Record Store Day Black Friday 2019 Releases – Roots & Americana Picks

Luckily for vinyl fans, Record Store Day is now two separate events. The original big daddy event in April and it’s smaller Black Friday.

The latter happens on 11/29, just in time for some early Christmas shopping for your own stocking. Below find some choice selections from the list that roots and Americana fans feen need a place on their turntable.

Descriptions are from RSD.com. See the full release list here.

Patsy Cline – Sweet Dreams: The Complete Decca Masters 1960-1963 – more details on this release
An amazing 3xLP set including all of Patsy Cline’s Decca Studio master. This collection has never been released on vinyl and for Record Store Day Black Friday it’s available on pink, purple and yellow pastel vinyl in a tri-gatefold sleeve.

(1000 available)

Dr. John – “Babylon”
When Dr. John hit the studio in 1968 to record Babylon, America was in a very turbulent period. On top of that, Dr. John was being pursued by various Los Angeles authorities for a handful of criminal offenses. It was, in his own words: “a heavy time for me.”

This set the stage for Babylon being a reflection of the chaotic and tumultuous time that he was living in. He and his band dove deeper into the voodoo-inflected psychedelic rock and the R&B of Gris-Gris, while touching upon elements of free jazz and Captain Beefheart-style avant-garde. Babylon stands out as a psychedelic swamp of apocalyptic lyrical content, drunk, disorienting experimentation, and fascinating entry into Dr. John’s catalog well-worthy of his expansive legacy.

Out of print on vinyl for 40 years, Get On Down is all too eager to reissue this unique recording for RSD Black Friday. In keeping with the album’s hallucinogenic sound, it is presented on trippy never to be repeated splatter-colored vinyl and housed in a deluxe gatefold jacket.

A1. “Babylon” A2. “Glowin’” A3. “Black Window Spider” A4. “Barefoot Lady”
B1. “Twilight Zone” B2. “The Patriotic Flag-Waver” B3. “The Lonesome Guitar Strangler”

(2500 available)

Blind Willie Johnson – “Dark Was The Night, Cold Was The Ground/It’s Nobody’s Fault But Mine”

Blind Willie Johnson was the greatest and most popular guitar evangelist and influenced generations of musicians. His unique, intense, emotional and haunting gruff voice—coupled with some of the finest slide-guitar of any of his peers—firmly established Johnson’s status as one of the premier gospel-blues artists of all time.

Between 1927 and 1930, Johnson recorded 30 powerful, timeless, landmark songs for Columbia Records in five sessions in Dallas, New Orleans, and Atlanta, generating strong sales and national fame.

On December 3, 1927, in a temporary studio in the Deep Ellum district of Dallas, Johnson recorded six groundbreaking songs, including the iconic slide guitar classic, “Dark Was the Night, Cold Was the Ground.” Johnson’s haunting response to Christ’s crucifixion remains one of the masterpieces of American music. Ry Cooder described it as “the most soulful, transcendent piece in all American Music.”Jack White called it “the greatest example of slide guitar ever recorded.”

For RSD Black Friday 2019 Traffic Entertainment presents two of Johnson’s most iconic sides as a 78 RPM microgroove record housed in a glorious reproduction of the Columbia sleeve wrapped in a full color OBI with detailed liner notes.

(1500 available)

The Marshall Tucker Band – “New Year’s in New Orleans – Roll Up ’78 and Light Up ’79”

“Let’s show the people coast to coast that we here in New Orleans can party! Are you ready to roll ’78 and light up 79?!” announces the boisterous (and probably slightly buzzed) emcee introducing The Marshall Tucker Band to the tight-knit community of joint-passing, beer-cheersing rock ‘n’ rolling regulars at The Warehouse, New Orleans’ legendary 1970s music hall. Not only would the audience of 2,000+ longhairs enjoy the New Year’s Eve concert that night, but so would a huge audience of radio listeners rockin’ in simulcast nationwide. The emcee claimed that this was the largest radio audience ever to hear a broadcast and at the time, it probably was. The band elevated themselves to the occasion and delivered an absolutely smokin’ performance of what were already their most memorable and cherished hits.
• Sourced from the original 24-track tapes
• Mixed in Macon, Georgia in 2019 by Paul Hornsby, the original Capricorn Records producer who recorded and produced their first six gold and platinum albums.
• Featuring never before published photos by The Warehouse’s photographer, Sidney Smith, plus images of archival documents form the recording engineers.
• Double LP, gatefold

Side A: A1 “Fly Like An Eagle” A2 “Long Hard Ride” A3 “Fire On The Mountain” A4 “Heard It In A Love Song” A5 “Blue Ridge Mountain Skies”
Side B: B1 “Can’t You See” B2 “Ramblin’” B3 “This Ol’ Cowboy”
Side C: C1 “Desert Skies” C2 “24 Hours At A Time”
Side D: D1 “New Year’s Countdown/Auld Lang Syne” D2 “Searchin’ For A Rainbow” D3 “Will The Circle Be Unbroken”

(1500 available)

JD McPherson – “Red Bows For A Blue Girl” / “Holly, Carol, Candy and Joy”

This is a new 7″ of two Christmas songs. “Red Bows for A Blue Girl” is a brand new original record specifically for RSD Black Friday. “Holly, Carol, Candy and Joy” is a b-side from the album SOCKs which was released in November of 2018.

(1500 available)

Willie Nelson – “Sometimes Even I Can Get Too High” b/w “It’s All Going To Pot” (w/ Merle Haggard)

It’s said that legends aren’t born—they’re grown. Willie Nelson, an enduring American icon and tireless supporter of marijuana legalization, offers the latest hit from his stash, a humorous ode to the sweetest of leaves as only Willie can do it. “Sometimes Even I Can Get Too High,” a new song from the sessions for Willie’s latest album, Ride Me Back Home Is backed with “It’s All Going To Pot,” another 420 favorite from Django and Jimmie, Willie and Merle Haggard’s 2015 album.

(4000 available)

New Riders of the Purple Sage – “Thanksgiving in New York City (Live)”

Captured at the late show from November 23, 1972, at the Academy of Music, Thanksgiving In New York City features the band in the midst of an energetic and highly regarded tour. Along with Dawson classics like “Henry,” “Portland Woman,” and “Last Lonely Eagle,” lead guitarist David Nelson and bassist Dave Torbert also bring some Bluegrass (“She’s No Angel”) and R&B (“I Don’t Need No Doctor,” “Willie And The Hand Jive”) to the mix.

SIDE ONE: 1.“Leaving On Her Mind” 2. “Portland Woman” 3. “Hello Mary Lou” 4. “Sutter’s Mill” 5. “She’s No Angel”
SIDE TWO: 6. “Henry” 7. “Contract” 8. “Linda” 9. “Take A Letter Maria”
SIDE THREE: 10.” All I Ever Wanted” 11. “Groupie” 12. “Whiskey” 13. “Long Black Veil”
SIDE FOUR: 14. “Lochinvar” 15. “Truck Drivin’ Man” 16. “Rainbow” 17. “I Don’t Need No Doctor
SIDE FIVE: 18. “Louisiana Lady” 19. “Honky Tonk Women” 20. “Last Lonely Eagle”
SIDE SIX: 21. “Willie & The Hand Jive”

(1800 available)

J.S. Ondara – “Tales of America B Sides”

Born and raised in Nairobi, Kenya, J.S. Ondara fell in love with Bob Dylan and moved to Minneapolis when he was 20 to pursue a career as a singer-songwriter. His debut album, Tales of America, is an examination of the American Dream, but from the perspective of the outsider, the immigrant, the social commentator. This album made J.S. an NPR Slingshot Artist, a Rolling Stone Artist You Need To Know, and earned him a Best Emerging Act nomination from the Americana Music Association in 2019.

Tales of America: B Sides is a five-track LP packaged exclusively for Record Store Day, and features a previously unreleased track, a demo, a remix, and two cover songs.

“Milk + Honey” – previously unreleased
“Analog Man” – previously unreleased
“Jesus For President” – previously unreleased
“Torch Song” (Echo Park)
“Heart of Gold” (Neil Young cover)

(2000 available)

Elvis Presley – “American Sound 1969”
1969 was a pivotal year for Elvis Presley. Fresh from the success of the ’68 Comeback Special, a revitalized Elvis headed to American Sound Studios with producer Chips Moman and a crack group of local session musicians. From these sessions came From Elvis In Memphis, one of the most beloved LPs of his career, plus the seminal hits “Suspicious Minds” (his 18th and final No. 1 hit) and “In The Ghetto.” American Sound Sessions 1969, available for the first time on vinyl, features rare and unreleased outtakes from these legendary sessions.

Side A: 1. “Long Black Limousine (Take 6)” 2. “Wearin’ That Loved On Look (Takes 12, 13 & 14)” 3. “You’ll Think Of Me (Take 16)” 4. “I’m Movin’ On (Take 2 – with vocal replacements and steel guitar overdub)” 5. “A Little Bit Of Green (Take 1)”
Side B: 1. “In The Ghetto (Take 1)” 2. “From A Jack To A King (Takes 1-3)” 3. “Without Love (There Is Nothing)(Take 1” 4. “I’ll Be There (Takes 1-3)” 5. “Suspicious Minds (Take 8)(undubbed master)”
Side C: 1. “Stranger In My Hometown – Jam (undubbed)” 2. “It’s My Way/This Time/I Can’t Stop Loving You – Jam” 3. “True Love Travels On A Gravel Road (Take 2)” 4. “Power Of My Love (Take 1)” 5. “After Loving You (Take 2)”
Side D: 1. “Do You Know Who I Am? (Take 4)” 2. “Kentucky Rain (Take 8)” 3. “Only The Strong Survive (Take 29)” 4. “It Keeps Right On A Hurtin’ (Takes 1 & 2)” 5. “Any Day Now (Takes 1 & 2)”

(4000 available)

Leon Redbone – “Strings And Jokes, Live in Bremen 1977”

Wanderer between the worlds. No other words can describe the musical work of Leon Redborne. His first official stage appearance took place in 1971 at the Mariposa Folk Festival in Orillia, Ontario, and soon after he began performing in local clubs where he became famous with his unique style. His trademarks were a perfect suit (white jacket, black trousers), dark sunglasses, a mustache, and a white fedora. Best known for his interpretations of music from the Depression Era–Blues, Ragtime, Folk and Tin Pan Alley—laying on top his remarkable singing style. Influenced by the music of Fats Waller, Jelly Roll Morton, Jimmy Rodgers or Irving Berlin, his interpretations are legendary.

Both concerts on this RSD Black Friday release took place in Bremen, Northern Germany, in 1977 and show two different sides of Leon Redbone. At the first concert, at the “Glocke”, he was accompanied by tuba player Jonathan Dorn, and the second, at the “Post-Aula” was a solo concert, pure and simple. Both are electrifying because of his unique performance and the combination of Blues and influences from Folk-Jazz. He sings, yodels, murmurs, and hums and knows to fascinate his fans with his warm and outstanding voice. A must-have for every fan of traditional and not commonplace music.

(300 available)

Steep Canyon Rangers – “North Carolina Songbook”

GRAMMY-Award winning bluegrass outfit Steep Canyon Rangers brought a special surprise to attendees of their performance at Merlefest 2019. To honor their home state, the Rangers performed a selection of songs from the artists of North Carolina. Featuring unsung Carolinian heroes like Ola Belle Reed and Elizabeth Cotten to world-renowned performers like Thelonious Monk, Doc Watson, James Taylor and Ben E. King, the Rangers’ live North Carolina Songbook performance shows why the Tar Heel State continues to celebrate their legacy of musical excellence and influence that dates back over a century.

1. “Stand By Me [Ben E King]” 2. “Don’t Let Your Deal Go Down [Earl Scruggs/Charlie Poole]” 3. “Blue Monk [Thelonious Monk]” 4. “Jack of Diamonds [Tommy Jerrell]” 5. “Shake Sugaree [Elizabeth Cotten]” 6. “Sweet Baby James [James Taylor]” 7. “I’ve Endured [Ola Belle Reed]” 8. “Your Lone Journey [Doc Watson]”

(1500 available)

Richard Thompson – “The Cold Blue: Original Motion Picture Score”
The Cold Blue is a 2019 documentary that focuses on footage shot directly from bomber planes during WWII with narration from surviving members of the 8th infantry. Richard Thompson wrote and arranged the score to the movie, and its released on vinyl for the first time everas a double blue 180g vinyl set, with a worldwide pressing of 1500.

1. “The Cold Blue” 2. “The Cold Blue Part 2” 3. “No Tomorrow” 4. “Fresh Eggs” 5. “A Sudden Boom” 6. “Family” 7. “Tremendous Workers” 8. “Beautiful Sight” 9. “Beautiful Ship” 10. “Cold Air” 11. “Over There” 12. “Big Thunderstorm” 13. “Superstitious” 14. “Kill a Human” 15. “Red Flare” 16. “Just Germans” 17. “I’ll Be Seeing You” 18. “Family (Guitar Version)” 19. “The Cold Blue (Guitar Version)”

(1250 available)

Desperado: The Soundtrack

Like his buddy and occasional collaborator Quentin Tarantino, Robert Rodriguez is one of those film directors whose movies always come with incredible soundtracks. But it’s tough to top the array of music he assembled for his gun ‘n’ guitar-slinging western Desperado, the 1995 sequel to his breakthrough debut El Mariachi. Not only was the Desperado score composed and performed by the L.A. bands Los Lobos (whose performance of “Mariachi Suite” won a Grammy for Best Pop Instrumental Performance) and Tito and Tarantula (memorably seen the following year as the house band at the Titty Twister in Rodriguez’s From Dusk Till Dawn), but it also boasted contributions from Dire Straits, Link Wray, Carlos Santana, and the Latin Playboys among other artists. A blend of ranchera, Chicano, and garage rock, it’s the perfect accompaniment for the blood-soaked imagery of the film…and for this, the first vinyl release of the soundtrack, we at Real Gone Music have created the perfect visual accompaniment as well. For the gatefold jacket housing our 2 X LP set, we commissioned Illustrator Matt Ryan Tobin to create one-of-a-kind, never-to-be-reprinted illustrated artwork, a lyrical yet lurid tableau that was approved not just by Robert Rodriguez but also by all four actors depicted (Antonio Banderas, Salma Hayek, Steve Buscemi, and Joaquim de Almeida). Inside the gatefold, we designed two 4-color inner sleeves offering production stills from the film and pressed up 2500 copies in sultry “Blood & Gunpowder” vinyl. This pressing is exclusive for RSD Black Friday, and, again, both the jacket and the colored vinyl will never be reprinted…this might be the most collectible release we have ever created!

1. Los Lobos with Antonio Banderas “Canción Del Mariachi (Morena De Mi Corazón” 2. Dire Straits “Six Blade Knife” 3. Link Wray & His Ray “Jack the Ripper” 4. Latin Playboys “Manifold De Amour” 5. Latin Playboys “Forever Night Shade Mary” 6. Roger & The Gypsies “Pass the Hatchet” 7. Los Lobos “Bar Fight” 8. Tito & Tarantula “Strange Face of Love” 9. Los Lobos “Bucho’s Gracias/Navajas Attacks” 10. Los Lobos “Bulletproof” 11. Carlos Santana “Bella” 12. Salma Hayek “Quédate Aqui” 13. Los Lobos “Rooftop Action” 14. Los Lobos “Phone Call” 15. Tito & Tarantula “White Train (Showdown)” 16. Tito & Tarantula “Back to the House That Love Built” 17. Los Lobos “Let Love Reign” 18. Los Lobos “Mariachi Suite”

(1800 available)

Joni 75 A Joni Mitchell Birthday Celebration

On Joni’s 75th birthday, last November 7, a star-studded roster of musicians gathered to pay tribute to the legendary singer-songwriter. The evening was recorded and this vinyl release features performances by Brandi Carlile, Glen Hansard, Emmylou Harris, Norah Jones, Chaka Khan, Diana Krall, Kris Kristofferson, Los Lobos with La Marisoul, Cesar Castro & Xochi Flores, Graham Nash, James Taylor, Seal, Rufus Wainwright and more.

1. “Dreamland” –Performed by Los Lobos with La Marisoul, Xochi Flores & Cesar Castro
2. “Help Me” –Performed by Chaka Khan
3. “Amelia” –Performed by Diana Krall
4. “All I Want” –Performed by Rufus Wainwright
5. “Coyote” –Performed by Glen Hansard
6. “River” –Performed by James Taylor
7. “Both Sides Now” –Performed by Seal
8. “Our House” –Performed by Graham Nash
9. “A Case Of You” –Performed by Kris Kristofferson & Brandi Carlile
10. “Down to You” –Performed by Brandi Carlile
11. “Blue” –Performed by Rufus Wainwright
12. “Court And Spark” –Performed by Norah Jones
13. “Nothing Can Be Done” –Performed by Los Loboswith La Marisoul, Xochi Flores &Cesar Castro
14. “The Magdalene Laundries” –Performed by Emmylou Harris
15. “Woodstock” –Performed by James Taylor
16. “Big Yellow Taxi” –Performed by La Marisoul, James Taylor, Chaka Khan, and Brandi Carlile

(3000 available)

Tony Joe White – “That On The Road Look “Live”

The only live album recorded at Tony Joe White’s peak…and it’s never been available at retail before. Recorded in the fall of 1971 while TJW was opening for Creedence Clearwater Revival, this show became the proverbial “legendary lost live album,” and for good reason: Warner Bros. recorded the concert on multitrack tape, fully intending it to be released. But for some reason lost to the mists of time, the album never came out until Rhino Handmade released it on CD in 2010 via their website. Which means it never went to regular retail at all in any format, and that’s a real shame, because you could make a good argument that it’s the best Tony Joe White album of ’em all, with a set list to die for, a great band (featuring Duck Dunn on bass), pristine fidelity, and plenty of Swamp Fox attitude. This exclusive RSD Black Friday white vinyl pressing comes inside a gatefold jacket featuring a front cover cut-out displaying the art on one of two inner sleeves, with great liner notes by Ben Vaughn.

1. “Roosevelt and Ira Lee” 2.” A Night in the Life of a Swamp Fox” 3. “Rainy Night in Georgia” 4. “Mississippi River” 5. “Lustful Earl and the Married Woman” 6. “Willie and Laura Mae Jones” 7. “Back to the Country” 8. “Band Introduction” 9. “Traveling Bone” 10. “Stormy Monday” 11. “My Kind of Woman” 12. “Polk Salad Annie” 13. “That on the Road Look”

(1000 available)

Hank Williams – “The 1940 Recordings”

The songs featured on this RSD Black Friday 45 RPM 7” single catch Williams at age 18 on homemade recordings. Coupled with last year’s 7” release The First Recordings 1938, these two 7’s represent the earliest known recordings of Hank Williams. Newly restored and remastered by the Grammy-Award winning Hank Williams team!

A1) “Freight Train Blues” A2) “New San Antonio Rose”
B1)” St. Louis Blues” B2) “Greenback Dollar”

(2500 available)

Willie Nelson To Release New Album, ‘God’s Problem Child’

Willie Nelson Announces New Album 'God's Problem Child'

Willie Nelson, who appears to never rest, will release his new album, ‘God’s Problem Child.’ The collection of all-new studio material, his first in nearly three years, will be released April 28th, the day before the Texas music legend turns 84. That last album, ‘Django and Jimmie,’ was a collaboration with his longtime friend and country music pioneer Merle Haggard, who passed away in on April 6, 2016, Haggard’s 79th birthday.

On ‘God’s Problem Child’ Willie pays tribute to his friend, who Nelson first met at a poker game at Willie’s Nashville home in 1964, on the Gary Nicholson penned cut “He Won’t Ever Be Gone.”

The title cut, co-written by Jamey Johnson and Tony Joe White, includes vocals by both writers as well featuring the late roots-music legend Leon Russell, one of his final recordings before his death last November.

I can’t wait to hear the entire album from this master singer/songwriter.

‘God’s Problem Child, which will be available on CD, vinyl, and digitally. As is now the norm to help spur sales bundles
are offered including the various music formats, some signed, as well as t-shirts and other premiums.

Order at Pledge Music.

‘God’s Problem Child’ track list:
1. “Little House on the Hill” (Lyndel Rhodes)
2. “Old Timer” (Donnie Fritz/Lenny LeBlanc)
3. “True Love” (Willie Nelson/Buddy Cannon)
4. “Delete and Fast Forward” (Willie Nelson/Buddy Cannon)
5. “A Woman’s Love (Mike Reid/Sam Hunter)
6. “Your Memory Has a Mind Of Its Own” (Willie Nelson/Buddy Cannon)
7. “Butterfly” (Sonny Throckmorton/Mark Sherrill)
8. “Still Not Dead” (Willie Nelson/Buddy Cannon)
9. “God’s Problem Child” (Jamey Johnson/Tony Joe White)
10. “It Gets Easier” (Willie Nelson/Buddy Cannon)
11. “Lady Luck” (Willie Nelson/Buddy Cannon)
12. “I Made a Mistake” (Willie Nelson/Buddy Cannon)
13. “He Won’t Ever Be Gone” (Gary Nicholson)

Americana Music Association Releases First Half of 15th Annual AmericanaFest Bill

Americanafest

The Americana Music Association continues its tradition of showcasing some of the best in Americana and roots music by it’s partial roster of Americanfest performers released today.

Though the lineup doesn’t show any groundbreaking direction, I’m fine with that. There are lots of folks on the list that have been busting their hump for years and deserve this recognition rather then inserting acts to placate outsider accusations of one thing or another. Personally I’m happy to see Casa Twang favorites Howlin’ Brothers, Jamestown Revival, John Moreland, Lera Lynn, Marah and Ben Miller Band on the bill. And Texas is well-represented by Billy Joe Shaver, Sarah Jarosz, Jason Eady and Hayes Carll

The event is celebrating its 15th as the premier Americana event by welcoming 160 performers taking the stage at 11 venues including 3rd & Lindsley, The Basement, City Winery, High Watt, Cannery, Mercy Lounge, The Rutledge, Station Inn, Music City Roots, Downtown Presbyterian Church and Musicians Corner.

Three-time Americana Group of the Year, The Avett Brothers, will headline the event at Riverfront Parl on Saturday Sept. 20. Americana’s Music Festival & Conference registrations will have access. Tickets for the general public will go on sale Friday, June 27 at 10AMat www.ticketfly.com.

Check out THE Americanafest 2014 Spotify playlist.

The first half of Americanafest’s performing artist list includes:

Allison Moorer
Amy Ray
Angaleena Presley
The Avett Brothers
The Barefoot Movement
Ben Miller Band
Billy Joe Shaver
Black Prairie
Brennen Leigh and Noel McKay
Buddy Miller
The Cactus Blossoms
Carlene Carter
Caroline Rose
Chatham County Line
Chuck Mead
Danny & The Champions of the World
The Deadly Gentleman
Del Barber
The Deslondes
Doug Seegers
The Duhks
The Dustbowl Revival
Emily Barker & the Red Clay Halo
Ethan Johns
The Fairfield Four
The Grahams
Grant-Lee Phillips
Green River Ordinance
Greensky Bluegrass
Gregory Alan Isakov
Greyhounds
The Harpoonist & the Axe Murderer
Hayes Carll
Howlin’ Brothers
Immigrant Union
Israel Nash
Jamestown Revival
Jason Eady
JD Wilkes & the Dirt Daubers
Joe Henry
Joe Pug
Joe Purdy
John Moreland
Jonah Tolchin
Jonny Two Bags
Josh Ritter
Joshua James
Lake Street Dive
Lee Ann Womack
Leo Welch
Lera Lynn
Marah Presents: Mountain Minstrelsy
Marty Stuart
Matthew Ryan
McCrary Sisters
Nathaniel Rateliff
New Country Rehab
Oh Susanna
Otis Gibbs
Parker Millsap
Paul Thorn
Pete Molinari
Quebe Sisters Band
Rhett Miller
Robbie Fulks
Robyn Hitchcock
Rodney Crowell
Ruthie Foster
Ryan Montbleau
Sam Outlaw
Sarah Jarosz
Sean Rowe
Shakey Graves
Suzy Bogguss
Todd Snider & Friends
Tom Freund
Tony Joe White
Trigger Hippy (feat. Jackie Greene, Joan Osbourne, Steve Gorman, Tom Bukovac & Nick Govrik)
Whiskey Shivers
Willie Watson

The 15th annual Americana Music Festival & Conference occurs September 17-21, 2014 in Nashville, Tenn. The 13th annual Americana Honors & Awards Show on Sept. 17 at the historic Ryman Auditorium.

Willie Nelson, Kris Kristofferson, Fred Foster Honored as Leaders in Country Music

Willie Nelson, Kris Kristofferson and music publisher for Combine Music and founder of Monument Records, Fred Foster each received the Dale Franklin Award, an award honoring their unique leadership in country music during an invitation-only event on Sunday night (Aug. 29) in Nashville. On hand to perform were friends Rodney Crowell, Jamey Johnson, Lyle Lovett, Lorrie Morgan, Dolly Parton, Randy Travis, Lee Ann Womack and others. The award is named for the first executive director of Leadership Music, an industry networking organization that hosts the annual gala event.

During his introduction of Willie Nelson, Vince Gill said Nelson’s face belonged on Mount Rushmore. I couldn’t have said it better myself.

From CMT.com “As a music publisher for Combine Music and founder of Monument Records, Foster helped lay the career groundwork for artists like Kristofferson, Roy Orbison and Dolly Parton, as well as Larry Gatlin, Billy Grammer, Boots Randolph, Jeannie Seely, Billy Swan and Tony Joe White. His recent credits include producing Nelson’s 2006 album, You Don’t Know Me: The Songs of Cindy Walker, and a 2007 collaborative album with Merle Haggard, Nelson and Ray Price called Last of the Breed, which won a Grammy. Gill told the audience that Foster’s advice to aspiring producers was simply to “frame the picture,” thus allowing the artist to be the focus of attention, not the frame.”

Elvis Costello – Secret, Profane & Sugarcane (Hear Music)

Hardly a day goes by that we hear about another performer leaving their chosen career trajectory and taking a swing at country music.Some of these travelers deeply feel the need to honor the history, the tradition, of the genre. They also bring something new and interesting to the sound. Then there are the carpetbaggers. The ones who’s career have a justly stalled and are looking to find a new audience in a genre they mistakenly see as an easy get. They carry with them the foul stench of mediocrity they cultivated from whence they came.

The latter category is too painful to detail here but a prime example of the former is Elvis Costello. A singer/songwriter so accustomed to straddling, hopping and distorting genres that people are surprised when he returns to his earlier literate pop-punk roots. Costello’s love of American Southern music is well documented. The established Angry Young (British) Man takes a sharp turn from edgy punk-pop to head to Nashville and cut 1981’s Almost Blue which featured songs by Hank Williams, Merle Haggard, George Jones and Gram Parsons. The post-divorce roots-folk of 1986’s T. Bone Burnett produced King of America. 2004’s The Delivery Man featuring duets with  Emmylou Harris and Lucinda Williams – who he also performed with in a CMT Crossroads. There is the Costello T. Bone Burnett penned Scarlet Tide was used in the film Cold Mountain, nominated for a 2004 Academy Award and performed by Costello it at the awards ceremony with Alison Krauss, who also sang the song on the official soundtrack. Point being his newest Americana release Secret, Profane & Sugarcane is not a hard diversion nor a lark for Mr. MacManus.

It doesn’t help that you’re sound is so distinctive that people start to harp on it like it’s a curse. Secret, Profane & Sugarcane like it’s spiritual cousins Bob Dylan’s Nashville Skyline, Neil Young’s Harvest and the Rolling Stones’ Exile on Main Street seems to lose points some detractors because the work reflects the unique characteristics the artists brings with them when they cross the Americana tracks. If you prefer your music by outsiders to be cleansed of all traces of the performers unique earlier style, well, Secret, Profane & Sugarcane is not for you.

The album took three days to create in a Nashville studio (March 31 to April 2, 2008)  thus beating out the usually fleet Bob Dylan’s Nashville Skyline, which took 9 days (February 12, 1969 – February 21, 1969) is with producer T Bone Burnett- whos is becoming the go-to-guy when you want to do Americana – and focuses on Costello’s own work rearranged for a crack band featuring Stuart Duncan on banjo and fiddle, Jerry Douglas on Dobro, , Dennis Crouch on bass, Mike Compton on mandolin and Mr. Americana himself Jim Lauderdale lending honey harmony vocals to counter Costello’s (in)famous keen.

Things get off to a nice starts with Down Among The Wines And Spirits, originally written for Ms. Loretta Lynn, is a lolling down-and-out drinking song featuring the kind of wordplay Costello has become famous for (there’s that uniqueness again!) Complicated Shadows, first recorded for 1996’s All This Useless Beauty and originally written for Johnny Cash, gets the amped-up greasy blues treatment that would make Tony Joe White smile.

The beautifully sad I Felt the Chill Before the Winter Came was penned by Costello and aforementioned Loretta Lynn is lovely but brings to mind the coldness suggested in the title. My All Time Doll is a hillbilly cabaret number featuring the excellent accordion work by Jeff Taylor and a demo from All This Useless Beauty Rhino reissue Hidden Shame gets a great rousing makeover.

How Deep Is the Red?, She Was No Good,”She Handed Me a Mirror, and Red Cotton
are  from Costello’s unfinished Hans Christian Andersen chamber opera The Secret Songs (did I mention that man was eclectic?) As prolific as Costello is, he is known to rework his own songs for different occasions, and although these songs do carry trace elements of their classical origins they sound right at home here.

Sulphur to Sugarcane was written by Costello & T Bone Burnett for (but not used)  in the Sean Penn 2006 film All The King’s Men. The song sounds like a bawdy ragtime-jazz response to Johnny Cash’s I’ve Been Everywhere as imagined by Leon Redbone. The Crooked line is rumored to have been an unused song for the Johnny Cash biopic Walk The Line and Costello is reported to have said that it’s “…the only song I’ve ever written about fidelity that is without any irony.” Here the song is a Cajun-flavored duet with Emmylou Harris with Emmylou way too far down in the mix, or just right, depending on your feeling about Ms. Emmylou’s disctinctive style. Changing Partners is a more-or-less faithful rendition of a the ubber-crooner Bing Crosby’ classic  number of lost love.

Is Secret, Profane & Sugarcane a great country or Americana album as you might expect from a seasoned vet? No. Is it a great Elvis Costello record? No, it hits just about in the mid-range of his canon. But with the likes of Jewel, Miley Cyrus and Kid Rock paraded as examples of roots and country music’s future Costello has given us a lovely, lively work to brace us out of that nightmare.

Official Site | Buy

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The Devil Makes Three Readies “Do Right Wrong.”

  • Nashville’s Country Music Hall of Fame and Museum will hold its quarterly series, Nashville Cats: A Celebration of Music City Session Players on Saturday, Feb. 21, with a salute to drummer Jerry Carrigan. Among his many sessions, Carrigan played drums on Jerry Reed’s “When You’re Hot, You’re Hot,” Charlie Rich’s “The Most Beautiful Girl in the World,” Kenny Rogers’ “The Gambler” and Tony Joe White’s “Polk Salad Annie.” Carrigan also played on sessions with Johnny Cash, John Denver, George Jones, Don McLean, Dolly Parton, Johnny Paycheck, Elvis Presley, Charley Pride, Tammy Wynette and many more.
  • Speaking of the Country Music Hall of Fame and Museum; country music legend Ray Price will visit the Museum on Saturday, March 7, to share memories of his close friend and mentor, Hank Williams. The intimate interview, which is presented in conjunction with the Museum’s exhibition Family Tradition: The Williams Family Legacy, will begin at 1:30 p.m. also in the Museum’s Ford Theater.
  • The 9413 celebrates the greatness that was Lecil Travis “Boxcar Willie” Martin as part of their excellent and enlightening  Forgotten Artists series.
  • HearYa – Indie Music Blog posts that San Francisco roots trio The Devil Makes Three will release Do Right Wrong on May 5th via Milan Records.

The Devil Makes Three – Old Number 7

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Larry Jon Wilson

The first time I ever saw Larry Jon Wilson was while watching the excellent DVD on the outlaw country music movement of the 70s Heartworn Highways. He was sang Ohoopee River Bottomland with more soul than a a white man deserves to have.  Along with his contemporaries Townes Van Zandt, Mickey Newberry, Tony Joe White and Kris Kristofferson Williams rejected Nashville’s rigid ideas about country music and forged some of the finest music you’ll ever hear. Kristofferson said of Wilson that “he can break your heart with a voice like a cannon ball.”

For The Sake of the Song has a nice post about Larry Jon Wilson’ career and offers some mp3s for you to download. Do yourself a favor and get to know this exceptional man’s music.

Larry Jon Wilson -  Ohoopee River Bottomland from Heartworn Highways

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