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 Wanted! – Notable Americana and Roots Music Releases for 2017

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Wanted! - Notable Americana and Roots Music Releases for 2017

2016 was another great year for Americana and roots music, and 2017 shows signs that the great music will continue to come our way. As our Cream of the Crop favorites from last year makes plain we might be experiencing a new golden age of roots music/ Both as a growing influence on our contemporary culture and also as a viable, business for young and old artists to sustain themselves and thrive.

That last part is crucial as it provides economic and influential seed corn for the future ‘Cream of the Crop’ year-end best of collections.

The list below is a collection of known 2017 notable Americana / roots releases. Some anticipated releases from artists like Ray Wylie Hubbard, Chris Stapleton, Jason Isbell and The Secret Sisters have no release dates yet, but when I become aware of them and others I will be updating the list throughout the year and will send word through my twitter account when I do.

If you know of a release not listed yet please leave it in the comments.

One thing is for sure, it’s going to be a great year folks.

January 13th –
The Band of Heathens – ‘Duende’
Blackie and the Rodeo Kings – ‘Kings and Kings’
Otis Gibbs – ‘Mount Renraw’

January 20th –
Kasey Chambers – ‘Dragonfly’
The Show Ponies – How It All Goes Down’
Rayna Gellert – ‘Workin’s Too Hard’

January 27th –
Delbert McClinton – ‘Prick Of The Litter’
Tift Merritt – ‘Stitch of the World’
Valerie June – ‘The Order of Time’
Bankesters – ‘Nightbird’
Dead Man Winter – ‘Furnace’

February 3rd –
Ags Connolly – ‘Nothin’ Unexpected’
Gurf Morlix – ‘The Soul & The Heal’
Mitch Dean –‘Suburban Speakeasy’
Rose Cousins – ‘Natural Conclusion’
Caroline Spence – ‘Spades & Roses’

February 10th –
Kris Kristofferson – The Austin Sessions (Expanded Edition)

February 17th –
Alison Krauss – ‘Windy City’
Nikki Lane – ‘Highway Queen’
Pegi Young & The Survivors – ‘Raw’
Son Volt – ‘Notes Of Blue’
Son of the Velvet Rat – ‘Dorado’
Blair Crimmins – ‘You Gotta Sell Something’
The Gibson Brothers – “In The Ground”

February 24th –
Curtis McMurtry – ‘The Hornet’s Nest’
Rhiannon Giddens – ‘Freedom Highway’
Old 97s – ‘Graveyard Whistling’
Scott H. Biram – “The Bad Testament”
Shinyribs – “I Got Your Medicine”
Aaron Watson – “Vaquero”

March 3rd –
Grandaddy – ‘Last Place’
Beth Bombara – ‘Map With No Direction ‘

March 10th –
Sunny Sweeney – “Trophy’
Pieta Brown – “Postcards”

March 24th –
Jessi Colter – ‘The Psalms’
Samantha Crain – ‘You Had Me At Goodbye’

March 31st –
Rodney Crowell – ‘Close Ties”
David Olney – “Don’t Try To Fight It”
Dead Soldiers – “The Great Emptiness”
Shoddy Blacktooth — “Don’t Forget To Die”

April 7th
Malcolm Holcombe – ‘Pretty Little Troubles’
Andrew Combs – “Canyons Of My Mind”

April 14th
Evening Darling – “Evening Darling’

April 21st –
Angaleena Presley – ‘Wrangled’

May 5th
Chris Stapleton – ‘From a Room: Volume 1’

May 19th
Builders and the Butchers – ‘The Spark’
Pokey LaFarge – ‘Manic Revelations’
Tom Russell – ‘Play One More: The Songs Of Ian And Sylvia’

May 26th
Justin Townes Earle – ‘Kids in the Street’

June 2nd –
Bobby Osborne – ‘Original’

June 9th –
The Secret Sisters – ‘You Don’t Own Me Anymore’
Shannon McNally – ‘Black Irish’

June 16th –
Sammy Brue – ‘I Am Nice’

June 23rd –
The Deslondes – ‘Hurry Home’
Slaid Cleaves – ‘Ghost on the Car Radio’

July 7th –
Randall Bramblett – ‘Juke Joint At The Edge Of The World’

July 14th –
Cale Tyson – ‘Careless Soul’

July 21st –
Whiskey Shivers – ‘Some Part of Something”

August 4th
Tyler Childers – ‘Purgatory’

August 18th
Loretta Lynn – ‘Wouldn’t It Be Great’ POSTPONED
Ray Wylie Hubbard – ‘Tell the Devil I’m Getting There as Fast as I Can’

September 8th
Caroline Reese – ‘Two Horses’ EP

September 15th
Willie Watson – ‘Folksinger Vol. 2’
The Lone Bellow – ‘Walk Into A Storm’

September 22nd
Steve Martin & Steep Canyon Rangers – “The Long-Awaited Album”
Billy Strings – ‘Turmoil & Tinfoil’

September 29th
Anna Tivel – “Small Believer”

October 6th
Whitney Rose – ‘Rule 62’
JD McPherson – ‘Undivided Heart and Soul’
Becca Mancari – ‘Good Woman’

October 13th
Hellbound Glory – ‘Pinball’
Caleb Cladry – ‘Invincible Things’

October 16th
Gill Landry – ‘Love Rides A Dark Horse’

October 20th
Turnpike Troubadours – ‘A Long Way From Your Heart’
Dori Freeman – ‘Letters Never Read’

October 27th
Lee Ann Womack – ‘The Lonely, The Lonesome & The Gone’
Ronnie Fauss – ‘Last of the True’
The Wailin’ Jennys – ‘Fifteen’
The Deep Dark Woods – ‘Yarrow’

October 31st
Year of October – ‘Trouble Comes’

November 3rd
Samantha Fish – ‘Belle of the West’
Anna St. Louis – “First Songs’
Scott Miller – ‘Ladies Auxiliary’

November 17th
Mavis Staples – ‘If All I Was Was Black’

December
Chris Stapleton – ‘From a Room: Volume 2’

December 8th
Robert Ellis and Courtney Hartman – ‘Dear John’

Americana Music Support at the Late Show with David Letterman [VIDEO]

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David Letterman

David Letterman, and his Late Show booking crew, have been long-time enthusiastic supporters of country and Americana music. Recently it seems like Dave has invited a roots artist to play every night of the week, and this is great new for the artists needing exposure and fans looking for great music.

And as Saving Country Music tells it, the Late Show was the one that reached out to many of these artists to perform on the program. Many of them, like dale Watson and Shove;s and Rope, getting national exposure for the first time.

Here’s to you, Dave and crew, for championing great roots and Americana music like the clips below.

Ryan Adams – Lucky Now – December 5, 2011

Shovels & Rope – Birmingham – David Letterman January 30, 2013
http://www.youtube.com/watch?v=dfPnGEgtDXI

Elizabeth Cook – If I Had My Way, I’d Tear This Building Down – March, 14 2013

Dale Watson & His Lonestars – “I Lie When I Drink” – June 24, 2013
http://www.youtube.com/watch?v=BHcRTTy0Epg

Ray Wylie Hubbard – Mother Blues – David Letterman – January 9, 2013
http://www.youtube.com/watch?v=r92RkIKm6Wc

Marty Stuart “Country Boy Rock & Roll” June 29, 2010
https://www.youtube.com/watch?v=mcJ80pKqsA0

Jason Isbell and the 400 Unit “Codeine” – November 2004
http://www.youtube.com/watch?v=RUzc7cUaPWs

Pokey LaFarge – “Central Time” – 16 July, 2013
http://www.youtube.com/watch?feature=player_embedded&v=82hWDlADJDg

Tom Russell with Andrew Hardin – “Tonight We Ride” – 2009

Justin Townes Earle – “Harlem River Blues” – January 5, 2011

Andrew Bird with Tift Merritt and Alan Hampton – “If I Needed You” (Townes Van Zandt) – 10/30/2012
http://www.youtube.com/watch?v=i8TdDJe6-xY

Jamey Johnson with Alison Krauss – “Make the World Go Away” 10/12/2012
http://www.youtube.com/watch?v=bu-hSTup6CQ

Steve Earle – “Copperhead Road” – 1988

Emmylou Harris , Alison Krauss and Gillian Welch – 2001
http://www.youtube.com/watch?v=4D8YEgANLow

Willie Nelson – “Always On My Mind” – date?

Earl Scruggs and Friends – Foggy Mountain Breakdown – May, 12/07

Shovels & Rope Performs “Birmingham” on Late Show with David Letterman

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shovel and ropes

Shoves and Rope made their national television debut last night on the Late Show with David Letterman. Dave and his staff have been a great supporter of roots and Americana music recently having Justin Townes Earle, Jason Isbell and Tom Russell and others. I say thank you!

The band looks like they are having a blast performing their song Birmingham from their latest O Be Joyful.

Thanks to IdolXfactor3 for the video upload.

https://www.youtube.com/watch?v=dfPnGEgtDXI

Music Review: Gretchen Peters – Hello Cruel World [Scarlet Letter Records]

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I became aware of Gretchen Peters when I heard One to the Heart, One to the Head , a covers album she released with one of my favorite singer/songwriters Tom Russell. I was impressed by their take on many great country-folk songs, from Bob Dylan to Townes Van Zandt, and Peters’ smoky vocals contrasting with Russell’s dusty growl.

While reviewing the album I became aware of Peters’ past life as a New York-born, Nashville-based songwriter for Music City country, pop and soul. Martina McBride, Trisha Yearwood, Patty Loveless, George Strait, Neil Diamond and the late Etta James She also won the 1995 Country Music Association Song Of The Year award and turned some heads with her unflinching view of a woman’s domestic abuse with McBride’s Independence Day.

These song-craft skills, and the courage that maturity affords you to speak fearlessly, have resulted in Gretchen Peters’New release of darkly engaging Americana-pop Hello Cruel World. Recent trials and revelations in her life provide fertile soil for an collection of songs that look into the abyss and dares to laugh. Dares to love.  What could have been a very bleak album transforms brutality, indifference and the absurdity of life into jagged gems that makes you want to sing along and occasionally tap a toe. Peters co-produces along with husband Barry Walsh and Doug Lancio. they use sparse arrangements and atmosphere that made One to the Heart, One to the Head such a pleasure.

The self-titled opener is a moody study of contrast and personal perseverance. “I’m not dead but I’m damaged goods, and it’s getting late.” Followed by a chorus of “I’m a very lucky girl” sung with beautifully weary resignation backed by minor-chord strings. St. Francis was  inspired by the Gulf oil spill and co-written by Tom Russell, who often employs Catholic symbols and analogies to make corporeal points. The song engages St. Francis of Assisi to show how the divine is often overlooked or, when recognized, taken for granted.

Torn allegiances dominate The Matador as the thrill and drama of a bull ring serves as a metaphor for passion and conflict. Ordained minister Rodney Corwell performed the matrimonial ceremony for Peters’ and Walsh in 2010, on Dark Angel, Corwell plays the foil of love in  a tale of dangerous attraction and certain demise. Camille shares co-writing credits with Peters’ “Wine, Women, and Song” members Matraca Berg and Suzy Bogguss, is smoky loneliness and sweet despair shepherded by trumpet and barroom piano. Paradise Found has a hot summer day simmer that references Steinbeck and a play on Milton where the song derives it’s title.

From the Stevie Nicks-like album cover Peters stares at you from the dusky cool-colored cover with an orb that looks like a globe or a crystal ball. It serves as both metaphors here. These are adult songs about adult situations that in lesser hands would result in a very dull listening. In Peter’s hands poetry and the profane is balanced in a way that reminds us we are not alone and that beauty and hope, as well as songwriting that engages instead of panders,  still exists.

Official Site | Buy

Veterans Day Americana Mix – For Those That Serve

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Aesthetics aren’t the only think that separates mainstream Music City country from it’s rustic yet urbane cousin Americana , there are political themes that differentiate as well. Music City doesn’t have a lock on patriotism any more than it does mom and apple pie. Here’s some Americana/classic country greats on this day for remembrance for those that serve.
Jason Isbell – Dress Blues
Johnny Cash – The Ballad Of Ira Hayes
Bruce Robison – Travelin’ Soldier
John Prine – Sam Stone
Tom Russell – Veteran’s Day
Drive-By Truckers – Mama Bake A Pie (Daddy Kill A Chicken)
Jamey Johnson – In Color
Hank Williams – Searching For A Soldier’s Grave
Radney Foster – Angel Flight
Steve Earle – Johnny Come Lately

Listen here on Spotify

Tom Russell – Mesabi

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Tom Russell has always been a pioneer, a wander expanding his territory of influences.  The L.A. native now calls the border town of El Paso home and there is much Tex-Mex grounding in his ventures. The title song from his upcoming Mesabi starts with an spare acoustic but then swings into full band including mariachi-style trumpet. The sonic imagery that greatly influences Russell is the narritive here as a  Mexican kid hears  Buddy Holly, Howling Wolf, Ritchie Valens, polkas and dreams of being a troubadour. To make things intereting there’s even a dash of The Who’s  Baba O’riley in there if you listen

Tom Russell’s new album, ‘Mesabi’, out 9/6. The album features Calexico, Van Dyke Parks and Lucinda Williams.

 

 

Mesabi_Tom Russell.mp3

[youtube]http://www.youtube.com/watch?v=YUH2SDjwa0g[/youtube]

Gurf Morlix – Blaze Foley’s 113th Wet Dream [Rootball Records]

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“He’s only gone crazy once. Decided to stay.” – Townes Van Zandt about Blaze Foley

For Gurf Morlix to create a tribute album for his Austin running buddy and fellow singer-songwriter, the late, great Blaze Foley, was a tricky endevour. Foley wrote songs with such singular originality edging toward cloying sentimentality and corny humor and instead delivering songs of heart-wrenching honesty and dry wit. Once hear Foley do a Foley song you can’t really imagine anyone else doing it.

Not that it hasn’t been tried before. Foley’s songs have been covered by John Prine (Clay Pigeons) and Merle Haggard (If I Could Only Fly.) And Foley has inspired others as as the subject of Austin contemporaries Townes Van Zandt’s “Blaze’s Blues” and Lucinda Williams’ “Drunken Angel.”

Foley’s legacy is ready-made for mythology. He used to jokingly claim to be the illegitimate son of Red Foley and Blaze Starr, to be a news broadcaster from Cincinnati and to have once tried to break into Caspar Weinberger’s house to “see what was on his VCR.” These whoppers are like a seeping breach between a rich source of song-craft inspiration and a need to recreate himself.

In truth Blaze Foley. Born in Marfa Texas (setting for the films Giant and There Will Be Blood and currently a thriving creative community) in l949. He performed in a family gospel act called the Fuller Family with his mother and sisters. He eventually landed in Austin, a city that prides itself on non-conformity, and with his duct-taped boots and clothing, sense of humor and stark, brutally honest songs, stood out.

Gurf Morlix is an Americana music pioneer. A New york native in1981 he moved to Los Angeles where he met a kindred spirit Lucinda Williams. He went on to lead her band for 11 years (1985 to 1996) singing, and playing guitar, and eventually producing her albums. His latter role as producer of Williams’ pinnacle Car Wheels On A Gravel Road led to their acrimonious split. Morlix then went on to play either guitar, bass, mandolin, dobro, pedal steel guitar, lap steel, banjo, piano, harmonica, and a variety of other instruments for and/or produce a literal who’s-who in the the Americana/rock field – Warren Zevon, Mary Gauthier, Robert Earl Keen, Slaid Cleaves, Ray Wylie Hubbard, Buddy and Julie Miller, Tom Russell, Guy Clark, Emmylou Harris, Michelle Shocked, Jimmy LaFave, Jimmie Dale Gilmore, Butch Hancock, Mojo Nixon, Jim Lauderdale, Jerry Lee Lewis, Peter Case, Bob Neuwirth, Don Walser, Jon Langford, Steve Earle, Harry Dean Stanton, Charlie Sexton, The Plimsouls, Victoria Williams, James McMurtry, Flaco Jimenez, Rosanne Cash, David Byrne, Kevin Welch, John Prine, Dave Alvin and many more. Impressed yet?

Blaze Foley’s 113th Wet Dream is 15 Foley originals that display the dark-to-light shadings of the man’s talent. Displaying a sense of humor and song-craft Roger Miller would envy on the cuts Baby Can I Crawl Back To You, Big Cheeseburgers and Good French Fries and No Goodwill Stores in Waikiki and the unvarnished melancholy and longing of If I Could Only Fly (featuring renowned Texas singer/songwriter Kimmie Rhodes on backing vocals) and Cold, Cold World that would make his buddy Townes Van Zandt weep. Some of the songs – Oh Darlin’ and Rainbows and Ridges combine elements of both.

Morlix ‘s arrangements and delivery are straightforward and top notch playing adds just the right amount of adornment. Aside from the excellent musicianship Morlix, unlike Steve Earle’s 2009 tribute to his mentor Townes Van Zandt, appears to have no urge to put his personal stamp on the songs.

Morlix was there on that cold February day in Austin when they put Blaze Foley in the ground as a result of being on the business end of a 22-caliber rifle. He was not content to let his songs be buried with him.

This CD is released in conjunction with the documentary film, Blaze Foley: Duct Tape Messiah, which has been 12 years in the making.

official site | buy

[youtube]http://www.youtube.com/watch?v=oFuOh2TXnHM&feature=player_embedded[/youtube]

[youtube]http://www.youtube.com/watch?v=0KwR7fk1PGQ[/youtube]

Townes Van Zandt – Play Away the Pain [VIDEO]

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”Townes Van Zandt is the best songwriter in the whole world and I’ll stand on Bob Dylan’s coffee table in my cowboy boots and say that.” – Steve Earle

Though less influential than Hank Sr.,  Townes Van Zandt was no less innovative in his songs and Country/folk/Americana sound and destructive in his lifestyle. As one reader commented on my tweet for my Hank Sr. post “New Year’s is tough on song writers. The best ones anyway.” Indeed.

In the same vein of tribute I will post some of the best Townes Van Zandt covers I can find.

The Be Good Tanyas – Waiting Around to Die

Tindersticks – Kathleen

The Pyles – If I Needed You
http://www.youtube.com/watch?v=aF6h0u5i0Rc

Alison Krauss and Robert Plant – Nothin’
http://www.youtube.com/watch?v=2GitZD89Xrs

Tom Russell – Snowin’ on Ration
http://www.youtube.com/watchv=NuCArD7Gej8&playnext=1&list=PL197C3908C5753F12&index=58

Jimmie Dale Gilmore – Buckskin Stallion Blues

Guy Clark – To Live Is To Fly

Steve Earle – Colorado Girl
http://www.youtube.com/watch?v=bPWSoSgEZM4

Willie Nelson and Merle Haggard – Pancho and Lefty. Certainly not the best version, but the most recognizable and profitable version. Look for a cameo by Townes in the bar scene.

Emmylou Harris – Pancho and Lefty
http://www.youtube.com/watch?v=PRx5r32hsF4

The Best of 2009

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best-09

It’s been a bumper-crop year for Americana and roots music. There are many reasons for this sonic bonanza but I believe the main drive results from an aging generation used to genre defying music now looking for something a little more comfortable, but no less challenging, as they move from their 20s to their 30s. A generation that grew to see mash-ups as a newly formed musical expression are much more comfortable with genre bending acts like The Drive By Truckers and Deer Tick, and the success of recent T. Bone Burnett stewarded projects, the O’ Brother Where Art Thou soundtrack and Robert Plant and Allison Krauss’ Raising Sand brings older performers and songs to a new audience and shows that the music is not only interesting and exciting, and in a culture steeped in hipster irony something emotionally authentic, but it can make money as well.

Maybe part of the boom was the newly added Americana Grammy category (yeah, I don’t buy that either), or maybe this aging population are used to the internet and discovering music their way instead of having pre-fabricated crap shoved down our throats by the big labels whose only business plan over the last decade is to sue the fans and squeeze musicians tighter, and the commercial radio stations that enable them. As a grassroots cultural correction Americana, like punk rock in the 70’s, is a response to this environment of mediocrity. Only this time it’s with a banjo instead of a Fender Jaguar and a Mohawk (though some of these musicians do sport Mohawks) and wielding the power of social media that does much of the jobs the big labels used to do a generation ago. Whatever the reason for all the music, I’m just happy to be a recipient and humble purveyor of all the goods, and I hope some of you readers find some of this stuff interesting as well.

I’ve expanded my top 10 list to 20 this year to make room for this great embarrassment of riches. By doing this I’ve also done away with my addendum Honorable Mentions, which was always kind of like a cheat anyway.

I was honored to be included with 29 of the best music blogger compadres around in the top 20 Bird List, but I have to admit that the list I submitted for that list has changed about 10 more times ultimately resulting in the list you now see before you….enjoy, disagree, fume and fret ,leap for joy, whatever…just get me some of that spiked Nog while you’re up.

1. Charlie Robison – Beautiful Day (turning life’s lemons into Luckenbach lemon-aid)
2. Kris Kristofferson- Closer To The Bone (#2 this year, but career-wide nobody can touch Kristofferson for songwriting.)
3. Gretchen Peters with Tom Russell – One To The Heart, One To The Head (a brilliant Western cinematic duet)
4. Lindsay Fuller and the Cheap Dates –Self Titled (Flannery O’Connor with a telecaster)
5. Miranda Lambert – Revolution (The anti-Taylor works from inside Music City)
6. George Strait – Twang (The King of Country. Period)
7. Tom Russell – Blood and Candle Smoke (Beat poet hillbilly travels dusty roads and smoky coffee shops with members of Calexico)
8. Carolyn Mark and NQ Arbuckle – Let’s Just Stay Here (Quirky yet familiarly cozy Canadian country music)
9. Corb Lund – Losin` Lately Gambler(See Canadian reference above)
10. Grant Langston – Stand Up Man (Bakersfield is alive and well)
11. Wrinkle Neck Mules – Let The Lead Fly (alt.country is alive and well)
12. William Elliott Whitmore – Animals In The Dark (punk and folk ethos delivered with timeless soul)
13. Amanda Shires – West Cross Timbers (Winsome chanteuse travels dark and dusty regions of the heart)
14. Angela Easterling – Black Top Road (Roots/Rock sweetheart with a folk sense of cultural activism)
15. Willie Nelson & Asleep at the Wheel – Willie and the Wheel (perfect union channels the spirit of Bob Wills)
16. Todd Snider – Excitement Plan (Steve Earle should study this release, social commentary doesn’t have to suck)
17. Justin Townes Earle – Midnight At The Movies (the younger Earle continues to make his mark by reaching into country music’s past)
18. The Felice Brothers – Yonder is the Clock (The Basement Tapes run through a dark prism)
19. Guy Clark – Somedays The Song Writes You (A Texas treasure that can do no wrong)
20. Deer Tick – Born on Flag Day (Indy spirit that uses twang as a strong driver)
21. Those Darlins – Self-titled (Riot Grrrl spunk with a Carter Sisters trad reverence)

It’s been a bumper-crop year for Americana and roots music. There are many reasons for this sonic bonanza but I believe the main drive results from an aging
generation of people used genre defying music but now looking for something a little more comfortable, but no less challenging, as they move from their 20s to their
30s. Kids that grew to see mash-ups as a newly formed musical expression are much more comfortable with genre bending acts like The Drive By Truckers and Deer Tick.
The success of recent T. Bone Burnett stewarded projects, the O’ Brother Where Art Thou soundtrack and Robert Plant and Allison Krauss’ Raising Sand shows that the music is not only interesting and exciting but can make money as well.

Maybe it was the newly added Americana Grammy category (yeah, I don’t buy that neither), or maybe this aging population are used to the internet and discovering music their way instead of having pre-fabricated crap shoved down our throats by the big labels whose only business plan over the last decade is to sue the fans and squeeze musicians tighter, and the commercial radio stations that enable them. As a grassroots cultural correction Americana, like punk rock in the 70’s, is a response to this environment of medicocrity. Only this time it’s with a banjo instead of a Fender Jaguar and a Mohawk (though some of these musicians do sport Mohawks.) Whatever the reason for all the music, I’m just happy to be a recipient and humble purveyer of all the goods, and I hope some of you readers find some of this stuff interesting as well.

http://www.thebirdlist.org/

I’ve expanded my top 10 list to 20 this year to make room for this great embarrassment of riches. By doing this I’ve also done away with my addendum Honorable Mentions, which was always kind of like a cheat anyway.

I was honored to be included with 29 of my music blogger compadres in the top 20 Bird List, but I have to admit that the list I submitted for that list has changed about 10 more times ultimately resulting in the list you now see before you….enjoy, disagree, fume and fret ,leap for joy, whatever…just get me some of that spiked Nog while you’re up.

1. Charlie Robison – Beautiful Day (turning life’s lemons into Luckenbach lemon-aid)
2. Kris Kristofferson- Closer To The Bone (#2 this year, but career-wide tobody can touch Kristofferson for songwriting.)
3. Gretchen Peters with Tom Russell – One To The Heart, One To The Head (a brilliant Western cinematic duet)
4. Lindsay Fuller and the Cheap Dates -Self Titled (Flannery O’Connor with a telecaster)
5. Miranda Lambert – Revolution (The anti-Taylor works from inside Music City)
6. George Strait – Twang (The King of Country. Period)
7. Tom Russell – Blood and Candle Smoke (Beat poet hillbilly travels dusty roads and smoky coffee shops with members of Calexico)
8. Carolyn Mark and NQ Arbuckle – Let’s Just Stay Here (Quirky yet familiarly cozy Canadian country music)
9. Corb Lund – Losin` Lately Gambler(See Canadian reference above)
10. Grant Langston – Stand Up Man (Bakersfield is alive and well)
11. Let The Lead Fly – Wrinkle Neck Mules (alt.country is alive and well)
12. William Elliott Whitmore – Animals In The Dark (punk and folk ethos delivered with timeless soul)
13. Amanda Shires – West Cross Timbers (Winsome chanteuse travels dark and dusty regions of the heart)
14. Angela Easterling – Black Top Road
15. Rita Hosking – Come Sunrise
16. Todd Snider’s Excitement Plan
17. Justin Townes Earle – Midnight At The Movies
18. The Felice Brothers – Yonder is the Clock
19. Guy Clark – Somedays The Song Writes You
20. Deer Tick – Born on Flag Day
21. The Builders & The Butchers – Salvation is a Deep Dark Well

News Round Up: Merlefest Line Up Announced

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  • The Austin Chronicle’s Audra Schroeder reviews Texas’ own honky angel  Rosie Flores  new Bloodshot Records release Girl of the Century. Rosie is backed by the Pine Valley Cosmonauts led by the Mekons and Waco Brothers’ front man Jon Langford. Rosie and the Pine Valley Cosmonauts recently performed at San Francisco’s Hardly Strictly Bluegrass festival, and they sounded great!
  • Te lineup for Doc Watson’s annual MerleFest has been released. The 23rd year of the excellent Americana and roots festival will again take place in Wilkesboro, NC, on the campus of Wilkes Community College. Some of the performers will be The Avett Brothers (and their dad Jim Avett), Bearfoot, Dallas’ Brave Combo, Elvis Costello, Jim Lauderdale, Little Feat and many more.
  • Tom Russell’s newest blog post discusses taping Letterman during the “controversy” and the ongoing tour supporting his newest excellent release, Blood and Candle Smoke.
  • Speaking of excellent albums , PopMatters.com’s Andrew Gilstrap reviews the recent release by Chris Knight, Trailer II.