come.

“Pretty Little Lie” and “Everybody Knows She’s Mine” are excellent romps on romantic denial and celebration respectfully. Both songs deftly fuse country and rock so organically and soulfully that they stand, not only as great songs, but as sharp contrasts to Music City’s recent pathetic attempts to create the same sound.

“One Horse Town” leans toward folk before kicking into a rock groove detailing the isolation of rural living. The same quiet opening lures you into Ain’t Much Left Of Me” as the big rock sound sweeps you up. The title cut is a choice slice of Southern soul that stretches out like a country road baking in the Summer sun.

“Leave A Scar” is a pure piss. vinegar and whiskey rave-up offering a less than PC refrain of “When I die put my bones in the Dixie dirt” and “I may not change the word but I’m gonna leave a scar.” Kinder and gentler this aint’.

Southern rock continues to be maligned in the current genteel musical landscape. More for, I feel, cultural baggage rather than musical merit. The celebration of Southern history, culture celebrated sincerely without a a wink and a smirk pitiable strikes some as fodder for knuckle-draggers. In the end Blackberry Smoke makes great, well played, music loyal to tradition, to to thier fans. They’d sure prefer you to enjoy it, but if you don’t I’m sure they give a good goddamn.

While other contemporary bands, Like the Drive-By Truckers, use Southern rock as an element of expression; at the first whiff of commercial acceptance they jettison the style like an old pair of overalls to court their new-found demographic thus losing their soul and much of their base.

It’s great to hear this level of love and joy Blackberry Smoke brings to their music, a style that is obviously not a marketing contrivance. The album has just been officially released but has been available at their live shows for some time as a reward to their long-time fans. As Starr says “There is no way on God’s green earth that we are not going to put this in the hands of people who have spent their money night in and night out when we’re out doing shows. If we’ve got it, they are going to get it. I’d give them away, I don’t care. I didn’t want to make them wait another six months. They’ve been there for us, and we wanted them to have the music first.”

This, ladies and gentleman, is the real deal.

Official Site | Buy

http://www.youtube.com/watch?v=Xv29x-AEGNM&list=UUlEMmhYh_L1ZV7Nw6iq-2ng&index=1&feature=plcp

GRAMMYs Night One – T. Bone Burnett

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Of all the events I am covering for the GRAMMYS, this is the one I most looked forward to. Great time at the Producers & Engineer’s Wing 10th Anniversary Honoring T. Bone Burnett took place at the historic Village Recording Studio which since opening in the late 60’s has worked with The Allman Brothers, The Beach Boys, Johnny Cash, Ray Charles, Eric Clapton,Elvis Costello, The Doors, Bob Dylan, The Eagles, George Harrison, Elton John, Tom Jones, B.B. King, John Lennon, Little Richard, Ringo Starr, and many others. Built by the Freemasons in the 1920s, the building was originally a Masonic temple, then in the early 60s the building was used by Maharishi Mahesh Yogi.

This was , for an entertainment industry event, a relaxed one. The focus of the guests wasn’t on image or attitude, these were people focused on the sound. the board geeks that make the good sound great, the great sound timeless and the lame…well…there’s little hope even for these wizards. Making my way through the crowd I ran into Robbie Robertson (The Band), Ray LaMontagne (nominated for 3 GRAMMYS – Song Of The Year – “Beg Steal Or Borrow”, Best Contemporary Folk Album – God Willin’ & The Creek Don’t Rise and Best Engineered Album, Non-Classical)

The event to celebrate Burnett was christened “Shaken Rattled & Rolled” and the slide shows around the event showed how extensive his career has been as a producer, engineer and a musician. After brief comments by Senior Executive Director Maureen Droney and Co-Chair James McKinney there was a film celebrating the Producers & Engineer’s Wing of the GRAMMYS and their commitment to documenting and preserving historic and contemporary recorded media.

Then after a recording introduction by Elton John (“greatest producer working today, run away with me!”) and Leon Russell (“I’m not sure what this award is for be this man deserves it!”) Burnett hit the stage to loving applause. The gist of his speech was that the sound he’s famous for championing, warm analog, has a a place in current recording as well as a future. And  that “the recording industry made a mistake when they started making music for people that don’t like music. ” Burnett then introduced his latest proteges, The Secret Sisters and they serenaded the happy crowd late into the night. Thanks to my companion GRAMMYs Country Music blogger Meesa from 365 Days of Country Music.

Music Review: Maylene and the Sons of Disaster – III (Ferret Records)

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maylene_iiicoverThere are few genres as maligned as Southern Rock. The term brings to mind a drunken guy wearing a wife-beater and a trucker cap with a Confederate flag patch screaming “Freebird!” Despite stereotypes the truth is that most people that grow up in the South/Southwest are born knowing about two musical genres, Country and Rock. Given the working class environment and the musical heritages of the regions this is no surprise.

The legacy of the Allman Brothers and Lynyrd Skynyrd were revived and renewed most popularly by the DIY success of Northern Alabama’s Drive By Truckers. But other bands, like Austin, Texas’ Dixie Witch and Birmingham, Alabama’s Maylene And The Sons Of Disaster follows the Allman and Skynyrd path by way of  a more aggressive Southern metal route most famously blazed by Pantera.

Maylene And The Sons Of Disaster rose from the ashes of vocalist Dallas Taylor’s unceremonious dismissal from the Christian post-hardcore band Underoath in late 2003. Though MATSOD are designated A “a Christian southern metalcore” band on Wikipedia the Christian element is not the central focus, the music is. Like Johnny Cash and U2, MATSOD are about getting their message across in allegory delving into the ambiguities of faith rather than self-righteous cartoon ideas of good and bad. In the case of MATSOD it’s just done faster and louder.

To blur the line further between heaven and hell the band’s name is taken from  the legend of the barbarous criminal gang of Ma Barker and her fraternal offspring.

Step Up (I’m On It) offers Southern-fried bottleneck and banjo, Listen Close and No Good Son lift  licks from the Skynyrd playbook and Oh Lonely Grave begins as an updated swampy dirge, but the blasting intensity of the latter part of the piece and of  Settling Scores By Burning Bridges and Harvest Moon Hanging shows that the  combination of  Saturday night sin and Sunday morning salvation still proves a potent mix.

Official Site | MySpace | Buy

Little White Lies.mp3 |   Step Up (I’m On It).mp3

[youtube]http://www.youtube.com/watch?v=sxNu9rLKxF0[/youtube]